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An award-winning new take on the masterwork about citizens standing up to power, TimeLine Theatre Company’s AN ENEMY OF THE PEOPLE is "a riveting drama that feels fresh, edgy and of-the-moment&lt;em&gt;" (PicksInSix)&lt;/em&gt;, "a must-see experience" &lt;em&gt;(Let's Play) &lt;/em&gt;and "a fitting choice for the era we live in" &lt;em&gt;(Chicago Sun-Times)&lt;/em&gt;. &lt;em&gt;Newcity&lt;/em&gt; declares it “powerful … an excellent production and a great way to christen the new home of a company focused on history.” Twice extended due to popular demand, the show is now in its final weeks and must close June 27. Don’t miss it!
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&lt;table class="image_block block-2" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;div style="max-width:598px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6jzaej7aqDqLksEPj" target="_blank"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/i6b/9r4/uhz/MOWA%20NT%20newsletter%20creative%20for%20June%2015%20AmLand_digital-2-600x250.jpg" 
style="display:block;height:auto;border:0;width:100%" width="598" alt="" title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="divider_block block-3" width="100%" border="0" cellpadding="10" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" align="center"&gt;&lt;table border="0" cellpadding="0" cellspacing="0" role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="divider_inner" 
style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-4" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:5px;padding-bottom:5px;padding-left:20px;padding-right:20px" align="center"&gt;&lt;div style="max-width:350px"&gt;
&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6jzaej7aqC6qksEP-%7CjdO-7M-sPARd" target="_blank"&gt;&lt;img src="https://d15k2d11r6t6rl.cloudfront.net/pub/40qd/br3kliar/trm/f81/xfb/NewcityLogoEmail.png" style="display:block;height:auto;border:0;width:100%" width="350" alt="" title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="divider_block block-5" width="100%" border="0" cellpadding="10" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" align="center"&gt;
&lt;table border="0" cellpadding="0" cellspacing="0" role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-6" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td 
class="pad" style="padding-top:20px;padding-bottom:10px;padding-left:20px;padding-right:20px"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;On Saturday, we decided to take Divvy bikes up to Caffe Oliva on Ohio Street Beach for lunch, one of our favorite summer pastimes. It was a gorgeous June afternoon and the Lakefront seemed busier than ever.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Pedestrian crowds on the path to the Museum Campus were almost as thick as they are on days with home Bears games, making weaving around them on bicycles more challenging than normal.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;When we reached the bike path, merging was like getting on the Dan Ryan at rush hour, as riders flew by in a constant stream. We finally found an opening to enter, only to have a careening Lance Armstrong-wannabe decked out in Spandex come out of nowhere, yelling at us to get out of the way. Because, you know, high-speed bicycling makes perfect sense on a Saturday at lunchtime in the busiest, most tourist-saturated part of the Lakefront.&amp;nbsp;&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;Other than that, the gathering of humanity sharing a few hours of sun-drenched joy in our city was a marvel to behold and to be part of.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;But I couldn't help but think about how unprepared our Lakefront design is for this kind of traffic growth, how inadequately narrow the bike path is, even with the five-year-old Navy Pier Flyover bridge, and how poorly marked wayfinding and pedestrian-bicycle signage is.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;It's all very "accident-waiting-to-happen." But why wait?&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-7" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px" 
align="left"&gt;&lt;div style="max-width:104px"&gt;&lt;img src="https://d15k2d11r6t6rl.cloudfront.net/pub/40qd/br3kliar/ier/gbh/bha/unnamed-1_1.png" style="display:block;height:auto;border:0;width:100%" width="104" alt="" title="" height="auto"&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-8" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad" 
style="padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px; color: #000000;"&gt;Brian Hieggelke&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px; color: #000000;"&gt;Editor &amp; Publisher&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;em&gt;Order the &lt;/em&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6jzaej7aqC66ksEP-%7CjdO-7M-sPARd" style="text-decoration: underline; color: #0068A5;"&gt;&lt;em&gt;June&lt;/em&gt;&lt;/a&gt;&lt;em&gt; issue here.&amp;nbsp;&lt;/em&gt;&lt;/span&gt;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;em&gt;Digital memberships &lt;/em&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6jzaej7aqC7LksEP-%7CjdO-7M-sPARd" style="text-decoration: underline; color: #0068A5;"&gt;&lt;em&gt;here&lt;/em&gt;&lt;/a&gt;&lt;em&gt;.&lt;/em&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;em&gt;Retail/Institutional subscriptions &lt;/em&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6jzaej7aqC8aksEP-%7CjdO-7M-sPARd" style="text-decoration: underline; color: #0068A5;"&gt;&lt;em&gt;here&lt;/em&gt;&lt;/a&gt;&lt;em&gt;.&lt;/em&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="divider_block block-9" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:10px;padding-bottom:20px;padding-left:10px;padding-right:10px" align="center"&gt;&lt;table border="0" cellpadding="0" cellspacing="0" role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div 
class="spacer_block block-10" style="height:21px;line-height:21px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="text_block block-11" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-left:20px;padding-right:20px"&gt;&lt;div style="font-family:Tahoma,Verdana,sans-serif"&gt;&lt;div class 
style="font-size:14px;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;mso-line-height-alt:16.8px;color:#555;line-height:1.2"&gt;&lt;p style="margin:0;font-size:14px;mso-line-height-alt:16.8px"&gt;&lt;span style="word-break: break-word; font-size: 16px; color: #65d68b;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word;"&gt;ART&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-12" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px" align="center"&gt;&lt;h1 style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:24px;font-weight:900;letter-spacing:normal;line-height:1.5;text-align:left;margin-top:0;margin-bottom:0;mso-line-height-alt:36px"&gt;
&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6jzaej7aqDraksEP-%7CjdO-7M-sPARd" target="_blank" style="text-decoration: none; color: #000000;" rel="noopener"&gt;&lt;span class="mce-content-body mce-edit-focus" style="word-break: break-word; position: relative;" id="942bccca-2b3e-4700-9443-298fc9384907" data-position="10-0-11" data-qa="tinyeditor-root-element"&gt;Nyeema Morgan and Mike Cloud Turn the Neubauer Collegium Into a Riddle&lt;/span&gt;&lt;/a&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-13" width="100%" 
border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;div style="max-width:598px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6jzaej7aqDrqksEP-%7CjdO-7M-sPARd" target="_blank"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/r2h/7fd/71e/035_BOB00302_high-res-scaled-600x450.jpg" style="display:block;height:auto;border:0;width:100%" width="598" alt="" title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;
&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-14" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;The Chicago-based artist couple's "Story Structure, Pt. 2" makes the room itself a world to decipher. (Lucas Gomez-Doyle)&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="divider_block block-15" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:10px;padding-bottom:20px;padding-left:10px;padding-right:10px" align="center"&gt;&lt;table
 border="0" cellpadding="0" cellspacing="0" role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-16" style="height:21px;line-height:21px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="text_block block-17" width="100%" border="0" cellpadding="0" cellspacing="0" 
role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-left:20px;padding-right:20px"&gt;&lt;div style="font-family:Tahoma,Verdana,sans-serif"&gt;&lt;div class style="font-size:14px;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;mso-line-height-alt:16.8px;color:#555;line-height:1.2"&gt;&lt;p style="margin:0;font-size:14px;mso-line-height-alt:16.8px"&gt;
&lt;span style="word-break: break-word; font-size: 16px; color: #a82b28;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word;"&gt;STAGE&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-18" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:24px;font-weight:900;letter-spacing:normal;line-height:1.5;text-align:left;margin-top:0;margin-bottom:0;mso-line-height-alt:36px"&gt;
&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6jzaej7aqDr6ksEP-%7CjdO-7M-sPARd" target="_blank" style="text-decoration: none; color: #000000;" rel="noopener"&gt;&lt;span class="mce-content-body mce-edit-focus" style="word-break: break-word; position: relative;" id="95363b85-db1d-470c-b95e-03bdb680be9e" data-position="10-0-17" data-qa="tinyeditor-root-element"&gt;"Brokeback Mountain" Brings Queer Intimacy to a Grand Wyoming Setting&lt;/span&gt;&lt;/a&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-19" width="100%" 
border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;div style="max-width:598px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6jzaej7aqDrLksEP-%7CjdO-7M-sPARd" target="_blank"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/d55/ahn/14b/5_CST_BROKEBACK_Press_KyleFlubacker-1%3D600x450.jpg" style="display:block;height:auto;border:0;width:100%" width="598" alt="" title="" height="auto"&gt;&lt;/a&gt;
&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-20" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Chicago Shakespeare Theater stages the U.S. premiere of Ashley Robinson’s adaptation, presenting Annie Proulx’s love story as a play with music. (Rob Silverman Ascher)&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="divider_block block-21" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" 
style="padding-top:10px;padding-bottom:20px;padding-left:10px;padding-right:10px" align="center"&gt;&lt;table border="0" cellpadding="0" cellspacing="0" role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-22" style="height:45px;line-height:45px;font-size:1px"&gt;
&amp;#8202;&lt;/div&gt;&lt;table class="image_block block-23" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-left:20px;padding-right:20px" align="center"&gt;&lt;div style="max-width:400px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6jzaej7aqC76ksEP-%7CjdO-7M-sPARd" target="_blank"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/hx1/0qn/mgk/Newcity%20June%202026%20Footer.jpeg" 
style="display:block;height:auto;border:0;width:100%" width="400" alt="" title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-24" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class 
style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:18.2px;color:#000;line-height:1.3"&gt;&lt;p style="margin:0;font-size:14px;text-align:center;mso-line-height-alt:26px"&gt;&lt;span style="word-break: break-word; font-size: 20px;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word;"&gt;JUNE 2026:&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;br&gt;&lt;span style="word-break: break-word; font-size: 20px;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word;"&gt;DESIGN 50&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;br&gt;
&lt;span style="word-break: break-word; font-size: 20px;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word;"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6jzaej7aqC-LksEP-%7CjdO-7M-sPARd" target="_blank" style="text-decoration: none; color: #19638e;" rel="noopener"&gt;GET THE ISSUE&lt;/a&gt; | &lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6jzaej7aqCAqksEP-%7CjdO-7M-sPARd" target="_blank" style="text-decoration: none; color: #19638e;" rel="noopener"&gt;SUBSCRIBE&lt;/a&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div 
class="spacer_block block-25" style="height:40px;line-height:40px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="divider_block block-26" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:10px;padding-bottom:20px;padding-left:10px;padding-right:10px" align="center"&gt;&lt;table border="0" cellpadding="0" cellspacing="0" role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;
&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-27" style="height:21px;line-height:21px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="text_block block-28" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad" 
style="padding-left:20px;padding-right:20px"&gt;&lt;div style="font-family:Tahoma,Verdana,sans-serif"&gt;&lt;div class style="font-size:14px;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;mso-line-height-alt:16.8px;color:#555;line-height:1.2"&gt;&lt;p style="margin:0;font-size:14px;mso-line-height-alt:16.8px"&gt;&lt;span style="word-break: break-word; font-size: 16px; color: #9db8b3;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word;"&gt;LIT&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table 
class="heading_block block-29" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:24px;font-weight:900;letter-spacing:normal;line-height:1.5;text-align:left;margin-top:0;margin-bottom:0;mso-line-height-alt:36px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6jzaej7aqDsaksEP-%7CjdO-7M-sPARd" target="_blank" style="text-decoration: none; color: #000000;" rel="noopener"&gt;In “Screen People,” You’re the Problem and Also the Solution&lt;/a&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-30" 
width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;div style="max-width:498px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6jzaej7aqDsqksEP-%7CjdO-7M-sPARd" target="_blank"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/yo7/qbm/dag/81IVo-U9vjL._SL1500-600x450.jpg" style="display:block;height:auto;border:0;width:100%" width="498" alt="" title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;
&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-31" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Megan Garber surveys the internet’s impact in the individual. (Joe Cothrel)&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="divider_block block-32" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:20px;padding-bottom:20px;padding-left:10px;padding-right:10px" align="center"&gt;&lt;table border="0" cellpadding="0" cellspacing="0" 
role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-33" style="height:21px;line-height:21px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="text_block block-34" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-left:20px;padding-right:20px"&gt;&lt;div style="font-family:Tahoma,Verdana,sans-serif"&gt;&lt;div class style="font-size:14px;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;mso-line-height-alt:16.8px;color:#555;line-height:1.2"&gt;&lt;p style="margin:0;font-size:14px;mso-line-height-alt:16.8px"&gt;
&lt;span style="word-break: break-word; font-size: 16px; color: #429c95;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word;"&gt;BRAZIL&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-35" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:24px;font-weight:900;letter-spacing:normal;line-height:1.5;text-align:left;margin-top:0;margin-bottom:0;mso-line-height-alt:36px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6jzaej7aqDs6ksEP-%7CjdO-7M-sPARd" target="_blank" style="text-decoration: none; color: #000000;" rel="noopener"&gt;Clara Nunes—I Am the Girl from Minas Gerais&lt;/a&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-36" width="100%" 
border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;div style="max-width:598px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6jzaej7aqD%5EqksEP-%7CjdO-7M-sPARd" target="_blank"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/2fb/ri0/9wr/2023_11_21_Mumo_Exposicao_Clara_Nunes_foto_Amanda_Amorim_18-scaled_600x450.jpg" style="display:block;height:auto;border:0;width:100%" width="598" alt="" 
title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-37" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Explore the late singer's love of fashion in "Clara Nunes: Eu sou a tal mineira" at the Museum of Fashion of Belo Horizonte. (Juan José Santos Mateo)&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="divider_block block-38" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" 
style="padding-top:20px;padding-bottom:20px;padding-left:10px;padding-right:10px" align="center"&gt;&lt;table border="0" cellpadding="0" cellspacing="0" role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-39" width="100%" border="0" cellpadding="0" cellspacing="0" 
role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;div style="max-width:598px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6jzaej7aqD%5E6ksEPj" target="_blank"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/92y/375/c2u/MOWA%20NT%20newsletter%20creative%20for%20June%2015%20AmLand_digital-2-600x500.jpg" style="display:block;height:auto;border:0;width:100%" width="598" alt="" title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;&lt;div class="spacer_block block-40" style="height:40px;line-height:40px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="heading_block block-41" width="100%" border="0" cellpadding="5" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:28px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:34px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6jzaej7aqD%5ELksEP-%7CjdO-7M-sPARd" target="_blank" style="text-decoration: underline; color: #000000;" rel="noopener"&gt;TODAY IN CULTURE&lt;/a&gt;&lt;br&gt;&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;
&lt;table class="text_block block-42" width="100%" border="0" cellpadding="10" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:sans-serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:16.8px;color:#555;line-height:1.2"&gt;&lt;p style="margin:0;font-size:14px;text-align:center;mso-line-height-alt:16.8px"&gt;
&lt;span style="word-break: break-word; color: #000000;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;By Ray Pride&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-43" style="height:40px;line-height:40px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="heading_block block-44" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" 
style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;ART&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-45" width="100%" border="0" 
cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;David&amp;nbsp;Hockney Was Eighty-Eight&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;David Hockney, "the English artist whose deftly designed and suavely colored paintings turned trans-Atlantic attention to figurative and narrative art beginning in the late 1950s and early 1960s after decades in which abstraction had dominated, died on Thursday at his home in London," chronicles Holland Cotter in the New York Times (&lt;em&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6jzaej7aqDvaksEPj" style="text-decoration: underline; color: #0068A5;"&gt;gift link&lt;/a&gt;&lt;/em&gt;). "A native of Yorkshire, Mr. Hockney lived for many years in Los Angeles, long enough to refer to himself as an 'English Los Angeleno' and to create images that, for many viewers, captured the sun-soaked atmosphere of that city as surely as Joan Didion did in prose. And although his art was conservative in an era that also gave rise to Conceptualism, he was progressive in at least one way: He was one of the first widely popular artists of his time to make work with undisguised gay content and one of the few to take a public stand against the censoring of homosexual imagery." (&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6jzaej7aqD66ksEP-%7CjdO-7M-sPARd" target="_blank" style="text-decoration: underline; color: #0068A5;" rel="noopener"&gt;More&lt;/a&gt;.)&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Hockney's Chicago Connections Include A Summer Show At Gray&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Gray Chicago &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6jzaej7aqDvLksEPj" style="text-decoration: underline; color: #0068A5;"&gt;will exhibit&lt;/a&gt; "David Hockney: The Moon Room" from July 10-August 22, Hockney's sixteenth showing with Gray. "Created in 2020 at his Normandy studio in France, Hockney used his iPad to make daily paintings of the surrounding landscape, working en plein air to capture the changing seasons as illuminated by moonlight." The Art Institute's extensive Hockney holdings are catalogued &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6jzaej7aqDwaksEPj" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;The Lubeznik Center's Summer Show Features Two Chicago Sculptors&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Lubeznik Center for the Arts' “Kindred Spirits: Margaret Wharton and Betsy Odom” opens July 3, &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6jzaej7aqDwqksEPj" style="text-decoration: underline; color: #0068A5;"&gt;reports WIMS Radio Valparaiso&lt;/a&gt;. "Curated by Whitney Bradshaw, 'Kindred Spirits' brings together Margaret Wharton and Betsy Odom, two celebrated Chicago sculptors separated in age by nearly forty years yet strikingly aligned in spirit. Born in Virginia and Mississippi respectively, both artists arrived in Chicago carrying sensibilities shaped by Southern histories of making, repair and resourcefulness. Across generations, they share a fascination with everyday objects." July 3-October 25. More &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6jzaej7aqDw6ksEPj" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Bringing Martin Wong's Chinatown To Chicago&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"Martin Wong: Chinatown USA” at Wrightwood 659 "is an eye-opening show by beloved New York artist Martin Wong, a self-taught artist of Chinese American descent who recorded a bombed-out Lower East Side and 'heroized' his Asian and Latino contemporaries who lived there," &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6jzaej7aqDyqksEPj" style="text-decoration: underline; color: #0068A5;"&gt;writes ARTnews&lt;/a&gt;. The exhibition "also happens to include eleven never-before-exhibited paintings—a dozen if you include the never-before-seen back side of one large canvas. It’s a rare treat for lovers of the artist’s work. The first monographic Wong institutional show in almost a decade features over one hundred paintings, sculptures, drawings and photographs. It focuses on Wong’s investigations into the two Chinatowns he knew: San Francisco’s, where he was raised, and New York, where he lived from 1978 to 1994." Read Elisa Shoenberger's &lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6jzaej7aqDy6ksEP-%7CjdO-7M-sPARd" style="text-decoration: underline; color: #0068A5;"&gt;Newcity review of the exhibit&lt;/a&gt;.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Looking At The Obama Center Basketball Court Murals&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"Dorian Sylvain of Hyde Park and Sam Kirk of Little Village say they can’t wait to see the public playing ball on Home Court," &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6jzaej7aqDyLksEPj" style="text-decoration: underline; color: #0068A5;"&gt;pictures the Sun-Times&lt;/a&gt;. The artists "were asked to team up on a mural in the center’s basketball court," though had to work on the art off-site. "Sylvain drew with colored pencil on tissue paper, Kirk digitized the drawings, added her own efforts and put the final work into a file that installers could blow up and reproduce to hang along the center’s Home Court gym floor. Then, they hoped for the best."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-46" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;DESIGN&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-47" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Eleven Takeaways From Chicago Design Week&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p 
style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;The recent Chicago Design Week "saw a thread of spirited innovation across materials, design and technologies," &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6jzaej7aqDzaksEPj" style="text-decoration: underline; color: #0068A5;"&gt;records Dezeen&lt;/a&gt;. "Designers such as Yabu Pushelberg and Mark Grattan and architecture studios such as Foster + Partners and Fogarty Finger worked with contract furniture manufacturers across the world to debut collections of office seating and lounge furniture. An office chair by Foster + Partners Industrial Design made with reused fishing nets and lightweight aluminum benches designed by Naoto Fukasawa were among the objects." The piece includes eleven highlights of the week picked by Dezeen editors.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Ross Barney Designs For Auburn Gresham’s “Main Street”&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"Two large parcels of land along Auburn Gresham’s 'Main Street' had sat vacant for nearly ten years. Working closely with the community, Ross Barney Architects designed two residential buildings," &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6jzaej7aqDzqksEPj" style="text-decoration: underline; color: #0068A5;"&gt;writes the Architect's Newspaper&lt;/a&gt;. "Not only does it add much-needed housing and amenities but it demonstrates what is possible when architects work closely with the community to craft a unique vision of what a Main Street can be—not trapped in the past but open to a younger and more dynamic future."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;The State Of Transit-Oriented Development In Chicago&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;"&lt;/strong&gt;Chicago has made substantial progress in encouraging more development near public transit in the South and West sides—five years after adopting a plan aimed to do just that," &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6jzaej7aqDz6ksEPj" style="text-decoration: underline; color: #0068A5;"&gt;reports the Sun-Times&lt;/a&gt;. There's been progress "on more than half of the forty-two recommendations the city of Chicago laid out in its 2021 policy," which includes "hiring a full-time manager focused on ETOD, allowing for more small-scale housing near transit zones and creating architectural design templates to streamline the approval process." The city now has over one hundred transit-oriented projects in the pipeline, including "a growing number on the South and West sides, with many clustered around the Green Line and the Red Line Extension." (&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6jzaej7aqD6LksEP-%7CjdO-7M-sPARd" target="_blank" style="text-decoration: underline; color: #0068A5;" rel="noopener"&gt;More&lt;/a&gt;.)&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Graham Foundation Announces Individual Grants&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;The Graham Foundation has announced fifty-four new grants to individuals for projects "that contribute new interdisciplinary ideas on architecture and design to publics around the world." The Chicago-based grantees include &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6jzaej7aqD0aksEPj" style="text-decoration: underline; color: #0068A5;"&gt;Future Firm: Ann Lui and Craig Reschke&lt;/a&gt; for "The Stork's Stair" and &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6jzaej7aqD0qksEPj" style="text-decoration: underline; color: #0068A5;"&gt;Norman Teague and Bernard Williams&lt;/a&gt; for "If Architecture Could Dance."&amp;nbsp;More on the grants &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6jzaej7aqD06ksEPj" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Nashville Entertainment Developer Has Eyes On Hard Rock&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Nashville entertainment investor Josh Joseph has a contract to buy and redevelop the Hard Rock site in River North, &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6jzaej7aqD2qksEPj" style="text-decoration: underline; color: #0068A5;"&gt;reports CoStar&lt;/a&gt;. He's "an entrepreneur who has opened entertainment venues in partnership with musicians Jon Bon Jovi and Hank Williams Jr. in Nashville."&lt;/span&gt;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-48" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;FILM &amp;amp; TELEVISION&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-49" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Ninety Movies To See In Chicago Parks This Summer&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p 
style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"The Park District’s summer series brings free screenings to neighborhood parks through September 11," &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6jzaej7aqD26ksEPj" style="text-decoration: underline; color: #0068A5;"&gt;tallies Block Club&lt;/a&gt;. This year marks the program’s twenty-second season. While the programming leans on family-friendly fare, there are screenings like "Casablanca" in Bartelme Park scattered throughout the schedule as well. View the full schedule &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6jzaej7aqD2LksEPj" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; text-align: left; background-color: transparent; font-size: 18px;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-50" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" 
style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;LIT&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-51" width="100%" border="0" 
cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;The Novel That Brings Chicago's 2000s Music Scene To Life&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"With 'The Come Apart,' Susannah Felts returns to the city where her writing career began,"&amp;nbsp;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6jzaej7aqD3aksEPj" style="text-decoration: underline; color: #0068A5;"&gt;reads Chicago magazine&lt;/a&gt;. "The novel, set in 2009-2010 Chicago, follows working musician Maggie Corbin. Her band, which she fronts with her romantic partner Matt Turkish, releases a promising debut album, receives critical acclaim from the local alt-weekly, and scores an indie label record deal. But a sophomore slump hits, streaming services alter the traditional process, and other ordeals derail Maggie’s plans. In addition to referencing music that was popular during the story’s setting, Felts’ novel shares descriptions that pull from her memories of living in Chicago, including sunrises on a frozen Lake Michigan and visits to Rainbo Club."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-52" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;MEDIA&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-53" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Gawker Nemesis Peter Thiel Coming For Journalists Again?&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p
 style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"Prominent right-wing billionaire Peter Thiel," who recently relocated to Argentina, "has reteamed with the legal strategist who helped him bring down Gawker to start an AI-powered appeals court for the rich and aggrieved," &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6jzaej7aqD3qksEPj" style="text-decoration: underline; color: #0068A5;"&gt;writes journalist Gary Baum at the Hollywood Reporter&lt;/a&gt;. "Purdue Pharma heir Michael Sackler, a film financier and self-styled ethical investor, had paid a new tech startup—fittingly called Objection—to assess the legitimacy of a skeptical article I’d published about him and his business in The Hollywood Reporter five years earlier." The Hollywood Reporter describes the effort as the work of a "Thiel-backed tribunal."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-54" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;STAGE&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-55" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Why Megan Mullally Spent Twelve Years In The Embrace Of "Iceboy!"&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"Although Megan Mullally has deep roots in musical comedies, the actress—best known for sitcoms such as 'Will &amp; Grace,' 'Parks and Recreation' and 'Party Down'—says that theatrical roles she finds truly funny are few and far between," &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6jzaej7aqD36ksEPj" style="text-decoration: underline; color: #0068A5;"&gt;timelines Playbill&lt;/a&gt;. Now "she’s found the right fit with a new musical she’ll star in at the Goodman this summer: 'Iceboy! The Musical, or The Completely Untrue Story of How Eugene O’Neill Came to Write "The Iceman Cometh."' The world-premiere production, opening on June 20, marks Mullally’s return to the stage for the first time since 2014. 'I’ve actually been doing workshops of ['Iceboy'] for twelve years,' Mullally said. 'It’s really funny, but it’s also kind of weird, which is what I love. It’s just offbeat enough that it’s very different from anything else.'" At the Reader, &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6jzaej7aqD3LksEPj" style="text-decoration: underline; color: #0068A5;"&gt;Kerry Reid traces&lt;/a&gt; the Chicago storefront origins that led to this world-premiere production.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;New Leadership At Chicago Dance History Project&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Chicago Dance History Project executive director Michael McStraw has accepted the role as interim president and CEO of the Harris Theater. "With the institutional and historical knowledge of our talented staff, and the findings of the Advisory Council, the dedicated board of directors has assumed executive leadership during the transition," says the organization. "We will continue executing our current programs, while embarking on a strategic planning process to review our first ten years of community service and assess our resources in order to inform our future work."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-56" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;ARTS &amp;amp; CULTURE &amp;amp; ETC.&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-57" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" 
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&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;The South Side, From Hyde Park Boulevard To The Midway Plaisance&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"The Obama Presidential Center, opening on June 19, is poised to attract visitors to an often-overlooked area. Here’s what you’ll find in Hyde Park and beyond," maps the New York Times (&lt;em&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6jzaej7aqD4aksEPj" style="text-decoration: underline; color: #0068A5;"&gt;gift link&lt;/a&gt;&lt;/em&gt;) in a guide to the South Side focused almost entirely on one neighborhood.&lt;/span&gt;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;History Rhymes: Recalling The Historical Objections To Jackson Park's Creation&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;At the Sun-Times, Neil Steinberg &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6jzaej7aqD4qksEPj" style="text-decoration: underline; color: #0068A5;"&gt;recalls&lt;/a&gt; Frederick Law Olmsted's efforts and local battles in realizing Jackson Park, considering how they mirror the construction of the Obama Presidential Center: "The parkland on which the center sits also had to overcome many hurdles before coming into existence. From the start, it sparked debate and litigation. Even the park’s name was once subject to 'universal' outcry."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Pokémon Go’s Dark Military Secret&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"A decade after the global craze for Pokémon Go peaked, an AI company has been using billions of real-world images captured by millions of players to develop navigation technologies for delivery robots and possibly military drones," &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6jzaej7aqD46ksEPj" style="text-decoration: underline; color: #0068A5;"&gt;reports Ars Technica&lt;/a&gt;. "That represents an intriguing but potentially discomfiting legacy for an augmented reality mobile game that has incentivized gamers to capture short smartphone videos of physical neighborhoods and landmarks." (&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6jzaej7aqD7aksEP-%7CjdO-7M-sPARd" target="_blank" style="text-decoration: underline; color: #0068A5;" rel="noopener"&gt;More&lt;/a&gt;.)&lt;/span&gt;
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&lt;span style="word-break: break-word; font-size: 18px;"&gt;The boots are back in Chicago where &lt;em&gt;Kinky Boots&lt;/em&gt; held its world premiere in 2012! Celebrated with six Tony Awards®, including Best Musical, a Grammy Award® for Best Musical Theatre Album, and London’s Olivier Award for Best Musical, this big-hearted musical hit will have you strutting out of the theater saying “Yeah!”&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;em&gt;Kinky Boots &lt;/em&gt;captivates and entertains audiences around the world with the dazzling Tony-winning score by pop legend Cyndi Lauper, hilarious and uplifting book by four-time Tony Award-winner Harvey Fierstein, and original direction and Tony-winning choreography by Jerry Mitchell.&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;Now playing at the James M. Nederlander Theatre for a limited time only through June 21. Get your tickets today for a guaranteed great night out!&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-8" style="height:21px;line-height:21px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="button_block block-9" width="100%" border="0" cellpadding="10" cellspacing="0" 
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&lt;span style="word-break: break-word; font-size: 18px;"&gt;Don't hate me, but I've never been part of the Ferris Bueller fan club even if, like Newcity, it's celebrating a fortieth birthday this year. Since it came out about four months after we launched, I was pretty nose down working on this new creation. Based on the tepid reviews at the time, I did not see it in the theater but rather on VHS much later. I remember it being kind of a shrug.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;I was always more of a "Risky Business" person when it came to subversive youth stories set in Chicago's upper-class suburbs during the eighties. I mean, like Ferris, we all cut classes once in a while in high school to express our freedom, even if we did not have a friend's Ferrari to destroy like he did. But turning your parents’ house into a brothel like Joel Goodsen did in "Risky Business" after he crashed the family Porsche?&amp;nbsp;&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;I did a lot of crazy things in my youth, but I did not do that.&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-7" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px" align="left"&gt;&lt;div style="max-width:104px"&gt;&lt;img src="https://d15k2d11r6t6rl.cloudfront.net/pub/40qd/br3kliar/ier/gbh/bha/unnamed-1_1.png" style="display:block;height:auto;border:0;width:100%" width="104" alt="" title="" height="auto"&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-8" width="100%" border="0" cellpadding="0" 
cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px; color: #000000;"&gt;Brian Hieggelke&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px; color: #000000;"&gt;Editor &amp; Publisher&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;em&gt;Order the &lt;/em&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6jzLej7LqDB6k%5En%7Cm%7CjdO-7M-sPARd" style="text-decoration: underline; color: #0068A5;"&gt;&lt;em&gt;June&lt;/em&gt;&lt;/a&gt;&lt;em&gt; issue here.&amp;nbsp;&lt;/em&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;em&gt;Digital memberships &lt;/em&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6jzLej7LqDDqk%5En%7Cm%7CjdO-7M-sPARd" style="text-decoration: underline; color: #0068A5;"&gt;&lt;em&gt;here&lt;/em&gt;&lt;/a&gt;&lt;em&gt;.&lt;/em&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;em&gt;Retail/Institutional subscriptions &lt;/em&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6jzLej7LqDD6k%5En%7Cm%7CjdO-7M-sPARd" style="text-decoration: underline; color: #0068A5;"&gt;&lt;em&gt;here&lt;/em&gt;&lt;/a&gt;&lt;em&gt;.&lt;/em&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="divider_block block-9" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:10px;padding-bottom:20px;padding-left:10px;padding-right:10px" align="center"&gt;&lt;table border="0" cellpadding="0" cellspacing="0" role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div 
class="spacer_block block-10" style="height:21px;line-height:21px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="text_block block-11" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-left:20px;padding-right:20px"&gt;&lt;div style="font-family:Tahoma,Verdana,sans-serif"&gt;&lt;div class 
style="font-size:14px;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;mso-line-height-alt:16.8px;color:#555;line-height:1.2"&gt;&lt;p style="margin:0;font-size:14px;mso-line-height-alt:16.8px"&gt;&lt;span style="word-break: break-word; font-size: 16px; color: #65d68b;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word;"&gt;ART&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-12" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px" align="center"&gt;&lt;h1 style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:24px;font-weight:900;letter-spacing:normal;line-height:1.5;text-align:left;margin-top:0;margin-bottom:0;mso-line-height-alt:36px"&gt;
&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6jzLej7LqEs6k%5En%7Cm%7CjdO-7M-sPARd" target="_blank" style="text-decoration: none; color: #000000;" rel="noopener"&gt;&lt;span class="mce-content-body mce-edit-focus" style="word-break: break-word; position: relative;" id="697cd589-a320-453f-8d3d-bd001ff5ecff" data-position="10-0-11" data-qa="tinyeditor-root-element"&gt;An Archeologist Vision in Jeff Carter's "The Singer Pavilion Project" at Hyde Park Art Center&lt;/span&gt;&lt;/a&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table 
class="image_block block-13" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;div style="max-width:598px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6jzLej7LqE%5Eqk%5En%7Cm%7CjdO-7M-sPARd" target="_blank"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/mwm/zcx/2l2/IMG_5134-scaled-600x450.jpeg" style="display:block;height:auto;border:0;width:100%" width="598" alt="" title="" 
height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-14" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;In his sculptural responses to the Singer Pavilion, the only remaining structure of the now-abandoned and mostly demolished Michael Reese Hospital, Carter holds a mirror to the systems that allowed the ballooning optimism of the modernists to be popped by neglect. (Ally Fouts)&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="divider_block block-15" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:10px;padding-bottom:20px;padding-left:10px;padding-right:10px" align="center"&gt;&lt;table border="0" cellpadding="0" cellspacing="0" role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div 
class="spacer_block block-16" style="height:21px;line-height:21px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="text_block block-17" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-left:20px;padding-right:20px"&gt;&lt;div style="font-family:Tahoma,Verdana,sans-serif"&gt;&lt;div class 
style="font-size:14px;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;mso-line-height-alt:16.8px;color:#555;line-height:1.2"&gt;&lt;p style="margin:0;font-size:14px;mso-line-height-alt:16.8px"&gt;&lt;span style="word-break: break-word; font-size: 16px; color: #d3877d;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word;"&gt;MUSIC&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-18" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px" align="center"&gt;&lt;h1 style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:24px;font-weight:900;letter-spacing:normal;line-height:1.5;text-align:left;margin-top:0;margin-bottom:0;mso-line-height-alt:36px"&gt;
&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6jzLej7LqE%5E6k%5En%7Cm%7CjdO-7M-sPARd" target="_blank" style="text-decoration: none; color: #000000;" rel="noopener"&gt;&lt;span class="mce-content-body mce-edit-focus" style="word-break: break-word; position: relative;" id="40c3f3a1-d8b5-4f04-b317-e189a6002f76" data-position="10-0-17" data-qa="tinyeditor-root-element"&gt;Kim Gordon Is Still Trailblazing&lt;/span&gt;&lt;/a&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-19" width="100%" border="0" cellpadding="0" cellspacing="0" 
role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;div style="max-width:598px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6jzLej7LqE%5ELk%5En%7Cm%7CjdO-7M-sPARd" target="_blank"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/dgd/4jr/acm/0042377658_10-600x450.jpg" style="display:block;height:auto;border:0;width:100%" width="598" alt="" title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-20" width="100%" 
border="0" cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;On June 23, Gordon makes an appearance at the Metro, where she will write the next chapter for what artistic rebellion is. (Teddy Sandler)&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="divider_block block-21" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:10px;padding-bottom:20px;padding-left:10px;padding-right:10px" 
align="center"&gt;&lt;table border="0" cellpadding="0" cellspacing="0" role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-22" style="height:45px;line-height:45px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="image_block block-23" width="100%" border="0" 
cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-left:20px;padding-right:20px" align="center"&gt;&lt;div style="max-width:400px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6jzLej7LqDELk%5En%7Cm%7CjdO-7M-sPARd" target="_blank"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/hx1/0qn/mgk/Newcity%20June%202026%20Footer.jpeg" style="display:block;height:auto;border:0;width:100%" width="400" alt="" title="" 
height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-24" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class 
style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:18.2px;color:#000;line-height:1.3"&gt;&lt;p style="margin:0;font-size:14px;text-align:center;mso-line-height-alt:26px"&gt;&lt;span style="word-break: break-word; font-size: 20px;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word;"&gt;JUNE 2026:&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;br&gt;&lt;span style="word-break: break-word; font-size: 20px;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word;"&gt;DESIGN 50&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;br&gt;
&lt;span style="word-break: break-word; font-size: 20px;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word;"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6jzLej7LqDFak%5En%7Cm%7CjdO-7M-sPARd" target="_blank" style="text-decoration: none; color: #19638e;" rel="noopener"&gt;GET THE ISSUE&lt;/a&gt; | &lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6jzLej7LqDFqk%5En%7Cm%7CjdO-7M-sPARd" target="_blank" style="text-decoration: none; color: #19638e;" rel="noopener"&gt;SUBSCRIBE&lt;/a&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div 
class="spacer_block block-25" style="height:40px;line-height:40px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="divider_block block-26" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:10px;padding-bottom:20px;padding-left:10px;padding-right:10px" align="center"&gt;&lt;table border="0" cellpadding="0" cellspacing="0" role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;
&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-27" style="height:21px;line-height:21px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="text_block block-28" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad" 
style="padding-left:20px;padding-right:20px"&gt;&lt;div style="font-family:Tahoma,Verdana,sans-serif"&gt;&lt;div class style="font-size:14px;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;mso-line-height-alt:16.8px;color:#555;line-height:1.2"&gt;&lt;p style="margin:0;font-size:14px;mso-line-height-alt:16.8px"&gt;&lt;span style="word-break: break-word; font-size: 16px; color: #000000;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word;"&gt;NEWCITY&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table 
class="heading_block block-29" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:24px;font-weight:900;letter-spacing:normal;line-height:1.5;text-align:left;margin-top:0;margin-bottom:0;mso-line-height-alt:36px"&gt;
&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6jzLej7LqEvak%5En%7Cm%7CjdO-7M-sPARd" target="_blank" style="text-decoration: none; color: #000000;" rel="noopener"&gt;&lt;span class="mce-content-body mce-edit-focus" style="word-break: break-word; position: relative;" id="4a15f0d5-13d8-46c4-874b-58f242c647d6" data-position="10-0-28" data-qa="tinyeditor-root-element"&gt;Free Will Astrology: Week of June 18, 2026&lt;/span&gt;&lt;/a&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-30" width="100%" border="0" cellpadding="0" 
cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;div style="max-width:598px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6jzLej7LqEvqk%5En%7Cm%7CjdO-7M-sPARd" target="_blank"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/peg/0qh/m58/alex-guillaume-16oqzpFRMqs-unsplash-1024x576-600x450.jpg" style="display:block;height:auto;border:0;width:100%" width="598" alt="" title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;
&lt;table class="text_block block-31" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;I suspect you are carrying navigational wisdom. (Rob Brezsny)&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="divider_block block-32" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:20px;padding-bottom:20px;padding-left:10px;padding-right:10px" align="center"&gt;&lt;table border="0" cellpadding="0" cellspacing="0" 
role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-33" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;div 
style="max-width:598px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6jzLej7LqEfak%5En%7Cd" target="_blank"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/92y/375/c2u/MOWA%20NT%20newsletter%20creative%20for%20June%2015%20AmLand_digital-2-600x500.jpg" style="display:block;height:auto;border:0;width:100%" width="598" alt="" title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-34" style="height:40px;line-height:40px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table 
class="heading_block block-35" width="100%" border="0" cellpadding="5" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;h1 style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:28px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:34px"&gt;
&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6jzLej7LqEv6k%5En%7Cm%7CjdO-7M-sPARd" target="_blank" style="text-decoration: underline; color: #000000;" rel="noopener"&gt;TODAY IN CULTURE&lt;/a&gt;&lt;br&gt;&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-36" width="100%" border="0" cellpadding="10" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div 
style="font-family:sans-serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:16.8px;color:#555;line-height:1.2"&gt;&lt;p style="margin:0;font-size:14px;text-align:center;mso-line-height-alt:16.8px"&gt;&lt;span style="word-break: break-word; color: #000000;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;By Ray Pride&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-37" 
style="height:40px;line-height:40px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="heading_block block-38" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;ART&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-39" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;A New Portrait In The Obama Center Features Both Michelle And Barack&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Together at last: artist Njideka Akunyili Crosby has painted the first dual portrait of the Obamas. "This landmark commission will be on view in the main lobby of the museum at the Obama Presidential Center, which opens in Chicago this coming Friday on Juneteenth," &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6jzLej7LqEvLk%5En%7Cd" style="text-decoration: underline; color: #0068A5;"&gt;posts David Zwirner Gallery&lt;/a&gt;. "The portrait weaves together archival imagery, family albums, historical ephemera, and cultural touchstones. Densely layered and rich with biographical detail, the work honors the Obamas’ legacy while connecting it to the many generations of artists, activists, citizens, and leaders whose collective journeys helped pave their way to the White House." Harper's Bazaar takes a look at the portrait &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6jzLej7LqEwak%5En%7Cd" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;The MCA's Next Atrium Project Will Feature Celeste Rapone&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;The MCA’s Atrium Project "invites artists from all points in their careers to respond to the museum’s bright, two-story entrance through a new large-scale work," posts the MCA. The latest in the series is painter Celeste Rapone's "Sideline (After Ben Shahn)" (2025). The work "cites another painting, 'Men on a Bench' (1940) by the social realist painter Ben Shahn, an artist who depicted scenes of American life from the Great Depression on. Rapone’s revisiting of the painting features a languid, seated group of four women, their oversized limbs entwined and indistinguishable, their faces gazing out in plaintive resignation." June 27-April 11, 2027. More &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6jzLej7LqEwqk%5En%7Cd" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Cleveland Museum of Art Plans A Major Fundraising Push&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;The Cleveland Museum of Art "has a $600 million fundraising campaign in the works. The goal is to support the institution’s long-term health—and it is nearly eighty-percent of the way there," &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6jzLej7LqEw6k%5En%7Cd" style="text-decoration: underline; color: #0068A5;"&gt;reports ARTnews&lt;/a&gt;. The museum has announced "the public phase of the campaign, which it is calling 'For the Benefit of All the People.' It is the largest fundraising campaign in the museum’s history and the largest by a cultural organization in Ohio." The Cleveland Museum of Art "is one of the few major encyclopedic museums in the country to not charge for entry," which they intend to continue with the support of the campaign.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;"Eight Proposals For A Better Art World"&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"What would a more utopian art world look like?" &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6jzLej7LqEyqk%5En%7Cd" style="text-decoration: underline; color: #0068A5;"&gt;asks the New York Times&lt;/a&gt; in a survey of nine artists with "visions both modest and lofty." Among them, painter, curator and critic Michelle Grabner says "Go against nature: An art world where we’re not trading on individual biographies or identities. That would put more work on the viewer, who’d have to do some interpretation. A problem with the professionalized art world is that it’s become overly transactional. Removing the author, the artist, the biography from the conversation may take us a long way. I think it goes against our egos and our nature, but it’d be interesting."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-40" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;DESIGN&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-41" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Former Milliner's Building Joins Loop Residential Conversions&lt;/strong&gt;&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"A Wacker Place building that once served as a hub for manufacturing women’s hats then the offices for Esquire magazine is close to taking on its next life as apartments," &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6jzLej7LqEy6k%5En%7Cd" style="text-decoration: underline; color: #0068A5;"&gt;lists the Sun-Times&lt;/a&gt;. The developers of Wacker Place at 65 East Wacker have started pre-leasing, and the 252-unit building expects its first residents in August. "The building has had a colorful history over its nearly hundred years in Chicago—commonly recognized as the Millinery Mart Building. The terra cotta, limestone and brick-clad structure was designed to be the Merchandise Mart for the millinery, or hatmaking, industry. Wholesalers for women’s hats flocked to the building, with roughly one-third of the city’s millinery wholesalers occupying the space." It's one of twenty-five residential conversions underway downtown.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Driehaus Foundation Names Senior Program Director For The Built Environment&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;The Richard H. Driehaus Foundation has announced that Cindy Chan Roubik, current deputy commissioner at the city's Department of Planning and Development, will join the foundation as its Senior Program Director for the Built Environment. Roubik "will play a key role in identifying, developing, supporting and evaluating potential grant recipients, partners and funding opportunities, and communicating potential grants and their impact to the directors and to the broader field. This senior leadership hiring follows the recent announcement that veteran arts executive Lori Dimun joins the Driehaus Foundation as its Senior Program Director, Arts and Culture this summer." More &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6jzLej7LqEyLk%5En%7Cd" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;The Tribune Editorial Board Shouts Out The Obama Center&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"Even without the political baggage—all presidential libraries, now centers, are of most interest to those who believed in and miss the celebrant—a project as massive as the Obama Presidential Center, set to officially open Friday in the Chicago neighborhood of Woodlawn, would attract a variety of opinions," avers the Chicago Tribune editorial board (&lt;em&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6jzLej7LqEzak%5En%7Cd" style="text-decoration: underline; color: #0068A5;"&gt;gift link&lt;/a&gt;&lt;/em&gt;). "Bold architecture is supposed to spark debate and there can be no question that the Center struggles to reconcile its desire for Apollonian, granite-clad gravitas, as befits the presidency of the United States, with grills, jump-shots and sledding hills... This will be a major new tourist attraction for Chicago, not unlike Millennium Park, a massive success, but drawing people to a part of the city they likely would not have otherwise visited. A city is not an amusement park, but it must learn from the likes of Disney or Universal that people always need reasons to return."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-42" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;DINING &amp;amp; DRINKING&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-43" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div 
style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Chicago Magazine Names Fifty Top Restaurants&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;At Chicago magazine, &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6jzLej7LqEzqk%5En%7Cd" style="text-decoration: underline; color: #0068A5;"&gt;John Kessler provides his list of Chicago's best boites&lt;/a&gt;. He leads with Maxwells Trading, where "chef and co-owner Erling Wu-Bower and executive chef Chris Jung take [elements from Asian cuisines] and root them in fertile Midwestern ground, creating chameleon dishes akin to Schrödinger’s cat." Also taking top spots are Oriole, Kyoten and Kyoten Next Door, Feld, Cellar Door Provisions, Smyth and Virtue. A newer restaurant featured is Mayfair's Noodles Party, which you can read about &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6jzLej7LqEz6k%5En%7Cd" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Lou Mitchell's At The Mouth Of Route 66&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Lou Mitchell's, "the 103-year-old Loop diner, continues to draw locals and tourists in droves, despite the city moving the historic route’s starting point to Navy Pier," &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6jzLej7LqEzLk%5En%7Cd" style="text-decoration: underline; color: #0068A5;"&gt;writes Dave Hoekstra at Block Club&lt;/a&gt;. "William Mitchell opened the diner in 1923 in a railroad car across the street from its current location on Jackson Boulevard. Route 66’s original starting point was at Jackson and Michigan Avenue; it later moved to Adams and Michigan due to a change in street directions."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; text-align: left; background-color: transparent; font-size: 18px;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-44" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" 
style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;FILM &amp;amp; TELEVISION&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-45" 
width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;If It's Tuesday, It Must Be Consolidation: Fox Buys Roku For $22 Billion&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;While Paramount Global rushes its acquisition of Warner Bros. Discovery, &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6jzLej7LqE0ak%5En%7Cd" style="text-decoration: underline; color: #0068A5;"&gt;winning approval from the Justice Department&lt;/a&gt; late last week, Fox announced plans to buy Roku. The $22 billion "cash-and-stock deal, if approved, would be the biggest bet so far for Lachlan Murdoch, the media scion who took over for his father, Rupert Murdoch, in a succession drama that culminated in September after an operatic legal battle with his siblings," &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6jzLej7LqE0qk%5En%7Cd" style="text-decoration: underline; color: #0068A5;"&gt;records the New York Times&lt;/a&gt;. "It would give Fox Corp. a foothold in more than one hundred million households that stream content using devices powered by Roku, whose distinctive black-and-purple remotes are common in living rooms around the world." (&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6jzLej7LqM-qk%5En%7Cm%7CjdO-7M-sPARd" target="_blank" style="text-decoration: underline; color: #0068A5;" rel="noopener"&gt;More&lt;/a&gt;.)&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Finding Ferris: "McNally... McNally... Anyone?"&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"John Hughes never said flatly that Ed McNally was the basis for the Ferris Bueller character, but McNally believes he was at least a major component in a thinly-veiled composite, and frankly, the evidence is compelling," writes Christopher Borrelli at the Trib (&lt;em&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6jzLej7LqE2qk%5En%7Cd" style="text-decoration: underline; color: #0068A5;"&gt;gift link&lt;/a&gt;&lt;/em&gt;). "McNally and Hughes grew up on the same street and attended Glenbrook North High School together. McNally’s best friend back then was a kid named A.C. Buehler, though it was McNally who had such a talent for skipping class that Glenbrook’s principal launched a crusade to catch him. In the film, Ferris skips nine days of school. McNally skipped twenty-seven days. On one of those days off, he 'borrowed' his father’s prized possession—a purple Cadillac—and put 113 miles on it, then, as the fictional Ferris does with a red Ferrari, McNally lifted the car onto jacks and ran it backwards, hoping to reverse the odometer."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Dimming The Gene Shalit Century&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"Today" movie reviewer Gene Shalit, who died on Friday at one-hundred, "stood out from the broadcast television crowd with his colorful bowties, puffy hair and movie reviews studded with cheeky puns," &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6jzLej7LqE26k%5En%7Cd" style="text-decoration: underline; color: #0068A5;"&gt;reports former employer NBC News&lt;/a&gt;. He occupied his berth at the network for forty years, 1970-2010. Sample lingo: "'The Silence of the Lambs’ may be all wool and a yard wide, but it makes a terrific yarn"; and "Judd Apatow’s 'Funny People' is 'passable,' he said—'speaking colonically.'" &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6jzLej7LqE2Lk%5En%7Cd" style="text-decoration: underline; color: #0068A5;"&gt;Phil Rosenthal points&lt;/a&gt; to SCTV's "Gen Shalit Critics Special." An extended obituary from the Hollywood Reporter is &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6jzLej7LqE3ak%5En%7Cd" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Motion Picture Academy Names Governors, Including Columbia Grad Michael Goi&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;The Motion Picture Academy has &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6jzLej7LqE3qk%5En%7Cd" style="text-decoration: underline; color: #0068A5;"&gt;named its board&lt;/a&gt; in its nineteen branches, each represented by three governors. Columbia College grad Michael Goi has been named to the cinematographers branch. The list of current governors is &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6jzLej7LqE36k%5En%7Cd" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; text-align: left; background-color: transparent; font-size: 18px;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-46" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" 
style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;LIT&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-47" width="100%" border="0" 
cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;A Love Letter To Chicago Indie Music&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"From waxing about Pitchfork Music Fest to late nights at Danny’s Tavern in Bucktown and Rainbo Club and [the character's] day job at Holfax Café (inspired by former West Town spot Bite Café), Susannah Felts pays incredible attention to detail in the 250-page 'The Come Apart,'"&amp;nbsp;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6jzLej7LqE3Lk%5En%7Cd" style="text-decoration: underline; color: #0068A5;"&gt;charts the Sun-Times&lt;/a&gt;. The book follows Maggie Corbin "and her up-and-coming band Spinning Birds from 2008-2010 as they struggle to get a sophomore record going during the Great Recession." Felts worked on the book&lt;em&gt; "&lt;/em&gt;for more than a decade, finding mentorship in Chicago-based writers and teachers Megan Stielstra of Columbia College and Rebecca Makkai." (&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6jzLej7LqM-6k%5En%7Cm%7CjdO-7M-sPARd" target="_blank" style="text-decoration: underline; color: #0068A5;" rel="noopener"&gt;More&lt;/a&gt;.)&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-48" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;MUSIC&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-49" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Ye Brings "Bully" To Soldier Field&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p 
style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"Rapper Ye, formerly known as Kanye West, is returning to Chicago for two performances at Soldier Field on September 3 and 4," &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6jzLej7LqE4qk%5En%7Cd" style="text-decoration: underline; color: #0068A5;"&gt;records Block Club&lt;/a&gt;. "The twenty-four-time Grammy winner is headed to the home of the Chicago Bears and Chicago Fire Football Club as part of the tour for his album 'Bully,' which was released in March." The Chicago native "has generated numerous controversies in recent years by making deeply antisemitic and bigoted remarks. He &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6jzLej7LqE46k%5En%7Cd" target="_blank" rel="noreferrer noopener external" style="text-decoration: underline; color: #0068A5;"&gt;took out a full-page ad &lt;/a&gt;in The Wall Street Journal in January to apologize for past comments ahead of his album release and comeback tour."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Coming To A Blood Bank Near You: The CSO&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"Abbott, the medical technology giant outside Chicago, and Blood Centers of America have devised a workaround for people [who are] prime donation candidates, but fearful of The Poke," reports the New York Times (&lt;em&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6jzLej7LqE6qk%5En%7Cd" style="text-decoration: underline; color: #0068A5;"&gt;gift link&lt;/a&gt;&lt;/em&gt;). "In thirty-two countries and at &lt;a title="" href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6jzLej7LqE66k%5En%7Cd" target="_blank" rel="noopener noreferrer" style="text-decoration: underline; color: #0068A5;"&gt;seventy-five sites in the United States&lt;/a&gt;, blood donors can put on a Samsung Galaxy XR headset and choose between two interactive, mixed-reality games: the soothing Zen Garden, whose sole objective is to plant trees, and Intergalactica, a minigame-rich side-scroller." For the games' soundtracks, "Abbott commissioned the Chicago Symphony Orchestra—widely considered one of the world’s great orchestras—to record them in a whirlwind, one-day recording session in the spring. It was the first time this august ensemble has ventured into music for video games or interactive media."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-50" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p 
style="margin:0;font-size:18px;text-align:center;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Send culture news and tips to&amp;nbsp;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6jzLej7LqEqLk%5En%7Cd" target="_blank" style="text-decoration: underline; color: #0068A5;" rel="noopener"&gt;today@newcity.com&lt;/a&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="divider_block block-51" width="100%" border="0" cellpadding="0" cellspacing="0" 
role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:20px;padding-bottom:20px;padding-left:10px;padding-right:10px" align="center"&gt;&lt;table border="0" cellpadding="0" cellspacing="0" role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table
 class="image_block block-52" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;div style="max-width:598px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6jzLej7LqErak%5En%7Cd" target="_blank"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/92y/375/c2u/MOWA%20NT%20newsletter%20creative%20for%20June%2015%20AmLand_digital-2-600x500.jpg" 
style="display:block;height:auto;border:0;width:100%" width="598" alt="" title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="icons_block block-53" width="100%" border="0" cellpadding="10" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;text-align:center;line-height:0"&gt;&lt;tr&gt;&lt;td class="pad" style="vertical-align:middle;color:#000;font-family:inherit;font-size:14px;font-weight:400" align="center"&gt;&lt;table class="icons-outer" cellpadding="0" 
cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;display:inline-table"&gt;&lt;tr&gt;&lt;td style="vertical-align:middle;text-align:center;padding-top:10px;padding-bottom:10px;padding-left:10px;padding-right:10px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6jzLej7LqErqk%5En%7Cd" target="_self" title="" style="text-decoration: none;"&gt;&lt;img class="icon" src="https://d15k2d11r6t6rl.cloudfront.net/pub/40qd/br3kliar/3qs/o5m/w8g/unnamed-1.png" alt="" height="auto" width="32" 
align="center" style="display:block;height:auto;margin:0 auto;border:0"&gt;&lt;/a&gt;&lt;/td&gt;&lt;td style="vertical-align:middle;text-align:center;padding-top:10px;padding-bottom:10px;padding-left:10px;padding-right:10px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6jzLej7LqEr6k%5En%7Cd" target="_self" title="" style="text-decoration: none;"&gt;&lt;img class="icon" src="https://d15k2d11r6t6rl.cloudfront.net/pub/40qd/br3kliar/coi/z2y/qei/unnamed-2.png" alt="" height="auto" width="32" align="center" 
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style="display:block;height:auto;margin:0 auto;border:0"&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="divider_block block-54" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-bottom:35px;padding-left:10px;padding-right:10px" align="center"&gt;&lt;table border="0" cellpadding="0" cellspacing="0" role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td 
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style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-4" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:5px;padding-bottom:5px;padding-left:20px;padding-right:20px" align="center"&gt;&lt;div style="max-width:350px"&gt;
&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6j26ej-6qMELkvvx-%7CjdO-7M-sPARd" target="_blank"&gt;&lt;img src="https://d15k2d11r6t6rl.cloudfront.net/pub/40qd/br3kliar/trm/f81/xfb/NewcityLogoEmail.png" style="display:block;height:auto;border:0;width:100%" width="350" alt="" title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="divider_block block-5" width="100%" border="0" cellpadding="10" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" align="center"&gt;
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class="pad" style="padding-top:20px;padding-bottom:10px;padding-left:20px;padding-right:20px"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;One of the central tenets that guides us at Newcity is that the arts are intrinsically local but that, paradoxically, culture is something its most avid consumers will travel for, whether to Elmhurst or Ethiopia, to the Museum of Modern Art in New York or to the Modern Art Museum in São Paulo.&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;What about you? Do you go to other cities for art exhibitions, or performing arts events? Shakespeare at American Players or Broadway shows perhaps?&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;I'd love to hear your thoughts.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-7" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px" align="left"&gt;&lt;div style="max-width:104px"&gt;&lt;img 
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&lt;span style="word-break: break-word; font-size: 18px; color: #000000;"&gt;Editor &amp; Publisher&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;em&gt;Order the &lt;/em&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6j26ej-6qMFakvvx-%7CjdO-7M-sPARd" style="text-decoration: underline; color: #0068A5;"&gt;&lt;em&gt;June&lt;/em&gt;&lt;/a&gt;&lt;em&gt; issue here.&amp;nbsp;&lt;/em&gt;&lt;/span&gt;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;em&gt;Digital memberships &lt;/em&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6j26ej-6qMFqkvvx-%7CjdO-7M-sPARd" style="text-decoration: underline; color: #0068A5;"&gt;&lt;em&gt;here&lt;/em&gt;&lt;/a&gt;&lt;em&gt;.&lt;/em&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;em&gt;Retail/Institutional subscriptions &lt;/em&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6j26ej-6qMF6kvvx-%7CjdO-7M-sPARd" style="text-decoration: underline; color: #0068A5;"&gt;&lt;em&gt;here&lt;/em&gt;&lt;/a&gt;&lt;em&gt;.&lt;/em&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="divider_block block-9" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:10px;padding-bottom:20px;padding-left:10px;padding-right:10px" align="center"&gt;&lt;table border="0" cellpadding="0" cellspacing="0" role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div 
class="spacer_block block-10" style="height:21px;line-height:21px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="text_block block-11" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-left:20px;padding-right:20px"&gt;&lt;div style="font-family:Tahoma,Verdana,sans-serif"&gt;&lt;div class 
style="font-size:14px;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;mso-line-height-alt:16.8px;color:#555;line-height:1.2"&gt;&lt;p style="margin:0;font-size:14px;mso-line-height-alt:16.8px"&gt;&lt;span style="word-break: break-word; font-size: 16px; color: #a82b28;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word;"&gt;STAGE&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-12" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px" align="center"&gt;&lt;h1 style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:24px;font-weight:900;letter-spacing:normal;line-height:1.5;text-align:left;margin-top:0;margin-bottom:0;mso-line-height-alt:36px"&gt;
&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6j26ej-6qNvqkvvx-%7CjdO-7M-sPARd" target="_blank" style="text-decoration: none; color: #000000;" rel="noopener"&gt;“Leopoldstadt” Is Writers Theatre’s Largest Production in Its History&lt;/a&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-13" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;div style="max-width:598px"&gt;
&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6j26ej-6qNv6kvvx-%7CjdO-7M-sPARd" target="_blank"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/35n/z5q/u2n/WT_Leopoldstadt_Adeline-Rosenthal-and-Asha-Dale-Hopman.-Photo-by-Hugo-Hentoff-600x450.jpg" style="display:block;height:auto;border:0;width:100%" width="598" alt="" title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-14" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;The final play written by Tom Stoppard is a sweeping saga that follows a Jewish family in Vienna across generations. (Tristan Bruns)&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="divider_block block-15" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:10px;padding-bottom:20px;padding-left:10px;padding-right:10px" 
align="center"&gt;&lt;table border="0" cellpadding="0" cellspacing="0" role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-16" style="height:21px;line-height:21px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="text_block block-17" width="100%" border="0" cellpadding="0" 
cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-left:20px;padding-right:20px"&gt;&lt;div style="font-family:Tahoma,Verdana,sans-serif"&gt;&lt;div class style="font-size:14px;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;mso-line-height-alt:16.8px;color:#555;line-height:1.2"&gt;&lt;p style="margin:0;font-size:14px;mso-line-height-alt:16.8px"&gt;
&lt;span style="word-break: break-word; font-size: 16px; color: #65d68b;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word;"&gt;ART&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-18" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:24px;font-weight:900;letter-spacing:normal;line-height:1.5;text-align:left;margin-top:0;margin-bottom:0;mso-line-height-alt:36px"&gt;
&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6j26ej-6qNvLkvvx-%7CjdO-7M-sPARd" target="_blank" style="text-decoration: none; color: #000000;" rel="noopener"&gt;&lt;span class="mce-content-body mce-edit-focus" style="word-break: break-word; position: relative;" id="7c47a701-275c-4491-95ba-14c177d3f9e1" data-position="10-0-17" data-qa="tinyeditor-root-element"&gt;A Hot Topic in "Pleasure Puncture" at Ignition Project Space&lt;/span&gt;&lt;/a&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-19" width="100%" border="0" 
cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;div style="max-width:598px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6j26ej-6qNwakvvx-%7CjdO-7M-sPARd" target="_blank"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/7oj/f22/r2m/PleasurePuncture4_imagebyFrankGeiser-scaled-600x450.jpg" style="display:block;height:auto;border:0;width:100%" width="598" alt="" title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;
&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-20" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Samuel Schwindt explores the many meanings of leather. (Teddy Sandler)&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="divider_block block-21" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:10px;padding-bottom:20px;padding-left:10px;padding-right:10px" align="center"&gt;&lt;table border="0" cellpadding="0" cellspacing="0" 
role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-22" style="height:45px;line-height:45px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="image_block block-23" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-left:20px;padding-right:20px" align="center"&gt;&lt;div style="max-width:400px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6j26ej-6qNfqkvvx-%7CjdO-7M-sPARd" target="_blank"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/hx1/0qn/mgk/Newcity%20June%202026%20Footer.jpeg" style="display:block;height:auto;border:0;width:100%" width="400" alt="" title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table 
class="text_block block-24" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:18.2px;color:#000;line-height:1.3"&gt;&lt;p 
style="margin:0;font-size:14px;text-align:center;mso-line-height-alt:26px"&gt;&lt;span style="word-break: break-word; font-size: 20px;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word;"&gt;JUNE 2026:&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;br&gt;&lt;span style="word-break: break-word; font-size: 20px;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word;"&gt;DESIGN 50&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;br&gt;
&lt;span style="word-break: break-word; font-size: 20px;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word;"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6j26ej-6qNf6kvvx-%7CjdO-7M-sPARd" target="_blank" style="text-decoration: none; color: #19638e;" rel="noopener"&gt;GET THE ISSUE&lt;/a&gt; | &lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6j26ej-6qNfLkvvx-%7CjdO-7M-sPARd" target="_blank" style="text-decoration: none; color: #19638e;" rel="noopener"&gt;SUBSCRIBE&lt;/a&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div 
class="spacer_block block-25" style="height:40px;line-height:40px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="divider_block block-26" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:10px;padding-bottom:20px;padding-left:10px;padding-right:10px" align="center"&gt;&lt;table border="0" cellpadding="0" cellspacing="0" role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;
&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-27" style="height:21px;line-height:21px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="text_block block-28" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad" 
style="padding-left:20px;padding-right:20px"&gt;&lt;div style="font-family:Tahoma,Verdana,sans-serif"&gt;&lt;div class style="font-size:14px;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;mso-line-height-alt:16.8px;color:#555;line-height:1.2"&gt;&lt;p style="margin:0;font-size:14px;mso-line-height-alt:16.8px"&gt;&lt;span style="word-break: break-word; font-size: 16px; color: #429c95;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word;"&gt;BRAZIL&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table 
class="heading_block block-29" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:24px;font-weight:900;letter-spacing:normal;line-height:1.5;text-align:left;margin-top:0;margin-bottom:0;mso-line-height-alt:36px"&gt;
&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6j26ej-6qNwqkvvx-%7CjdO-7M-sPARd" target="_blank" style="text-decoration: none; color: #000000;" rel="noopener"&gt;&lt;span class="mce-content-body mce-edit-focus" style="word-break: break-word; position: relative;" id="764ef15d-de84-470a-a0d2-67f87c1acac2" data-position="10-0-28" data-qa="tinyeditor-root-element"&gt;Whither Biennales?&lt;/span&gt;&lt;/a&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-30" width="100%" border="0" cellpadding="0" cellspacing="0" 
role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;div style="max-width:598px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6j26ej-6qNw6kvvx-%7CjdO-7M-sPARd" target="_blank"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/q46/476/ned/Museu-Oscar-Niemeyer-MON.-Foto_-Eduardo-Macarios-600x450.jpg" style="display:block;height:auto;border:0;width:100%" width="598" alt="" title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table 
class="text_block block-31" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Plus Curitiba Biennale is now open and other news. (Brian Hieggelke)&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="divider_block block-32" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:20px;padding-bottom:20px;padding-left:10px;padding-right:10px" align="center"&gt;&lt;table border="0" cellpadding="0" cellspacing="0" 
role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-33" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;div 
style="max-width:598px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6j26ej-6qNg6kvvxj" target="_blank"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/92y/375/c2u/MOWA%20NT%20newsletter%20creative%20for%20June%2015%20AmLand_digital-2-600x500.jpg" style="display:block;height:auto;border:0;width:100%" width="598" alt="" title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-34" style="height:40px;line-height:40px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table 
class="heading_block block-35" width="100%" border="0" cellpadding="5" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;h1 style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:28px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:34px"&gt;
&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6j26ej-6qNyqkvvx-%7CjdO-7M-sPARd" target="_blank" style="text-decoration: underline; color: #000000;" rel="noopener"&gt;TODAY IN CULTURE&lt;/a&gt;&lt;br&gt;&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-36" width="100%" border="0" cellpadding="10" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div 
style="font-family:sans-serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:16.8px;color:#555;line-height:1.2"&gt;&lt;p style="margin:0;font-size:14px;text-align:center;mso-line-height-alt:16.8px"&gt;&lt;span style="word-break: break-word; color: #000000;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;By Ray Pride&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-37" 
style="height:40px;line-height:40px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="heading_block block-38" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;ART&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-39" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;"Cautious Optimism" As Art Basel Begins&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p 
style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;This year's edition of Art Basel, which begins this week, "is a particularly interesting edition to watch from a market perspective, because the industry is attempting to steer its way out of a roughly three-year correction period in the wake of the post-pandemic speculative burst," &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6j26ej-6qNy6kvvxj" style="text-decoration: underline; color: #0068A5;"&gt;reports ARTnews&lt;/a&gt;. While "there are certainly positive indicators," like a strong auction season and a &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6j26ej-6qNyLkvvxj" style="text-decoration: underline; color: #0068A5;"&gt;return to growth&lt;/a&gt; in global art sales, the art market is "increasingly split between the very high end, marked by museum-quality historical work, and everything else. Dealers consistently spoke of a certain 'shyness' toward ultra-contemporary art."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Obamas' Portrait Tells Their Life Stories In Hundreds Of Images&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"The Obamas: Springing Forth," a new work featured in the lobby of the Obama Center, "is the first commissioned artwork of the former First Couple and weaves in images of significant moments, objects and places in their lives," &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6j26ej-6qNzakvvxj" style="text-decoration: underline; color: #0068A5;"&gt;writes Sun-Times architecture critic Lee Bey&lt;/a&gt;. "The framed nine-by-ten foot work by artist Njideka Akunyili Crosby features Barack Obama clad in a dark suit and informally seated on a table. Michelle Obama, wearing a deep blue dress, sits in a chair next to him. The couple is surrounded—and their clothes partially covered—by a tapestry of at least 500 images from throughout their lives.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;"The images include childhood and family photos and pictures that show details of the Obama Oval Office. Michelle Obama’s childhood South Shore home can be seen behind them in 'Springing Forth,'&lt;em&gt;&amp;nbsp;&lt;/em&gt;as is the cover of the first record album she received: Steve Wonder’s 1972 'Talking Book.'"&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-40" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;DESIGN&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-41" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Sidley Austin To Anchor A New West Loop Office Tower&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p 
style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Law firm Sidley Austin is making a deal to anchor a new office skyscraper planned near the Fulton Market District, "jump-starting what will be the first new high-rise office building to kick off downtown since the early days of the pandemic," &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6j26ej-6qNzqkvvxj" style="text-decoration: underline; color: #0068A5;"&gt;reports Crain’s&lt;/a&gt;. "The city’s second-largest law firm is close to signing a lease for more than half of a forty-five-story office building planned at 725 West Randolph, according to the firm and the project’s developer, Related Midwest. Related president Curt Bailey said his company is also nearing a deal to secure financing for the 968,000-square-foot tower." &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6j26ej-6qNz6kvvxj" style="text-decoration: underline; color: #0068A5;"&gt;The design is by architecture firm KPF&lt;/a&gt;, which is also designing the &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6j26ej-6qNzLkvvxj" style="text-decoration: underline; color: #0068A5;"&gt;Fulton Bond&lt;/a&gt; residential development west of this site. (&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6j26ej-6qPnLkvvx-%7CjdO-7M-sPARd" target="_blank" style="text-decoration: underline; color: #0068A5;" rel="noopener"&gt;More&lt;/a&gt;.)&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;DePaul Student Center Will Replace Vacated Whole Foods&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;The former grocery store at Fullerton and Sheffield that closed in 2022 "will be transformed into an admissions and student gathering space that university officials hope will become a 'front door' to DePaul’s Lincoln Park campus," &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6j26ej-6qN0akvvxj" style="text-decoration: underline; color: #0068A5;"&gt;reports Block Club&lt;/a&gt;. "The project is in the permitting and bidding phase. Construction is expected to begin this summer, with the center scheduled to open in late summer 2027." The design is by "Chicago-based Moody Nolan, the country’s largest African American-owned architecture firm."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Norman Teague Crafts Custom Benches For Obama Center Respite&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"Angular slabbed walnut benches" by furniture designer Norman Teague "offer precious moments of respite in the eight-story museum tower and were designed with elders in mind," &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6j26ej-6qN0qkvvxj" style="text-decoration: underline; color: #0068A5;"&gt;writes Alison Cuddy at WBEZ&lt;/a&gt;. Teague has "been working with the Center, first as a consultant then as a designer, for almost ten years...The Obama benches, however, involved another level of ambition. 'It was definitely one of the most precious projects we’ve ever had to care for.'"&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Vintage On The Avenue Returns&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Vintage on the Avenue returns for a three-day event at The Shops at North Bridge, where "shoppers are invited to explore a curated collection of high-end vintage clothing, jewelry, accessories and statement pieces—all selected from seven of Chicago’s premier vintage vendors." Friday, June 26-Sunday, June 28. More details &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6j26ej-6qN06kvvxj" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-42" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;DINING &amp;amp; DRINKING&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-43" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;In A Feld By Himself: Jacob Potashnick Takes Chicago's Only Beard Award&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"Chicago chef Jacob Potashnick took home the city’s sole James Beard Award at Monday night’s ceremony, held at Downtown’s Lyric Opera House, calling it a win for Chicago and a win for local farmers who supply him. Potashnick won in the regional Best Chef: Great Lakes category, in which fellow Chicagoan Norman Fenton of Cariño was also a finalist," &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6j26ej-6qN2qkvvxj" style="text-decoration: underline; color: #0068A5;"&gt;reports the Sun-Times&lt;/a&gt;. It's like a childhood dream come true," Potashnick &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6j26ej-6qN26kvvxj" style="text-decoration: underline; color: #0068A5;"&gt;tells Axios&lt;/a&gt;. "I was such a little foodie nerd kid and to have this happen—I could never have imagined it in my wildest dreams, but we're just trying to make ourselves a little better everyday and the next day."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Atsumeru Launches Cocktails&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Atsumeru, the West Town restaurant with a "revolutionary, boundary-blurring Nordic-Japanese identity," is no longer BYOB. A new cocktail menu "seamlessly mirrors the kitchen's philosophy by marrying Scandinavian botanicals with complex Japanese flavors. Guests looking for something crisp can grab the Skär Punch (gin, aperol, rhubarb, guava) or the vibrant Kiiro Sour (shochu, melon, ginger). For a true liquid bridge between the two regions, the Baltic Fog blends aquavit, shochu and yuzu kukicha, while the spirit-forward Daimyo anchors Japanese whisky with earthy hojicha and angostura." More Atsumeru &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6j26ej-6qN2Lkvvxj" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Route 66's Diners Radiate Outward From Chicago&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"America’s Mother Road begins in downtown Chicago, so we begin a food tour of the first hundred miles the way any Route 66 journey should begin: with the kind of unfussy comfort food that has fueled roadside diners for generations," &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6j26ej-6qN3akvvxj" style="text-decoration: underline; color: #0068A5;"&gt;maps Food &amp; Wine&lt;/a&gt;. "In Dwight, [Illinois], breakfast at &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6j26ej-6qN3qkvvxj" target="_blank" rel="nofollow noopener" style="text-decoration: underline; color: #0068A5;"&gt;Old Route 66 Family Restaurant&lt;/a&gt; arrives on a piping-hot ceramic dish," while "across the street, the restored&amp;nbsp;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6j26ej-6qN36kvvxj" target="_blank" rel="noopener" style="text-decoration: underline; color: #0068A5;"&gt;Ambler’s Texaco Gas Station&lt;/a&gt;, once the longest continuously operating gas station on Route 66, serves as a small museum and a postcard-worthy photo op."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; text-align: left; background-color: transparent; font-size: 18px;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-44" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" 
style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;FILM &amp;amp; TELEVISION&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-45" 
width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;The Obamas' Higher Ground Partners With Disney&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Disney and President Barack Obama and Michelle Obama’s Higher Ground Productions "are joining forces to greenlight music-driven, original animated fantasy series 'Journey' for Disney+," &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6j26ej-6qN3Lkvvxj" style="text-decoration: underline; color: #0068A5;"&gt;reports Deadline&lt;/a&gt;. "It marks the first major production partnership announcement for Higher Ground since President Obama announced in April that the company is winding down its eight-year first-look deal with Netflix to take a more independent approach."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;States Skeptical Of Paramount-Warner Deal&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"In a tough and rough election year for incumbents, Paramount’s $111 billion acquisition of Warner Bros. Discovery has become a political football in California and across the nation," &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6j26ej-6qN4akvvxj" style="text-decoration: underline; color: #0068A5;"&gt;tallies Deadline&lt;/a&gt;, with "some spikey obstacles to the merger from overseas and in state houses." Someone "close to power players in Sacramento told Deadline after the June 12 sign-off by the federal DOJ...'The Ellisons’ haste to get their deal done by Trump has a lot of enemies. They may think they’re home free, but that’s wishful thinking and not political reality.'" The report notes that "nearly a dozen state attorneys general are poised to launch a lawsuit in the next few weeks."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; text-align: left; background-color: transparent; font-size: 18px;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-46" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" 
style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;LIT&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-47" width="100%" border="0" 
cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;DC Comics Elevates Editor Who Expanded Queer Superhero Universe&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Andrea Shea is the newest senior editor at DC Comics, &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6j26ej-6qN4qkvvxj" style="text-decoration: underline; color: #0068A5;"&gt;reports the Pop Verse&lt;/a&gt;. "Shea has been a part of DC's increased focus on LGBTQIA+, including as part of its annual Pride Month publishing efforts...'We at DC exist at a midpoint of a road built by every courageous decision that's preceded our place on it,' Shea says. 'And we stand on the shoulders of publishers, editors, writers and artists who made those decisions long before we ever came along. It's an honor to continue their work.'"&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-48" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;MEDIA&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-49" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Are Public Radio And TV Going To Be Part Of The Merger Wave Too?&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"Three possible mergers have made consolidation the new dominant conversation among public media workers," &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6j26ej-6qN46kvvxj" style="text-decoration: underline; color: #0068A5;"&gt;reports Editor &amp; Publisher&lt;/a&gt;. "One between WGBH and New England Public Media, another between WHYY and WPSU and another between KUNC (Community Radio for Northern Colorado) and Rocky Mountain Public Media" are in motion.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-50" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;STAGE&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-51" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Lyric To Present An Evening With Idina Menzel&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p 
style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;The Lyric Opera will present Idina Menzel in concert on May 1, 2027. "The Tony Award–winning actress, singer and songwriter makes her highly anticipated Lyric debut for one extraordinary night," performing with the Lyric Opera Orchestra under the baton of conductor Edwin Outwater. Tickets for current subscribers and for those who purchase a new Create Your Own subscription series go on sale on June 24; tickets go on sale to the general public on Wednesday, July 8 at 10am. Fans &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6j26ej-6qN6qkvvxj" style="text-decoration: underline; color: #0068A5;"&gt;can sign up&lt;/a&gt; by Monday, July 6 for a special, one-day presale on Tuesday, July 7.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Restoration Of Kennedy Center Name Applauded&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"The removal of Trump’s name from the Kennedy Center is a much-needed 'act of iconoclasm,'" &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6j26ej-6qN66kvvxj" style="text-decoration: underline; color: #0068A5;"&gt;writes Judith Levine at The Guardian&lt;/a&gt;. "The revolutionary power of iconoclasm is also why Trump—who understands the manipulation of imagery as well as anyone on earth—has had a huge blue and white tarp draped across the facade of the Kennedy Center for the Performing Arts while the letters of his name are pried off under court order. Sooner or later, the tarp will fall—and with it, more of Trump’s already diminishing prestige." (&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6j26ej-6qPoakvvx-%7CjdO-7M-sPARd" target="_blank" style="text-decoration: underline; color: #0068A5;" rel="noopener"&gt;More&lt;/a&gt;.)&lt;/span&gt;
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style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-4" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:5px;padding-bottom:5px;padding-left:20px;padding-right:20px" align="center"&gt;&lt;div style="max-width:350px"&gt;
&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6j4aejBaqPwqkx28-%7CjdO-7M-sPARd" target="_blank"&gt;&lt;img src="https://d15k2d11r6t6rl.cloudfront.net/pub/40qd/br3kliar/trm/f81/xfb/NewcityLogoEmail.png" style="display:block;height:auto;border:0;width:100%" width="350" alt="" title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="divider_block block-5" width="100%" border="0" cellpadding="10" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" align="center"&gt;
&lt;table border="0" cellpadding="0" cellspacing="0" role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-6" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td 
class="pad" style="padding-top:20px;padding-bottom:10px;padding-left:20px;padding-right:20px"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Newcity Today will be off tomorrow for the holiday and back on Monday.&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;Tomorrow's Juneteenth holiday is still relatively new and many of us are still figuring out how to celebrate it but, at least for this year, we have a plan. Let's call it Obama Day.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;I expect the Obama Presidential Center will be at the heart of future celebrations in Chicago, too, and that would be a perfect outcome. Take a somber celebration of a moment in American history and acknowledge it with the message of hope and change that &lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6j4aejBaqPEakx28-%7CjdO-7M-sPARd" style="text-decoration: underline; color: #0068A5;"&gt;brought so many of us together&lt;/a&gt; back in 2008.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;Maybe we'll see you there sooner or later.&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-7" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td 
class="pad" style="width:100%;padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px" align="left"&gt;&lt;div style="max-width:104px"&gt;&lt;img src="https://d15k2d11r6t6rl.cloudfront.net/pub/40qd/br3kliar/ier/gbh/bha/unnamed-1_1.png" style="display:block;height:auto;border:0;width:100%" width="104" alt="" title="" height="auto"&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-8" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px; color: #000000;"&gt;Brian Hieggelke&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px; color: #000000;"&gt;Editor &amp; Publisher&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;em&gt;Order the &lt;/em&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6j4aejBaqPw6kx28-%7CjdO-7M-sPARd" style="text-decoration: underline; color: #0068A5;"&gt;&lt;em&gt;June&lt;/em&gt;&lt;/a&gt;&lt;em&gt; issue here.&amp;nbsp;&lt;/em&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;em&gt;Digital memberships &lt;/em&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6j4aejBaqPyqkx28-%7CjdO-7M-sPARd" style="text-decoration: underline; color: #0068A5;"&gt;&lt;em&gt;here&lt;/em&gt;&lt;/a&gt;&lt;em&gt;.&lt;/em&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;em&gt;Retail/Institutional subscriptions &lt;/em&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6j4aejBaqPy6kx28-%7CjdO-7M-sPARd" style="text-decoration: underline; color: #0068A5;"&gt;&lt;em&gt;here&lt;/em&gt;&lt;/a&gt;&lt;em&gt;.&lt;/em&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="divider_block block-9" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:10px;padding-bottom:20px;padding-left:10px;padding-right:10px" align="center"&gt;&lt;table border="0" cellpadding="0" cellspacing="0" role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div 
class="spacer_block block-10" style="height:21px;line-height:21px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="text_block block-11" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-left:20px;padding-right:20px"&gt;&lt;div style="font-family:Tahoma,Verdana,sans-serif"&gt;&lt;div class 
style="font-size:14px;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;mso-line-height-alt:16.8px;color:#555;line-height:1.2"&gt;&lt;p style="margin:0;font-size:14px;mso-line-height-alt:16.8px"&gt;&lt;span style="word-break: break-word; font-size: 16px; color: #65d68b;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word;"&gt;ART&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-12" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px" align="center"&gt;&lt;h1 style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:24px;font-weight:900;letter-spacing:normal;line-height:1.5;text-align:left;margin-top:0;margin-bottom:0;mso-line-height-alt:36px"&gt;
&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6j4aejBaqPEqkx28-%7CjdO-7M-sPARd" target="_blank" style="text-decoration: none; color: #000000;" rel="noopener"&gt;&lt;span class="mce-content-body mce-edit-focus" style="word-break: break-word; position: relative;" id="dbe734ea-22a7-4e13-80fb-144efed264c8" data-position="10-0-11" data-qa="tinyeditor-root-element"&gt;Signs of Life: Artist Donnie Carter Loves Being a Chicago Tourist, Even After Living Here Seventy Years&lt;/span&gt;&lt;/a&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table 
class="image_block block-13" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;div style="max-width:598px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6j4aejBaqPE6kx28-%7CjdO-7M-sPARd" target="_blank"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/ufa/rzq/50w/IMG_9742-scaled_600x450.jpg" style="display:block;height:auto;border:0;width:100%" width="598" alt="" title="" 
height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-14" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Like an urban Morse code, Carter’s hand-painted signs punctuate the South Side, making the signs for places like Lee’s Unleaded Blues and the Johnny Twist Blues Museum. (Dave Hoekstra)&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="divider_block block-15" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" 
style="padding-top:10px;padding-bottom:20px;padding-left:10px;padding-right:10px" align="center"&gt;&lt;table border="0" cellpadding="0" cellspacing="0" role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-16" style="height:21px;line-height:21px;font-size:1px"&gt;
&amp;#8202;&lt;/div&gt;&lt;table class="text_block block-17" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-left:20px;padding-right:20px"&gt;&lt;div style="font-family:Tahoma,Verdana,sans-serif"&gt;&lt;div class style="font-size:14px;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;mso-line-height-alt:16.8px;color:#555;line-height:1.2"&gt;&lt;p 
style="margin:0;font-size:14px;mso-line-height-alt:16.8px"&gt;&lt;span style="word-break: break-word; font-size: 16px; color: #9db8b3;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word;"&gt;LIT&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-18" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" 
style="width:100%;padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px" align="center"&gt;&lt;h1 style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:24px;font-weight:900;letter-spacing:normal;line-height:1.5;text-align:left;margin-top:0;margin-bottom:0;mso-line-height-alt:36px"&gt;
&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6j4aejBaqPELkx28-%7CjdO-7M-sPARd" target="_blank" style="text-decoration: none; color: #000000;" rel="noopener"&gt;“My Year in Paris with Gertrude Stein” Brings the World of the Lost Generation to the Near Present&lt;/a&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-19" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;div 
style="max-width:598px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6j4aejBaqPFakx28-%7CjdO-7M-sPARd" target="_blank"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/42f/vaf/hie/9780374602079-scaled-600x450.jpeg" style="display:block;height:auto;border:0;width:100%" width="598" alt="" title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-20" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;Deborah Levy demonstrates that it is a joy to be hidden and a disaster not to be found. (Amanda Norton)&lt;/span&gt;&lt;/p&gt;
&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="divider_block block-21" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:10px;padding-bottom:20px;padding-left:10px;padding-right:10px" align="center"&gt;&lt;table border="0" cellpadding="0" cellspacing="0" role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="divider_inner" 
style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-22" style="height:45px;line-height:45px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="image_block block-23" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-left:20px;padding-right:20px" align="center"&gt;
&lt;div style="max-width:400px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6j4aejBaqPzLkx28-%7CjdO-7M-sPARd" target="_blank"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/hx1/0qn/mgk/Newcity%20June%202026%20Footer.jpeg" style="display:block;height:auto;border:0;width:100%" width="400" alt="" title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-24" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:18.2px;color:#000;line-height:1.3"&gt;&lt;p style="margin:0;font-size:14px;text-align:center;mso-line-height-alt:26px"&gt;
&lt;span style="word-break: break-word; font-size: 20px;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word;"&gt;JUNE 2026:&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;br&gt;&lt;span style="word-break: break-word; font-size: 20px;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word;"&gt;DESIGN 50&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;br&gt;
&lt;span style="word-break: break-word; font-size: 20px;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word;"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6j4aejBaqP0akx28-%7CjdO-7M-sPARd" target="_blank" style="text-decoration: none; color: #19638e;" rel="noopener"&gt;GET THE ISSUE&lt;/a&gt; | &lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6j4aejBaqP0qkx28-%7CjdO-7M-sPARd" target="_blank" style="text-decoration: none; color: #19638e;" rel="noopener"&gt;SUBSCRIBE&lt;/a&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div 
class="spacer_block block-25" style="height:40px;line-height:40px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="divider_block block-26" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:10px;padding-bottom:20px;padding-left:10px;padding-right:10px" align="center"&gt;&lt;table border="0" cellpadding="0" cellspacing="0" role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;
&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-27" style="height:21px;line-height:21px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="text_block block-28" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad" 
style="padding-left:20px;padding-right:20px"&gt;&lt;div style="font-family:Tahoma,Verdana,sans-serif"&gt;&lt;div class style="font-size:14px;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;mso-line-height-alt:16.8px;color:#555;line-height:1.2"&gt;&lt;p style="margin:0;font-size:14px;mso-line-height-alt:16.8px"&gt;&lt;span style="word-break: break-word; font-size: 16px; color: #5b7ead;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word;"&gt;FILM&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table 
class="heading_block block-29" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:24px;font-weight:900;letter-spacing:normal;line-height:1.5;text-align:left;margin-top:0;margin-bottom:0;mso-line-height-alt:36px"&gt;
&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6j4aejBaqPFqkx28-%7CjdO-7M-sPARd" target="_blank" style="text-decoration: none; color: #000000;" rel="noopener"&gt;&lt;span class="mce-content-body mce-edit-focus" style="word-break: break-word; position: relative;" id="a7742c03-affc-4efa-9239-7ad3221a1381" data-position="10-0-28" data-qa="tinyeditor-root-element"&gt;Talking Screens: Dour "Death Of Robin Hood" | Haifaa al Mansour's"Unidentified" | Poetic Icelandic Landscapes&lt;/span&gt;&lt;/a&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table 
class="image_block block-30" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;div style="max-width:598px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6j4aejBaqPF6kx28-%7CjdO-7M-sPARd" target="_blank"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/1m3/60p/lgr/DORH_01725R-600x450.jpg" style="display:block;height:auto;border:0;width:100%" width="598" alt="" title="" 
height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-31" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Plus: "The Lord Of The Rings" trilogy at the Music Box, the Oshkosh origins of "Backrooms" and more. (Ray Pride)&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="divider_block block-32" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:20px;padding-bottom:20px;padding-left:10px;padding-right:10px" align="center"&gt;&lt;table 
border="0" cellpadding="0" cellspacing="0" role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-33" style="height:21px;line-height:21px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="text_block block-34" width="100%" border="0" cellpadding="0" cellspacing="0" 
role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-left:20px;padding-right:20px"&gt;&lt;div style="font-family:Tahoma,Verdana,sans-serif"&gt;&lt;div class style="font-size:14px;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;mso-line-height-alt:16.8px;color:#555;line-height:1.2"&gt;&lt;p style="margin:0;font-size:14px;mso-line-height-alt:16.8px"&gt;
&lt;span style="word-break: break-word; font-size: 16px; color: #a82b28;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word;"&gt;STAGE&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-35" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:24px;font-weight:900;letter-spacing:normal;line-height:1.5;text-align:left;margin-top:0;margin-bottom:0;mso-line-height-alt:36px"&gt;
&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6j4aejBaqQeqkx28-%7CjdO-7M-sPARd" target="_blank" style="text-decoration: none; color: #000000;" rel="noopener"&gt;&lt;span class="mce-content-body mce-edit-focus" style="word-break: break-word; position: relative;" id="80a66abe-6e72-472f-ba3e-6b6514174d51" data-position="10-0-34" data-qa="tinyeditor-root-element"&gt;The Opera Festival of Chicago Pairs "La Boheme" with a Rarer Paris-Set Masterwork&lt;/span&gt;&lt;/a&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-36" 
width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;div style="max-width:598px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6j4aejBaqQe6kx28-%7CjdO-7M-sPARd" target="_blank"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/98q/zcg/gx1/2026-Season-3-600x450.jpg" style="display:block;height:auto;border:0;width:100%" width="598" alt="" title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;&lt;table class="text_block block-37" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Sasha Gerritson, the festival's general director, shares their plans for the summer season, titled "Bohemian Tragedy," and discusses the strategy behind it. (Mark T. Ketterson)&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="divider_block block-38" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" 
style="padding-top:20px;padding-bottom:20px;padding-left:10px;padding-right:10px" align="center"&gt;&lt;table border="0" cellpadding="0" cellspacing="0" role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-39" width="100%" border="0" cellpadding="0" cellspacing="0" 
role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;div style="max-width:598px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6j4aejBaqP26kx28j" target="_blank"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/92y/375/c2u/MOWA%20NT%20newsletter%20creative%20for%20June%2015%20AmLand_digital-2-600x500.jpg" style="display:block;height:auto;border:0;width:100%" width="598" alt="" title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;&lt;div class="spacer_block block-40" style="height:40px;line-height:40px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="heading_block block-41" width="100%" border="0" cellpadding="5" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:28px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:34px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6j4aejBaqQeLkx28-%7CjdO-7M-sPARd" target="_blank" style="text-decoration: underline; color: #000000;" rel="noopener"&gt;TODAY IN CULTURE&lt;/a&gt;&lt;br&gt;&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;
&lt;table class="text_block block-42" width="100%" border="0" cellpadding="10" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:sans-serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:16.8px;color:#555;line-height:1.2"&gt;&lt;p style="margin:0;font-size:14px;text-align:center;mso-line-height-alt:16.8px"&gt;
&lt;span style="word-break: break-word; color: #000000;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;By Ray Pride&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-43" style="height:40px;line-height:40px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="heading_block block-44" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" 
style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;ART&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-45" width="100%" border="0" 
cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Richard Hunt's "Book Bird" Takes Flight At Obama Center&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;The Richard Hunt Legacy Foundation &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6j4aejBaqQfakx28j" style="text-decoration: underline; color: #0068A5;"&gt;has announced&lt;/a&gt; the installation of "Book Bird" (2023) at the Obama Presidential Center, "a breathtaking sculpture" by the late American sculptor Richard Hunt. President Barack Obama selected Richard Hunt as the first artist commissioned for the center on Chicago's South Side. The sculpture "depicts a bird taking wing from the pages of an open book, serving as a powerful visual metaphor for the freedom and social uplift that education provides." Hunt’s "Book Bird" is on view in the center's Chicago's Public Library Reading Garden, which opens to the public on June 19.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Tokyo Light Wizards Headed To Smart Museum&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Tokyo-based digital-art collective teamLab "is taking over the University of Chicago's Smart Museum this fall, turning its galleries into fully immersive, reactive light worlds that track your every move and mood shift in the sky," &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6j4aejBaqQfqkx28j" style="text-decoration: underline; color: #0068A5;"&gt;reports hoodline&lt;/a&gt;. The show will include the North American premiere of "Massless Suns and Dark Suns," which features "darkened rooms with floating light spheres" and "shadowy 'dark' orbs that cameras cannot capture." "Everything exists in a long borderless continuity," says teamLab founder Toshiyuki Inoko. "teamLab: Everything Exists in Infinite Continuity" opens September 22.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Korean Art Scholars Gather at Art Institute For Lee Kun-Hee Collection&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;The Korean art symposium "The Path to Modernization: Korean Art in a Changing World" will be held at the Art Institute of Chicago on June 23-24, &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6j4aejBaqQf6kx28j" style="text-decoration: underline; color: #0068A5;"&gt;reports Seoul Economic Daily&lt;/a&gt;. The symposium will feature scholars and curators leading Korean art research, including Korean art scholar Joan Kee, dean of the Institute of Fine Arts at New York University. "Under the theme of Korean art in a changing world, they will continue multifaceted academic presentations and discussions on topics including colonialism and national identity, Korean painting, Korean modern abstract art, postwar art by female artists and local color." The event is a related program to the "Lee Kun-Hee Collection" exhibition "Korean National Treasures: 2000 Years of Art" being &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6j4aejBaqQfLkx28j" style="text-decoration: underline; color: #0068A5;"&gt;held at the Art Institute&lt;/a&gt;.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-46" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;DINING &amp;amp; DRINKING&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-47" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Espresso Bar Café Pisolino Opens In Italian Village&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p 
style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"The Loop’s oldest Italian restaurant has opened an espresso bar to court morning commuters, downtown residents and workers," &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6j4aejBaqQgakx28j" style="text-decoration: underline; color: #0068A5;"&gt;cups Block Club&lt;/a&gt;. "Café Pisolino is open on the ground floor of the sprawling Italian Village Restaurant," and features everything from shakeratos and gianduja-infused lattes to cornetti and tomato tarts. The café, "inspired by the Italian tradition of a pisolino—a short nap or moment of pause—invites customers to slow down and enjoy the everyday rituals of Italian life."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Good Ambler Bakery Opening Second Location Downtown&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Fulton Market café and bakery Good Ambler will open a second location at Two North Riverside Plaza, also known as the Chicago Daily News building, on June 22. The new location from 16” on Center "aims to become an essential neighborhood spot for bustling commuters, high-rise office traffic and nearby residential buildings" and will feature a lunch menu. "Executive pastry chef Meg Galus, a DeKalb, [Illinois] native, will lead the new location, bringing a distinct Midwestern sensibility to her rigorous French-trained techniques...Chef Galus has led the pastry programs for some of Chicago's most acclaimed and Michelin-starred restaurants, including Tru and Boka, as well as led high-profile openings for Somerset, Momotaro, Swift and Sons and the Park Hyatt Chicago (NoMI)."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;RPM Steak Sets Collaboration With Arkansas Pitmaster Jordan Wright&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;RPM Steak is hosting an exclusive collaboration with James Beard Award-nominated pitmaster Jordan Wright of &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6j4aejBaqQgqkx28j" style="text-decoration: underline; color: #0068A5;"&gt;Wright’s BBQ&lt;/a&gt;. "Wright, who famously grew from his authentic Texas-style barbecue food truck into an acclaimed Arkansas restaurant empire, is a featured headliner at this year's Windy City Smokeout." Menu highlights include Texas Twinkie Empanadas; Miso Hot Honey Pork Belly; Smoked Wagyu Ribeye and RPM Fried Chicken; Black Truffle Mac and Cheese and Honey Butter Green Beans. Tuesday, July 7, 7pm. Reservations ($125) and more &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6j4aejBaqQg6kx28j" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; text-align: left; background-color: transparent; font-size: 18px;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-48" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" 
style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;FILM &amp;amp; TELEVISION&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-49" 
width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Colbert's Use Of "Linus &amp; Lucy" Costs CBS, With Proceeds Donated To World Kitchen&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"CBS has agreed to a licensing agreement, which will be donated to charity, after Stephen Colbert purposefully played one of Vince Guaraldi’s famous 'Peanuts' tunes on the final episode of 'The Late Show' without permission," &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6j4aejBaqQ%7Cqkx28j" style="text-decoration: underline; color: #0068A5;"&gt;reports Rolling Stone&lt;/a&gt;. Lee Mendelson Film Productions, Inc., "which owns the rights to Guaraldi’s television and film catalog, will donate the proceeds from the agreement to the World Central Kitchen, the nonprofit founded by star chef José Andrés, which provides food relief in conflict zones and during humanitarian crises. It will be the second donation to the World Central Kitchen to emerge from the end of 'The Late Show': On the penultimate episode, Colbert presented the nonprofit with $2.5 million on behalf of the outgoing late-night institution."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;BBC Firing 550, Cutting Millions From Budget&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"The BBC, the U.K. public service broadcaster, will cut around 550 jobs, slash content spending by $107 million over two years and 'review' broadcast TV channels as part of a big cost savings push," &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6j4aejBaqQ%7C6kx28j" style="text-decoration: underline; color: #0068A5;"&gt;tallies the Hollywood Reporter&lt;/a&gt;. The moves are part of an effort by new BBC director general Matt Brittin, "a former Google top executive, to slash costs across operations and functions.&amp;nbsp;The staff reductions will hit the BBC’s Content, Nations and News teams, with the BBC also eyeing further job reductions in corporate and other areas to the tune of around 700, Brittin said in a staff memo, in which he highlighted that 'we live in very uncertain times.'"&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; text-align: left; background-color: transparent; font-size: 18px;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-50" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" 
style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;LIT&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-51" width="100%" border="0" 
cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Literary Travel Opens The Books&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"Resort book clubs, tour companies, hotel libraries and a growing number of literary festivals are offering readers new ways to indulge their interests," surveys the New York Times (&lt;em&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6j4aejBaqQ%7CLkx28j" style="text-decoration: underline; color: #0068A5;"&gt;gift link&lt;/a&gt;&lt;/em&gt;). "The boom in bookish trips ranges from day-trips to weeklong vacations. Last fall, the&amp;nbsp;Nickel Plate Express, a heritage railway in Noblesville, Ind., started&amp;nbsp;&lt;a title="" href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6j4aejBaqQjakx28j" target="_blank" rel="noopener noreferrer" style="text-decoration: underline; color: #0068A5;"&gt;Read and Rides&lt;/a&gt;: two-hour excursions that invite bookworms to read while enjoying the rural Indiana scenery. Expect the ride to be library-quiet in a pair of sixty-eight-seat cars."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-52" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;MUSIC&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-53" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;All-Star Obama Center Opening Lineup Includes Stevie Wonder, Bruce Springsteen&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Today's opening ceremony for the Obama Presidential Center will feature a "star-studded lineup tasked with bringing 'music, performances and hope,'" &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6j4aejBaqQjqkx28j" style="text-decoration: underline; color: #0068A5;"&gt;reports the Sun-Times&lt;/a&gt;. Included in the lineup: Stevie Wonder, Bruce Springsteen, Eddie Vedder, the Roots, Christina Aguilera, Jennifer Hudson, John Legend, Marc Anthony, Tems and actress and producer Marsai Martin. The invitation-only event begins at 11am and will be livestreamed on &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6j4aejBaqQj6kx28j" style="text-decoration: underline; color: #0068A5;"&gt;Obama.org&lt;/a&gt;, as well as on the Obama Foundation’s Facebook and other social media accounts. "There is also a ticketed watch party at Midway Plaisance Park with gates opening at 9am, featuring a live DJ and other activities," &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6j4aejBaqQjLkx28j" style="text-decoration: underline; color: #0068A5;"&gt;adds Axios Chicago.&lt;/a&gt;&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Late-Night Jazz Returns To The Green Mill&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Famed Uptown lounge The Green Mill will now feature late-night jazz performances until 4am on Fridays and 5am on Saturdays, &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6j4aejBaqQkakx28j" style="text-decoration: underline; color: #0068A5;"&gt;reports Block Club&lt;/a&gt;. The updated schedule restores "pre-pandemic hours as owner Dave Jemilo hands over the reins to Jason Cole and Jill Skintges, both longtime employees. The historic watering hole at 4802 North Broadway—said to be the country’s longest-running jazz club—dates back to 1907. The club is celebrating forty years of Jemilo’s ownership on Friday before starting a new chapter under Cole and Skintges with the first night of late-night jazz since 2020."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Ravinia Concertgoers Ride Free On The Metra&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;For the sixth year in a row, a ticket "for a concert at the Highland Park venue will also cover your travel costs on Metra’s Union Pacific North Line. All concertgoers need to show the Metra conductor their concert ticket or e-ticket, and their rides to and from Ravinia Park on the UP North Line are free," &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6j4aejBaqQkqkx28j" style="text-decoration: underline; color: #0068A5;"&gt;reports WGN-TV&lt;/a&gt;. The festival will host its &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6j4aejBaqQk6kx28j" style="text-decoration: underline; color: #0068A5;"&gt;grand reopening concert&lt;/a&gt; on July 11 at the newly renovated Hunter Pavilion.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Riot Fest Charts Day-By-Day Lineups&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Riot Fest has unveiled the official by-day lineups for its return to Douglass Park, September 18-20, bringing together over a hundred artists spanning generations. Daily headliners include Twenty One Pilots and Iggy Pop on Friday; Tool and Morrissey on Saturday; and Pierce The Veil and Alanis Morissette on Sunday. Single-day and two-day tickets, $100 and up plus fees, will go on sale Thursday, June 18 at 10am &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6j4aejBaqQmqkx28j" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-54" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;STAGE&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-55" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Raven Theatre's "Octet" Makes Move To The Goodman&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p 
style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Following an extended run at Raven Theatre, Dave Malloy’s a cappella musical "Octet" transfers to Goodman Theatre two weeks this summer. Directed by Keira Fromm, with music direction by Nick Sula and choreography by Laura Savage, the Goodman presentation will feature Raven's original cast—including Neala Barron, Elliot Esquivel, Joryhebel Ginorio, Jordan Golding, Teressa LaGamba, Ryder Dean McDaniel, Sam Shankman and Grace Steckler. The Goodman presentation will be presented in the 400-seat flexible Owen Theatre from July 15-26. Tickets ($44 and up) &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6j4aejBaqQm6kx28j" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;. Read Newcity's review of the Raven Theatre production &lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6j4aejBaqQmLkx28-%7CjdO-7M-sPARd" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-56" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;ARTS &amp;amp; CULTURE &amp;amp; ETC.&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-57" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div 
style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;The Obama Presidential Center's Opening Ceremony&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Today's "grand opening ceremony marks the official dedication of the Obama Presidential Center. The event brings together global leaders, artists, changemakers and citizens for an inspiring celebration of the values that shaped the Obama presidency and continues to inspire people everywhere to believe in their power to create change," &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6j4aejBaqQnakx28j" style="text-decoration: underline; color: #0068A5;"&gt;writes the Obama Foundation&lt;/a&gt;. The opening events begin at 11am on Thursday, June 18, and will be livestreamed &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6j4aejBaqQnqkx28j" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;At WBEZ, &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6j4aejBaqQn6kx28j" style="text-decoration: underline; color: #0068A5;"&gt;Natalie Moore writes&lt;/a&gt; that the Obama Presidential Center "delivers a lesson in democracy, and what it means to be a country in progress." Louise Bernard, museum director, said "we’ve always had a very strong North Star in terms of our mission, which is to inspire, empower and connect people to change their world. One of the takeaways we often reference is this idea of what it means to bring change home. So the center is really a hub that draws people in and then sends them out.” Block Club offers an area dining guide &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6j4aejBaqQnLkx28j" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;. On Instagram, &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6j4aejBaqQoakx28j" style="text-decoration: underline; color: #0068A5;"&gt;Valerie Jarrett shares&lt;/a&gt; "beautiful shots of our Museum Tower at night."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;CME Group's Terry Duffy To Leave CEO Post&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"Terry Duffy, who has led CME Group since 2002, will step down as the exchange operator’s CEO in March," &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6j4aejBaqQoqkx28j" style="text-decoration: underline; color: #0068A5;"&gt;reports Crain's&lt;/a&gt;. "Lynne Fitzpatrick, currently president and chief financial officer at CME, will take over as CEO, with&amp;nbsp;Duffy becoming executive chairman."&lt;/span&gt;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-58" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p 
style="margin:0;font-size:18px;text-align:center;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Send culture news and tips to&amp;nbsp;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6j4aejBaqPALkx28j" target="_blank" style="text-decoration: underline; color: #0068A5;" rel="noopener"&gt;today@newcity.com&lt;/a&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="divider_block block-59" width="100%" border="0" cellpadding="0" cellspacing="0" 
role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:20px;padding-bottom:20px;padding-left:10px;padding-right:10px" align="center"&gt;&lt;table border="0" cellpadding="0" cellspacing="0" role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table
 class="image_block block-60" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;div style="max-width:598px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6j4aejBaqPBakx28j" target="_blank"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/92y/375/c2u/MOWA%20NT%20newsletter%20creative%20for%20June%2015%20AmLand_digital-2-600x500.jpg" 
style="display:block;height:auto;border:0;width:100%" width="598" alt="" title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="icons_block block-61" width="100%" border="0" cellpadding="10" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;text-align:center;line-height:0"&gt;&lt;tr&gt;&lt;td class="pad" style="vertical-align:middle;color:#000;font-family:inherit;font-size:14px;font-weight:400" align="center"&gt;&lt;table class="icons-outer" cellpadding="0" 
cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;display:inline-table"&gt;&lt;tr&gt;&lt;td style="vertical-align:middle;text-align:center;padding-top:10px;padding-bottom:10px;padding-left:10px;padding-right:10px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6j4aejBaqPBqkx28j" target="_self" title="" style="text-decoration: none;"&gt;&lt;img class="icon" src="https://d15k2d11r6t6rl.cloudfront.net/pub/40qd/br3kliar/3qs/o5m/w8g/unnamed-1.png" alt="" height="auto" width="32" 
align="center" style="display:block;height:auto;margin:0 auto;border:0"&gt;&lt;/a&gt;&lt;/td&gt;&lt;td style="vertical-align:middle;text-align:center;padding-top:10px;padding-bottom:10px;padding-left:10px;padding-right:10px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6j4aejBaqPB6kx28j" target="_self" title="" style="text-decoration: none;"&gt;&lt;img class="icon" src="https://d15k2d11r6t6rl.cloudfront.net/pub/40qd/br3kliar/coi/z2y/qei/unnamed-2.png" alt="" height="auto" width="32" align="center" 
style="display:block;height:auto;margin:0 auto;border:0"&gt;&lt;/a&gt;&lt;/td&gt;&lt;td style="vertical-align:middle;text-align:center;padding-top:10px;padding-bottom:10px;padding-left:10px;padding-right:10px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6j4aejBaqPDqkx28j" target="_self" title="" style="text-decoration: none;"&gt;&lt;img class="icon" src="https://d15k2d11r6t6rl.cloudfront.net/pub/40qd/br3kliar/74h/i4d/cse/unnamed-3.png" alt="" height="auto" width="32" align="center" 
style="display:block;height:auto;margin:0 auto;border:0"&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="divider_block block-62" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-bottom:35px;padding-left:10px;padding-right:10px" align="center"&gt;&lt;table border="0" cellpadding="0" cellspacing="0" role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td 
class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-63" width="100%" border="0" cellpadding="10" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class 
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&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6j46ejB6qRgqkxA9-%7CjdO-7M-sPARd" target="_blank"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/fb4/w4g/eee/DORH_01725R.jpg" style="display:block;height:auto;border:0;width:100%" width="598" alt="" title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-5" style="height:21px;line-height:21px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="heading_block block-6" width="100%" border="0" cellpadding="0" cellspacing="0" 
role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px" align="center"&gt;&lt;h1 style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:24px;font-weight:900;letter-spacing:normal;line-height:1.5;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:36px"&gt;
&lt;strong&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6j46ejB6qRg6kxA9-%7CjdO-7M-sPARd" target="_blank" style="text-decoration: none; color: #000000;" rel="noopener"&gt;Talking Screens: A Week In Chicago Film&lt;br&gt;June 19-25, 2026&lt;/a&gt;&lt;/strong&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="divider_block block-7" width="100%" border="0" cellpadding="10" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" align="center"&gt;&lt;table border="0" cellpadding="0" cellspacing="0" 
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style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;font-size:18px;text-align:center;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;by Ray Pride&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-9" width="100%" border="0" cellpadding="20" cellspacing="0" 
role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;A husk of a man, wreathed in years of gray hair and decades of regret, tumbles from death to death until a mission is found: preserving a redheaded girl child of a fresh generation while learning from Sister Brigid, a nun who embroiders existence with story, parable and recollection. "&lt;strong&gt;The Death Of Robin Hood&lt;/strong&gt;"—he dies—legend and lore has caught up with grubby, blooded Robin Hood (Hugh Jackman). Writer-director Michael Sarnoski ("Pig," "A Quiet Place: Day One") finds light in the dark of Anno Domini 1247. It is an inclement age, a rage of barmy weather, weather of calmly disagreeable apocalypse. In the bed of its roar, assaults of plain squelch knife humours from victims.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;“It’s my hope in retelling the Robin Hood story that we become more aware of the stories we tell ourselves and often come to take for granted in terms of what they mean, and why people told them in the first place,” Sarnoski says in the film's notes. “For those who might claim this isn’t their Robin Hood because he doesn’t conform to their worldview, I hope they can ask themselves, well, why not?”&lt;/span&gt;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;His "Robin Hood" is bookended in barmy weather and brute violence: "No one protects the meek," the stick-man Robin says from beneath his carapace of rag and ruin, a bramble of a man walking against wind like in a Thomas Hart Benton painting. Sarnoski is film-stock proud: the lavish darkness embraces characters like still lifes, as in paintings from artists like Adriaen Coorte, wrappings for skulls to come.&lt;/span&gt;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Before the first of a succession of crunchy killings, he says, "Lies upon lies, he robbed and killed for profit." It's a whirl that moves upon us without preamble: devastating fire and viscid splat and spray are weary norm. It is everlasting night. Warming flame has terrible consequence. When Robin himself is injured and taken to recover on an island led by Sister Brigid (Jodie Comer), a kind but talkative prioress, he, and the movie, moves toward light. It's tactile fable, at times as occluded and blurred as the perception of a man losing his vision. Sun of story overtakes muck and mist, dim and damp. The meteorological wretchedness is at first filth and finally all of a life revealed and becomes the world. The final passage of a brigand and murderer is fully felt. (&lt;em&gt;Reviewed in 35mm.&lt;/em&gt;) &lt;em&gt;The Death Of Robin Hood" opens Thursday&lt;/em&gt;.&lt;/span&gt;
&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-10" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;div style="max-width:598px"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/arn/vfy/0ua/Time-And-Water_-scaled_1.jpg" style="display:block;height:auto;border:0;width:100%" width="598" alt="" title="" height="auto"&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;
&lt;table class="text_block block-11" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;font-size:18px;text-align:center;mso-line-height-alt:18px"&gt;
&lt;span style="word-break: break-word; font-size: 12px;"&gt;"Time And Water"&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;National Geographic presents "&lt;strong&gt;Time And Water&lt;/strong&gt;," Sara Dosa’s captivating measure of time against ancient Icelandic landscapes told through the urgency of poet-author Andri Snær Magnason. &lt;em&gt;Trailer &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6j46ejB6qR%7CqkxA9j" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;&lt;/em&gt;. &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6j46ejB6qR%7C6kxA9j" style="text-decoration: underline; color: #0068A5;"&gt;&lt;/a&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6j46ejB6qR%7CLkxA9j" target="_blank" style="text-decoration: underline; color: #0068A5;" rel="noopener"&gt;&lt;/a&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6j46ejB6qRjakxA9j" target="_blank" style="text-decoration: underline; color: #0068A5;" rel="noopener"&gt;&lt;em&gt;Opens Friday, June 19 at the Film Cente&lt;/em&gt;r&lt;/a&gt;.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;Beyond beyond beyond beyond beyond infinity! Pixar releases "&lt;strong&gt;Toy Story 5&lt;/strong&gt;." &lt;em&gt;Opens Thursday, June 18.&lt;/em&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Debut feature director Lilian T. Mehrel's "&lt;strong&gt;Honeyjoon&lt;/strong&gt;" is described as "a layered dark comedy" and "surprisingly sexy, darkly funny emotional rollercoaster" as June (Ayden Mayeri) and her Persian-British mom Lela (Amira Casar) travel to the Azores islands for a grief anniversary; A "hot philosophical surfer" ensues. &lt;em&gt;Trailer &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6j46ejB6qRjqkxA9j" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;&lt;/em&gt;. &lt;em&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6j46ejB6qRj6kxA9j" style="text-decoration: underline; color: #0068A5;"&gt;Opens Friday, June 19 at the Film Center&lt;/a&gt;&lt;/em&gt;. Also at the Film Center: &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6j46ejB6qRjLkxA9j" style="text-decoration: underline; color: #0068A5;"&gt;Four shows&lt;/a&gt; of Bong Joon-ho's 1999 "&lt;strong&gt;Barking Dogs Don't Bite&lt;/strong&gt;," an early sign of his precise-yet-woolly filmmaking skills.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Based on writer-director Hayley Kiyoko's hit single and best-selling novel of the same name and featuring all-new music from Kiyoko, "&lt;strong&gt;Girls Like Girls&lt;/strong&gt;" is "a heartfelt coming-of-age story set over the course of one sun-drenched summer, where new-girl-in-town Coley falls in love for the first time while learning to accept herself along the way."&amp;nbsp;&lt;em&gt;Trailer &lt;/em&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6j46ejB6qRkakxA9j" style="text-decoration: underline; color: #0068A5;"&gt;&lt;em&gt;here&lt;/em&gt;&lt;/a&gt;&lt;em&gt;. Opens Friday, June 19&lt;/em&gt;.&lt;/span&gt;
&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-12" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;div style="max-width:598px"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/1bj/vkd/67h/Unidentified.jpg" style="display:block;height:auto;border:0;width:100%" width="598" alt="" title="" height="auto"&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table 
class="text_block block-13" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;font-size:18px;text-align:center;mso-line-height-alt:18px"&gt;
&lt;span style="word-break: break-word; font-size: 12px;"&gt;"Unidentified"&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;From Saudi Arabia, Haifaa al Mansour's"&lt;strong&gt;Unidentified&lt;/strong&gt;" finds a freshly divorced true-crime devotee becoming obsessed with the discovery in the desert of a teenage girl's body. Writes the director, "I see 'Unidentified' as the completion of my Saudi trilogy, which includes 'Wadjda' (the first film ever shot in the Kingdom of Saudi Arabia) and 'The Perfect Candidate.' The three films are connected by female protagonists that step out of their expected roles and identities to challenge a system that is stacked against them (and they all share the same fictional surname—Al Safan). In crafting this story, I wanted to explore the layers of identity that define women, particularly in the Middle East, where our identities are predefined and laid out for us from a very early age.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"I wanted to confront the implicit violence at the heart of these predefined roles, and expose the dangerous consequences of gender inequality in every society. When our lives as women are valued at a disproportionately lesser status, it is so much easier to dismiss, conceal, trivialize or condone the violence perpetrated against us. In many cases, women feel so trapped within these patriarchal systems that they feel they have no choice but to engage in the same dehumanizing violence the society perpetuates against them." &lt;em&gt;Trailer &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6j46ejB6qRkqkxA9j" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;. &lt;/em&gt;&lt;em&gt;Opens Friday, June 19 at River East.&lt;/em&gt;&lt;/span&gt;
&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-14" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;div style="max-width:598px"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/6u4/n69/63n/the-fellowship-of-the-ring-still-1.jpg" style="display:block;height:auto;border:0;width:100%" width="598" alt="" title="" height="auto"&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;&lt;table class="text_block block-15" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;font-size:18px;text-align:center;mso-line-height-alt:18px"&gt;
&lt;span style="word-break: break-word; font-size: 12px;"&gt;"The Fellowship of The Ring"&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;The Music Box showcases "&lt;strong&gt;The Lord Of The Rings&lt;/strong&gt;" trilogy in 35mm. &lt;em&gt;Co-presented by the Morton Arboretum, who will have representatives in the lounge to talk trees. &lt;/em&gt;&lt;/span&gt;&lt;em style="background-color:transparent;"&gt;Showtimes &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6j46ejB6qRk6kxA9j" style="color: #0068A5;"&gt;here&lt;/a&gt;. &lt;/em&gt;&lt;span style="word-break: break-word; background-color: transparent;"&gt;Also on 35mm: Hitchcock's "&lt;/span&gt;
&lt;strong style="background-color:transparent"&gt;Psycho.&lt;/strong&gt;&lt;span style="word-break: break-word; background-color: transparent;"&gt;" &lt;/span&gt;&lt;em style="background-color:transparent;"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6j46ejB6qRmqkxA9j" style="color: #0068A5;"&gt;Sunday, Tuesday, Thursday&lt;/a&gt;&lt;/em&gt;&lt;span style="word-break: break-word; background-color: transparent;"&gt;.&lt;/span&gt;&lt;/strong&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;In Neon's latest horror entry, Adrian Chiarella's "&lt;strong&gt;Leviticus&lt;/strong&gt;," two teenage boys find a spirit that takes the form of the person they most desire—"each other!" O&lt;em&gt;pens Thursday, June 18 and Friday, June 19 &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6j46ejB6qRm6kxA9j" style="text-decoration: underline; color: #0068A5;"&gt;at the Music Box&lt;/a&gt;.&lt;/em&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;The Music Box has also announced the June 26 opening of its third screen to the public with a 4K restoration of Guy Maddin's pleasingly bizarre period piece, the Alpine-set Canuck-as-fuck "&lt;strong&gt;Careful&lt;/strong&gt;" (1992). &lt;em&gt;More &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6j46ejB6qRmLkxA9j" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;&lt;/em&gt;. And also Philip Hartman's black-and-white East Village street-level time capsule, "&lt;strong&gt;No Picnic&lt;/strong&gt;" (1987). &lt;em&gt;More &lt;/em&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6j46ejB6qRnakxA9j" style="text-decoration: underline; color: #0068A5;"&gt;&lt;em&gt;here&lt;/em&gt;&lt;/a&gt;.&lt;/span&gt;
&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="divider_block block-16" width="100%" border="0" cellpadding="10" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" align="center"&gt;&lt;table border="0" cellpadding="0" cellspacing="0" role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;
&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-17" width="100%" border="0" cellpadding="10" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p 
style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;strong&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6j46ejB6qQBqkxA9-%7CjdO-7M-sPARd" target="_blank" style="text-decoration: underline; color: #0068A5;" rel="noopener"&gt;&lt;em&gt;Become a member of Newcity&lt;/em&gt;&lt;/a&gt;&lt;/strong&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="divider_block block-18" width="100%" border="0" cellpadding="10" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" 
align="center"&gt;&lt;table border="0" cellpadding="0" cellspacing="0" role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-19" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td 
class="pad" style="width:100%" align="center"&gt;&lt;div style="max-width:598px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6j46ejB6qRnqkxA9j" target="_blank"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/npo/ivt/bbk/GSFC_061826.gif" style="display:block;height:auto;border:0;width:100%" width="598" alt="" title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-20" style="height:40px;line-height:40px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table 
class="heading_block block-21" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:24px;font-weight:900;letter-spacing:normal;line-height:1.5;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:36px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;HOLDOVERS&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-22" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;
&lt;td class="pad" style="width:100%" align="center"&gt;&lt;div style="max-width:598px"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/9s3/q2x/bgi/Amores-Perros.jpeg" style="display:block;height:auto;border:0;width:100%" width="598" alt="" title="" height="auto"&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-23" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div 
style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;font-size:18px;text-align:center;mso-line-height-alt:18px"&gt;&lt;span style="word-break: break-word; font-size: 12px;"&gt;"Amores Perros"&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
Look out for "&lt;strong&gt;Amores Perros&lt;/strong&gt;" at the Film Center and "&lt;strong&gt;Yes&lt;/strong&gt;" at Facets. (&lt;em&gt;More about both films &lt;/em&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6j46ejB6qQAakxA9-%7CjdO-7M-sPARd" style="text-decoration: underline; color: #0068A5;"&gt;&lt;em&gt;here&lt;/em&gt;&lt;/a&gt;.)&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-24" style="height:40px;line-height:40px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="heading_block block-25" width="100%" border="0" cellpadding="0" cellspacing="0" 
role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px" align="center"&gt;&lt;h1 style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:24px;font-weight:900;letter-spacing:normal;line-height:1.5;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:36px"&gt;
&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;REPERTORY &amp;amp; REVIVAL&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-26" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class 
style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;The Chicago Film Society presents René Clair's "&lt;strong&gt;I Married A Witch&lt;/strong&gt;" (35mm) with Veronica Lake and introduced by Andrew Whitmore, archives technician at the Library of Congress.&amp;nbsp; &lt;em&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6j46ejB6qRn6kxA9j" style="text-decoration: underline; color: #0068A5;"&gt;Film Center, Thursday, June 25, 6pm&lt;/a&gt;&lt;/em&gt;.&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;
&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Doc Films &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6j46ejB6qRnLkxA9j" style="text-decoration: underline; color: #0068A5;"&gt;kicks off an abbreviated summer slate&lt;/a&gt; with Howard Hawks' 1931 "&lt;strong&gt;The Criminal Code&lt;/strong&gt;" (35mm) and Christopher Nolan's early journey "&lt;strong&gt;Memento&lt;/strong&gt;" (2000). &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6j46ejB6qRoakxA9j" style="text-decoration: underline; color: #0068A5;"&gt;The Davis features&lt;/a&gt; Park Chan-wook's 2016 "&lt;strong&gt;The Handmaiden&lt;/strong&gt;" and Steven Soderbergh's 2015 "&lt;strong&gt;Magic Mike XXL&lt;/strong&gt;."&lt;/span&gt;
&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-27" style="height:40px;line-height:40px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="heading_block block-28" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:24px;font-weight:900;letter-spacing:normal;line-height:1.5;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:36px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;THE WEEK IN FILM&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-29" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Motion Picture Academy Names Governors, Including Columbia Grad Michael Goi&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;The Motion Picture Academy has &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6j46ejB6qRoqkxA9j" style="text-decoration: underline; color: #0068A5;"&gt;named its board&lt;/a&gt; in its nineteen branches, each represented by three governors. Columbia College grad Michael Goi has been named to the cinematographers branch. The list of current governors is &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6j46ejB6qRo6kxA9j" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;The Media Burn Archive Expands&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Independent nonprofit archive Media Burn, which “has been collecting, preserving and distributing documentary and experimental media” since 2003, has moved its collection of more than 15,000 videotapes across the city. “Over two decades, the collection size tripled as more and more documentarians, journalists and artists found a home for their work at Media Burn,” they relay. &lt;/span&gt;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Following the recent move to Ashland, “we received nearly 2,500 new tapes, increasing our collection by twenty-percent,” says executive director Sara Chapman. “And we’re not seeing a slowdown. I’m thrilled that our new office is going to allow us to be more public-facing than ever before, whether it’s screening exciting new tape finds or helping people learn to care for their own tapes.” To mark the new locale, Media Burn will have a public Picnic in the Archive at their new facility, 348 North Ashland, on Tuesday, June 23, from 5pm-7pm. Reservations to the free event &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6j46ejB6qRqqkxA9j" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;“Backrooms”‘ Origins Lie In An Oshkosh Snapshot&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;The photo that inspired “Backrooms” was taken at what is now John’s Hobbies in Oshkosh, Wisconsin, &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6j46ejB6qRq6kxA9j" style="text-decoration: underline; color: #0068A5;"&gt;reports NBC 26&lt;/a&gt;. “The sickly yellow walls that defined the original photo are long gone inside John’s Hobbies, but owner John Hetzel said the idea of recreating them has come up. ‘Where the back rooms were, it’s our carpet racetrack, and there’s just no way I am going to disturb that. I suppose we could probably do something. We’ve been kicking it around. Sometimes this stuff fades pretty quick.'”&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Ninety Movies To See In Chicago Parks This Summer&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;“The Park District’s summer series brings free screenings to neighborhood parks through September 11,” &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6j46ejB6qRqLkxA9j" style="text-decoration: underline; color: #0068A5;"&gt;tallies Block Club&lt;/a&gt;. This year marks the program’s twenty-second season. While the programming leans on family-friendly fare, there are screenings like “Casablanca” in Bartelme Park scattered throughout the schedule as well. View the full schedule &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6j46ejB6qRrakxA9j" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Finding Ferris: “McNally… McNally… Anyone?”&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;“John Hughes never said flatly that Ed McNally was the basis for the Ferris Bueller character, but McNally believes he was at least a major component in a thinly-veiled composite, and frankly, the evidence is compelling,” writes Christopher Borrelli at the Trib (&lt;em&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6j46ejB6qRrqkxA9j" style="text-decoration: underline; color: #0068A5;"&gt;gift link&lt;/a&gt;&lt;/em&gt;). &lt;/span&gt;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;“McNally and Hughes grew up on the same street and attended Glenbrook North High School together. McNally’s best friend back then was a kid named A.C. Buehler, though it was McNally who had such a talent for skipping class that Glenbrook’s principal launched a crusade to catch him. In the film, Ferris skips nine days of school. McNally skipped twenty-seven days. On one of those days off, he ‘borrowed’ his father’s prized possession—a purple Cadillac—and put 113 miles on it, then, as the fictional Ferris does with a red Ferrari, McNally lifted the car onto jacks and ran it backwards, hoping to reverse the odometer.”&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Dimming The Gene Shalit Century&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;“Today” movie reviewer Gene Shalit, who died on Friday at one-hundred, “stood out from the broadcast television crowd with his colorful bowties, puffy hair and movie reviews studded with cheeky puns,” &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6j46ejB6qRr6kxA9j" style="text-decoration: underline; color: #0068A5;"&gt;reports former employer NBC News&lt;/a&gt;. He occupied his berth at the network for forty years, 1970-2010. Sample lingo: “‘The Silence of the Lambs’ may be all wool and a yard wide, but it makes a terrific yarn”; and “Judd Apatow’s ‘Funny People’ is ‘passable,’ he said—’speaking colonically.'” &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6j46ejB6qRrLkxA9j" style="text-decoration: underline; color: #0068A5;"&gt;Phil Rosenthal points&lt;/a&gt; to SCTV’s “Gene Shalit Critics Special.” An extended obituary from the Hollywood Reporter is &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6j46ejB6qRsakxA9j" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;.&lt;/span&gt;
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&lt;table class="image_block block-2" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;div style="max-width:598px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6jALekfLqTfLkyAvj" target="_blank"&gt;&lt;img 
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align="center"&gt;&lt;table border="0" cellpadding="0" cellspacing="0" role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-4" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td 
class="pad" style="width:100%;padding-top:5px;padding-bottom:5px;padding-left:20px;padding-right:20px" align="center"&gt;&lt;div style="max-width:350px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6jALekfLqSz6kyAv-%7CjdO-7M-sPARd" target="_blank"&gt;&lt;img src="https://d15k2d11r6t6rl.cloudfront.net/pub/40qd/br3kliar/trm/f81/xfb/NewcityLogoEmail.png" style="display:block;height:auto;border:0;width:100%" width="350" alt="" title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="divider_block block-5" width="100%" 
border="0" cellpadding="10" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" align="center"&gt;&lt;table border="0" cellpadding="0" cellspacing="0" role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-6" 
width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:20px;padding-bottom:10px;padding-left:20px;padding-right:20px"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;I started thinking about my dad, who died in 2020, during Chuchito Valdés' set at the Jazz Showcase Friday night, and tears started flowing. Valdés was playing a long solo piece on the piano, more classically influenced than Latin jazz, and I started thinking about the time dad had wanted us all to go to this venue, his first and last time, to see &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6jALekfLqTgakyAvj" style="text-decoration: underline; color: #0068A5;"&gt;Reginald Robinson&lt;/a&gt;, the Ragtime pianist and MacArthur genius he'd read about.&amp;nbsp;&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;My dad was like that, with an insatiable curiosity that he passed on to me and my brothers. It's why I do what I do, I am sure.&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Though I never learned to play music, I've long had a fondness for the piano. When I was in my early twenties, I bought a record I'd read about, "The Last Romantic" by Vladimir Horowitz, featuring performances by a virtuoso pianist four times my age at the time. It was the first and last album of his I bought, but I've listened to it over and over, a record infinitely quieter than any other I've ever owned, but mesmerizing in his transcendent piano playing, as he introduced me to works by Mozart, Bach and so many others.&amp;nbsp;&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;While thinking about all this Friday night at the jazz club, I remembered this record, too, and later dug it out to listen to. It turns out that Horowitz had once performed, but not recorded, "Tea for Two" and had an encounter with the jazz piano legend Art Tatum that involved the song, linking the two in music history, and connecting the dots in my night at the Showcase.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Earlier that day, my brother Brent and I had visited the campus of the Obama Presidential Center. It was Juneteenth, and the vast number of ordinary folks displaying extraordinary joy was infectious. Brent and I talked about my dad, then, too, and how much he would have loved to see this. Raised in a sea of Republicans, my father somehow found another path and became a lifelong progressive Democrat. The 2008 election was an apotheosis for his passions.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;I am told he cried when Obama was elected, so I like to think my tears on this Father's Day weekend were an echo from the universe.&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-7" width="100%" border="0" 
cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px" align="left"&gt;&lt;div style="max-width:104px"&gt;&lt;img src="https://d15k2d11r6t6rl.cloudfront.net/pub/40qd/br3kliar/ier/gbh/bha/unnamed-1_1.png" style="display:block;height:auto;border:0;width:100%" width="104" alt="" title="" height="auto"&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table 
class="text_block block-8" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px; color: #000000;"&gt;Brian Hieggelke&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px; color: #000000;"&gt;Editor &amp; Publisher&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;em&gt;Order the &lt;/em&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6jALekfLqS0akyAv-%7CjdO-7M-sPARd" style="text-decoration: underline; color: #0068A5;"&gt;&lt;em&gt;June&lt;/em&gt;&lt;/a&gt;&lt;em&gt; issue here.&amp;nbsp;&lt;/em&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;em&gt;Digital memberships &lt;/em&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6jALekfLqS0qkyAv-%7CjdO-7M-sPARd" style="text-decoration: underline; color: #0068A5;"&gt;&lt;em&gt;here&lt;/em&gt;&lt;/a&gt;&lt;em&gt;.&lt;/em&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;em&gt;Retail/Institutional subscriptions &lt;/em&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6jALekfLqS06kyAv-%7CjdO-7M-sPARd" style="text-decoration: underline; color: #0068A5;"&gt;&lt;em&gt;here&lt;/em&gt;&lt;/a&gt;&lt;em&gt;.&lt;/em&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="divider_block block-9" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:10px;padding-bottom:20px;padding-left:10px;padding-right:10px" align="center"&gt;&lt;table border="0" cellpadding="0" cellspacing="0" role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div 
class="spacer_block block-10" style="height:21px;line-height:21px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="text_block block-11" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-left:20px;padding-right:20px"&gt;&lt;div style="font-family:Tahoma,Verdana,sans-serif"&gt;&lt;div class 
style="font-size:14px;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;mso-line-height-alt:16.8px;color:#555;line-height:1.2"&gt;&lt;p style="margin:0;font-size:14px;mso-line-height-alt:16.8px"&gt;&lt;span style="word-break: break-word; font-size: 16px; color: #a82b28;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word;"&gt;STAGE&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-12" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px" align="center"&gt;&lt;h1 style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:24px;font-weight:900;letter-spacing:normal;line-height:1.5;text-align:left;margin-top:0;margin-bottom:0;mso-line-height-alt:36px"&gt;
&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6jALekfLqTgqkyAv-%7CjdO-7M-sPARd" target="_blank" style="text-decoration: none; color: #000000;" rel="noopener"&gt;&lt;span class="mce-content-body mce-edit-focus" style="word-break: break-word; position: relative;" id="7cebe584-6639-40fb-a13f-1ae11de7f905" data-position="10-0-11" data-qa="tinyeditor-root-element"&gt;The Invisible Costumes of "Catch as Catch Can"&lt;/span&gt;&lt;/a&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-13" width="100%" border="0" cellpadding="0" 
cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;div style="max-width:598px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6jALekfLqTg6kyAv-%7CjdO-7M-sPARd" target="_blank"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/t1l/7f7/p5l/Catch-as-Catch-Can-5.-Photo-by-Michael-Brosilow-600x450.jpg" style="display:block;height:auto;border:0;width:100%" width="598" alt="" title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;&lt;table class="text_block block-14" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;In this production at Steppenwolf Theatre, three gifted ensemble members transition between genders and ages to tell a family story in a new way. (Mary Wisniewski)&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="divider_block block-15" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" 
style="padding-top:10px;padding-bottom:20px;padding-left:10px;padding-right:10px" align="center"&gt;&lt;table border="0" cellpadding="0" cellspacing="0" role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-16" style="height:21px;line-height:21px;font-size:1px"&gt;
&amp;#8202;&lt;/div&gt;&lt;table class="text_block block-17" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-left:20px;padding-right:20px"&gt;&lt;div style="font-family:Tahoma,Verdana,sans-serif"&gt;&lt;div class style="font-size:14px;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;mso-line-height-alt:16.8px;color:#555;line-height:1.2"&gt;&lt;p 
style="margin:0;font-size:14px;mso-line-height-alt:16.8px"&gt;&lt;span style="word-break: break-word; font-size: 16px; color: #65d68b;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word;"&gt;ART&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-18" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" 
style="width:100%;padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px" align="center"&gt;&lt;h1 style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:24px;font-weight:900;letter-spacing:normal;line-height:1.5;text-align:left;margin-top:0;margin-bottom:0;mso-line-height-alt:36px"&gt;
&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6jALekfLqT%7CqkyAv-%7CjdO-7M-sPARd" target="_blank" style="text-decoration: none; color: #000000;" rel="noopener"&gt;&lt;span class="mce-content-body mce-edit-focus" style="word-break: break-word; position: relative;" id="1154af4e-15d2-45f7-9aa9-11f871d943b3" data-position="10-0-17" data-qa="tinyeditor-root-element"&gt;The Rest Is History&lt;/span&gt;&lt;/a&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-19" width="100%" border="0" cellpadding="0" cellspacing="0" 
role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;div style="max-width:598px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6jALekfLqT%7C6kyAv-%7CjdO-7M-sPARd" target="_blank"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/446/gz4/pgk/Unknown-9-600x450.jpeg" style="display:block;height:auto;border:0;width:100%" width="598" alt="" title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-20" width="100%" 
border="0" cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;The work in Craig Semetko's show at the Leica Gallery give a glimpse of life all over the world, served up in wonderful images filled with humor and pathos. (Susan Aurinko)&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="divider_block block-21" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" 
style="padding-top:10px;padding-bottom:20px;padding-left:10px;padding-right:10px" align="center"&gt;&lt;table border="0" cellpadding="0" cellspacing="0" role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-22" style="height:21px;line-height:21px;font-size:1px"&gt;
&amp;#8202;&lt;/div&gt;&lt;table class="text_block block-23" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-left:20px;padding-right:20px"&gt;&lt;div style="font-family:Tahoma,Verdana,sans-serif"&gt;&lt;div class style="font-size:14px;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;mso-line-height-alt:16.8px;color:#555;line-height:1.2"&gt;&lt;p 
style="margin:0;font-size:14px;mso-line-height-alt:16.8px"&gt;&lt;span style="word-break: break-word; font-size: 16px; color: #9db8b3;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word;"&gt;LIT&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-24" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" 
style="width:100%;padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px" align="center"&gt;&lt;h1 style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:24px;font-weight:900;letter-spacing:normal;line-height:1.5;text-align:left;margin-top:0;margin-bottom:0;mso-line-height-alt:36px"&gt;
&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6jALekfLqT%7CLkyAv-%7CjdO-7M-sPARd" target="_blank" style="text-decoration: none; color: #000000;" rel="noopener"&gt;Girls! Girls! Girls!: Allie Rowbottom’s "Lovers XXX" Is a Grand, Old-Fashioned American Love Story&lt;/a&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-25" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;div 
style="max-width:598px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6jALekfLqTjakyAv-%7CjdO-7M-sPARd" target="_blank"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/80a/y6k/4m7/81uxAPYHEeL._SL1500_%20%281%29.jpg" style="display:block;height:auto;border:0;width:100%" width="598" alt="" title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-26" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Rowbottom gives her readers the forever off-tempo, neon true love of heroines Winnie and Jude over the span of several decades. (Annette LePique)&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="divider_block block-27" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" 
style="padding-top:10px;padding-bottom:20px;padding-left:10px;padding-right:10px" align="center"&gt;&lt;table border="0" cellpadding="0" cellspacing="0" role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-28" style="height:45px;line-height:45px;font-size:1px"&gt;
&amp;#8202;&lt;/div&gt;&lt;table class="image_block block-29" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-left:20px;padding-right:20px" align="center"&gt;&lt;div style="max-width:400px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6jALekfLqS3qkyAv-%7CjdO-7M-sPARd" target="_blank"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/hx1/0qn/mgk/Newcity%20June%202026%20Footer.jpeg" 
style="display:block;height:auto;border:0;width:100%" width="400" alt="" title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-30" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class 
style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:18.2px;color:#000;line-height:1.3"&gt;&lt;p style="margin:0;font-size:14px;text-align:center;mso-line-height-alt:26px"&gt;&lt;span style="word-break: break-word; font-size: 20px;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word;"&gt;JUNE 2026:&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;br&gt;&lt;span style="word-break: break-word; font-size: 20px;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word;"&gt;DESIGN 50&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;br&gt;
&lt;span style="word-break: break-word; font-size: 20px;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word;"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6jALekfLqS36kyAv-%7CjdO-7M-sPARd" target="_blank" style="text-decoration: none; color: #19638e;" rel="noopener"&gt;GET THE ISSUE&lt;/a&gt; | &lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6jALekfLqS3LkyAv-%7CjdO-7M-sPARd" target="_blank" style="text-decoration: none; color: #19638e;" rel="noopener"&gt;SUBSCRIBE&lt;/a&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div 
class="spacer_block block-31" style="height:40px;line-height:40px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="divider_block block-32" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:10px;padding-bottom:20px;padding-left:10px;padding-right:10px" align="center"&gt;&lt;table border="0" cellpadding="0" cellspacing="0" role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;
&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-33" style="height:21px;line-height:21px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="text_block block-34" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad" 
style="padding-left:20px;padding-right:20px"&gt;&lt;div style="font-family:Tahoma,Verdana,sans-serif"&gt;&lt;div class style="font-size:14px;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;mso-line-height-alt:16.8px;color:#555;line-height:1.2"&gt;&lt;p style="margin:0;font-size:14px;mso-line-height-alt:16.8px"&gt;&lt;span style="word-break: break-word; font-size: 16px; color: #89c0c9;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word;"&gt;DESIGN&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table 
class="heading_block block-35" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:24px;font-weight:900;letter-spacing:normal;line-height:1.5;text-align:left;margin-top:0;margin-bottom:0;mso-line-height-alt:36px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6jALekfLqTjqkyAv-%7CjdO-7M-sPARd" target="_blank" style="text-decoration: none; color: #000000;" rel="noopener"&gt;Chicago, 2126: Gensler's Five Speculative Visions for the City’s Next Century&lt;/a&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table 
class="image_block block-36" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;div style="max-width:598px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6jALekfLqTj6kyAv-%7CjdO-7M-sPARd" target="_blank"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/t1u/e7j/dae/More-Connected-2_Gensler-600x450.jpeg" style="display:block;height:auto;border:0;width:100%" width="598" alt="" 
title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-37" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Looking a hundred years ahead to imagine how the city might evolve in the face of shifting climates, aging demographics and rapid technological change. (Vasia Rigou)&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="divider_block block-38" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" 
style="padding-top:20px;padding-bottom:20px;padding-left:10px;padding-right:10px" align="center"&gt;&lt;table border="0" cellpadding="0" cellspacing="0" role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-39" style="height:21px;line-height:21px;font-size:1px"&gt;
&amp;#8202;&lt;/div&gt;&lt;table class="text_block block-40" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-left:20px;padding-right:20px"&gt;&lt;div style="font-family:Tahoma,Verdana,sans-serif"&gt;&lt;div class style="font-size:14px;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;mso-line-height-alt:16.8px;color:#555;line-height:1.2"&gt;&lt;p 
style="margin:0;font-size:14px;mso-line-height-alt:16.8px"&gt;&lt;span style="word-break: break-word; font-size: 16px; color: #429c95;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word;"&gt;BRAZIL&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-41" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" 
style="width:100%;padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px" align="center"&gt;&lt;h1 style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:24px;font-weight:900;letter-spacing:normal;line-height:1.5;text-align:left;margin-top:0;margin-bottom:0;mso-line-height-alt:36px"&gt;
&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6jALekfLqTjLkyAv-%7CjdO-7M-sPARd" target="_blank" style="text-decoration: none; color: #000000;" rel="noopener"&gt;&lt;span class="mce-content-body mce-edit-focus" style="word-break: break-word; position: relative;" id="dc2765d5-9e32-4227-a9cc-b5a8ea61f84e" data-position="10-0-40" data-qa="tinyeditor-root-element"&gt;What Comets Do We See Below the Equator?&lt;/span&gt;&lt;/a&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-42" width="100%" border="0" cellpadding="0" 
cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;div style="max-width:598px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6jALekfLqTkakyAv-%7CjdO-7M-sPARd" target="_blank"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/xe0/x8n/fut/SURREALISMOS.01-scaled-600x450.jpg" style="display:block;height:auto;border:0;width:100%" width="598" alt="" title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table 
class="text_block block-43" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;On "Surrealisms: Art Beyond Reason" at Pinakotheke São Paulo. (Luiz Armando Bagolin)&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="divider_block block-44" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:20px;padding-bottom:20px;padding-left:10px;padding-right:10px" align="center"&gt;&lt;table border="0" cellpadding="0" 
cellspacing="0" role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-45" style="height:21px;line-height:21px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="text_block block-46" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-left:20px;padding-right:20px"&gt;&lt;div style="font-family:Tahoma,Verdana,sans-serif"&gt;&lt;div class style="font-size:14px;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;mso-line-height-alt:16.8px;color:#555;line-height:1.2"&gt;&lt;p style="margin:0;font-size:14px;mso-line-height-alt:16.8px"&gt;
&lt;span style="word-break: break-word; font-size: 16px; color: #429c95;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word;"&gt;BRAZIL&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-47" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:24px;font-weight:900;letter-spacing:normal;line-height:1.5;text-align:left;margin-top:0;margin-bottom:0;mso-line-height-alt:36px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6jALekfLqTkqkyAv-%7CjdO-7M-sPARd" target="_blank" style="text-decoration: none; color: #000000;" rel="noopener"&gt;What the Cié Uncovers&lt;/a&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-48" width="100%" border="0" cellpadding="0" 
cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;div style="max-width:598px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6jALekfLqTk6kyAv-%7CjdO-7M-sPARd" target="_blank"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/vu8/jqe/6nl/jacu-birds_202604241312280300_168492-600x450.jpg" style="display:block;height:auto;border:0;width:100%" width="598" alt="" title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table 
class="text_block block-49" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;In “Memórias da Terra” (Memories of the Earth), Navegante Tremembé answers the question of what makes these paintings paintings. (Luiz Armando Bagolin)&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="divider_block block-50" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" 
style="padding-top:20px;padding-bottom:20px;padding-left:10px;padding-right:10px" align="center"&gt;&lt;table border="0" cellpadding="0" cellspacing="0" role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-51" width="100%" border="0" cellpadding="0" cellspacing="0" 
role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;div style="max-width:598px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6jALekfLqTmqkyAvj" target="_blank"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/7ln/cqk/qx4/Jewish%20Museum%20Milwaukee%20%20Newcity%20Today%20newsletter%20June%2022%20%20%20JMM_48Jews_NewCity_Digital_600x250_v0r1.jpg" style="display:block;height:auto;border:0;width:100%" width="598" alt="" 
title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-52" style="height:40px;line-height:40px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="heading_block block-53" width="100%" border="0" cellpadding="5" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:28px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:34px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6jALekfLqTm6kyAv-%7CjdO-7M-sPARd" target="_blank" style="text-decoration: underline; color: #000000;" rel="noopener"&gt;TODAY IN CULTURE&lt;/a&gt;&lt;br&gt;&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;
&lt;table class="text_block block-54" width="100%" border="0" cellpadding="10" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:sans-serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:16.8px;color:#555;line-height:1.2"&gt;&lt;p style="margin:0;font-size:14px;text-align:center;mso-line-height-alt:16.8px"&gt;
&lt;span style="word-break: break-word; color: #000000;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;By Ray Pride&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-55" style="height:40px;line-height:40px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="heading_block block-56" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" 
style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;DESIGN&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-57" width="100%" 
border="0" cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Mayor Proposes $425 Million TIF Subsidy For The 78&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"Chicago Fire owner Joe Mansueto has been widely praised for bankrolling his own $750 million soccer stadium on the South Loop parcel known as The 78. But taxpayers would be subsidizing that development to the tune of $425 million, thanks to a plan proposed last week," &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6jALekfLqTmLkyAvj" style="text-decoration: underline; color: #0068A5;"&gt;reports the Sun-Times&lt;/a&gt;. "The roster of TIF-eligible infrastructure projects includes construction of a 1,200-space underground parking garage," with a breakdown that includes "$216 million for public structures, plazas and open space; $105 million for road infrastructure along LaSalle, 13th, 14th and 15th streets; $12 million for Clark Street improvements and another $12 million for a pedestrian connection on Clark; $34 million for river wall improvements along the south branch of the Chicago River; $8 million for Roosevelt Road improvements; and $36 million for Metra improvements."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Celebrating Architect Fazlur Rahman Khan&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Illinois Humanities’ Community Conversations will celebrate the legacy of Fazlur Rahman Khan, the Bangladeshi American engineer "whose groundbreaking designs transformed modern skylines, including Chicago’s John Hancock Center and Willis Tower. The program features a short from filmmaker Laila Kazmi’s documentary on Khan, followed by a panel discussion and audience conversation exploring immigrant innovation and the South Asian impact on America’s story." South Asia Institute, Friday, June 26. Reserve &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6jALekfLqTnakyAvj" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Kara Mann Brings Her Chicago Design Sensibility To Jackson Hole&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"After more than two decades leading one of Chicago’s most respected commercial and residential interior design firms, Kara Mann has opened a new kind of space in Jackson Hole—one that is part retail and part studio," &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6jALekfLqTnqkyAvj" style="text-decoration: underline; color: #0068A5;"&gt;observes Surface magazine&lt;/a&gt;. "The Shop, an intimate 800-square-foot corner storefront in The Aspens, one of the area’s most coveted residential and resort neighborhoods, marks the expansion of her practice into one of her favorite destinations." Says Mann, "I approached the space much the same way I would a residence. The materials are warm and tactile, the palette is soft and restrained and the furnishings are arranged to create a sense of ease rather than display. There isn’t a hard distinction between decorative and functional objects."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Chicago's "Godfather Of Neon" Marks Forty Years&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"At Neon Shop Fishtail, Tom Brickler and his team design and repair neon signs for movies, TV shows and countless Chicago taverns and other businesses," &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6jALekfLqTn6kyAvj" style="text-decoration: underline; color: #0068A5;"&gt;reports Block Club&lt;/a&gt;. "Bending glass tubes and lighting them up with neon and other gasses has always been an outlet for Brickler to exhibit his craftsmanship and artistry, and increasingly it’s meant offering a needed-yet-niche service: He’s one of the last neon specialists left in Chicago."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Contested Fulton Market High-Rise Plan Gets OK&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"The Chicago City Council has approved a Fulton Market high-rise that city planners told it to reject, opening the door to Loop-scale density in the former meatpacking corridor," &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6jALekfLqTnLkyAvj" style="text-decoration: underline; color: #0068A5;"&gt;reports Crain's&lt;/a&gt;. "The council’s green light completes a major break from the zoning rules that have governed Fulton Market development over the past decade. Domus’ site now has a zoning designation of DX-16, the same level of density used for the tallest skyscrapers downtown."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-58" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;DINING &amp;amp; DRINKING&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-59" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;The View From Oak Street's Arla&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p 
style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Hospitality Included "knows how to handle an impressive room," &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6jALekfLqToakyAvj" style="text-decoration: underline; color: #0068A5;"&gt;writes Chicago magazine&lt;/a&gt; about Arla, the Gold Coast rooftop restaurant from the team behind the Adalina restaurants. "Soo Ahn, who runs the culinary programs at all three restaurants, laughed when discussing the group’s desire to take over this particular restaurant. 'My partners get pretty gung ho and will do whatever it takes to get a space,' Ahn says. 'It’s been years in the making.' They gutted the [former Fred's] space to make room for Arla, which is 'not constricted by a lot of taller buildings nearby, you can see the lake and everything going on Oak Street and Rush Street. The night light that hits the dining room is amazing.'"&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Jim's Original Could Stay On Maxwell Street For Years&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Jim's Original still plans to move to Pilsen, "but a lease extension with UIC will allow Jim’s to stay in its current location 'until we want to leave,'" Jim Christopoulos, the stand’s third-generation owner &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6jALekfLqToqkyAvj" style="text-decoration: underline; color: #0068A5;"&gt;tells Block Club&lt;/a&gt;. The university and Jim’s "agreed on a lease extension for the building at 1250 South Union Avenue that will allow the hot dog stand to stay put for the foreseeable future."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;McDonald's Brings Back Antique Fried Apple Pie&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"McDonald's Fried Apple Pie is returning nationwide on June 23 for a limited time to celebrate the 250th anniversary of the U.S.," &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6jALekfLqTo6kyAvj" style="text-decoration: underline; color: #0068A5;"&gt;writes People magazine&lt;/a&gt;. "The dessert originated from a family recipe by East Tennessee owner-operator Litton Cochran in the 1960s and became a fan-favorite before leaving the menu in the 1990s...To commemorate the item's return, McDonald's also announced that it is building a thirty-five-foot version of the dessert, creating the McDonald's Largest Fried Apple Pie," which will be on view from June 23 to July 4. "The massive roadside attraction will be located off Route 66 just outside of Chicago, where the chain is headquartered."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Rogers Park Taco Crawl Returns&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;The nonprofit Rogers Park Business Alliance has announced the return of its annual Taco Crawl, as nineteen restaurants along Clark Street between Devon and Rogers "will offer their signature tacos to ticket buyers, rain or shine. Two taco routes, named Cilantro and Maíz, will be available for participants to choose from, each consisting of eleven restaurants." Thursday, July 16, 3pm-7pm. Advance online tickets are $25 per route &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6jALekfLqTqqkyAvj" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;White House Confreres Turn To Sauerkraut&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"Health Secretary Robert F. Kennedy Jr., Commerce Secretary Howard Lutnick, Transportation Secretary Sean Duffy and Vice President JD Vance swear by a diet of grass-fed meat and fermented foods, even when the sulfurous odors cause friction at home," &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6jALekfLqTq6kyAvj" style="text-decoration: underline; color: #0068A5;"&gt;reports the Wall Street Journal&lt;/a&gt;. They have "embraced the diet, drawn by the promise of slimmer waistlines and glowing skin. 'Within thirty days I lost twenty pounds,' Kennedy said at an event in Michigan." (&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6jALekfLqTvakyAv-%7CjdO-7M-sPARd" target="_blank" style="text-decoration: underline; color: #0068A5;" rel="noopener"&gt;More&lt;/a&gt;.)&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; text-align: left; background-color: transparent; font-size: 18px;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-60" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" 
style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;FILM &amp;amp; TELEVISION&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-61" 
width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;"The Bear"'s Matty Matheson Goes Beyond "The Screaming Face"&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"Prolifically profane" chef Matty Matheson "loves his sweet role on ‘The Bear’ and life on his Canadian farm, but he’s weary of playing the clown," &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6jALekfLqTqLkyAvj" style="text-decoration: underline; color: #0068A5;"&gt;profiles Kim Severson at the New York Times&lt;/a&gt;. "He’s the best-known chef in Toronto, selling smash burgers over the counter at one restaurant, $595 tins of caviar at another and takeout pizza with aged dough at five more...YouTube fans know him from the chaotic, deceptively sloppy stand-and-stir cooking shows that he presides over like John Belushi with a culinary degree. In 'Toy Story 5,' he gives voice to a daredevil peanut in a lucha libre mask. And, of course, there is 'The Bear,' the hit series that shot him to a level of celebrity that the self-described 'psychopathic party boy' from a big, working-class family in small-town Ontario could have never imagined." The fifth and final season debuts June 25.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; text-align: left; background-color: transparent; font-size: 18px;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-62" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" 
style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;LIT&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-63" width="100%" border="0" 
cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;New Owners Roxane Gay And Debbie Millman Relaunch The Rumpus&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"Just over a year after they acquired online literary magazine the Rumpus from Alyson Sinclair," &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6jALekfLqTrakyAvj" style="text-decoration: underline; color: #0068A5;"&gt;reports Publishers Weekly&lt;/a&gt;, "Roxane Gay and Debbie Millman are unveiling not simply a redesigned website and new logo, but also a publication intended to better serve today’s readers. 'We'll still be covering with the same rigor and integrity, fiction, essays, poetry, book reviews, author interviews,' said Millman, the host of the Design Matters podcast, who is a co-owner of Print magazine. She serves as the Rumpus' culture editor and creative director, while Gay serves as editor. 'But we're also going to include more design criticism, art criticism and overall cultural coverage.'"&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-64" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;MEDIA&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-65" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Chicagoans Can Access The New York Times Through The Library&lt;/strong&gt;&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Anyone with a Chicago Public Library card can now access the New York Times, &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6jALekfLqTrqkyAvj" style="text-decoration: underline; color: #0068A5;"&gt;reports Block Club&lt;/a&gt;, including "the Times’ news coverage dating back to 1851, games like Wordle and daily crosswords, recipes, podcasts and its product recommendation site, Wirecutter." Along with access at local libraries and via their wifi, cardholders can "redeem twenty-four-hour codes to access the Times remotely by entering their library card number and PIN on the library’s website. After twenty-four hours, cardholders can redeem a new code to regain remote access."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Penske Buys Remainder Of Vox Media, Including Eater&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"Penske Media Corporation, the news and events company behind Hollywood trade publications like Variety and The Hollywood Reporter, is acquiring sites owned by Vox Media that were left over from a deal this year with the media scion James Murdoch," &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6jALekfLqTr6kyAvj" style="text-decoration: underline; color: #0068A5;"&gt;reports the New York Times&lt;/a&gt;. (&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6jALekfLqTvqkyAv-%7CjdO-7M-sPARd" target="_blank" style="text-decoration: underline; color: #0068A5;" rel="noopener"&gt;More&lt;/a&gt;.)&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-66" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;MUSIC&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-67" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Saxophonist Walter Parazaider, Eighty-One, Had "Vision" Behind Chicago's Sound&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Chicago co-founder, Maywood native and DePaul graduate Walter Parazaider brought horns to a rock 'n' roll band, &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6jALekfLqTrLkyAvj" style="text-decoration: underline; color: #0068A5;"&gt;chronicles the Sun-Times&lt;/a&gt;. Parazaider "put the band together and they rehearsed in the basement of his mother’s home," wrote the band after his passing. "He is also the one who did the hard work to book shows for the young, unknown band, performing top forty covers at local bars in and around Chicago.” The band "was formed in the late 1960s originally as the Big Thing in its namesake city, formed out of several local bands. One of the bestselling bands in the world, Mr. Parazaider’s solos can be heard on the hit tracks 'Just You ‘n’ Me' and 'Colour My World.'"&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Experimental Garage Sale At Experimental Sound Studio&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;The Experimental Garage Sale, an "annual convening of Midwest creators," is moving to the summer. The event will feature vendors from across the region selling synthesizers, "boutique noisemakers," records, "components and doodads to build your own weird stuff," vintage A/V equipment and much more. The sale will be hosted by Experimental Sound Studio at 5925 North Ravenswood on July 11 at noon. More &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6jALekfLqTsakyAvj" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-68" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;STAGE&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-69" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Chicago Comic Tom Dreesen, Eighty-Six, Was Sinatra's Opening Act&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Tom Dreesen, "the classy comedian who opened for Frank Sinatra for fourteen years, pushed for stand-ups to get paid at the Comedy Store and partnered in a pioneering interracial act with Tim Reid," &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6jALekfLqTsqkyAvj" style="text-decoration: underline; color: #0068A5;"&gt;chronicles the Hollywood Reporter&lt;/a&gt;. Dreesen "made more than 500 TV talk show appearances and was a favorite of late-night stars Johnny Carson and David Letterman, but his roots were humble," &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6jALekfLqTs6kyAvj" style="text-decoration: underline; color: #0068A5;"&gt;adds the Sun-Times&lt;/a&gt;. "He was raised one of eight kids in a Catholic family that was one of the only white families in a Black neighborhood in Harvey...He first made a mark in the comedy world alongside comedian Tim Reid, later known for his acting, as the duo Tim &amp; Tom. They were one of the nation’s first multiracial comedy acts."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Aside from being Frank Sinatra's longtime opening act, he "mentored David Letterman and Jay Leno early in their stand-up careers at the Comedy Store in Los Angeles, became a motivational speaker and also helped countless other comedians make it in the business. He also helped lead a comedians strike of the Comedy Store in 1979 to fight for compensation for the comedians who performed at the club."&lt;/span&gt;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;The Joffrey Announces Call For Emerging Choreographers&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;The Grainger Academy of the Joffrey Ballet is seeking applicants for the seventeenth annual Winning Works, an annual choreographic competition for emerging artists. "Each year, five choreographers—including one Chicago-based emerging artist—are selected to create new works in collaboration with dancers from the Grainger Academy of the Joffrey Ballet. Selected artists receive a $5,000 stipend, a minimum of thirty rehearsal hours and travel and accommodations for the duration of their residency." Winning Works is "a mission-driven, access-oriented initiative" that "aims to broaden access for artists who have been historically excluded from the art form and empower them to help shape the future of dance." The deadline to apply is July 31, 2026. The application and more details are &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6jALekfLqT%5EqkyAvj" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-70" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;ARTS &amp;amp; CULTURE &amp;amp; ETC.&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-71" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;City Parking Meter Fortune Still Disputed&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p 
style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;As alders consider "the possibility of blocking a sale of Chicago’s parking meter system, its deep-pocketed owners are puffing out their own chests in return," &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6jALekfLqT%5E6kyAvj" style="text-decoration: underline; color: #0068A5;"&gt;reports the Trib&lt;/a&gt;. "The system’s ownership group, led by Morgan Stanley and in part owned by the Abu Dhabi Investment Authority, sent a letter to Mayor Johnson’s administration warning that the city could face 'financial catastrophe' if aldermen move ahead on their threats to reject a sale to a new owner." (&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6jALekfLqTv6kyAv-%7CjdO-7M-sPARd" target="_blank" style="text-decoration: underline; color: #0068A5;" rel="noopener"&gt;More&lt;/a&gt;.)&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-72" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p 
style="margin:0;font-size:18px;text-align:center;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Send culture news and tips to&amp;nbsp;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6jALekfLqSF6kyAvj" target="_blank" style="text-decoration: underline; color: #0068A5;" rel="noopener"&gt;today@newcity.com&lt;/a&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="divider_block block-73" width="100%" border="0" cellpadding="0" cellspacing="0" 
role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:20px;padding-bottom:20px;padding-left:10px;padding-right:10px" align="center"&gt;&lt;table border="0" cellpadding="0" cellspacing="0" role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table
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&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Subscribe by tomorrow night&lt;/strong&gt; (6/23 at 10pm) to receive our July/August double issue as your first when it ships out early next month. &lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
The issue includes an expansive guide to Art in Michigan, following similar recent guides to art in Chicago, Wisconsin and Brazil, with pieces on Mike Kelley's Mobile Homestead, the Cranbrook Academy of Art, Anthony and JJ Curis, Wright's Usonian homes and much more. It also features an exploration of all the Midwest's presidential libraries, including Scoop Jackson on the new Obama Presidential Center and Mary Wisniewski on the new Teddy Roosevelt Presidential Library in the North Dakota Badlands. Also in the issue: Summer reads from Chicago authors, Kenzi Shiokava at the MCA and much more.
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align="center"&gt;&lt;table border="0" cellpadding="0" cellspacing="0" role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-4" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td 
class="pad" style="width:100%;padding-top:5px;padding-bottom:5px;padding-left:20px;padding-right:20px" align="center"&gt;&lt;div style="max-width:350px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6jB6ekg6qT2qk7Fv%5E%7CjdO-7M-sPARd" target="_blank"&gt;&lt;img src="https://d15k2d11r6t6rl.cloudfront.net/pub/40qd/br3kliar/trm/f81/xfb/NewcityLogoEmail.png" style="display:block;height:auto;border:0;width:100%" width="350" alt="" title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="divider_block block-5" width="100%" 
border="0" cellpadding="10" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" align="center"&gt;&lt;table border="0" cellpadding="0" cellspacing="0" role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-6" 
width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:20px;padding-bottom:10px;padding-left:20px;padding-right:20px"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;I am so deep in the deadline trenches for our upcoming double summer issue that I don't have the time right now to get into detail about what it includes, and we have not yet even finalized the page count.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;All I can say is it will be one of a kind, with a series of in-depth and fascinating stories about all of the presidents who ever came from the Midwest, and a guide to Art in Michigan so compelling that I'd be warming up the Ford to head that way right now if not for: 1) I don't actually have a car and 2) the aforementioned deadline.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;Today's the regular cutoff to subscribe and get this July/August beautiful monster as your first issue. Take my word for it, it's gonna be worth it. Sign up &lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6jB6ekg6q%5B%7CLk7Fv%5E%7CjdO-7M-sPARd" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;.&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;&lt;table class="image_block block-7" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px" align="left"&gt;&lt;div style="max-width:104px"&gt;&lt;img src="https://d15k2d11r6t6rl.cloudfront.net/pub/40qd/br3kliar/ier/gbh/bha/unnamed-1_1.png" style="display:block;height:auto;border:0;width:100%" width="104" alt="" title="" 
height="auto"&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-8" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class 
style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px; color: #000000;"&gt;Brian Hieggelke&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px; color: #000000;"&gt;Editor &amp; Publisher&lt;/span&gt;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;em&gt;Order the &lt;/em&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6jB6ekg6qT2Lk7Fv%5E%7CjdO-7M-sPARd" style="text-decoration: underline; color: #0068A5;"&gt;&lt;em&gt;June&lt;/em&gt;&lt;/a&gt;&lt;em&gt; issue here.&amp;nbsp;&lt;/em&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;em&gt;Digital memberships &lt;/em&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6jB6ekg6qT3ak7Fv%5E%7CjdO-7M-sPARd" style="text-decoration: underline; color: #0068A5;"&gt;&lt;em&gt;here&lt;/em&gt;&lt;/a&gt;&lt;em&gt;.&lt;/em&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;em&gt;Retail/Institutional subscriptions &lt;/em&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6jB6ekg6qT3qk7Fv%5E%7CjdO-7M-sPARd" style="text-decoration: underline; color: #0068A5;"&gt;&lt;em&gt;here&lt;/em&gt;&lt;/a&gt;&lt;em&gt;.&lt;/em&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="divider_block block-9" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:10px;padding-bottom:20px;padding-left:10px;padding-right:10px" align="center"&gt;&lt;table border="0" cellpadding="0" cellspacing="0" role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div 
class="spacer_block block-10" style="height:21px;line-height:21px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="text_block block-11" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-left:20px;padding-right:20px"&gt;&lt;div style="font-family:Tahoma,Verdana,sans-serif"&gt;&lt;div class 
style="font-size:14px;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;mso-line-height-alt:16.8px;color:#555;line-height:1.2"&gt;&lt;p style="margin:0;font-size:14px;mso-line-height-alt:16.8px"&gt;&lt;span style="word-break: break-word; font-size: 16px; color: #65d68b;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word;"&gt;ART&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-12" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px" align="center"&gt;&lt;h1 style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:24px;font-weight:900;letter-spacing:normal;line-height:1.5;text-align:left;margin-top:0;margin-bottom:0;mso-line-height-alt:36px"&gt;
&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6jB6ekg6q%5Bjak7Fv%5E%7CjdO-7M-sPARd" target="_blank" style="text-decoration: none; color: #000000;" rel="noopener"&gt;&lt;span class="mce-content-body mce-edit-focus" style="word-break: break-word; position: relative;" id="6903d73f-0bec-42f4-9718-4ed5147672db" data-position="10-0-11" data-qa="tinyeditor-root-element"&gt;The Sky's the Limit in "Composing Color: Paintings by Alma Thomas"&lt;/span&gt;&lt;/a&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-13" width="100%" border="0" 
cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;div style="max-width:598px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6jB6ekg6q%5Bjqk7Fv%5E%7CjdO-7M-sPARd" target="_blank"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/arf/8sf/jdr/The-Eclipse-scaled-600x450.jpeg" style="display:block;height:auto;border:0;width:100%" width="598" alt="" title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table 
class="text_block block-14" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Thomas makes the abstract tangible in her dazzling colorful strokes of paint. (Elisa Shoenberger)&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="divider_block block-15" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:10px;padding-bottom:20px;padding-left:10px;padding-right:10px" align="center"&gt;&lt;table border="0" 
cellpadding="0" cellspacing="0" role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-16" style="height:21px;line-height:21px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="text_block block-17" width="100%" border="0" cellpadding="0" cellspacing="0" 
role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-left:20px;padding-right:20px"&gt;&lt;div style="font-family:Tahoma,Verdana,sans-serif"&gt;&lt;div class style="font-size:14px;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;mso-line-height-alt:16.8px;color:#555;line-height:1.2"&gt;&lt;p style="margin:0;font-size:14px;mso-line-height-alt:16.8px"&gt;
&lt;span style="word-break: break-word; font-size: 16px; color: #a82b28;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word;"&gt;STAGE&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-18" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:24px;font-weight:900;letter-spacing:normal;line-height:1.5;text-align:left;margin-top:0;margin-bottom:0;mso-line-height-alt:36px"&gt;
&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6jB6ekg6q%5Bj6k7Fv%5E%7CjdO-7M-sPARd" target="_blank" style="text-decoration: none; color: #000000;" rel="noopener"&gt;&lt;span class="mce-content-body mce-edit-focus" style="word-break: break-word; position: relative;" id="06ed96f1-08a0-4e8a-8274-9ef55ef8b568" data-position="10-0-17" data-qa="tinyeditor-root-element"&gt;Dance Top 5: July/August 2026&lt;/span&gt;&lt;/a&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-19" width="100%" border="0" cellpadding="0" cellspacing="0" 
role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;div style="max-width:598px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6jB6ekg6q%5BjLk7Fv%5E%7CjdO-7M-sPARd" target="_blank"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/j0r/w86/xcs/BFQ43Promo9-600x450.png" style="display:block;height:auto;border:0;width:100%" width="598" alt="" title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-20" width="100%" 
border="0" cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;It's the best time of year in Chicago with free, outdoor dance. (Sharon Hoyer)&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="divider_block block-21" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:10px;padding-bottom:20px;padding-left:10px;padding-right:10px" align="center"&gt;&lt;table border="0" cellpadding="0" 
cellspacing="0" role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-22" style="height:45px;line-height:45px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="image_block block-23" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-left:20px;padding-right:20px" align="center"&gt;&lt;div style="max-width:400px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6jB6ekg6qT66k7Fv%5E%7CjdO-7M-sPARd" target="_blank"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/hx1/0qn/mgk/Newcity%20June%202026%20Footer.jpeg" style="display:block;height:auto;border:0;width:100%" width="400" alt="" title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table 
class="text_block block-24" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:18.2px;color:#000;line-height:1.3"&gt;&lt;p 
style="margin:0;font-size:14px;text-align:center;mso-line-height-alt:26px"&gt;&lt;span style="word-break: break-word; font-size: 20px;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word;"&gt;JUNE 2026:&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;br&gt;&lt;span style="word-break: break-word; font-size: 20px;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word;"&gt;DESIGN 50&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;br&gt;
&lt;span style="word-break: break-word; font-size: 20px;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word;"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6jB6ekg6qT6Lk7Fv%5E%7CjdO-7M-sPARd" target="_blank" style="text-decoration: none; color: #19638e;" rel="noopener"&gt;GET THE ISSUE&lt;/a&gt; | &lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6jB6ekg6qT7ak7Fv%5E%7CjdO-7M-sPARd" target="_blank" style="text-decoration: none; color: #19638e;" rel="noopener"&gt;SUBSCRIBE&lt;/a&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div 
class="spacer_block block-25" style="height:40px;line-height:40px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="divider_block block-26" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:10px;padding-bottom:20px;padding-left:10px;padding-right:10px" align="center"&gt;&lt;table border="0" cellpadding="0" cellspacing="0" role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;
&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-27" style="height:21px;line-height:21px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="text_block block-28" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad" 
style="padding-left:20px;padding-right:20px"&gt;&lt;div style="font-family:Tahoma,Verdana,sans-serif"&gt;&lt;div class style="font-size:14px;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;mso-line-height-alt:16.8px;color:#555;line-height:1.2"&gt;&lt;p style="margin:0;font-size:14px;mso-line-height-alt:16.8px"&gt;&lt;span style="word-break: break-word; font-size: 16px; color: #d3877d;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word;"&gt;MUSIC&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table 
class="heading_block block-29" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:24px;font-weight:900;letter-spacing:normal;line-height:1.5;text-align:left;margin-top:0;margin-bottom:0;mso-line-height-alt:36px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6jB6ekg6q%5Bkak7Fv%5E%7CjdO-7M-sPARd" target="_blank" style="text-decoration: none; color: #000000;" rel="noopener"&gt;Widemouth Finds Meaning in the Quiet Details on “No Gasoline”&lt;/a&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-30" 
width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;div style="max-width:598px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6jB6ekg6q%5Bkqk7Fv%5E%7CjdO-7M-sPARd" target="_blank"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/p2v/id2/v2s/0042770122_10-600x450.jpg" style="display:block;height:auto;border:0;width:100%" width="598" alt="" title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;&lt;table class="text_block block-31" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;On their debut album, Chicago band Widemouth finds meaning in friendship, memory, and the unfinished business of growing older. (Elizabeth Jakaitis)&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="divider_block block-32" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" 
style="padding-top:20px;padding-bottom:20px;padding-left:10px;padding-right:10px" align="center"&gt;&lt;table border="0" cellpadding="0" cellspacing="0" role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-33" style="height:21px;line-height:21px;font-size:1px"&gt;
&amp;#8202;&lt;/div&gt;&lt;table class="text_block block-34" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-left:20px;padding-right:20px"&gt;&lt;div style="font-family:Tahoma,Verdana,sans-serif"&gt;&lt;div class style="font-size:14px;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;mso-line-height-alt:16.8px;color:#555;line-height:1.2"&gt;&lt;p 
style="margin:0;font-size:14px;mso-line-height-alt:16.8px"&gt;&lt;span style="word-break: break-word; font-size: 16px; color: #000000;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word;"&gt;NEWCITY&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-35" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" 
style="width:100%;padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px" align="center"&gt;&lt;h1 style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:24px;font-weight:900;letter-spacing:normal;line-height:1.5;text-align:left;margin-top:0;margin-bottom:0;mso-line-height-alt:36px"&gt;
&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6jB6ekg6q%5Bk6k7Fv%5E%7CjdO-7M-sPARd" target="_blank" style="text-decoration: none; color: #000000;" rel="noopener"&gt;&lt;span class="mce-content-body mce-edit-focus" style="word-break: break-word; position: relative;" id="2b9e7c99-4fb4-4ae5-ba70-2c8e8d319cd5" data-position="10-0-34" data-qa="tinyeditor-root-element"&gt;Free Will Astrology: Week of June 25, 2026&lt;/span&gt;&lt;/a&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-36" width="100%" border="0" cellpadding="0" 
cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;div style="max-width:598px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6jB6ekg6q%5Bmqk7Fv%5E%7CjdO-7M-sPARd" target="_blank"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/1a2/6a6/lfd/earl-wilcox-6Qu69a-BZJA-unsplash-600x450.jpg" style="display:block;height:auto;border:0;width:100%" width="598" alt="" title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table 
class="text_block block-37" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Release your clenched feelings about people who have caused you pain. (Rob Brezsny)&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="divider_block block-38" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:20px;padding-bottom:20px;padding-left:10px;padding-right:10px" align="center"&gt;&lt;table border="0" cellpadding="0" 
cellspacing="0" role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-39" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;div 
style="max-width:598px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6jB6ekg6qT-qk7Fvf" target="_blank"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/7ln/cqk/qx4/Jewish%20Museum%20Milwaukee%20%20Newcity%20Today%20newsletter%20June%2022%20%20%20JMM_48Jews_NewCity_Digital_600x250_v0r1.jpg" style="display:block;height:auto;border:0;width:100%" width="598" alt="" title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-40" 
style="height:40px;line-height:40px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="heading_block block-41" width="100%" border="0" cellpadding="5" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:28px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:34px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6jB6ekg6q%5Bm6k7Fv%5E%7CjdO-7M-sPARd" target="_blank" style="text-decoration: underline; color: #000000;" rel="noopener"&gt;TODAY IN CULTURE&lt;/a&gt;&lt;br&gt;&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;
&lt;table class="text_block block-42" width="100%" border="0" cellpadding="10" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:sans-serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:16.8px;color:#555;line-height:1.2"&gt;&lt;p style="margin:0;font-size:14px;text-align:center;mso-line-height-alt:16.8px"&gt;
&lt;span style="word-break: break-word; color: #000000;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;By Ray Pride&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-43" style="height:40px;line-height:40px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="heading_block block-44" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" 
style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;ART&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-45" width="100%" border="0" 
cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;How Art Basel Fared This Year&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Art Basel touted strong sales &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6jB6ekg6q%5BmLk7Fvf" style="text-decoration: underline; color: #0068A5;"&gt;in a release&lt;/a&gt; about last week's fair, which featured 290 galleries from forty-three countries. Among the notable sales, it shared that Chicago-based GRAY "sold two works by David Hockney, whose death earlier this month prompted renewed international reflection on the artist’s legacy: 'Studio Interior #2' (2014) for $8.5 million and 'The Arrival of Spring in Woldgate, East Yorkshire in 2011 (twenty eleven) – 31 May, No. 1' (2011) for $650,000." GRAY is opening a David Hockney show titled "&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6jB6ekg6q%5Bnak7Fvf" style="text-decoration: underline; color: #0068A5;"&gt;The Moon Room&lt;/a&gt;" in its Chicago gallery on July 10. Also: "Gagosian sold&amp;nbsp;Willem de Kooning's 'No title' (1984) for a high seven-figure sum to a private collection in Asia," as an exhibition of &lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6jB6ekg6q%5Bnqk7Fv%5E%7CjdO-7M-sPARd" style="text-decoration: underline; color: #0068A5;"&gt;his drawings continues&lt;/a&gt; at the Art Institute.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Art Basel Alum: Art Galleries Are Not In The Clear&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"I’ve spent nearly thirty years in the art world. For half that time I led Art Basel, the global art fair now staged five times a year—in Miami Beach; Paris; Hong Kong; Doha, Qatar; and this week, at its namesake original location in Basel, Switzerland," writes Marc Spiegler at the New York Times (&lt;em&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6jB6ekg6q%5Bn6k7Fvf" style="text-decoration: underline; color: #0068A5;"&gt;gift link&lt;/a&gt;&lt;/em&gt;). "Auction sales get a lot of press, but galleries are the art world’s engine. And talking to gallerists, as they prepared to gather for the big fair this week, uncertainty abounded. Many are questioning the fundamentals of their business. It’s as if the art world they know has fallen off its axis." (Spiegler is also a former Newcity editor.)&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Trellis Art Fund Milestone Grants Include Two Chicago Artists&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;The Trellis Art Fund has announced the twelve recipients of its Milestone Grants, who will each receive an unrestricted award of $100,000 distributed in two installments over a two-year period. The grant is intended to help artists sustain and advance their creative practices while fostering connection. Recipients include Chicago artists Michiko Itatani and Lisa Alvarado. More &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6jB6ekg6q%5BnLk7Fvf" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-46" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;DESIGN&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-47" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Public Clocks As The Heartbeat Of The City&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p 
style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;The city's public clocks "offer an invitation to disengage with our phones and re-engage with the physical world around us," &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6jB6ekg6q%5Boak7Fvf" style="text-decoration: underline; color: #0068A5;"&gt;surveys Nina Metz at the Tribune&lt;/a&gt;. "They no longer provide a vital public service, because time is always right there on our phones. 'If we could just get out of our phones and look up, we would learn so much about our surroundings and our history and appreciate that,' said Suzanne Dirks, who recently gave a talk about public clocks. 'These clocks speak to an older time and that just sparked this curiosity for me. At first, you might only be able to think of a few. But I can guarantee if you just look, you’re going to see them everywhere. Of course they have a purpose, but they’re decorative and beautiful. They’re works of art. How did it get there? Who put it there? Why is it there?'"&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;The Tattoo Artist Who Helps Chicago Women Erase Their Past&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;North Side tattoo artist Ben Wahhh transforms tattoos, writes Rick Kogan at the Trib (&lt;em&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6jB6ekg6q%5Boqk7Fvf" style="text-decoration: underline; color: #0068A5;"&gt;gift link&lt;/a&gt;&lt;/em&gt;). "The majority of his customers come in for tattoos of a conventional and artful sort. He is relatively new to this world, which began for him early in 2025 when he received a phone call from an organization called Salt &amp; Light Coalition, a Chicago-based nonprofit. Wahhh was asked if he would be willing to transform a tattoo. He immediately said yes." He saw a “tremendous need” and, "with the help of an attorney friend, founded Ink Relief, a charity that supports 'survivors of human trafficking, domestic violence and gang markings by offering free cover-up tattoos to help remove the marks of their past…to help them reclaim their bodies and their stories.'"&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Alo Headed To Former Double Door Space In Wicker Park&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Athletic wear brand Alo will open a new store in Wicker Park at 1572 North Milwaukee. The space was formerly home to a Yeti store open from 2019-2025, &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6jB6ekg6q%5Bo6k7Fvf" style="text-decoration: underline; color: #0068A5;"&gt;relays B Talent&lt;/a&gt;, and before that was home to neighborhood venue the Double Door. It will be the second Chicago location of the yoga clothing store, which already has one on Michigan Avenue.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-48" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;DINING &amp;amp; DRINKING&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-49" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Lou Malnati's Loses Gold Coast Lease, But Plans Return To The Neighborhood&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"Lou Malnati's said its Gold Coast location on State Street is permanently closed after the landlord decided not to renew the restaurant's lease," &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6jB6ekg6q%5Bqqk7Fvf" style="text-decoration: underline; color: #0068A5;"&gt;reports CBS News Chicago&lt;/a&gt;. "The landlord acquired the building at 1120 North State in 2025 and has plans to redevelop the site," as well as &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6jB6ekg6q%5Bq6k7Fvf" style="text-decoration: underline; color: #0068A5;"&gt;the neighboring building&lt;/a&gt; formerly home to Barnes &amp; Noble. The pizzeria is "now working to find a new location in the area and is also exploring the possibility of being part of the new development in their old building."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;North Side Bar Fixture Arnold Van Puymbroeck Was Ninety-Five&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Arnold Van Puymbroeck "was called the 'glue' in the Belgian community and in retirement found community in the gatherings of young people at pubs who considered him family," &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6jB6ekg6q%5BqLk7Fvf" style="text-decoration: underline; color: #0068A5;"&gt;chronicles Mitch Dudek at the Sun-Times&lt;/a&gt;. "He wore a permanent smile, spoke with a thick, Flemish accent from early years spent in Belgium and, at ninety-five, maintained his long-held tradition of watching 'Jeopardy!' at Toons, a bar around the corner from his Wrigleyville home." He peppered his days with many “Arnoldisms.” "'I would like my doctor’s prescription,' meant: Pour me a Jim Beam with ginger ale and club soda. 'There’s a hole in this glass' meant: My drink is empty, and I’d like another."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Cornered At The Beards, Jeremy Allen White Shouts Out Chicago Eateries&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;For Food &amp; Wine, &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6jB6ekg6q%5Brak7Fvf" style="text-decoration: underline; color: #0068A5;"&gt;posting on Instagram,&lt;/a&gt; Jeremy Allen White works to remember some local spots he liked while shooting "The Bear" over the years. "The Bear"'s fifth and final season debuts on Thursday night.&lt;/span&gt;&lt;/p&gt;&lt;p 
style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; text-align: left; background-color: transparent; font-size: 18px;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-50" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" 
align="center"&gt;&lt;h1 style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;FILM &amp;amp; TELEVISION&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-51" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Where Does The Windfall From Breakouts Like "Obsession" Go?&lt;/strong&gt;&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;As breakout horror hit "Obsession" "crosses $300 million at the global box office, its art director set off a debate about just compensation for crew members," reports the New York Times (&lt;em&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6jB6ekg6q%5Brqk7Fvf" style="text-decoration: underline; color: #0068A5;"&gt;gift link&lt;/a&gt;&lt;/em&gt;). Among those interviewed: the filmmakers behind 2000's "Blair Witch Project," which set off similar tumult. "When a film is catapulted to profitability, filmmaker Eduardo Sánchez said, those who worked on it are bound to feel they deserve a piece of the pie. He said that he had to 'lawyer up' to get what he was owed from the movie’s distributor, and that studios were prone to muddying profits to avoid paying. Sánchez added that while crew members could always collect their paychecks and go on to the next project, 'If "Blair Witch" hadn’t made any money, I would have been personally bankrupt.'"&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;AI24: Google Investing $75 Million In "Backrooms" Studio&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;“Google is investing in independent movie studio A24 as part of a new artificial-intelligence research partnership between the two companies,” &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6jB6ekg6q%5Br6k7Fvf" style="text-decoration: underline; color: #0068A5;"&gt;reports the Wall Street Journal&lt;/a&gt;. “The search giant is putting around $75 million into A24. Though Google is a major player in online entertainment through YouTube, the deal marks the first time it has taken a stake in a studio. Google's DeepMind AI unit and A24 are aiming to create new tools for movie production and distribution. Their alliance is an unusual one between well-known names in industries that have eyed each other warily since the advent of models that can generate audio, images and video.”&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; text-align: left; background-color: transparent; font-size: 18px;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-52" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" 
style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;LIT&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-53" width="100%" border="0" 
cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Print Of The City: How Chicago Writers Shaped American Letters&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;At the Tribune, archival reporter Kori Rumore collates a compendium (&lt;em&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6jB6ekg6q%5BrLk7Fvf" style="text-decoration: underline; color: #0068A5;"&gt;gift link&lt;/a&gt;&lt;/em&gt;) of "the most influential things ever written in, or about, Chicago." The feature touches on works like "Henry B. Fuller’s great Chicago novel 'The Cliff-Dwellers' [which] was published in serial form by Harper’s Weekly in 1893, the year of the World’s Columbian Exposition. The story revolves around characters who use the fictional Clifton skyscraper as the center of their business and personal lives. It’s considered a great example of literary American realism."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Fuller is now the namesake of "the Chicago Literary Hall of Fame's Fuller Award for Lifetime Achievement," and his "contemporary Hamlin Garland&amp;nbsp;founded&amp;nbsp;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6jB6ekg6q%5Bsak7Fvf" style="text-decoration: underline; color: #0068A5;"&gt;The Cliff Dwellers&lt;/a&gt;, which overlooks Grant Park from the twenty-second floor at 200 South Michigan, as a meeting place for its members who support the arts."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Pulitzer Winner Daniel Kraus Is Ready To Make You Uncomfortable&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"In a new-to-him genre, Evanston’s Daniel Kraus explores the meaning of agency, family and life with his sci-fi book 'The Sixth Nik,'" &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6jB6ekg6q%5Bsqk7Fvf" style="text-decoration: underline; color: #0068A5;"&gt;reports Chicago magazine&lt;/a&gt;. His twenty-eighth tome, Kraus "never really knows what genre any given book he writes is going to pursue—and that’s what makes him one of the most exciting writers of his generation." Says Kraus, "I don’t have a checklist of genres, but over time, I have managed to check off most of them. Naturally what I do gravitate to is something that’s very different, and often that will lead me to a new genre."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Judy Blume Says A Half-Century Suffices&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"Though she says she is done writing, Judy Blume's books remain beloved; her readers numerous and devoted," &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6jB6ekg6q%5Bs6k7Fvf" style="text-decoration: underline; color: #0068A5;"&gt;reports NPR&lt;/a&gt;, condensing a lit fair conversation between Blume and Scott Simon. "You're living with [your characters] for months, sometimes years. And you're locked up in a little room all day with them. That's why fifty years is enough. I was ready to come out into the world. But I have found another career that I love dearly. I have a bookstore [in Key West] and I love that."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-54" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;MEDIA&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-55" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Chicago Native's NYC Dining Podcast Joins Obamas' Podcast Network&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Chicago-native Jason Lee, who recently &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6jB6ekg6q%5B%5Eqk7Fvf" style="text-decoration: underline; color: #0068A5;"&gt;came home&lt;/a&gt; to attend the James Beard Awards, is the host of Expense Account, the newest podcast to join the Obamas' Higher Ground slate, &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6jB6ekg6q%5B%5E6k7Fvf" style="text-decoration: underline; color: #0068A5;"&gt;announces the Hollywood Reporter&lt;/a&gt;. "The food and culture podcast is hosted by food critic Jason Lee, who co-created the show with Emily Sundberg, who runs the popular Substack Feed Me. The twice weekly show is entering into its second season, and has featured conversations with guests from food, media, business and hospitality, as well as conversations about stories from Feed Me’s reporting on the restaurant industry."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Quad City's News Anchor Quits On Air&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"KWQC anchor Dustin Nolan gave an emotional on-air goodbye to his Quad City audience, announcing on Friday that he’s 'chosen to step away from the [news] industry,'" &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6jB6ekg6q%5B%5ELk7Fvf" style="text-decoration: underline; color: #0068A5;"&gt;aggregates Variety&lt;/a&gt;. "He called out 'sanitized news' and declared that it is the responsibility of journalists to 'take people out of their bubbles and comfort zones and make them think about the world we all live in.'"&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-56" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;MUSIC&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-57" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Grant Park Music Festival Sets Independence Day Salute&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p 
style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;The Grant Park Music Festival's annual Independence Day Salute will celebrate the upcoming holiday with Christopher Bell conducting the Grant Park Orchestra in a show "full of rousing marches and patriotic anthems" like Aaron Copland's "Fanfare for the Common Man." The evening will also feature "Gershwin’s 'Three Preludes' with principal clarinetist Dario Brignoli and Carlos Gardel’s 'Tango (Por Una Cabeza)' with concertmaster Jeremy Black." Millennium Park, Saturday, July 4, 7:30pm. More &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6jB6ekg6q%5Bvak7Fvf" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Chicago Punk Band Decides Thirty-Five Years Between Records Is Long Enough&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;After Chicago band Sludgeworth "released their debut 'What’s This?'&lt;em&gt;&amp;nbsp;&lt;/em&gt;in 1991 and abruptly dissolved, the punk rock trailblazers are ready for the 'Second Time Around,' a new album out June 19 on Chicago label Red Scare Industries," &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6jB6ekg6q%5Bvqk7Fvf" style="text-decoration: underline; color: #0068A5;"&gt;reports the Sun-Times&lt;/a&gt;. “'I hadn’t talked to any of the guys for a long time,' said singer Dan Schafer aka Dan Vapid, who was just as surprised as everyone else by the turn of events. He’s kept busy with The Riverdales, The Methadones, Screeching Weasel and his own solo material. But the idea of reviving Sludgeworth started to pick up steam in 2022 when Red Scare Industries approached him about reissuing the band’s posthumous 1995 compilation 'Losers of the Year.'"&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-58" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;STAGE&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-59" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Joffrey Opens Season With "Liliom," Set In A Depression-Era Amusement Park&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;The Joffrey Ballet opens its 2026-27 season with the Chicago premiere of John Neumeier’s narrative ballet "Liliom." Inspired by Ferenc Molnár’s 1909 play, and later the basis for the musical adaptation "Carousel," "Liliom" traces "a story of love and redemption set against the faded glamor of a Depression-era amusement park. One of the choreographer’s most profound artistic endeavors, Neumeier’s theatrical tour de force comes to life with an evocative score by composer Michel Legrand." The ballet company will stage ten performances at the Lyric from September 17-27. Tickets go on sale in July. More &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6jB6ekg6q%5Bv6k7Fvf" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;CIC Sets Lincoln Square Stage For Improv&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"Ask anyone in improv comedy and they will agree. On stage, there’s no such thing as mistakes, only opportunities for creation," reports the Trib (&lt;em&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6jB6ekg6q%5BvLk7Fvf" style="text-decoration: underline; color: #0068A5;"&gt;gift link&lt;/a&gt;&lt;/em&gt;). "For Farrell Walsh, artistic and managing director of CIC Theater, that philosophy applies not just to his time onstage, but to the theater he runs, as well. Every setback is a chance to assess what the theater is working towards and see where they may need to go next. Or, as Walsh puts it, tackling things, 'one disaster at a time.'"&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"For the past three years, Walsh has been shepherding CIC to a new permanent home, after the company closed the doors on its longtime space at 1422 West Irving Park in 2022." He eventually discovered 4301 North Western and opened The Western Bar &amp; Kitchen. "Formerly known as the Celtic Crown and closed since 2020, the location came with a kitchen and bar, a back bar and theater space underneath the main bar."&lt;/span&gt;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Shakes-Berthed "Paranormal Activity" Unlocks Broadway Engagement&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"'Paranormal Activity,' the stage adaptation based on the hit horror film franchise, is coming to Broadway following sold-out runs in London’s West End, Chicago, Los Angeles, Washington, D.C. and San Francisco," &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6jB6ekg6q%5Bwak7Fvf" style="text-decoration: underline; color: #0068A5;"&gt;reports Deadline.&lt;/a&gt; "Written by Levi Holloway ('Grey House') and directed by Felix Barrett ('Sleep No More'), the strictly limited twenty-week engagement of 'Paranormal Activity—A New Story Live on Broadway' will open at Broadway’s August Wilson Theatre on Tuesday, September 15."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-60" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p 
style="margin:0;font-size:18px;text-align:center;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Send culture news and tips to&amp;nbsp;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6jB6ekg6q%5Bf6k7Fvf" target="_blank" style="text-decoration: underline; color: #0068A5;" rel="noopener"&gt;today@newcity.com&lt;/a&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="divider_block block-61" width="100%" border="0" cellpadding="0" cellspacing="0" 
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width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:20px;padding-bottom:10px;padding-left:20px;padding-right:20px"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;After writing a complaint about deadline yesterday, today was &lt;em&gt;out of the frying pan and into the fire&lt;/em&gt;.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;Deadline, I knew about. A small crisis, I knew was coming as of the end of day on Monday.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;But then another kerfuffle, entirely unnecessary but time-consuming nonetheless, and here I am, with too much to do, nothing to say and an addled brain.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;How addled? I wrote "out of the fat and into the fire" at first and, knowing that was wrong, Googled it. Sigh.&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-7" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" 
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style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px; color: #000000;"&gt;Brian Hieggelke&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px; color: #000000;"&gt;Editor &amp; Publisher&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;em&gt;Order the &lt;/em&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6jEqekjqrbwak9sv2%7CjdO-7M-sPARd" style="text-decoration: underline; color: #0068A5;"&gt;&lt;em&gt;June&lt;/em&gt;&lt;/a&gt;&lt;em&gt; issue here.&amp;nbsp;&lt;/em&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;em&gt;Digital memberships &lt;/em&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6jEqekjqrbwqk9sv2%7CjdO-7M-sPARd" style="text-decoration: underline; color: #0068A5;"&gt;&lt;em&gt;here&lt;/em&gt;&lt;/a&gt;&lt;em&gt;.&lt;/em&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;em&gt;Retail/Institutional subscriptions &lt;/em&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6jEqekjqrbw6k9sv2%7CjdO-7M-sPARd" style="text-decoration: underline; color: #0068A5;"&gt;&lt;em&gt;here&lt;/em&gt;&lt;/a&gt;&lt;em&gt;.&lt;/em&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="divider_block block-9" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:10px;padding-bottom:20px;padding-left:10px;padding-right:10px" align="center"&gt;&lt;table border="0" cellpadding="0" cellspacing="0" role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div 
class="spacer_block block-10" style="height:21px;line-height:21px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="text_block block-11" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-left:20px;padding-right:20px"&gt;&lt;div style="font-family:Tahoma,Verdana,sans-serif"&gt;&lt;div class 
style="font-size:14px;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;mso-line-height-alt:16.8px;color:#555;line-height:1.2"&gt;&lt;p style="margin:0;font-size:14px;mso-line-height-alt:16.8px"&gt;&lt;span style="word-break: break-word; font-size: 16px; color: #65d68b;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word;"&gt;ART&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-12" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px" align="center"&gt;&lt;h1 style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:24px;font-weight:900;letter-spacing:normal;line-height:1.5;text-align:left;margin-top:0;margin-bottom:0;mso-line-height-alt:36px"&gt;
&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6jEqekjqrbELk9sv2%7CjdO-7M-sPARd" target="_blank" style="text-decoration: none; color: #000000;" rel="noopener"&gt;&lt;span class="mce-content-body mce-edit-focus" style="word-break: break-word; position: relative;" id="86891024-7d95-49d1-83bb-82a0cc2de8ee" data-position="10-0-11" data-qa="tinyeditor-root-element"&gt;"Palomar" Brings the Stars to The Renaissance Society&lt;/span&gt;&lt;/a&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-13" width="100%" border="0" 
cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;div style="max-width:598px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6jEqekjqrbFak9sv2%7CjdO-7M-sPARd" target="_blank"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/4ui/311/uer/001_BOB00320-600x450.jpg" style="display:block;height:auto;border:0;width:100%" width="598" alt="" title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table 
class="text_block block-14" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;The Renaissance Society experiments with time and space in an installation featuring twenty-eight artists. (Annette LePique)&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="divider_block block-15" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:10px;padding-bottom:20px;padding-left:10px;padding-right:10px" align="center"&gt;
&lt;table border="0" cellpadding="0" cellspacing="0" role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-16" style="height:21px;line-height:21px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="text_block block-17" width="100%" border="0" cellpadding="0" 
cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-left:20px;padding-right:20px"&gt;&lt;div style="font-family:Tahoma,Verdana,sans-serif"&gt;&lt;div class style="font-size:14px;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;mso-line-height-alt:16.8px;color:#555;line-height:1.2"&gt;&lt;p style="margin:0;font-size:14px;mso-line-height-alt:16.8px"&gt;
&lt;span style="word-break: break-word; font-size: 16px; color: #a82b28;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word;"&gt;STAGE&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-18" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:24px;font-weight:900;letter-spacing:normal;line-height:1.5;text-align:left;margin-top:0;margin-bottom:0;mso-line-height-alt:36px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6jEqekjqrbFqk9sv2%7CjdO-7M-sPARd" target="_blank" style="text-decoration: none; color: #000000;" rel="noopener"&gt;Comedy and Catechism in “Nunsense” at Drury Lane Theatre&lt;/a&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-19" 
width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;div style="max-width:598px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6jEqekjqrbF6k9sv2%7CjdO-7M-sPARd" target="_blank"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/vjw/d5o/sjh/NUN1-600x450.jpg" style="display:block;height:auto;border:0;width:100%" width="598" alt="" title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;
&lt;table class="text_block block-20" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;A dark comedy that runs on nostalgic references to pop culture and growing up Catholic. (Tristan Bruns)&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="divider_block block-21" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:10px;padding-bottom:20px;padding-left:10px;padding-right:10px" align="center"&gt;&lt;table border="0" 
cellpadding="0" cellspacing="0" role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-22" style="height:45px;line-height:45px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="image_block block-23" width="100%" border="0" cellpadding="0" cellspacing="0" 
role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-left:20px;padding-right:20px" align="center"&gt;&lt;div style="max-width:400px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6jEqekjqrbzqk9sv2%7CjdO-7M-sPARd" target="_blank"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/hx1/0qn/mgk/Newcity%20June%202026%20Footer.jpeg" style="display:block;height:auto;border:0;width:100%" width="400" alt="" title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;
&lt;table class="text_block block-24" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:18.2px;color:#000;line-height:1.3"&gt;&lt;p 
style="margin:0;font-size:14px;text-align:center;mso-line-height-alt:26px"&gt;&lt;span style="word-break: break-word; font-size: 20px;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word;"&gt;JUNE 2026:&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;br&gt;&lt;span style="word-break: break-word; font-size: 20px;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word;"&gt;DESIGN 50&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;br&gt;
&lt;span style="word-break: break-word; font-size: 20px;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word;"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6jEqekjqrbz6k9sv2%7CjdO-7M-sPARd" target="_blank" style="text-decoration: none; color: #19638e;" rel="noopener"&gt;GET THE ISSUE&lt;/a&gt; | &lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6jEqekjqrbzLk9sv2%7CjdO-7M-sPARd" target="_blank" style="text-decoration: none; color: #19638e;" rel="noopener"&gt;SUBSCRIBE&lt;/a&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div 
class="spacer_block block-25" style="height:40px;line-height:40px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="divider_block block-26" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:10px;padding-bottom:20px;padding-left:10px;padding-right:10px" align="center"&gt;&lt;table border="0" cellpadding="0" cellspacing="0" role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;
&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-27" style="height:21px;line-height:21px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="text_block block-28" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad" 
style="padding-left:20px;padding-right:20px"&gt;&lt;div style="font-family:Tahoma,Verdana,sans-serif"&gt;&lt;div class style="font-size:14px;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;mso-line-height-alt:16.8px;color:#555;line-height:1.2"&gt;&lt;p style="margin:0;font-size:14px;mso-line-height-alt:16.8px"&gt;&lt;span style="word-break: break-word; font-size: 16px; color: #429c95;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word;"&gt;BRAZIL&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table 
class="heading_block block-29" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:24px;font-weight:900;letter-spacing:normal;line-height:1.5;text-align:left;margin-top:0;margin-bottom:0;mso-line-height-alt:36px"&gt;
&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6jEqekjqrceqk9sv2%7CjdO-7M-sPARd" target="_blank" style="text-decoration: none; color: #000000;" rel="noopener"&gt;&lt;span class="mce-content-body mce-edit-focus" style="word-break: break-word; position: relative;" id="ac0cfab3-fd91-4d8d-b02b-95c79f05334e" data-position="10-0-28" data-qa="tinyeditor-root-element"&gt;Inhotim Turns Twenty&lt;/span&gt;&lt;/a&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-30" width="100%" border="0" cellpadding="0" cellspacing="0" 
role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;div style="max-width:598px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6jEqekjqrce6k9sv2%7CjdO-7M-sPARd" target="_blank"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/o6b/xhl/eno/inhotim-Helio-Oiticica-Invention-of-Color-1977-photo-Rossana-Magri-29-1024x681_cropped.jpg" style="display:block;height:auto;border:0;width:100%" width="598" alt="" title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;
&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-31" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Plus Marcela Fleury Appointed Gomide&amp;Co. Programming Director. (Brian Hieggelke)&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="divider_block block-32" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:20px;padding-bottom:20px;padding-left:10px;padding-right:10px" align="center"&gt;&lt;table border="0" cellpadding="0" 
cellspacing="0" role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-33" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;div 
style="max-width:598px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6jEqekjqrb26k9svh" target="_blank"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/7ln/cqk/qx4/Jewish%20Museum%20Milwaukee%20%20Newcity%20Today%20newsletter%20June%2022%20%20%20JMM_48Jews_NewCity_Digital_600x250_v0r1.jpg" style="display:block;height:auto;border:0;width:100%" width="598" alt="" title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-34" 
style="height:40px;line-height:40px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="heading_block block-35" width="100%" border="0" cellpadding="5" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:28px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:34px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6jEqekjqrceLk9sv2%7CjdO-7M-sPARd" target="_blank" style="text-decoration: underline; color: #000000;" rel="noopener"&gt;TODAY IN CULTURE&lt;/a&gt;&lt;br&gt;&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;
&lt;table class="text_block block-36" width="100%" border="0" cellpadding="10" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:sans-serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:16.8px;color:#555;line-height:1.2"&gt;&lt;p style="margin:0;font-size:14px;text-align:center;mso-line-height-alt:16.8px"&gt;
&lt;span style="word-break: break-word; color: #000000;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;By Ray Pride&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-37" style="height:40px;line-height:40px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="heading_block block-38" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" 
style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;ART&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-39" width="100%" border="0" 
cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;The Memphis Art Museum Will Open This December&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;The Memphis Art Museum has set an opening date of December 6 for the institution's new Herzog &amp; de Meuron-designed mass timber home along the Mississippi River, &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6jEqekjqrcfak9svh" style="text-decoration: underline; color: #0068A5;"&gt;reports The Art Newspaper&lt;/a&gt;. The location is "just a short walk upriver from the waterfront green space Tom Lee Park, which opened in 2023 and features public art installations by Theaster Gates and James Little." The new building "includes a 10,000-sq.-ft community courtyard and a 50,000-sq.-ft rooftop art garden. It is constructed from laminated mass timber, in part to honor Memphis’ historical title as the 'Hardwood Capital of the World.'" The institution also announced that admission will be free to local residents in perpetuity.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-40" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;DESIGN&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-41" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;The Design Firm Behind The Obama Center Inscription&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p 
style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"Designed by Tod Williams Billie Tsien Architects, the centerpiece of the nineteen-acre Obama Presidential Center is its 225-foot, eight-story Presidential Museum. [Pentagram partner] Michael Bierut and team collaborated closely with TWBTA and the Obama Foundation on the design of the inscription that wraps the tower’s upper south-and west-facing corners," &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6jEqekjqrcfqk9svh" style="text-decoration: underline; color: #0068A5;"&gt;posts Pentagram on Instagram&lt;/a&gt;. "Cast in concrete to match the tower’s New Hampshire granite, the text is an excerpt from President Obama’s 2015 speech commemorating the fiftieth anniversary of the Selma-to-Montgomery marches, delivered at the Edmund Pettus Bridge, where civil rights marchers were attacked by police in 1965." (&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6jEqekjqrd46k9sv2%7CjdO-7M-sPARd" target="_blank" style="text-decoration: underline; color: #0068A5;" rel="noopener"&gt;More&lt;/a&gt;.)&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;The Transformation Of Logan Square's Traffic Circle&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"After over a decade in the making and two years of construction, the $27 million project, which overhauled Logan Square’s infamous traffic circle, is complete," &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6jEqekjqrcf6k9svh" style="text-decoration: underline; color: #0068A5;"&gt;circumnavigates Block Club&lt;/a&gt;. The project "rerouted Milwaukee Avenue around the traffic circle, converting the former street into new public space near the monument" and added "two new plazas, almost an acre of park space, improved bike lanes, larger sidewalks and new lighting to the area near the Illinois Centennial Monument." The plaza space "provides a larger footprint for popular local events including the Logan Square farmers market, which moved to the plaza last month," as well as events like the upcoming Logan Square Arts Fest and the Mercaditos Craft Fair.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Alder Proposes Plan To Rescue Shuttered Ford City Mall&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Alder Derrick Curtis (18th) has met with potential future developers for the now-padlocked Ford City Mall, &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6jEqekjqrcfLk9svh" style="text-decoration: underline; color: #0068A5;"&gt;reports CBS News Chicago&lt;/a&gt;. "My primary goal is to get this out of the current landlord's hands," he says, claiming that New York-based Namdar Realty has been neglecting the property since their 2019 purchase. "City inspectors found the fire suppression system doesn't work properly," says Curtis. "The ground could even cave in because there are hundreds of gallons of water that are running from the mall underground." One developer wants "to make it four warehouses, a green space, freshly paved streets, a new water system and to lease it to small manufacturers." (&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6jEqekjqrd6qk9sv2%7CjdO-7M-sPARd" target="_blank" style="text-decoration: underline; color: #0068A5;" rel="noopener"&gt;More&lt;/a&gt;.)&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Big Trucks, Bigger Pedestrian Death Toll&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Big trucks "are killing thousands of pedestrians who otherwise might have survived," &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6jEqekjqrcgak9svh" style="text-decoration: underline; color: #0068A5;"&gt;the New York Times demonstrates in an illustrated report&lt;/a&gt;. "For decades, American roads were steadily getting safer for pedestrians. But around 2009, the trend reversed. Since then, the number of pedestrians killed each year has risen by about seventy-five percent...The trend toward ever-larger vehicles [shows] that the rise of large pickups and S.U.V.s is an important factor. Our estimate is that about 200 to 400 pedestrians a year would not have died if vehicles had remained approximately the same size over the past quarter-century. That represents about ten percent of the recent increase in pedestrian deaths." (&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6jEqekjqrd66k9sv2%7CjdO-7M-sPARd" target="_blank" style="text-decoration: underline; color: #0068A5;" rel="noopener"&gt;More&lt;/a&gt;.)&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-42" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;DINING &amp;amp; DRINKING&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-43" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Soccer Fans Find American Culture Scrumptious&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p 
style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"Soccer fans from around the world have poured into the United States for the World Cup, delighting Americans with giddy social media reviews of American culture, an exotic offering of big-box stores, sprawling rest stops and state-of-the-art stadiums," surveys the Washington Post (&lt;em&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6jEqekjqrcgqk9svh" style="text-decoration: underline; color: #0068A5;"&gt;gift link&lt;/a&gt;&lt;/em&gt;). "No matter where they went, they engaged in the most America-circa-2026 pastime there is: looking for cheap food. For visitors who have plunked down thousands on travel, not to mention the most expensive tickets in World Cup history, food is one cost they can control. Bankers from Mexico City, who each paid $500 for a France-Senegal ticket, found salvation at Chick-fil-A and Joe’s Pizza. A father from Paris traveling with his two young kids raved about the fried rice at a New York City Chinese food joint. From street tacos to bodega burgers, ramen bowls to Times Square pizza, they’ve tried it all, so long as it’s all cheap and, hopefully, cheesy."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;The World's First Dairy Queen Revived As Route 66 Landmark&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"The world’s first Dairy Queen is being revived to be a Route 66 landmark in Joliet," &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6jEqekjqrcg6k9svh" style="text-decoration: underline; color: #0068A5;"&gt;spoons WGN-TV&lt;/a&gt;. "The Dairy Queen was opened up by J.C. McCullough and Sherb Noble on June 22, 1940," and the building has since "been home to a church, an insurance agency, a lawn mower shop and even a motorcycle dealership." The Joliet Area Historical Museum and the City of Joliet are leading the project, saying that "Dairy Queen helped to advise by providing staff with historical and archival documentation. The goal is for the restoration to serve as a stop on the 2026 Centennial of Route 66."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Bars And Restaurants Line Up For Video Gambling Machines&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Six bars and restaurants across "Beverly, Lakeview, Mount Greenwood and Printers Row are at the front of the line for the city’s first state-sanctioned slot machines outside of Bally’s Chicago Casino," &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6jEqekjqrc%7Cqk9svh" style="text-decoration: underline; color: #0068A5;"&gt;reports the Sun-Times&lt;/a&gt;, noting that "almost 300 more businesses are in line for machines too, if the city allows it." Mayor Johnson "is making a late push to block the machines from operation, which his finance team has warned could undercut business at the permanent Bally’s gambling mecca slated to open next year in River West."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; text-align: left; background-color: transparent; font-size: 18px;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-44" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" 
style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;FILM &amp;amp; TELEVISION&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-45" 
width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Big Survey Bears Out Independent Art House Growth&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"Results of the Art House Convergence's first National Audience Survey were released Monday," &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6jEqekjqrc%7C6k9svh" style="text-decoration: underline; color: #0068A5;"&gt;Variety relays&lt;/a&gt;, showing that movie theaters "continue to be a vital asset to their communities, with a nine percent increase in business in 2025, an encouraging sign for the sector." A quarter of those surveyed "said they first began going to their preferred art house theaters within the last three years. These new art house moviegoers had an average age of forty, eleven years younger than the average age of all those surveyed, which is fifty-one. Of those recent attendees, sixty-eight percent were younger than forty-five." Not noted: arthouse tickets are consistently more reasonably priced at retail than those at chain multiplexes.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Says Music Box general manager Ryan Oestreich, "The Music Box attendance returned to pre-pandemic levels in 2023 and has been growing by ten to fifteen percent every year since. Music Box has built a community through cinema, by doing what’s always worked, programming for multiple audiences with films they want to see on a consistent basis; plus we offer great customer service, presentation and a beautiful venue to watch movies in.”&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;The Success Of Rated Q&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Since its first screening in December 2021, "Rated Q has become one of Music Box’s most popular programs," &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6jEqekjqrc%7CLk9svh" style="text-decoration: underline; color: #0068A5;"&gt;raves the Reader&lt;/a&gt;. "Founder Ramona Slick reflects on five years of the theater's monthly series celebrating drag and queer film."&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; text-align: left; background-color: transparent; font-size: 18px;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-46" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;LIT&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-47" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Daniel Kraus' Next Book Is A Western&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p 
style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Atria Books has &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6jEqekjqrcjak9svh" style="text-decoration: underline; color: #0068A5;"&gt;acquired "We Who Bend The Tall Grass,"&lt;/a&gt; a new novel from Daniel Kraus, who was recently awarded the Pulitzer Prize for "Angel Down." Publishing in 2028, the book "follows three battle-worn POWs on a quest across the post-Civil War American West while being pursued by a self-embalming adversary and poisoned by the monstrous violence at the heart of the country itself." Says Kraus, "I’ve been preparing this book for a decade. There is no genre better positioned to dissect what America is—and what it could have been—than the Western. I hope this to be a horrifying, visceral and hallucinatory epic that is a culmination of everything I’ve done up until now."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Fantagraphics Celebrates A Half-Century&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"Fantagraphics was founded in 1976 by Gary Groth and Michael Catron—Kim Thompson joined in 1977 and became co-owners in 1978 after Catron left for DC Comics in 1978," &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6jEqekjqrcjqk9svh" style="text-decoration: underline; color: #0068A5;"&gt;reports KUOW Seattle&lt;/a&gt;. "The company had a few homes after that humble start in Maryland, but it's been here in Seattle since 1989, giving Fantagraphics a definitive place in the city's grungy nineties counterculture. 'The nineties is when Fantagraphics really established itself as a publisher of progressive, provocative, good work,' Reynolds said. 'You can think back to, like, Nirvana wearing the "corporate magazines still suck" T-shirt on the cover of Rolling Stone. At that time, you kind of identified yourself as much by what you didn't like as what you really did like.'"&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-48" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;MEDIA&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-49" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;The Chicago Tribune Completes Its Purchase Of The Daily Herald&lt;/strong&gt;&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"The sale of the Daily Herald’s parent company to Tribune Publishing has officially closed, according to a memo sent to employees today, marking the end of employee ownership at one of the Chicago area’s largest suburban news organizations," &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6jEqekjqrcj6k9svh" style="text-decoration: underline; color: #0068A5;"&gt;reports Crain's&lt;/a&gt;. &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6jEqekjqrcjLk9svh" style="text-decoration: underline; color: #0068A5;"&gt;The Daily Herald shared a report as well&lt;/a&gt;: "After receiving a favorable vote from its shareholders, [parent company] Paddock finalized the sale of the newspaper Monday. In buying the Daily Herald, Tribune Publishing extended offers of employment to all Daily Herald employees."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;WXRT Brings Back "Local Anesthetic"&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"I swore I was done with radio. In hindsight, it was one of those half-hearted proclamations," &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6jEqekjqrckak9svh" style="text-decoration: underline; color: #0068A5;"&gt;posts James VanOsdol on Facebook&lt;/a&gt;. "The reality was I was done with radio as it behaves and sounds across most of the FM band. WXRT, on the contrary, isn't 'radio.' It's something wonderfully different. I’m back on the air to curate and host the relaunched 'Local Anesthetic' (9pm), a show I’ve always admired, listened to and learned from. Being on the air on XRT is an honor. Being able to showcase the musicians that provide the backbone to Chicago’s culture is a gift."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;The Onion Relaunches Infowars On July 2&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"The Onion doesn’t yet have permission to publish under the Infowars brand, and Jones is fighting the takeover in court. Nevertheless, The Onion plans to launch its new version of Infowars on July 2," &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6jEqekjqrckqk9svh" style="text-decoration: underline; color: #0068A5;"&gt;reports MS NOW&lt;/a&gt;. "It’s been five years since Alex Jones lost Infowars to the Sandy Hook families," &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6jEqekjqrck6k9svh" style="text-decoration: underline; color: #0068A5;"&gt;posts The Onion CEO Ben Collins&lt;/a&gt;. "As the verdict came down, he asked: 'Do these people actually believe they’re getting any money?' He hasn't paid them a penny. Well, The Onion is going [to] pay them anyway." &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6jEqekjqrcmqk9svh" style="text-decoration: underline; color: #0068A5;"&gt;According to a Wired report&lt;/a&gt;, comedian Tim Heidecker, who was named the media company's creative director, "wants to turn Infowars into Adult Swim for the internet."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-50" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;MUSIC&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-51" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Neo Reunion Returns To Celebrate Lost Club&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p 
style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;More than a decade after closing, "a thousand former patrons, DJs, musicians and fans from every generation of Neo will return to Metro. The Neo reunion is a celebration of not just a nightclub, but an institution that remains one of Chicago’s most beloved incubators and refuges for groundbreaking music genres such as punk, new wave, industrial and goth," DJ Suzanne Shelton allows. "The event will feature original Neo DJs playing the music that defined nights down the alley for generations," including DJ Suzanne Shelton, Jeff Moyer, Glenn Russell, Rob Kokot, Bill Saveley and Goth DJ icon Scary Lady Sarah. "Joe Shanahan, owner of Metro, Smartbar and Gman Tavern and legendary Chicago patron of music, will join Suzanne Shelton in her vinyl DJ set," running 10pm-11:30pm, Saturday, July 11. Tickets ($28) &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6jEqekjqrcm6k9svh" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;16” On Center Grows Its Presence In The North Suburbs&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"Chicago’s never lacked a rich live music scene, but the 16” on Center group has brought a unique artist development philosophy to the mix nurturing acts from the tiny Empty Bottle to the huge Salt Shed," &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6jEqekjqrcmLk9svh" style="text-decoration: underline; color: #0068A5;"&gt;charts Pollstar News.&lt;/a&gt; "Director of Music Jake Samuels is in the midst of upping the ante of that funnel by amplifying the cosmopolitan suburbs as distinct destinations in the Chicago area." Between the recent Winnetka Music Festival, "September’s Evanston Folk Festival, and Samuels’ own home base at the club SPACE, he is working to put those North Shore towns beyond city limits 'on the map' in their own right." And "Samuels is looking to grow Evanston’s live-music footprint and 16” on Center’s Chicago-area pipeline even further with SPACE Presents’ focus on the 1,000-cap Cahn Auditorium at Northwestern University, looking to top the almost twenty-five shows they did there in 2025."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-52" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;STAGE&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-53" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Albany Park Theater Project Announces Leadership Changes&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p
 style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Miguel Angel Rodriguez steps into the role of executive artistic director of Albany Park Theater Project as the organization approaches its thirtieth anniversary, becoming the organization’s sole chief executive after five years of shared leadership with co-founder David Feiner. Feiner will take on a full-time role as founder and director of innovation and advancement, "focusing on organizational strategy, fundraising and the development of bold new artistic initiatives that expand how the company tells the stories of immigrant communities." Longtime staff leader Trina McGee will be managing director, "overseeing operations, finance, production and the structures and systems that keep the company running smoothly and sustainably." View more updates on the company &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6jEqekjqrcnak9svh" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-54" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p 
style="margin:0;font-size:18px;text-align:center;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Send culture news and tips to&amp;nbsp;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6jEqekjqrbB6k9svh" target="_blank" style="text-decoration: underline; color: #0068A5;" rel="noopener"&gt;today@newcity.com&lt;/a&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="divider_block block-55" width="100%" border="0" cellpadding="0" cellspacing="0" 
role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:20px;padding-bottom:20px;padding-left:10px;padding-right:10px" align="center"&gt;&lt;table border="0" cellpadding="0" cellspacing="0" role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table
 class="image_block block-56" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;div style="max-width:598px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6jEqekjqrbDqk9svh" target="_blank"&gt;&lt;img 
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&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6jEqekjqrbD6k9svh" target="_self" title="" style="text-decoration: none;"&gt;&lt;img class="icon" src="https://d15k2d11r6t6rl.cloudfront.net/pub/40qd/br3kliar/3qs/o5m/w8g/unnamed-1.png" alt="" height="auto" width="32" align="center" style="display:block;height:auto;margin:0 auto;border:0"&gt;&lt;/a&gt;&lt;/td&gt;&lt;td style="vertical-align:middle;text-align:center;padding-top:10px;padding-bottom:10px;padding-left:10px;padding-right:10px"&gt;
&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6jEqekjqrbDLk9svh" target="_self" title="" style="text-decoration: none;"&gt;&lt;img class="icon" src="https://d15k2d11r6t6rl.cloudfront.net/pub/40qd/br3kliar/coi/z2y/qei/unnamed-2.png" alt="" height="auto" width="32" align="center" style="display:block;height:auto;margin:0 auto;border:0"&gt;&lt;/a&gt;&lt;/td&gt;&lt;td style="vertical-align:middle;text-align:center;padding-top:10px;padding-bottom:10px;padding-left:10px;padding-right:10px"&gt;
&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6jEqekjqrbEak9svh" target="_self" title="" style="text-decoration: none;"&gt;&lt;img class="icon" src="https://d15k2d11r6t6rl.cloudfront.net/pub/40qd/br3kliar/74h/i4d/cse/unnamed-3.png" alt="" height="auto" width="32" align="center" style="display:block;height:auto;margin:0 auto;border:0"&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="divider_block block-58" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" 
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style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Films on the Green Returns to Celebrate America at 250!&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;From June 27 to July 31, Films on the Green&lt;/strong&gt; returns to parks across Chicago, inviting audiences to enjoy five French films under the stars. Presented by &lt;strong&gt;Villa Albertine, the French institute for Culture and Education&lt;/strong&gt;, in partnership with the &lt;strong&gt;Chicago Park District’s Movies in the Parks&lt;/strong&gt;, this 2026 edition brings a vibrant &lt;em&gt;mélange &lt;/em&gt;of French and American flair to the city’s green spaces.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;Make plans to join us for the following screenings:&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6j7aejEaqRAqk97Mk" style="text-decoration: underline; color: #0068A5;"&gt;&lt;strong&gt;June 27 – Lake Shore Park: &lt;/strong&gt;&lt;strong&gt;&lt;em&gt;Jeanne du Barry&lt;/em&gt;&lt;/strong&gt;&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6j7aejEaqRA6k97Mk" style="text-decoration: underline; color: #0068A5;"&gt;&lt;strong&gt;July 10 – Welles (Gideon) Park: &lt;/strong&gt;&lt;strong&gt;&lt;em&gt;Arco&lt;/em&gt;&lt;/strong&gt;&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6j7aejEaqRALk97Mk" style="text-decoration: underline; color: #0068A5;"&gt;&lt;strong&gt;July 17 – Belmont Harbor Park: &lt;/strong&gt;&lt;strong&gt;&lt;em&gt;Breathless &lt;/em&gt;&lt;/strong&gt;&lt;strong&gt;(&lt;/strong&gt;&lt;strong&gt;&lt;em&gt;A bout de souffle&lt;/em&gt;&lt;/strong&gt;&lt;strong&gt;)&lt;/strong&gt;&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6j7aejEaqRBak97Mk" style="text-decoration: underline; color: #0068A5;"&gt;&lt;/a&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6j7aejEaqRBqk97Mk" target="_blank" style="text-decoration: underline; color: #0068A5;" rel="noopener"&gt;&lt;/a&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6j7aejEaqRB6k97Mk" target="_blank" style="text-decoration: underline; color: #0068A5;" rel="noopener"&gt;&lt;strong&gt;July 24 – Montgomery Ward Park: &lt;/strong&gt;&lt;strong&gt;&lt;em&gt;Mr. Blake at Your Service! &lt;/em&gt;&lt;/strong&gt;&lt;strong&gt;(&lt;/strong&gt;&lt;strong&gt;&lt;em&gt;Complètement &lt;/em&gt;&lt;/strong&gt;&lt;strong&gt;&lt;em&gt;Cramé&amp;nbsp;!&lt;/em&gt;&lt;/strong&gt;&lt;strong&gt;)&lt;/strong&gt;&lt;/a&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6j7aejEaqRDqk97Mk" style="text-decoration: underline; color: #0068A5;"&gt;&lt;/a&gt;&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6j7aejEaqRD6k97Mk" style="text-decoration: underline; color: #0068A5;"&gt;&lt;strong&gt;July 31 – Lake Shore Park, &lt;/strong&gt;&lt;strong&gt;&lt;em&gt;La Vie en rose &lt;/em&gt;&lt;/strong&gt;&lt;strong&gt;(&lt;/strong&gt;&lt;strong&gt;&lt;em&gt;La Môme&lt;/em&gt;&lt;/strong&gt;&lt;strong&gt;)&lt;/strong&gt;&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;em&gt;Films are in French with English subtitles, except Arco, which will be shown in English.&lt;/em&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;This program is presented as part of the Chicago Park District’s &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6j7aejEaqRDLk97Mk" style="text-decoration: underline; color: #0068A5;"&gt;&lt;strong&gt;Night Out in the Parks&lt;/strong&gt;&lt;/a&gt;&lt;strong&gt;&amp;nbsp;&lt;/strong&gt;and&lt;strong&gt;&amp;nbsp;&lt;/strong&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6j7aejEaqREak97Mk" style="text-decoration: underline; color: #0068A5;"&gt;&lt;strong&gt;Movies in the Parks&lt;/strong&gt;&lt;/a&gt;. with the support of &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6j7aejEaqREqk97Mk" target="_self" style="text-decoration: underline; color: #0068A5;"&gt;Divvy Lyft&lt;/a&gt;. Films on the Green in Chicago is made possible thanks to the generous support of our official sponsors &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6j7aejEaqRE6k97Mk" style="text-decoration: underline; color: #0068A5;"&gt;JC Decaux&lt;/a&gt;, &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6j7aejEaqRELk97Mk" style="text-decoration: underline; color: #0068A5;"&gt;TV5MONDE&lt;/a&gt; and our local partner &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6j7aejEaqRFak97Mk" style="text-decoration: underline; color: #0068A5;"&gt;Alliance française de Chicago&lt;/a&gt;.&lt;/span&gt;
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width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:20px;padding-bottom:10px;padding-left:20px;padding-right:20px"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;We're putting the finishing touches on our summer issue, which will include lots of good stuff about Chicago, as well as a ton of information about possible road trips: to see art in Michigan or a presidential center in Iowa or North Dakota. Or another just a #10 bus ride away, on the South Side.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;We can't escape the onslaught of Obama Presidential Center news and yet, no one here seems to mind. He loves cheeseburgers! Yes, how about a national story about how he likes his cheeseburgers! (Dang it, now I'm hungry.)&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;On a more substantial level is the remaking of the South Side before our eyes. The desire for equitable distribution of cultural resources has been a long-discussed but rarely acted upon civic goal, but this one seems to be catalytic. Best and most symbolic example? The plans for the Griffin Museum of Science and Industry to open its south-facing doors for the first time since the Columbian Exposition of 1893.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;Just as Obama experienced as president though, change brings turbulence. New residents and businesses will move in, while longtime South Siders might be pushed out.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Let's just hope that the aftermath is better than the one that our nation is experiencing.&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-7" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" 
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&lt;span style="word-break: break-word; font-size: 18px; color: #000000;"&gt;Brian Hieggelke&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px; color: #000000;"&gt;Editor &amp; Publisher&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;em&gt;Order the &lt;/em&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6keqekmqrdBak-8E6%7CjdO-7M-sPARd" style="text-decoration: underline; color: #0068A5;"&gt;&lt;em&gt;June&lt;/em&gt;&lt;/a&gt;&lt;em&gt; issue here.&amp;nbsp;&lt;/em&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;em&gt;Digital memberships &lt;/em&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6keqekmqrdBqk-8E6%7CjdO-7M-sPARd" style="text-decoration: underline; color: #0068A5;"&gt;&lt;em&gt;here&lt;/em&gt;&lt;/a&gt;&lt;em&gt;.&lt;/em&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
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style="font-size:14px;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;mso-line-height-alt:16.8px;color:#555;line-height:1.2"&gt;&lt;p style="margin:0;font-size:14px;mso-line-height-alt:16.8px"&gt;&lt;span style="word-break: break-word; font-size: 16px; color: #5b7ead;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word;"&gt;FILM&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-12" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px" align="center"&gt;&lt;h1 style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:24px;font-weight:900;letter-spacing:normal;line-height:1.5;text-align:left;margin-top:0;margin-bottom:0;mso-line-height-alt:36px"&gt;
&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6keqekmqreqLk-8E6%7CjdO-7M-sPARd" target="_blank" style="text-decoration: none; color: #000000;" rel="noopener"&gt;Talking Screens: Olivia Wilde’s “The Invite” | Mark Jenkin’s Lost Ship Tale | Summer Screenings From Chicago Film Society&lt;/a&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-13" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" 
align="center"&gt;&lt;div style="max-width:598px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6keqekmqrerak-8E6%7CjdO-7M-sPARd" target="_blank"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/ywb/e7l/8y0/TWO-OR-THREE-THINGS_cropped.jpg" style="display:block;height:auto;border:0;width:100%" width="598" alt="" title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-14" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Plus: The Music Box opens its third screen, and the Film Center showcases "Bouchra" and 2001 buddy-comedy "By Hook Or By Crook." (Ray Pride)&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="divider_block block-15" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:10px;padding-bottom:20px;padding-left:10px;padding-right:10px" 
align="center"&gt;&lt;table border="0" cellpadding="0" cellspacing="0" role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-16" style="height:21px;line-height:21px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="text_block block-17" width="100%" border="0" cellpadding="0" 
cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-left:20px;padding-right:20px"&gt;&lt;div style="font-family:Tahoma,Verdana,sans-serif"&gt;&lt;div class style="font-size:14px;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;mso-line-height-alt:16.8px;color:#555;line-height:1.2"&gt;&lt;p style="margin:0;font-size:14px;mso-line-height-alt:16.8px"&gt;
&lt;span style="word-break: break-word; font-size: 16px; color: #a82b28;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word;"&gt;STAGE&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-18" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:24px;font-weight:900;letter-spacing:normal;line-height:1.5;text-align:left;margin-top:0;margin-bottom:0;mso-line-height-alt:36px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6keqekmqrerqk-8E6%7CjdO-7M-sPARd" target="_blank" style="text-decoration: none; color: #000000;" rel="noopener"&gt;Couch Penny Ensemble’s Solid “An Oak Tree” Plays With Our Mind While Stirring Our Feelings&lt;/a&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table 
class="image_block block-19" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;div style="max-width:598px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6keqekmqrer6k-8E6%7CjdO-7M-sPARd" target="_blank"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/9z8/dup/c0h/Photo-by-Greta-Mae-Geiser-01_cropped.jpg" style="display:block;height:auto;border:0;width:100%" width="598" alt="" 
title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-20" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Tim Crouch’s 2006 melancholic memory play about loss and healing features two outstanding performances, one of them unrehearsed. (Hugh Iglarsh)&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="divider_block block-21" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" 
style="padding-top:10px;padding-bottom:20px;padding-left:10px;padding-right:10px" align="center"&gt;&lt;table border="0" cellpadding="0" cellspacing="0" role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-22" style="height:21px;line-height:21px;font-size:1px"&gt;
&amp;#8202;&lt;/div&gt;&lt;table class="text_block block-23" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-left:20px;padding-right:20px"&gt;&lt;div style="font-family:Tahoma,Verdana,sans-serif"&gt;&lt;div class style="font-size:14px;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;mso-line-height-alt:16.8px;color:#555;line-height:1.2"&gt;&lt;p 
style="margin:0;font-size:14px;mso-line-height-alt:16.8px"&gt;&lt;span style="word-break: break-word; font-size: 16px; color: #65d68b;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word;"&gt;ART&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-24" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" 
style="width:100%;padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px" align="center"&gt;&lt;h1 style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:24px;font-weight:900;letter-spacing:normal;line-height:1.5;text-align:left;margin-top:0;margin-bottom:0;mso-line-height-alt:36px"&gt;
&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6keqekmqrerLk-8E6%7CjdO-7M-sPARd" target="_blank" style="text-decoration: none; color: #000000;" rel="noopener"&gt;&lt;span class="mce-content-body mce-edit-focus" style="word-break: break-word; position: relative;" id="7411443b-3291-40ba-bcc4-f4985fa4d62a" data-position="10-0-23" data-qa="tinyeditor-root-element"&gt;"Body Luminous" Explores Our Relationships to Ourselves&lt;/span&gt;&lt;/a&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-25" width="100%" border="0" 
cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;div style="max-width:598px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6keqekmqresak-8E6%7CjdO-7M-sPARd" target="_blank"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/da5/206/r40/A-Critique-on-Rigidity-2025-Jacqueline-W.-Nuzzo-Mikey-Mosher-scaled-e1782269785578_cropped.jpg" style="display:block;height:auto;border:0;width:100%" width="598" 
alt="" title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-26" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Woman Made Gallery’s newest show is a reminder of the power and joy we can and should feel in our bodies. (Elisa Shoenberger)&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="divider_block block-27" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:10px;padding-bottom:20px;padding-left:10px;padding-right:10px" align="center"&gt;
&lt;table border="0" cellpadding="0" cellspacing="0" role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-28" style="height:45px;line-height:45px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="image_block block-29" width="100%" border="0" cellpadding="0" 
cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-left:20px;padding-right:20px" align="center"&gt;&lt;div style="max-width:400px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6keqekmqrdEqk-8E6%7CjdO-7M-sPARd" target="_blank"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/hx1/0qn/mgk/Newcity%20June%202026%20Footer.jpeg" style="display:block;height:auto;border:0;width:100%" width="400" alt="" title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;
&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-30" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:18.2px;color:#000;line-height:1.3"&gt;&lt;p 
style="margin:0;font-size:14px;text-align:center;mso-line-height-alt:26px"&gt;&lt;span style="word-break: break-word; font-size: 20px;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word;"&gt;JUNE 2026:&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;br&gt;&lt;span style="word-break: break-word; font-size: 20px;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word;"&gt;DESIGN 50&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;br&gt;
&lt;span style="word-break: break-word; font-size: 20px;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word;"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6keqekmqrdE6k-8E6%7CjdO-7M-sPARd" target="_blank" style="text-decoration: none; color: #19638e;" rel="noopener"&gt;GET THE ISSUE&lt;/a&gt; | &lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6keqekmqrdELk-8E6%7CjdO-7M-sPARd" target="_blank" style="text-decoration: none; color: #19638e;" rel="noopener"&gt;SUBSCRIBE&lt;/a&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div 
class="spacer_block block-31" style="height:40px;line-height:40px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="divider_block block-32" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:10px;padding-bottom:20px;padding-left:10px;padding-right:10px" align="center"&gt;&lt;table border="0" cellpadding="0" cellspacing="0" role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;
&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-33" style="height:21px;line-height:21px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="text_block block-34" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad" 
style="padding-left:20px;padding-right:20px"&gt;&lt;div style="font-family:Tahoma,Verdana,sans-serif"&gt;&lt;div class style="font-size:14px;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;mso-line-height-alt:16.8px;color:#555;line-height:1.2"&gt;&lt;p style="margin:0;font-size:14px;mso-line-height-alt:16.8px"&gt;&lt;span style="word-break: break-word; font-size: 16px; color: #d3877d;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word;"&gt;MUSIC&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table 
class="heading_block block-35" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:24px;font-weight:900;letter-spacing:normal;line-height:1.5;text-align:left;margin-top:0;margin-bottom:0;mso-line-height-alt:36px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6keqekmqresqk-8E6%7CjdO-7M-sPARd" target="_blank" style="text-decoration: none; color: #000000;" rel="noopener"&gt;Javier Reyes Gives Soft-Focus Indie Rock an Electronic Pulse on “Shark”&lt;/a&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table 
class="image_block block-36" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;div style="max-width:598px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6keqekmqres6k-8E6%7CjdO-7M-sPARd" target="_blank"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/z9q/e86/6db/Javier-Reyes_Photo-by-Courtney-Yates-scaled_1_cropped.jpg" style="display:block;height:auto;border:0;width:100%" 
width="598" alt="" title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-37" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p 
style="margin:0;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;Old voice memos, impulsive collaborations and a willingness to follow hunches shape Javier Reyes’ new solo album. (Elizabeth Jakaitis)&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="divider_block block-38" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" 
style="padding-top:20px;padding-bottom:20px;padding-left:10px;padding-right:10px" align="center"&gt;&lt;table border="0" cellpadding="0" cellspacing="0" role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-39" style="height:21px;line-height:21px;font-size:1px"&gt;
&amp;#8202;&lt;/div&gt;&lt;table class="text_block block-40" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-left:20px;padding-right:20px"&gt;&lt;div style="font-family:Tahoma,Verdana,sans-serif"&gt;&lt;div class style="font-size:14px;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;mso-line-height-alt:16.8px;color:#555;line-height:1.2"&gt;&lt;p 
style="margin:0;font-size:14px;mso-line-height-alt:16.8px"&gt;&lt;span style="word-break: break-word; font-size: 16px; color: #9db8b3;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word;"&gt;LIT&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-41" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" 
style="width:100%;padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px" align="center"&gt;&lt;h1 style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:24px;font-weight:900;letter-spacing:normal;line-height:1.5;text-align:left;margin-top:0;margin-bottom:0;mso-line-height-alt:36px"&gt;
&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6keqekmqre%5Eqk-8E6%7CjdO-7M-sPARd" target="_blank" style="text-decoration: none; color: #000000;" rel="noopener"&gt;In “New Skin,” a Daughter Contends With Her Mother’s Plastic Surgery Addiction&lt;/a&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-42" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;div style="max-width:598px"&gt;
&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6keqekmqre%5E6k-8E6%7CjdO-7M-sPARd" target="_blank"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/2mj/xjr/caw/9780316607704_cropped.webp" style="display:block;height:auto;border:0;width:100%" width="598" alt="" title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-43" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td 
class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;The book rhapsodically captures the psychological landscape of cosmetic enhancements in suburban Los Angeles. (Samuel Schwindt)&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table 
class="divider_block block-44" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:20px;padding-bottom:20px;padding-left:10px;padding-right:10px" align="center"&gt;&lt;table border="0" cellpadding="0" cellspacing="0" role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;
&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-45" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;div style="max-width:598px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6keqekmqrdF6k-8E%7C" target="_blank"&gt;&lt;img 
src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/7ln/cqk/qx4/Jewish%20Museum%20Milwaukee%20%20Newcity%20Today%20newsletter%20June%2022%20%20%20JMM_48Jews_NewCity_Digital_600x250_v0r1.jpg" style="display:block;height:auto;border:0;width:100%" width="598" alt="" title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-46" style="height:40px;line-height:40px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="heading_block block-47" width="100%" border="0" cellpadding="5" 
cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;h1 style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:28px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:34px"&gt;
&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6keqekmqre%5ELk-8E6%7CjdO-7M-sPARd" target="_blank" style="text-decoration: underline; color: #000000;" rel="noopener"&gt;TODAY IN CULTURE&lt;/a&gt;&lt;br&gt;&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-48" width="100%" border="0" cellpadding="10" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div 
style="font-family:sans-serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:16.8px;color:#555;line-height:1.2"&gt;&lt;p style="margin:0;font-size:14px;text-align:center;mso-line-height-alt:16.8px"&gt;&lt;span style="word-break: break-word; color: #000000;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;By Ray Pride&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-49" 
style="height:40px;line-height:40px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="heading_block block-50" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;ART&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-51" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Chris Ware's "Life Is Complicated" Makes Only U.S. Stop In Columbus, Ohio&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"After three years of touring European museums (including the Pompidou Center in Paris and the Centre de Cultura Contemporània de Barcelona) Chris Ware’s 'Life Is Complicated' &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6keqekmqrevak-8E%7C" style="text-decoration: underline; color: #0068A5;"&gt;makes its final and only U.S. appearance&lt;/a&gt; at the Billy Ireland Cartoon Library &amp; Museum on the campus of Ohio State." The show is a career retrospective of the Oak Park-based cartoonist "designed and lightly annotated by the artist" and "includes original drawings, notes and sketches as well as sculptures and paintings." Through January 3, 2027. Ware will celebrate the show and "Acme Novelty Library #21" on October 17 at an in-person event.&amp;nbsp;&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Chris Ware Talks Comics And de Kooning At The Art Institute&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Ware will also join KAWS to discuss "Comics, Cartoons and Willem de Kooning" at the Art Institute on August 15. The artists will be in conversation with Mel Becker Solomon, curator of the Art Institute's "Willem de Kooning Drawing" exhibition, "as they explore the boundaries—or lack of boundaries—between comics and fine art, so-called 'high' and 'low' art forms, and the surprising ways de Kooning challenged tradition by channeling his love of cartoons and comics into his irreverent interpretations of classic art historical subjects." Details and registration &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6keqekmqrevqk-8E%7C" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;ArtPrize Expands To Four Weekends&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Grand Rapids' ArtPrize, an international art competition and cultural festival, will expand to twenty-two days this fall. The festival will feature four themed weekends "dedicated to dance, music, visual art and fashion," with "hundreds of installations [that] fill parks, museums, storefronts, bars, and bridges across downtown Grand Rapids, all free and open to the public." Last year "the event distributed $500,000 in grants and awards directly to artists" and "welcomed more than 900,000 visitors to Grand Rapids," according to a release. September 12-October 3. More &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6keqekmqrev6k-8E%7C" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Lightfoot-Era Art Missing From City Hall&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"When a top aide to former Mayor Lightfoot left his job in 2023, a taxpayer-owned painting, created by artist Bill Cass in the 1980s, disappeared from his City Hall office," &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6keqekmqrevLk-8E%7C" style="text-decoration: underline; color: #0068A5;"&gt;reports the Sun-Times&lt;/a&gt;. "Mayor Johnson’s aides say they have no idea where it is and what happened to it." The paper surveys emails about the unsuccessful quest, without resolution.&amp;nbsp;"Asked for a list of any missing art, the cultural affairs department says it 'does not maintain a list of missing artworks.'"&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-52" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;DESIGN&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-53" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;The Museum Of Science And Industry Opens The Back Door&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p 
style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;The Museum of Science and Industry will "break ground this year on a $22 million project that will reopen the 133-year-old edifice's south entry and add an indoor café with seating on the building's outdoor renovated terrace," &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6keqekmqrewak-8E%7C" style="text-decoration: underline; color: #0068A5;"&gt;writes Sun-Times architecture critic Lee Bey&lt;/a&gt;.&amp;nbsp; “That is the original entrance,” said Griffin Museum of Science and Industry CEO Chevy Humphrey. The work "is expected to be done in 2027 [and] would give the museum an active and ADA-accessible entrance. And the new terrace—overlooking picturesque Jackson Park, the basin and Wooded Isle, with its famed Osaka Garden—holds the promise of offering one of the best views of the city." (&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6keqekmqrf8ak-8E6%7CjdO-7M-sPARd" target="_blank" style="text-decoration: underline; color: #0068A5;" rel="noopener"&gt;More&lt;/a&gt;.)&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Metra Designer Unveils Year 250 Locomotive&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;“I wanted something that was—as it’s going down the track—easily recognizable, not too busy, but something a little bit unique,” Metra designer Falecia Woods says. “You rarely get a graphic designer, especially in-house, to design a train from start to finish by yourself.” Woods, &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6keqekmqrewqk-8E%7C" style="text-decoration: underline; color: #0068A5;"&gt;reports the Sun-Times&lt;/a&gt;, "an artist with more than thirty years of experience, also designed Metra’s Veterans Day locomotive in 2024. Woods said that she was challenged by the America 250 project, to create something that would be instantly recognizable as it traveled throughout Chicago." (&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6keqekmqrf8qk-8E6%7CjdO-7M-sPARd" target="_blank" style="text-decoration: underline; color: #0068A5;" rel="noopener"&gt;More&lt;/a&gt;.)&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Grace's Furniture Building To Be Redeveloped With City Funding&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"A redevelopment project for the historic Grace’s Furniture building in the heart of Logan Square is back on the table after getting city funding," &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6keqekmqreyqk-8E%7C" style="text-decoration: underline; color: #0068A5;"&gt;reports Block Club&lt;/a&gt;. "Plans to redevelop the building at 2616 North Milwaukee into a mixed-use project with Logan Square Athletic Club as its anchor tenant are getting revived after receiving a $3 million Community Development Grant from the Department of Planning and Development." The building has been vacant for twenty years, and will see its vintage sign restored as part of the plan.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;After School Program Will Redevelop Historic Altgeld Gardens Building&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"Plans and renderings have been revealed for the redevelopment of the historic Up Top Building at 13100 South Ellis within Altgeld Gardens," &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6keqekmqrey6k-8E%7C" style="text-decoration: underline; color: #0068A5;"&gt;locates Chicago YIMBY&lt;/a&gt;. "On the northeastern corner of the large housing complex and next to the neighborhood’s public library branch, the structure has sat vacant and deteriorating for years. The now-eighty-year-old curved structure consists of two buildings connected by a large overhanging roof and pass-through, designed by architecture firm Keck &amp; Keck, which worked on the Century of Progress International Exposition. Originally built as a commercial center, it is better known for the community-led memorial within the pass-through to victims of gun violence."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-54" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;DINING &amp;amp; DRINKING&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-55" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Cheezborger, Cheezborger, Obama, Obama&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p 
style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;At the new Obama Presidential Center, "the restaurants reflect the former first family’s longstanding interest in food and food policy," &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6keqekmqreyLk-8E%7C" style="text-decoration: underline; color: #0068A5;"&gt;writes the New York Times&lt;/a&gt;. On devising a cheeseburger for the center, Obama told chef Cliff Rome, "I don’t want fancy, I want good." Obama told Rome "that the burger that would end up on the menu at the Obama Presidential Center was missing a few essential ingredients. Namely, it needed a smear of yellow mustard and the bite of a sharp Cheddar. 'He had a lot of opinions on what makes a good cheeseburger,' said Mr. Rome, who was tapped by the Obamas to conceptualize and run two restaurants, Tafari’s Kitchen and a casual cafe, on the center’s campus."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Former Feed Space Eyed After Warlord Fallout&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"Feed, a diner known for its whole rotisserie chickens and comfort-food aura, closed after two decades last summer," but "the intended site of the Warlord team’s now-abandoned burger concept could still be revived as a restaurant after getting new interest by a separate hospitality team," &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6keqekmqrezak-8E%7C" style="text-decoration: underline; color: #0068A5;"&gt;reports Block Club&lt;/a&gt;. An unnamed&amp;nbsp;owner of a "prospective concept lives in the neighborhood and operates three other restaurants in the city, making him a good fit for the space that’s better than Lords," building realtor Allan Perales of KAIN Real Estate says of the 1,100-square-foot, $2,700-per-month space.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Groundswell Coffee Roasters Opening Fine Arts Café Soon&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Groundswell Coffee Roasters will open its café on the ground floor of the historic Fine Arts Building on Monday, July 13. "The architect is Brian Hammersley of Hammersley Architecture, with interior design by Gooch Design Studio. Both businesses are based in the Fine Arts Building." This is the first café at the Fine Arts Building since the Artists Cafe closed in February 2019. More &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6keqekmqrezqk-8E%7C" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; text-align: left; background-color: transparent; font-size: 18px;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-56" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" 
style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;FILM &amp;amp; TELEVISION&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-57" 
width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Motion Picture Academy Invites 529 New Members, Including David Dastmalchian&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;The Academy of Motion Picture Arts and Sciences "is extending invitations to join the organization to 529 artists and executives who have distinguished themselves by their contributions to motion pictures," they relay. "There are ninety-five Oscar nominees, including twenty-one winners and three Scientific and Technical Award recipients among the invitees. Membership selection is based on professional qualifications, with an ongoing commitment to representation, inclusion and equity remaining a priority." View the list &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6keqekmqrez6k-8E%7C" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; text-align: left; background-color: transparent; font-size: 18px;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-58" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" 
style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;LIT&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-59" width="100%" border="0" 
cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;American Writers Museum Opens Declarations Exhibit&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;The pop-up exhibit "&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6keqekmqrezLk-8E%7C" style="text-decoration: underline; color: #0068A5;"&gt;Declarations: 250 Years of Writing Toward Independence&lt;/a&gt;" is open at American Writers Museum through Labor Day. "Visitors can explore an 1823 William Stone print of the Declaration of Independence, as commissioned by then Secretary of State John Quincy Adams, as well as colonial-era legal documents signed by John Adams, Benjamin Franklin, Thomas Jefferson, Philip Livingston and Roger Sherman. At an interactive erasure poetry station, guests can edit the founding document into their own words, inspired by an erasure poem from Pulitzer Prize-winning poet Tracy K. Smith."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Why The Obama Center Is Not A Presidential Library&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"Obama jettisoned the official presidential library in 2017 from the Jackson Park project to be free of the National Archives and Records Administration's (NARA) expensive endowment, saving himself the need to fundraise tens of millions more," &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6keqekmqre0ak-8E%7C" style="text-decoration: underline; color: #0068A5;"&gt;defines the Sun-Times&lt;/a&gt;. "If the Obama Center included the NARA-operated Obama Library, the foundation would have to pay NARA an endowment that would be sixty-percent of the library cost. The whole campus is estimated to cost at least $850 million."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Plus, Obama "was very involved in designing the interior and exterior of the campus. He would have needed NARA approvals if the campus included a NARA-run library. NARA has strict, expensive architecture and design standards to make sure the building is secure for the ages, with highly regulated humidity levels to preserve everything. Getting rid of NARA gave Obama a totally free hand."&lt;/span&gt;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-60" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;MEDIA&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-61" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;A New Place To Doomscroll&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p 
style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"Instagram is ramping up its efforts to attract more viewers on television," &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6keqekmqre0qk-8E%7C" style="text-decoration: underline; color: #0068A5;"&gt;writes the Hollywood Reporter&lt;/a&gt;. "The Meta-owned social app will be testing out horizontal video on Instagram for TV, their preexisting feature that allows viewers to watch social videos on the big screen in their living room...The company will also be experimenting with longer-form storytelling and episodic series with creators, in addition to trying live TV creator experiences on for size."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-62" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;MUSIC&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-63" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Eric Williams Is Not Giving Up On His Block Party&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p 
style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"Eric Williams’ street festival nearly ruined him financially during its eighteen-year run. He’s bringing it back anyway," &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6keqekmqre06k-8E%7C" style="text-decoration: underline; color: #0068A5;"&gt;profiles Ben Austen at Chicago magazine&lt;/a&gt; in a lengthy history. On what motivated its return: "Eric described the feeling that overcame him during the final hour of each party, when he stood at the edge of the stage: He’d look out at the crowd lost in the spirit of dance, everyone jubilant as the day’s last performance drew to a close. 'I created something that people really love,' he told me. Eric got goose bumps just talking about it. He was still chasing that high."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-64" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;ARTS &amp;amp; CULTURE &amp;amp; ETC.&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-65" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div 
style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Arts Alliance Illinois Releases Study On Creative Economy&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Arts Alliance Illinois has released a landmark study, "The Creative Economy of Chicago &amp; Illinois: Impact and Assets," which examines the economic, workforce and community contributions of the creative sector across Chicago and Illinois. The research includes two reports—one focused on Chicago and one statewide—as well as a new Asset Map documenting cultural institutions, organizations and creative resources throughout Illinois. The findings "provide policymakers, economic development leaders, workforce agencies and cultural stakeholders with new data to inform future investment and planning." Chicago Loop Alliance will also release an updated analysis of the arts' economic impact in the Loop, providing a neighborhood-level complement to the citywide and statewide findings. The full reports and Asset Map are &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6keqekmqre2qk-8E%7C" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-66" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p 
style="margin:0;font-size:18px;text-align:center;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Send culture news and tips to&amp;nbsp;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6keqekmqren6k-8E%7C" target="_blank" style="text-decoration: underline; color: #0068A5;" rel="noopener"&gt;today@newcity.com&lt;/a&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="divider_block block-67" width="100%" border="0" cellpadding="0" cellspacing="0" 
role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:20px;padding-bottom:20px;padding-left:10px;padding-right:10px" align="center"&gt;&lt;table border="0" cellpadding="0" cellspacing="0" role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table
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&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6keLekmLrfw6kAfr%7C%7CjdO-7M-sPARd" target="_blank"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/d43/yr2/zuf/SUPERGIRL.jpeg" style="display:block;height:auto;border:0;width:100%" width="598" alt="" title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-5" style="height:21px;line-height:21px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="heading_block block-6" width="100%" border="0" cellpadding="0" cellspacing="0" 
role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px" align="center"&gt;&lt;h1 style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:24px;font-weight:900;letter-spacing:normal;line-height:1.5;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:36px"&gt;
&lt;strong&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6keLekmLrfyqkAfr%7C%7CjdO-7M-sPARd" target="_blank" style="text-decoration: none; color: #000000;" rel="noopener"&gt;Talking Screens: A Week In Chicago Film&lt;br&gt;June 26-July 9, 2026&lt;/a&gt;&lt;/strong&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="divider_block block-7" width="100%" border="0" cellpadding="10" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" align="center"&gt;&lt;table border="0" cellpadding="0" cellspacing="0" 
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style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;font-size:18px;text-align:center;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;by Ray Pride&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-9" width="100%" border="0" cellpadding="20" cellspacing="0" 
role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;New reviews for the coming two weeks: "&lt;strong&gt;The Invite&lt;/strong&gt;," "&lt;strong&gt;Rose Of Nevada&lt;/strong&gt;" and "&lt;strong&gt;By Hook Or By Crook&lt;/strong&gt;." Also opening: "&lt;strong&gt;Supergirl&lt;/strong&gt;"; "&lt;strong&gt;Jackass: Best and Last&lt;/strong&gt;" and "&lt;strong&gt;Maddie's Secret&lt;/strong&gt;."&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;In "&lt;strong&gt;Supergirl&lt;/strong&gt;," DC's comedy-adventure follow-on to "Superman," directed by Craig Gillespie ("I, Tonya," "Lars And The Real Girl," "Cruella"), charismatic Australian actress Milly Alcock plays Kara Zor-El in what trailers and her appearance in "Superman" promise to be a rambunctious coming-of-age.&amp;nbsp;While early viewers have sussed an impasto of same-sex characterization in the script by Ana Nogueira, there's likely not that much in a film brought to you by Ulta Beauty, OPI, Joico and Kentucky Fried Chicken. With Krypto the Superdog. Jason Momoa, David Corenswet. &lt;em&gt;"Supergirl" takes flight Thursday, June 25&lt;/em&gt;.&lt;/span&gt;
&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-10" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;div style="max-width:598px"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/nbc/nyc/jvx/260227_the_invite_r2_r709_still.0037665R-scaled.jpg" style="display:block;height:auto;border:0;width:100%" width="598" alt="" title="" height="auto"&gt;
&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-11" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;font-size:18px;text-align:center;mso-line-height-alt:18px"&gt;
&lt;span style="word-break: break-word; font-size: 12px;"&gt;"The Invite"&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Cooled and chiseled from comedy lava, Olivia Wilde's "&lt;strong&gt;The Invite&lt;/strong&gt;" is a four-hander of boredom in middle-aged relationships told with cutting precision. Two San Francisco couples, in apartments above and below finally meet after weeks of neighborly annoyance. In unlikely fashion, "The Invite" becomes, among many things, a comedy of the inadvertent first date.&lt;/span&gt;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;The couples are Wilde and Seth Rogen, and Edward Norton and Penélope Cruz. Wilde, Rogen and Norton are all actor-writer-directors, which makes for a wealth of inspiration. The source material, Spanish filmmaker Cesc Gay’s "Sentimental" (2020), has been adapted by Will McCormack and Rashida Jones (2012's "Celeste and Jesse Forever").&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;The appeal of smashing norms in a confined space on a small scale, that’s chamber drama, that’s Dogma 95, that’s A24 in 2026. Pitch-perfect provocations of passion peccadilloes and polymorphous possibilities rise. Once their tongues are liquored, interpersonal obscenity flows freely, blunt intimacy knows no hesitation. They are high and they have mixed their liquors. They are also all so horny as fuck.&lt;/span&gt;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"The Invite" isn’t apocalyptic. It’s a basket of knives tossed into the dishwasher. Wilde's cutting is nonpareil: the situations, the surprises, expressions, line delivery—it's a hoot and a holler with a crowd, but its details, its brute honesty, eddy in memory. The astute performances are unrelenting. There are antecedents, to be sure: Paul Mazursky’s "Bob &amp; Carol &amp; Ted &amp; Alice" (1969); Thomas Vinterberg and Mogens Rukov's 1998 "Festen" ("The Celebration"); cold comedies of a half-century ago like Jules Feiffer's "Carnal Knowledge" (1971); the plays of Wallace Shawn; Tom Noonan's "What Happened Was..." ( 1994); and particularly, Ingmar Bergman's 1974 "Scenes From A Marriage." Also: Wilde does not besmirch Mike Nichols' "Who’s Afraid of Virginia Woolf?" (1966). The film is dedicated to Diane Keaton. &lt;em&gt;"The Invite" opens the door Thursday, July 2&lt;/em&gt;.&lt;/span&gt;
&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-12" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;div style="max-width:598px"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/3kv/56d/jxc/BY-HOOK-OR-BY-CROOK.png" style="display:block;height:auto;border:0;width:100%" width="598" alt="" title="" height="auto"&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table 
class="text_block block-13" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;font-size:18px;text-align:center;mso-line-height-alt:18px"&gt;
&lt;span style="word-break: break-word; font-size: 12px;"&gt;"By Hook Or By Crook"&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
Writer-directors Silas Howard and Harry Dodge's 2001 buddy-comedy "&lt;strong&gt;By Hook Or By Crook&lt;/strong&gt;" follows the trail of crime of small-time grifters, buddies Shy (Silas Howard) and Valentine (Harry Dodge). On its twenty-fifth anniversary, the charisma of its characters and trans-butch capers remains fresh and charismatic. &lt;em&gt;"By Hook Or By Crook" &lt;/em&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6keLekmLrfy6kAfrc" target="_blank" style="text-decoration: underline; color: #0068A5;" rel="noopener"&gt;&lt;em&gt;opens at the Film Center, Friday, June 2&lt;/em&gt;6&lt;/a&gt;.
&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-14" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;div style="max-width:598px"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/3ne/cpo/rr8/ROSE-OF-NEVADA.jpg" style="display:block;height:auto;border:0;width:100%" width="598" alt="" title="" height="auto"&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table 
class="text_block block-15" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;font-size:18px;text-align:center;mso-line-height-alt:18px"&gt;
&lt;span style="word-break: break-word; font-size: 12px;"&gt;"Rose Of Nevada"&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;With "&lt;strong&gt;Rose Of Nevada&lt;/strong&gt;" (35mm), his fable-like third feature, Cornwall filmmaker Mark Jenkin casts known actors George McKay and Callum Turner in the story of a lost ship that one day hoves into harbor, returning with a freight of mystery. Jenkin's work (including 2022 horror "Enys Men") are supremely tactile. His work is artisanal to an extreme—he writes and directs, but also shoots them with a 16mm Bolex, allowing imperfections to seep into the finished work. He then himself edits and layers sound design that includes post synchronization of dialogue. So many filmmakers could take such a tack, but would the work be as otherworldly, unearthly, dream-draped? It’s not just one signature mark, it’s a dozen things at once.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Jenkin stays close to sensation, to his character faces, too. Actors, when they see finished work, often express surprise at what a filmmaker has captured from the pages they were handed. Conversations with the actors in Jenkin's work express glee as much as surprise. How the stories must dance in his head in anticipation of arriving at his fingertips! There is a fragmentary story, a whisper of story, suggests of fairytale and time travel, but what makes Mark Jenkin's films adhesive is exacting technique. Story is elusive, but the fragments, the instants are concrete. &lt;em&gt;Filmmaker Mark Jenkin will appear opening night. &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6keLekmLrfyLkAfrc" style="text-decoration: underline; color: #0068A5;"&gt;"Rose of Nevada" open Friday, June 26 at the Music Box&lt;/a&gt;.&lt;/em&gt;&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;In&amp;nbsp;"&lt;strong&gt;Jackass: Best and Last&lt;/strong&gt;," the middle-aged masochists prank their way once more—one last time?—into the heart of John Waters and America. &lt;em&gt;Opens Thursday, June 25&lt;/em&gt;.&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Comedian-writer-actor John Early makes his directorial debut with the comedy-melodrama "&lt;strong&gt;Maddie's Secret&lt;/strong&gt;," playing "a plucky dishwasher who leaps to viral superstardom" at Gourmaybe, "a trendy food content creation company." With Kate Berlant, Eric Rahill, Kristen Johnston. &lt;em&gt;Early will appear on opening night. Trailer &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6keLekmLrfzakAfrc" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;. "&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6keLekmLrfzqkAfrc" style="text-decoration: underline; color: #0068A5;"&gt;Maddie's Sccret" opens Thursday, July 2 at the Music Box&lt;/a&gt;&lt;/em&gt;.&lt;/span&gt;
&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="divider_block block-16" width="100%" border="0" cellpadding="10" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" align="center"&gt;&lt;table border="0" cellpadding="0" cellspacing="0" role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;
&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-17" width="100%" border="0" cellpadding="10" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p 
style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;strong&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6keLekmLrfnLkAfr%7C%7CjdO-7M-sPARd" target="_blank" style="text-decoration: underline; color: #0068A5;" rel="noopener"&gt;&lt;em&gt;Become a member of Newcity&lt;/em&gt;&lt;/a&gt;&lt;/strong&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="divider_block block-18" width="100%" border="0" cellpadding="10" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" 
align="center"&gt;&lt;table border="0" cellpadding="0" cellspacing="0" role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-19" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td 
class="pad" style="width:100%" align="center"&gt;&lt;div style="max-width:598px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6keLekmLrfz6kAfrc" target="_blank"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/ikn/kfy/1df/ReelingAbFab_NewcityBanner.png" style="display:block;height:auto;border:0;width:100%" width="598" alt="" title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-20" style="height:40px;line-height:40px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table 
class="heading_block block-21" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:24px;font-weight:900;letter-spacing:normal;line-height:1.5;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:36px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;REPERTORY &amp;amp; REVIVAL&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-22" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;div style="max-width:598px"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/610/ca8/4h9/TWO-OR-THREE-THINGS.jpg" style="display:block;height:auto;border:0;width:100%" width="598" alt="" title="" height="auto"&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-23" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;font-size:18px;text-align:center;mso-line-height-alt:18px"&gt;&lt;span style="word-break: break-word; font-size: 12px;"&gt;"Two Or Three Things I Know About Her"&lt;/span&gt;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
The Chicago Film Society presents Jean-Luc Godard's widescreen eyeful, &lt;strong&gt;"Two or Three Things I Know About Her&lt;/strong&gt;" (35mm). During production, said Godard, "I want to include everything, sport, politics, even groceries." &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6keLekmLrfzLkAfrc" style="text-decoration: underline; color: #0068A5;"&gt;&lt;em&gt;Chicago Film Society at the Music Box, Monday, June 29. 7pm&lt;/em&gt;&lt;/a&gt;.&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-24" 
width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;div style="max-width:598px"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/uf0/gei/9kx/You-Never-Know-Women.jpg" style="display:block;height:auto;border:0;width:100%" width="598" alt="" title="" height="auto"&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-25" width="100%" border="0" cellpadding="20" 
cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;font-size:18px;text-align:center;mso-line-height-alt:18px"&gt;&lt;span style="word-break: break-word; font-size: 12px;"&gt;"You Never Know Women"&lt;/span&gt;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Also from CFS: William A. Wellman's 1926 "&lt;strong&gt;You Never Know Women&lt;/strong&gt;" (35mm): "The show business love triangle was a standard setup in silent-era Hollywood, but have you ever seen that story unfold among the cosmopolitan artistes of the Imperial Vaudeville of Moscow, who nonchalantly tour America as if the Czar were still ensconced at the Winter Palace?" asks Kyle Westphal. &lt;em&gt;Live musical accompaniment by Robbie Ellis and Nicholas White&lt;/em&gt;. &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6keLekmLrf0akAfrc" style="text-decoration: underline; color: #0068A5;"&gt;&lt;em&gt;Music Box, Sunday, July 5, 11:30am&lt;/em&gt;&lt;/a&gt;.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Filmspotting Fest presents a twenty-fifth anniversary screening of Wes Anderson's breakthrough "&lt;strong&gt;The&lt;/strong&gt; &lt;strong&gt;Royal Tenenbaums&lt;/strong&gt;" (35mm), with former Tribune critic Michael Phillips and Filmspotting hosts Adam Kempenaar and Josh Larsen talking afterwards. &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6keLekmLrf0qkAfrc" style="text-decoration: underline; color: #0068A5;"&gt;&lt;em&gt;Music Box , Sunday, June 28, 11am&lt;/em&gt;&lt;/a&gt;.&lt;/span&gt;
&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-26" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;div style="max-width:598px"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/0yb/47g/yy8/NOPICNIC_STILL-1.jpg" style="display:block;height:auto;border:0;width:100%" width="598" alt="" title="" height="auto"&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table 
class="text_block block-27" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;font-size:18px;text-align:center;mso-line-height-alt:18px"&gt;
&lt;span style="word-break: break-word; font-size: 12px;"&gt;"No Picnic"&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;More at the Music Box: "&lt;strong&gt;Rope&lt;/strong&gt;" and "&lt;strong&gt;Marnie&lt;/strong&gt;," the last two titles in "&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6keLekmLrf06kAfrc" style="text-decoration: underline; color: #0068A5;"&gt;Fond of His Mother: Queer-Coded Hitchcock&lt;/a&gt;." Also: John Cameron Mitchell appears with an acoustic set at two sold-out twenty-fifth anniversary showings of "&lt;strong&gt;Hedwig And The Angry Inch&lt;/strong&gt;."&amp;nbsp;&lt;em&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6keLekmLrf2qkAfrc" style="text-decoration: underline; color: #0068A5;"&gt;Tuesday, July 7-Wednesday July 8&lt;/a&gt;&lt;/em&gt;.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Plus, christening Theater 3 for public audiences: a fresh 4K restoration of Guy Maddin's 1992 Alpine majesty, "&lt;strong&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6keLekmLrfnqkAfrc" style="text-decoration: underline; color: #0068A5;"&gt;Careful&lt;/a&gt;&lt;/strong&gt;," opening Friday alongside Philip Hartman's 1987 artifact of the pre-gentrification East Village, "&lt;strong&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6keLekmLrf26kAfrc" style="text-decoration: underline; color: #0068A5;"&gt;No Picnic&lt;/a&gt;&lt;/strong&gt;."&lt;/span&gt;
&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-28" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;div style="max-width:598px"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/989/f5w/efq/TroubleDayDenis.jpg" style="display:block;height:auto;border:0;width:100%" width="598" alt="" title="" height="auto"&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table 
class="text_block block-29" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;font-size:18px;text-align:center;mso-line-height-alt:18px"&gt;
&lt;span style="word-break: break-word; font-size: 12px;"&gt;"Trouble Every Day"&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;The Film Center showcases "&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6keLekmLrf2LkAfrc" style="text-decoration: underline; color: #0068A5;"&gt;&lt;strong&gt;Bouchra&lt;/strong&gt;&lt;/a&gt;," the animated story of "a queer Moroccan jackal living in NYC"; a restoration of Katsuhito Ishii's 2004 "&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6keLekmLrf3akAfrc" style="text-decoration: underline; color: #0068A5;"&gt;&lt;strong&gt;The Taste of Tea&lt;/strong&gt;"&lt;/a&gt;; four showings of Vittorio De Sica's essential 1958 "&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6keLekmLrf3qkAfrc" style="text-decoration: underline; color: #0068A5;"&gt;&lt;strong&gt;Bicycle Thieves&lt;/strong&gt;&lt;/a&gt;"; Trent Harris' "&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6keLekmLrf36kAfrc" style="text-decoration: underline; color: #0068A5;"&gt;&lt;strong&gt;Off Center: Beaver Trilogy&lt;/strong&gt;&lt;/a&gt;" (2000); and Claire Denis' "there will be blood and agnès b. vampire feast" "&lt;strong&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6keLekmLrf3LkAfrc" style="text-decoration: underline; color: #0068A5;"&gt;Trouble Every Day&lt;/a&gt;&lt;/strong&gt;"(2001). “Trouble Every Day” is bittersweet vampire splatter, co-starring Vincent Gallo, almost blasphemous in its bloody zeal and pictorial ferocity. The pacing is exquisite, the moods mysterious but ultimately malevolent.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Facets features Michael Haneke's "&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6keLekmLrf4akAfrc" style="text-decoration: underline; color: #0068A5;"&gt;&lt;strong&gt;Piano Teacher&lt;/strong&gt;&lt;/a&gt;" (2001); Takashi Miike's 1999 "&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6keLekmLrf4qkAfrc" style="text-decoration: underline; color: #0068A5;"&gt;&lt;strong&gt;Audition&lt;/strong&gt;&lt;/a&gt;"; and Satayajit Ray's essential humanist masterpiece, "&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6keLekmLrf46kAfrc" style="text-decoration: underline; color: #0068A5;"&gt;&lt;strong&gt;Pather Panchali&lt;/strong&gt;&lt;/a&gt;" (1955).&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;em&gt;Among other Chicago venues, remember Drafthouse has attractions that often sell out days or weeks in advance, which we then don't often list.&lt;/em&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-30" style="height:40px;line-height:40px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table 
class="heading_block block-31" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:24px;font-weight:900;letter-spacing:normal;line-height:1.5;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:36px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;THE WEEK IN FILM&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-32" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;div style="max-width:598px"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/7aa/kah/nyg/THE-BEAR-scaled.png" style="display:block;height:auto;border:0;width:100%" width="598" alt="" title="" height="auto"&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-33" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;em&gt;&lt;span style="word-break: break-word; font-size: 12px;"&gt;"The Bear" fifth season, Matty Matheson, left&lt;/span&gt;&lt;/em&gt;&lt;/p&gt;&lt;p 
style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;"The Bear”‘s Matty Matheson Goes Beyond “The Screaming Face”&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;“Prolifically profane” chef Matty Matheson “loves his sweet role on ‘The Bear’ and life on his Canadian farm, but he’s weary of playing the clown,” &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6keLekmLrf6qkAfrc" style="text-decoration: underline; color: #0068A5;"&gt;profiles Kim Severson at the New York Times&lt;/a&gt;. “He’s the best-known chef in Toronto, selling smash burgers over the counter at one restaurant, $595 tins of caviar at another and takeout pizza with aged dough at five more…YouTube fans know him from the chaotic, deceptively sloppy stand-and-stir cooking shows that he presides over like John Belushi with a culinary degree. In ‘Toy Story 5,’ he gives voice to a daredevil peanut in a lucha libre mask. And, of course, there is ‘The Bear,’ the hit series that shot him to a level of celebrity that the self-described ‘psychopathic party boy’ from a big, working-class family in small-town Ontario could have never imagined.” The fifth and final season debuts June 25.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Terry Gilliam Airs The Expected Laundry&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"For all the luck I had at the start of my life, I paid for it near the end": Eighty-five-year-old artist Terry Gilliam sits down to lunch and roast with &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6keLekmLrf66kAfrc" style="text-decoration: underline; color: #0068A5;"&gt;A Rabbit's Foot&lt;/a&gt;.&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;"Rex Reed Hated Everything"&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;The late Rex Reed's final editor &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6keLekmLrf6LkAfrc" style="text-decoration: underline; color: #0068A5;"&gt;writes at the Hollywood Reporter&lt;/a&gt; about working with the legendary curmudgeon: "During his final years at The New York Observer, the late legendary film critic was often his own worst enemy. A then-twenty-four-year-old staffer recalls how he became Reed's unlikely handler, confidant and—on more than one occasion—last line of defense." Writes Matthew Kassel, "Rex seemed to interpret the glut of mediocre films he was forced to endure in an unending series of soporific screenings as a highly personal affront to strict standards of taste, decency and class—cultivated in his peregrinations through an Old Hollywood that had long gone extinct."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;"The week I asked him to review 'Blue is the Warmest Colour,' meanwhile, he ignored my request and filed, instead, a pan of a forgettable horror film called 'Big Ass Spider!' Rex later told me that he had no interest in watching nearly 'three hours of lesbian sex.' There was no arguing with him."&lt;/span&gt;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Big Survey Bears Out Independent Art House Growth&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;“Results of the Art House Convergence’s eleventh National Audience Survey were released Monday,” &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6keLekmLrf7akAfrc" style="text-decoration: underline; color: #0068A5;"&gt;Variety relays&lt;/a&gt;, showing that movie theaters “continue to be a vital asset to their communities, with a nine percent increase in business in 2025, an encouraging sign for the sector.” A quarter of those surveyed “said they first began going to their preferred art house theaters within the last three years. These new art house moviegoers had an average age of forty, eleven years younger than the average age of all those surveyed, which is fifty-one. Of those recent attendees, sixty-eight percent were younger than forty-five.” Not noted: arthouse tickets are consistently more reasonably priced at retail than those at chain multiplexes.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Says Music Box general manager Ryan Oestreich, “The Music Box attendance returned to pre-pandemic levels in 2023 and has been growing by ten to fifteen percent every year since. Music Box has built a community through cinema, by doing what’s always worked, programming for multiple audiences with films they want to see on a consistent basis; plus we offer great customer service, presentation and a beautiful venue to watch movies in.”&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;The Success Of Rated Q&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Since its first screening in December 2021, “Rated Q has become one of Music Box’s most popular programs,” &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6keLekmLrf7qkAfrc" style="text-decoration: underline; color: #0068A5;"&gt;raves the Reader&lt;/a&gt;. “Founder Ramona Slick reflects on five years of the theater’s monthly series celebrating drag and queer film.”&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;The Obamas’ Higher Ground Partners With Disney&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Disney and President Barack Obama and Michelle Obama’s Higher Ground Productions “are joining forces to greenlight music-driven, original animated fantasy series ‘Journey’ for Disney+,” &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6keLekmLrf76kAfrc" style="text-decoration: underline; color: #0068A5;"&gt;reports Deadline&lt;/a&gt;. “It marks the first major production partnership announcement for Higher Ground since President Obama announced in April that the company is winding down its eight-year first-look deal with Netflix to take a more independent approach.”&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="divider_block block-34" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:20px;padding-bottom:20px;padding-left:10px;padding-right:10px" align="center"&gt;&lt;table border="0" cellpadding="0" cellspacing="0" role="presentation" width="100%" 
style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-35" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;div style="max-width:598px"&gt;
&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6keLekmLrf7LkAfrc" target="_blank"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/ikn/kfy/1df/ReelingAbFab_NewcityBanner.png" style="display:block;height:auto;border:0;width:100%" width="598" alt="" title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="divider_block block-36" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" 
style="padding-top:20px;padding-bottom:20px;padding-left:10px;padding-right:10px" align="center"&gt;&lt;table border="0" cellpadding="0" cellspacing="0" role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="icons_block block-37" width="100%" border="0" cellpadding="10" 
cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;text-align:center;line-height:0"&gt;&lt;tr&gt;&lt;td class="pad" style="vertical-align:middle;color:#000;font-family:inherit;font-size:14px;font-weight:400" align="center"&gt;&lt;table class="icons-outer" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;display:inline-table"&gt;&lt;tr&gt;&lt;td 
style="vertical-align:middle;text-align:center;padding-top:10px;padding-bottom:10px;padding-left:10px;padding-right:10px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6keLekmLrfvakAfrc" target="_self" title="" style="text-decoration: none;"&gt;&lt;img class="icon" src="https://d15k2d11r6t6rl.cloudfront.net/pub/40qd/br3kliar/3qs/o5m/w8g/unnamed-1.png" alt="" height="auto" width="32" align="center" style="display:block;height:auto;margin:0 auto;border:0"&gt;&lt;/a&gt;&lt;/td&gt;&lt;td 
style="vertical-align:middle;text-align:center;padding-top:10px;padding-bottom:10px;padding-left:10px;padding-right:10px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6keLekmLrfvqkAfrc" target="_self" title="" style="text-decoration: none;"&gt;&lt;img class="icon" src="https://d15k2d11r6t6rl.cloudfront.net/pub/40qd/br3kliar/coi/z2y/qei/unnamed-2.png" alt="" height="auto" width="32" align="center" style="display:block;height:auto;margin:0 auto;border:0"&gt;&lt;/a&gt;&lt;/td&gt;&lt;td 
style="vertical-align:middle;text-align:center;padding-top:10px;padding-bottom:10px;padding-left:10px;padding-right:10px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6keLekmLrfv6kAfrc" target="_self" title="" style="text-decoration: none;"&gt;&lt;img class="icon" src="https://d15k2d11r6t6rl.cloudfront.net/pub/40qd/br3kliar/74h/i4d/cse/unnamed-3.png" alt="" height="auto" width="32" align="center" style="display:block;height:auto;margin:0 auto;border:0"&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table 
class="divider_block block-38" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-bottom:35px;padding-left:10px;padding-right:10px" align="center"&gt;&lt;table border="0" cellpadding="0" cellspacing="0" role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;
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width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:20px;padding-bottom:10px;padding-left:20px;padding-right:20px"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Newcity Today will be on holiday break next week, so the next edition of this newsletter will arrive on July 6. Have a great Fourth of July, but be careful with those sparklers, bottle rockets and bomb pops.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;We've just put our double summer issue on pre-sale. You can read through its table of contents and order it &lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6kf6ekn6rg2LkBjh%5E%7CjdO-7M-sPARd" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;We've also extended our cutoff date for subscriptions, so you can still get this as your first issue, which means you'll pay about half the single-issue price. Order a subscription &lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6kf6ekn6rg3akBjh%5E%7CjdO-7M-sPARd" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;.&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table 
class="image_block block-7" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px" align="left"&gt;&lt;div style="max-width:104px"&gt;&lt;img src="https://d15k2d11r6t6rl.cloudfront.net/pub/40qd/br3kliar/ier/gbh/bha/unnamed-1_1.png" style="display:block;height:auto;border:0;width:100%" width="104" alt="" title="" height="auto"&gt;
&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-8" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px; color: #000000;"&gt;Brian Hieggelke&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px; color: #000000;"&gt;Editor &amp; Publisher&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="divider_block block-9" width="100%" border="0" cellpadding="0" 
cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:10px;padding-bottom:20px;padding-left:10px;padding-right:10px" align="center"&gt;&lt;table border="0" cellpadding="0" cellspacing="0" role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;
&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-10" style="height:21px;line-height:21px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="text_block block-11" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-left:20px;padding-right:20px"&gt;&lt;div style="font-family:Tahoma,Verdana,sans-serif"&gt;&lt;div class 
style="font-size:14px;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;mso-line-height-alt:16.8px;color:#555;line-height:1.2"&gt;&lt;p style="margin:0;font-size:14px;mso-line-height-alt:16.8px"&gt;&lt;span style="word-break: break-word; font-size: 16px; color: #89c0c9;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word;"&gt;DESIGN&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-12" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px" align="center"&gt;&lt;h1 style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:24px;font-weight:900;letter-spacing:normal;line-height:1.5;text-align:left;margin-top:0;margin-bottom:0;mso-line-height-alt:36px"&gt;
&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6kf6ekn6rg3qkBjh%5E%7CjdO-7M-sPARd" target="_blank" style="text-decoration: none; color: #000000;" rel="noopener"&gt;&lt;span class="mce-content-body mce-edit-focus" style="word-break: break-word; position: relative;" id="392c8d91-b228-4c28-b1da-8e2170b63130" data-position="10-0-11" data-qa="tinyeditor-root-element"&gt;Design Top 5: July/August 2026&lt;/span&gt;&lt;/a&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-13" width="100%" border="0" cellpadding="0" cellspacing="0" 
role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;div style="max-width:598px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6kf6ekn6rg36kBjh%5E%7CjdO-7M-sPARd" target="_blank"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/f4e/hly/84t/GF_Latinitudes_LeonardoFinotti_MarquisedoIbirapuera-600x450.jpg" style="display:block;height:auto;border:0;width:100%" width="598" alt="" title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table 
class="text_block block-14" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;A guide to a design-filled summer. (Vasia Rigou)&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="divider_block block-15" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:10px;padding-bottom:20px;padding-left:10px;padding-right:10px" align="center"&gt;&lt;table border="0" cellpadding="0" cellspacing="0" role="presentation" 
width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-16" style="height:21px;line-height:21px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="text_block block-17" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-left:20px;padding-right:20px"&gt;&lt;div style="font-family:Tahoma,Verdana,sans-serif"&gt;&lt;div class style="font-size:14px;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;mso-line-height-alt:16.8px;color:#555;line-height:1.2"&gt;&lt;p style="margin:0;font-size:14px;mso-line-height-alt:16.8px"&gt;
&lt;span style="word-break: break-word; font-size: 16px; color: #65d68b;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word;"&gt;ART&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-18" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:24px;font-weight:900;letter-spacing:normal;line-height:1.5;text-align:left;margin-top:0;margin-bottom:0;mso-line-height-alt:36px"&gt;
&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6kf6ekn6rg3LkBjh%5E%7CjdO-7M-sPARd" target="_blank" style="text-decoration: none; color: #000000;" rel="noopener"&gt;&lt;span class="mce-content-body mce-edit-focus" style="word-break: break-word; position: relative;" id="f35cec41-ce19-4ec4-95a5-4d3ae67ca705" data-position="10-0-17" data-qa="tinyeditor-root-element"&gt;Towering Totems: The Found-Object Conceptual Art of Kenzi Shiokava Finally Gets Its Due at the MCA&lt;/span&gt;&lt;/a&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table 
class="image_block block-19" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;div style="max-width:598px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6kf6ekn6rg4akBjh%5E%7CjdO-7M-sPARd" target="_blank"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/cxb/9gp/hg6/DSC6201-scaled-600x450.jpg" style="display:block;height:auto;border:0;width:100%" width="598" alt="" title="" 
height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-20" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Shiokava's retrospective details an overview of his extensive career through groupings of boxes, totems, wall works and studio artifacts. (Teddy Sandler)&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="divider_block block-21" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" 
style="padding-top:10px;padding-bottom:20px;padding-left:10px;padding-right:10px" align="center"&gt;&lt;table border="0" cellpadding="0" cellspacing="0" role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-22" style="height:45px;line-height:45px;font-size:1px"&gt;
&amp;#8202;&lt;/div&gt;&lt;table class="image_block block-23" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-left:20px;padding-right:20px" align="center"&gt;&lt;div style="max-width:400px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6kf6ekn6rgkqkBjh%5E%7CjdO-7M-sPARd" target="_blank"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/hx1/0qn/mgk/Newcity%20June%202026%20Footer.jpeg" 
style="display:block;height:auto;border:0;width:100%" width="400" alt="" title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-24" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class 
style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:18.2px;color:#000;line-height:1.3"&gt;&lt;p style="margin:0;font-size:14px;text-align:center;mso-line-height-alt:26px"&gt;&lt;span style="word-break: break-word; font-size: 20px;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word;"&gt;JUNE 2026:&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;br&gt;&lt;span style="word-break: break-word; font-size: 20px;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word;"&gt;DESIGN 50&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;br&gt;
&lt;span style="word-break: break-word; font-size: 20px;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word;"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6kf6ekn6rgoakBjh%5E%7CjdO-7M-sPARd" target="_blank" style="text-decoration: none; color: #19638e;" rel="noopener"&gt;GET THE ISSUE&lt;/a&gt; | &lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6kf6ekn6rgk6kBjh%5E%7CjdO-7M-sPARd" target="_blank" style="text-decoration: none; color: #19638e;" rel="noopener"&gt;SUBSCRIBE&lt;/a&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div 
class="spacer_block block-25" style="height:40px;line-height:40px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="divider_block block-26" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:10px;padding-bottom:20px;padding-left:10px;padding-right:10px" align="center"&gt;&lt;table border="0" cellpadding="0" cellspacing="0" role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;
&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-27" style="height:21px;line-height:21px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="text_block block-28" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad" 
style="padding-left:20px;padding-right:20px"&gt;&lt;div style="font-family:Tahoma,Verdana,sans-serif"&gt;&lt;div class style="font-size:14px;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;mso-line-height-alt:16.8px;color:#555;line-height:1.2"&gt;&lt;p style="margin:0;font-size:14px;mso-line-height-alt:16.8px"&gt;&lt;span style="word-break: break-word; font-size: 16px; color: #a82b28;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word;"&gt;STAGE&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table 
class="heading_block block-29" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:24px;font-weight:900;letter-spacing:normal;line-height:1.5;text-align:left;margin-top:0;margin-bottom:0;mso-line-height-alt:36px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6kf6ekn6rg4qkBjh%5E%7CjdO-7M-sPARd" target="_blank" style="text-decoration: none; color: #000000;" rel="noopener"&gt;“Water for Elephants” Refreshingly Quenches the Urge to Run Off to the Circus&lt;/a&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table 
class="image_block block-30" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;div style="max-width:598px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6kf6ekn6rg46kBjh%5E%7CjdO-7M-sPARd" target="_blank"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/p8u/y4r/g8g/Zachary-Keller-and-Helen-Krushinski-Photo-by-Matthew-Murphy-for-MurphyMade-600x450.jpg" 
style="display:block;height:auto;border:0;width:100%" width="598" alt="" title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-31" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class 
style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;The musical adaptation presented by Broadway in Chicago is a spectacle of movement. (Dennis Polkow)&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="divider_block block-32" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:20px;padding-bottom:20px;padding-left:10px;padding-right:10px" align="center"&gt;&lt;table border="0" cellpadding="0" cellspacing="0" role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div 
class="spacer_block block-33" style="height:21px;line-height:21px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="text_block block-34" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-left:20px;padding-right:20px"&gt;&lt;div style="font-family:Tahoma,Verdana,sans-serif"&gt;&lt;div class 
style="font-size:14px;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;mso-line-height-alt:16.8px;color:#555;line-height:1.2"&gt;&lt;p style="margin:0;font-size:14px;mso-line-height-alt:16.8px"&gt;&lt;span style="word-break: break-word; font-size: 16px; color: #429c95;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word;"&gt;BRAZIL&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-35" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px" align="center"&gt;&lt;h1 style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:24px;font-weight:900;letter-spacing:normal;line-height:1.5;text-align:left;margin-top:0;margin-bottom:0;mso-line-height-alt:36px"&gt;
&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6kf6ekn6rg6qkBjh%5E%7CjdO-7M-sPARd" target="_blank" style="text-decoration: none; color: #000000;" rel="noopener"&gt;An Unlikely Encounter at “Eu Chorei Os Rios” at FGV Arte in Rio de Janeiro&lt;/a&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-36" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;div style="max-width:598px"&gt;
&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6kf6ekn6rg66kBjh%5E%7CjdO-7M-sPARd" target="_blank"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/bfl/nb3/px2/fgv-noticias-canva-7_0-600x450.jpg" style="display:block;height:auto;border:0;width:100%" width="598" alt="" title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-37" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td 
class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;"I cried rivers: Art from the Indigenous Peoples of the Americas" &amp;nbsp;is a collection of associations, of works speaking of a similar struggle. (Ekaterina Mastyukova)&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;
&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="divider_block block-38" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:20px;padding-bottom:20px;padding-left:10px;padding-right:10px" align="center"&gt;&lt;table border="0" cellpadding="0" cellspacing="0" role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="divider_inner" 
style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-39" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;div style="max-width:598px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6kf6ekn6rgrqkBjhf" target="_blank"&gt;&lt;img 
src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/7ln/cqk/qx4/Jewish%20Museum%20Milwaukee%20%20Newcity%20Today%20newsletter%20June%2022%20%20%20JMM_48Jews_NewCity_Digital_600x250_v0r1.jpg" style="display:block;height:auto;border:0;width:100%" width="598" alt="" title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-40" style="height:40px;line-height:40px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="heading_block block-41" width="100%" border="0" cellpadding="5" 
cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;h1 style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:28px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:34px"&gt;
&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6kf6ekn6rg6LkBjh%5E%7CjdO-7M-sPARd" target="_blank" style="text-decoration: underline; color: #000000;" rel="noopener"&gt;TODAY IN CULTURE&lt;/a&gt;&lt;br&gt;&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-42" width="100%" border="0" cellpadding="10" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div 
style="font-family:sans-serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:16.8px;color:#555;line-height:1.2"&gt;&lt;p style="margin:0;font-size:14px;text-align:center;mso-line-height-alt:16.8px"&gt;&lt;span style="word-break: break-word; color: #000000;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;By Ray Pride&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-43" 
style="height:40px;line-height:40px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="heading_block block-44" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;ART&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-45" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Jordan Martins Paints On The Forest Floor&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p 
style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Tiger Strikes Asteroid Chicago presents "On the Forest Floor," "a solo exhibition of new paintings by Chicago-based artist Jordan Martins. Co-curated by Jaclyn Jacunski and Teresa Silva, the exhibition brings together a body of work that spans Martins' ongoing series of Sottobosco paintings, large-scale collaged canvases unfolding across the gallery as a sustained meditation on perception, abundance and what it means to be immersed rather than oriented. The sottobosco, Italian for 'undergrowth,' was a minor genre of seventeenth-century Dutch still life painting in which the forest floor replaced the table: mossy ground, fallen branches, fungi, nesting birds and creeping insects arranged with the same loving attention previously reserved for fruit and flowers in still lifes." Opening June 27, 1-4pm. More &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6kf6ekn6rg7akBjhf" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;The Ren Receives Climate-Oriented Grant For Facilities&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;The Renaissance Society has received an award from the "Frankenthaler Climate Initiative, a grantmaking program established by the Helen Frankenthaler Foundation in collaboration with Environment &amp; Culture Partners to catalyze climate action in the visual arts. The grant supports 'A Sustainable Future for the Renaissance Society: Assessing Energy and Building Performance at Historic Cobb Hall,' a scoping study that will investigate HVAC system performance, building envelope integrity and humidity control in [their] gallery space." More &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6kf6ekn6rg7qkBjhf" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-46" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;DESIGN&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-47" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;A Rare Unit In The Art Moderne Theophil Studios Is For Sale&lt;/strong&gt;&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"Owners of twenty-five years are selling a one-bedroom unit that has many of its 1940 finishes intact, including stained glass in a rare modern style," &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6kf6ekn6rg76kBjhf" style="text-decoration: underline; color: #0068A5;"&gt;reports Crain's&lt;/a&gt;. The residential building is part of the West Burton Place Historic District, which also features the nearby Carl Street Studios, which artist Edgar Miller collaborated on with developer Sol Kogen. Theophil Studios was "heavily influenced by Miller’s design work, especially the stained glass windows," &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6kf6ekn6rg7LkBjhf" style="text-decoration: underline; color: #0068A5;"&gt;writes the Edgar Miller Legacy&lt;/a&gt;. "Even some of Edgar Miller’s relief sculptures and painted tiles were incorporated into sections of its front wall. This likely happened by Kogen selling pieces of Edgar’s work that had been left at the Studios." View the listing &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6kf6ekn6rg8akBjhf" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Neglected Frank Lloyd Wright House Sold To Neighborhood Nonprofit&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Nonprofit community group Austin Coming Together has purchased the vacant Wright-designed J.J. Walser Jr. House and intends to restore the building, &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6kf6ekn6rg8qkBjhf" style="text-decoration: underline; color: #0068A5;"&gt;writes Lee Bey at the Sun-Times&lt;/a&gt;. "Built in 1903, the buff-colored wood-and-stucco Prairie School design is among a set of circa 1900 residences along Central Avenue that mark the Austin’s early years as a Chicago neighborhood." While they purchased the building for $125,000, the group expects it could take at least $3 million to rehab the home, which is a city landmark.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Chicago Designers' Home Bedecked With Contemporary Art&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;A red brick and limestone structure in Lakeview "cuts a stately, purposely demure profile," &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6kf6ekn6rg86kBjhf" style="text-decoration: underline; color: #0068A5;"&gt;writes Robb Report&lt;/a&gt;, but "from the moment you step inside, the residence opens into a welcoming, modern mix of rich color and pattern, anchored by the owners’ contemporary art collection. To highlight the artwork, which includes works by Banksy, Damien Hirst and Roy Lichtenstein, James Dolenc and Tom Riker, co-founder of the interiors firm James Thomas, designed a comfortable and refined family home that allows it to stand out. The firm had worked with the clients on several other properties, and for this one they pursued a layered aesthetic focused on textured materials, contemporary forms and soft colors."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-48" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;DINING &amp;amp; DRINKING&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-49" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Behind The Reopening Of Beaumont's&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p 
style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"Opened in late May, Beaumont's, at 2020 North Halsted, is a 200-seat tavern-driven American restaurant. Upstairs is The Bull Moose, a boutique steakhouse that will debut on July 1," &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6kf6ekn6rg-qkBjhf" style="text-decoration: underline; color: #0068A5;"&gt;writes Lisa Shames at The Hunger&lt;/a&gt;. "Heading up the kitchen for both restaurants is executive chef Johnny Besch, who most recently was at the Loop’s Bistro Monadnock and the West Loop’s BLVD Steakhouse before that."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Among the dishes, "there’s the coal-roasted rainbow trout paired with an absinthe cream sauce and topped with shaved fennel and herbs. The shrimp and grits features a Spence Farms grits cake paired with smoked ham hock, prawns and creamed sherry and topped with caramelized raclette cheese. 'It eats very Southern and French Creole, so there’s that through-line back to my cooking pedigree of mostly French cuisine,' says Besch."&lt;/span&gt;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Tzuco And Ummo Collaborate With The MCA On "Dancing The Revolution" Dishes&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;The MCA and Somos Hospitality have announced a "new collaboration in celebration of the MCA’s exhibition 'Dancing the Revolution: From Dancehall to Reggaetón.' As a part of the collaboration, made in consultation with Chef Carlos Gaytán, Somos restaurants Tzuco and Ummo will present signature dishes and cocktails inspired by dancehall, reggaetón and the Caribbean. At Tzuco, guests can enjoy a lobster tostada and The Old Cuban cocktail. At Ummo, visitors can order the Tamarind Martini. After purchasing signature collaboration items, guests will receive two-for-one admission to 'Dancing the Revolution.'" The special cocktails and dishes will be available beginning July 1.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;"The Bear" Leaves Its Mark On Chicago Dining&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"From Mr. Beef to Avec and Kasama, tourists 'make a pilgrimage' to spots seen in 'The Bear,'" &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6kf6ekn6rg-6kBjhf" style="text-decoration: underline; color: #0068A5;"&gt;surveys the Sun-Times&lt;/a&gt;. “It’s just become a part of the food culture,” Publican Quality Meats chef and butcher Rob Levitt said. “People are constantly talking about, is it a good representation of the industry? But I think the one thing that I love is that everybody agrees that it is a love letter to Chicago.” Donnie Madia, the Chicago restaurateur behind One Off Hospitality, "which owns the Publican brand of restaurants, plus Avec and other concepts, has also appeared in the show, playing himself...'All the actors have put another spotlight on this city, letting everyone know that this city is the culinary destination, not of the universe, but in the nation. There’s a heightened awareness, and also a spotlight.'"&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; text-align: left; background-color: transparent; font-size: 18px;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-50" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" 
style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;FILM &amp;amp; TELEVISION&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-51" 
width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;The Music Box Shows Off Its New Theater&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;The latest &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6kf6ekn6rg-LkBjhf" style="text-decoration: underline; color: #0068A5;"&gt;Instagram post&lt;/a&gt; from the Music Box shows off Theater 3, opening today: "Featuring ninety-eight European-style seats, a design and color scheme inspired by our original auditorium (plus replicas of our inner lobby columns!), a new NEC Laser Digital projector, state-of-the-art ribbon-based sound system by Alcons Audio, accessibility devices for the hearing and vision impaired and coming soon—two Norelco 35mm projectors rebuilt and installed by Kinora."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;AI24 Knows You're Disappointed With Their Google Deal&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"Indie movie fans are upset about Google DeepMind’s $75 million investment in A24, which comes as AI companies are deepening their influence in Hollywood," &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6kf6ekn6rgAakBjhf" style="text-decoration: underline; color: #0068A5;"&gt;writes Wired&lt;/a&gt;. Google "is teaming up with A24 to create new filmmaking 'tools,' as part of A24’s technology startup, A24 Labs, overseen by cofounder Scott Belsky." "This is a research partnership,” Sophia Shin, who handles communications at A24, writes. “We're working side-by-side with DeepMind's researchers to learn, iterate and build, having an active hand in shaping new tools and workflows."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; text-align: left; background-color: transparent; font-size: 18px;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-52" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" 
style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;STAGE&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-53" width="100%" 
border="0" cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Steppenwolf Will Open Its Season With "Topdog/Underdog"&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Steppenwolf Theatre Company will launch its fifty-first season with Suzan-Lori Parks’&amp;nbsp;Pulitzer Prize-winning drama&amp;nbsp;"Topdog/Underdog," directed by Tony Award-winning director Kenny Leon, who returns to Steppenwolf after his production of "King James." Ensemble members Glenn Davis and Namir Smallwood go head-to-head in this revival, more than two decades after the company’s 2003 production. "Topdog/Underdog" will play a limited engagement September 17-November 1&amp;nbsp;in Steppenwolf’s Downstairs Theater. Single tickets go on sale Thursday, July 9, 2026 &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6kf6ekn6rgAqkBjhf" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Ari Emanuel In Talks To Acquire Broadway-West End Theater Giant&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Ari Emanuel's live events group is exploring a $6 billion takeover of the theater owner and operator ATG, &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6kf6ekn6rgA6kBjhf" style="text-decoration: underline; color: #0068A5;"&gt;writes the Hollywood Reporter&lt;/a&gt;. "ATG has ten theaters on the West End, including the Lyceum, home to long-running hit 'The Lion King' and the Savoy Theatre, where the box office hit 'Paddington the Musical' is playing. It has seven Broadway theaters, after acquiring a majority stake in Jujamcyn Theaters in 2023, as well as the Lyric Theatre, which is home to 'Harry Potter and the Cursed Child.' The company owns, operates or programs seventy venues across Britain, the U.S., Germany, Austria and Spain." The Chicago-area native and brother of the former mayor also owns Frieze, the parent company of Expo Chicago.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Remy Bumppo Announces The Season Ahead&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Remy Bumppo Theatre Company has announced its next season, which will feature the return of founding artistic director James Bohnen. Productions planned for the season include Dominique Morisseau's "Mud Row," running October 15-November 15, directed by Malkia Stampley; "Marjorie Prime," by Jordan Harrison, directed by Bohnen, running April 29-May 30, 2027; and the fourth edition of its reading series, "Readings on Ravenswood" in winter 2027. Subscriptions ($55-$115) &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6kf6ekn6rgALkBjhf" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-54" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;ARTS &amp;amp; CULTURE &amp;amp; ETC.&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-55" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;The Arts Are Chicago's Third-Largest Industry&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p 
style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;The new report from Arts Alliance Illinois "measures the sector’s economic impact in a moment when the creative field has faced funding cuts across levels of government," &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6kf6ekn6rgBakBjhf" style="text-decoration: underline; color: #0068A5;"&gt;reports the Sun-Times&lt;/a&gt;. "The creative sector is Chicago’s third-largest industry and accounts for nearly 213,000 jobs, according to a new economic impact study released by Arts Alliance Illinois, a statewide advocacy organization." That makes it "a larger workforce than educational services, retail or manufacturing." The Arts Alliance's report and asset map is &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6kf6ekn6rgBqkBjhf" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Tourism Grows, But Still Below Pre-Pandemic Totals&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Choose Chicago announced that "visitation to the city grew by 2.6 percent last year to 56.8 million people. The total still trails the record-high 61.6 million tourists the city welcomed in 2019," &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6kf6ekn6rgB6kBjhf" style="text-decoration: underline; color: #0068A5;"&gt;reports Crain's&lt;/a&gt;. "At about ninety-two percent of its pre-pandemic tourism activity, Chicago isn’t the only major U.S. city still trying to recover lost business," with New York and San Francisco still trailing their 2019 visitor totals. In Chicago, "domestic leisure travelers grew by 4.8 percent last year to 40.7 million visitors," which was "largely offset by an eight percent drop in international travelers to a total of 1.9 million, the agency said. That decrease aligned with reduced foreign tourism nationwide, a trend fueled by the Trump administration’s immigration crackdown efforts, trade wars and moves to block tourists from several countries."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Nine Key LGBTQ+ Chicago Historical Sites&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"Chicago has played a critical role in LGBTQ+ history," &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6kf6ekn6rgDqkBjhf" style="text-decoration: underline; color: #0068A5;"&gt;tallies Block Club&lt;/a&gt;. The Illinois Office of Tourism &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6kf6ekn6rgD6kBjhf" style="text-decoration: underline; color: #0068A5;"&gt;has highlighted&lt;/a&gt; landmarks in Chicago "that many queer Chicagoans enjoy. These buildings, parks and places, found all across the city, represent important chapters of queer history."&lt;/span&gt;
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&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:5px;padding-bottom:5px;padding-left:20px;padding-right:20px" align="center"&gt;&lt;div style="max-width:350px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6krLekzLr%7C3qkCeS%7C%7CjdO-7M-sPARd" target="_blank"&gt;&lt;img src="https://d15k2d11r6t6rl.cloudfront.net/pub/40qd/br3kliar/trm/f81/xfb/NewcityLogoEmail.png" style="display:block;height:auto;border:0;width:100%" width="350" alt="" title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="divider_block block-5" 
width="100%" border="0" cellpadding="10" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" align="center"&gt;&lt;table border="0" cellpadding="0" cellspacing="0" role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table 
class="text_block block-6" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:20px;padding-bottom:10px;padding-left:20px;padding-right:20px"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;Two-hundred-and-fifty-years ago, our Founding Fathers risked their lives, liberty and livelihoods to declare America's independence from Great Britain. This past weekend, England finally got its revenge, when the sport it created and spread around the world, soccer, conquered America.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;Rooting for the United States team in the World Cup has been (so far) a refreshingly Trump-free way to feel patriotic on this occasion, and if you watch the game in a sports bar, you'll also experience the "brotherhood" of "America the Beautiful" in real time.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;Trump showed up to one NBA finals game, most likely to cheer on the Knicks. It was the only game in the entire playoffs that they lost. Let's hope he stays far away from the pitch when USMNT is playing "the beautiful game."&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-7" width="100%" 
border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px" align="left"&gt;&lt;div style="max-width:104px"&gt;&lt;img src="https://d15k2d11r6t6rl.cloudfront.net/pub/40qd/br3kliar/ier/gbh/bha/unnamed-1_1.png" style="display:block;height:auto;border:0;width:100%" width="104" alt="" title="" height="auto"&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table 
class="text_block block-8" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px; color: #000000;"&gt;Brian Hieggelke&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px; color: #000000;"&gt;Editor &amp; Publisher&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;em&gt;Our double summer issue is on pre-sale &lt;/em&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6krLekzLr%7C36kCeS%7C%7CjdO-7M-sPARd" target="_self" style="text-decoration: underline; color: #0068A5;"&gt;&lt;em&gt;here&lt;/em&gt;&lt;/a&gt;&lt;em&gt;.&amp;nbsp;&lt;/em&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;em&gt;Get the double summer issue as your first when you order a subscription &lt;/em&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6krLekzLr%7C3LkCeS%7C%7CjdO-7M-sPARd" style="text-decoration: underline; color: #0068A5;"&gt;&lt;em&gt;here&lt;/em&gt;&lt;/a&gt;&lt;em&gt;.&lt;/em&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="divider_block block-9" width="100%" border="0" cellpadding="0" cellspacing="0" 
role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:10px;padding-bottom:20px;padding-left:10px;padding-right:10px" align="center"&gt;&lt;table border="0" cellpadding="0" cellspacing="0" role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div 
class="spacer_block block-10" style="height:21px;line-height:21px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="text_block block-11" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-left:20px;padding-right:20px"&gt;&lt;div style="font-family:Tahoma,Verdana,sans-serif"&gt;&lt;div class 
style="font-size:14px;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;mso-line-height-alt:16.8px;color:#555;line-height:1.2"&gt;&lt;p style="margin:0;font-size:14px;mso-line-height-alt:16.8px"&gt;&lt;span style="word-break: break-word; font-size: 16px; color: #a82b28;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word;"&gt;STAGE&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-12" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px" align="center"&gt;&lt;h1 style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:24px;font-weight:900;letter-spacing:normal;line-height:1.5;text-align:left;margin-top:0;margin-bottom:0;mso-line-height-alt:36px"&gt;
&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6krLekzLrjgakCeS%7C%7CjdO-7M-sPARd" target="_blank" style="text-decoration: none; color: #000000;" rel="noopener"&gt;“Iceboy!” Keeps Things Cool at the Goodman&lt;/a&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-13" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;div style="max-width:598px"&gt;
&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6krLekzLrjgqkCeS%7C%7CjdO-7M-sPARd" target="_blank"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/oz1/k9w/x2b/6_Iceboy-Production-Photos-scaled-600x450.jpg" style="display:block;height:auto;border:0;width:100%" width="598" alt="" title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-14" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Goodman concludes their centennial with a star-studded musical comedy headlining real-life couple Megan Mullally and Nick Offerman. (Christine Trevino)&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="divider_block block-15" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" 
style="padding-top:10px;padding-bottom:20px;padding-left:10px;padding-right:10px" align="center"&gt;&lt;table border="0" cellpadding="0" cellspacing="0" role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-16" style="height:21px;line-height:21px;font-size:1px"&gt;
&amp;#8202;&lt;/div&gt;&lt;table class="text_block block-17" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-left:20px;padding-right:20px"&gt;&lt;div style="font-family:Tahoma,Verdana,sans-serif"&gt;&lt;div class style="font-size:14px;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;mso-line-height-alt:16.8px;color:#555;line-height:1.2"&gt;&lt;p 
style="margin:0;font-size:14px;mso-line-height-alt:16.8px"&gt;&lt;span style="word-break: break-word; font-size: 16px; color: #65d68b;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word;"&gt;ART&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-18" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" 
style="width:100%;padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px" align="center"&gt;&lt;h1 style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:24px;font-weight:900;letter-spacing:normal;line-height:1.5;text-align:left;margin-top:0;margin-bottom:0;mso-line-height-alt:36px"&gt;
&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6krLekzLrjg6kCeS%7C%7CjdO-7M-sPARd" target="_blank" style="text-decoration: none; color: #000000;" rel="noopener"&gt;&lt;span class="mce-content-body mce-edit-focus" style="word-break: break-word; position: relative;" id="63fda8db-ff18-4e75-9c2e-f9a97b094e0b" data-position="10-0-17" data-qa="tinyeditor-root-element"&gt;Art Top 5: July/August 2026&lt;/span&gt;&lt;/a&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-19" width="100%" border="0" cellpadding="0" cellspacing="0" 
role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;div style="max-width:598px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6krLekzLrj%7CqkCeS%7C%7CjdO-7M-sPARd" target="_blank"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/y96/89u/by8/a18a89753a172946a398866d6f3de8c2-scaled-600x450.jpeg" style="display:block;height:auto;border:0;width:100%" width="598" alt="" title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table 
class="text_block block-20" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Gray hosts a show of the late Hockney's moonscape paintings. (Brian Hieggelke)&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="divider_block block-21" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:10px;padding-bottom:20px;padding-left:10px;padding-right:10px" align="center"&gt;&lt;table border="0" cellpadding="0" 
cellspacing="0" role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-22" style="height:21px;line-height:21px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="text_block block-23" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-left:20px;padding-right:20px"&gt;&lt;div style="font-family:Tahoma,Verdana,sans-serif"&gt;&lt;div class style="font-size:14px;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;mso-line-height-alt:16.8px;color:#555;line-height:1.2"&gt;&lt;p style="margin:0;font-size:14px;mso-line-height-alt:16.8px"&gt;
&lt;span style="word-break: break-word; font-size: 16px; color: #9db8b3;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word;"&gt;LIT&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-24" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:24px;font-weight:900;letter-spacing:normal;line-height:1.5;text-align:left;margin-top:0;margin-bottom:0;mso-line-height-alt:36px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6krLekzLrj%7C6kCeS%7C%7CjdO-7M-sPARd" target="_blank" style="text-decoration: none; color: #000000;" rel="noopener"&gt;“The Man” Is an Aperture Into Mid-Life Uncertainties&lt;/a&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-25" width="100%" 
border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;div style="max-width:598px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6krLekzLrj%7CLkCeS%7C%7CjdO-7M-sPARd" target="_blank"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/ce9/bfr/usr/TheMan_91UDQd063JL._SL1500_-680x1024%20%281%29.jpg" style="display:block;height:auto;border:0;width:100%" width="598" alt="" title="" height="auto"&gt;&lt;/a&gt;
&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-26" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Laura Sims examines the oscillation between darkness and light in a novel about art and the effects of trauma. (Amanda Norton)&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="divider_block block-27" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:10px;padding-bottom:20px;padding-left:10px;padding-right:10px" align="center"&gt;
&lt;table border="0" cellpadding="0" cellspacing="0" role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-28" style="height:21px;line-height:21px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="text_block block-29" width="100%" border="0" cellpadding="0" 
cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-left:20px;padding-right:20px"&gt;&lt;div style="font-family:Tahoma,Verdana,sans-serif"&gt;&lt;div class style="font-size:14px;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;mso-line-height-alt:16.8px;color:#555;line-height:1.2"&gt;&lt;p style="margin:0;font-size:14px;mso-line-height-alt:16.8px"&gt;
&lt;span style="word-break: break-word; font-size: 16px; color: #000000;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word;"&gt;NEWCITY&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-30" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:24px;font-weight:900;letter-spacing:normal;line-height:1.5;text-align:left;margin-top:0;margin-bottom:0;mso-line-height-alt:36px"&gt;
&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6krLekzLrjjakCeS%7C%7CjdO-7M-sPARd" target="_blank" style="text-decoration: none; color: #000000;" rel="noopener"&gt;&lt;span class="mce-content-body mce-edit-focus" style="word-break: break-word; position: relative;" id="968b8a3f-3805-4a90-a701-43dd82d983e8" data-position="10-0-29" data-qa="tinyeditor-root-element"&gt;Free Will Astrology: Week of July 2, 2026&lt;/span&gt;&lt;/a&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-31" width="100%" border="0" cellpadding="0" 
cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;div style="max-width:598px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6krLekzLrjjqkCeS%7C%7CjdO-7M-sPARd" target="_blank"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/wg8/0dk/6jb/jan-canty-Ps8ffpzGJxM-unsplash-600x450.jpg" style="display:block;height:auto;border:0;width:100%" width="598" alt="" title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table 
class="text_block block-32" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Shower yourself with gifts, treats and blessings. (Rob Brezsny)&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="divider_block block-33" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:10px;padding-bottom:20px;padding-left:10px;padding-right:10px" align="center"&gt;&lt;table border="0" cellpadding="0" cellspacing="0" 
role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-34" style="height:45px;line-height:45px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="image_block block-35" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-left:20px;padding-right:20px" align="center"&gt;&lt;div style="max-width:400px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6krLekzLrjj6kCeS%7C%7CjdO-7M-sPARd" target="_blank"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/q6i/gpd/eol/Newcity_2026-07-08_Cover%20Footer.jpeg" style="display:block;height:auto;border:0;width:100%" width="400" alt="" title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table 
class="text_block block-36" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:18.2px;color:#000;line-height:1.3"&gt;&lt;p 
style="margin:0;font-size:14px;text-align:center;mso-line-height-alt:26px"&gt;&lt;span style="word-break: break-word; font-size: 20px;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word;"&gt;JULY-AUGUST 2026:&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:14px;text-align:center;mso-line-height-alt:26px"&gt;&lt;span style="word-break: break-word; font-size: 20px;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word;"&gt;AMERICA 250 + ART IN MICHIGAN&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;br&gt;
&lt;span style="word-break: break-word; font-size: 20px;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word;"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6krLekzLrjjLkCeS%7C%7CjdO-7M-sPARd" target="_blank" style="text-decoration: none; color: #19638e;" rel="noopener"&gt;GET THE ISSUE&lt;/a&gt; | &lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6krLekzLr%7C7akCeS%7C%7CjdO-7M-sPARd" target="_blank" style="text-decoration: none; color: #19638e;" rel="noopener"&gt;SUBSCRIBE&lt;/a&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div 
class="spacer_block block-37" style="height:40px;line-height:40px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="divider_block block-38" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:10px;padding-bottom:20px;padding-left:10px;padding-right:10px" align="center"&gt;&lt;table border="0" cellpadding="0" cellspacing="0" role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;
&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-39" style="height:21px;line-height:21px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="text_block block-40" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad" 
style="padding-left:20px;padding-right:20px"&gt;&lt;div style="font-family:Tahoma,Verdana,sans-serif"&gt;&lt;div class style="font-size:14px;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;mso-line-height-alt:16.8px;color:#555;line-height:1.2"&gt;&lt;p style="margin:0;font-size:14px;mso-line-height-alt:16.8px"&gt;&lt;span style="word-break: break-word; font-size: 16px; color: #9db8b3;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word;"&gt;LIT&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table 
class="heading_block block-41" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:24px;font-weight:900;letter-spacing:normal;line-height:1.5;text-align:left;margin-top:0;margin-bottom:0;mso-line-height-alt:36px"&gt;
&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6krLekzLrjkakCeS%7C%7CjdO-7M-sPARd" target="_blank" style="text-decoration: none; color: #000000;" rel="noopener"&gt;&lt;span class="mce-content-body mce-edit-focus" style="word-break: break-word; position: relative;" id="a7c5e0ba-3ec8-4da0-9c0a-1e7b0c5aba3f" data-position="10-0-40" data-qa="tinyeditor-root-element"&gt;Lit Top 5: July/August 2026&lt;/span&gt;&lt;/a&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-42" width="100%" border="0" cellpadding="0" cellspacing="0" 
role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;div style="max-width:598px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6krLekzLrjkqkCeS%7C%7CjdO-7M-sPARd" target="_blank"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/m0k/aw2/5x0/SlamVideo014-600x450.jpg" style="display:block;height:auto;border:0;width:100%" width="598" alt="" title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-43" width="100%" 
border="0" cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Chicago writers on islands and cruise ships, plus two newer festivals to the literary ecosystem. (Todd Hieggelke)&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="divider_block block-44" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:20px;padding-bottom:20px;padding-left:10px;padding-right:10px" align="center"&gt;&lt;table 
border="0" cellpadding="0" cellspacing="0" role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-45" style="height:21px;line-height:21px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="text_block block-46" width="100%" border="0" cellpadding="0" cellspacing="0" 
role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-left:20px;padding-right:20px"&gt;&lt;div style="font-family:Tahoma,Verdana,sans-serif"&gt;&lt;div class style="font-size:14px;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;mso-line-height-alt:16.8px;color:#555;line-height:1.2"&gt;&lt;p style="margin:0;font-size:14px;mso-line-height-alt:16.8px"&gt;
&lt;span style="word-break: break-word; font-size: 16px; color: #429c95;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word;"&gt;BRAZIL&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-47" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:24px;font-weight:900;letter-spacing:normal;line-height:1.5;text-align:left;margin-top:0;margin-bottom:0;mso-line-height-alt:36px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6krLekzLrjk6kCeS%7C%7CjdO-7M-sPARd" target="_blank" style="text-decoration: none; color: #000000;" rel="noopener"&gt;The Photo Prankster Vik Muniz at Rio’s Centro Cultural Banco do Brasil&lt;/a&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table 
class="image_block block-48" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;div style="max-width:598px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6krLekzLrjmqkCeS%7C%7CjdO-7M-sPARd" target="_blank"&gt;&lt;img 
src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/xd7/7hb/i94/Vik-Muniz-Nail-Fetish-2010-Reliquary-series-Mixed-media-70x33x30cm.-Credit-Vik-Muniz_Estudio-Vik-Muniz-600x450.jpg" style="display:block;height:auto;border:0;width:100%" width="598" alt="" title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-49" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td 
class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;A Muniz retrospective offers a comprehensive overview of the artist's work to date. (Cynthia Garcia)&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="divider_block block-50" width="100%" 
border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:20px;padding-bottom:20px;padding-left:10px;padding-right:10px" align="center"&gt;&lt;table border="0" cellpadding="0" cellspacing="0" role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;
&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-51" style="height:21px;line-height:21px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="text_block block-52" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-left:20px;padding-right:20px"&gt;&lt;div style="font-family:Tahoma,Verdana,sans-serif"&gt;&lt;div class 
style="font-size:14px;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;mso-line-height-alt:16.8px;color:#555;line-height:1.2"&gt;&lt;p style="margin:0;font-size:14px;mso-line-height-alt:16.8px"&gt;&lt;span style="word-break: break-word; font-size: 16px; color: #429c95;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word;"&gt;BRAZIL&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-53" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px" align="center"&gt;&lt;h1 style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:24px;font-weight:900;letter-spacing:normal;line-height:1.5;text-align:left;margin-top:0;margin-bottom:0;mso-line-height-alt:36px"&gt;
&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6krLekzLrjm6kCeS%7C%7CjdO-7M-sPARd" target="_blank" style="text-decoration: none; color: #000000;" rel="noopener"&gt;The Green at the Bottom of Cícero Dias' Abyss&lt;/a&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-54" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;div style="max-width:598px"&gt;
&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6krLekzLrjmLkCeS%7C%7CjdO-7M-sPARd" target="_blank"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/7d8/v2f/ndz/CICERO-DIAS_Mormaco_1941-600x450.jpg" style="display:block;height:auto;border:0;width:100%" width="598" alt="" title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-55" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td
 class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;"Cícero Dias: Pioneer of Abstract Art in Brazil" examines the geometric identity of Dias' work. (Luiz Armando Bagolin)&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table 
class="divider_block block-56" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:20px;padding-bottom:20px;padding-left:10px;padding-right:10px" align="center"&gt;&lt;table border="0" cellpadding="0" cellspacing="0" role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;
&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-57" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;div style="max-width:598px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6krLekzLrjnakCeSc" target="_blank"&gt;&lt;img 
src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/977/b6l/34t/Chicago%20Park%20District%20Newcity%20Today%20middle%20lower%20week%20of%20July%206%20%20%202026_NOITP_Newcity_Ad_600x500.jpg" style="display:block;height:auto;border:0;width:100%" width="598" alt="" title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-58" style="height:40px;line-height:40px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="heading_block block-59" width="100%" border="0" cellpadding="5" 
cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;h1 style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:28px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:34px"&gt;
&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6krLekzLrjnqkCeS%7C%7CjdO-7M-sPARd" target="_blank" style="text-decoration: underline; color: #000000;" rel="noopener"&gt;TODAY IN CULTURE&lt;/a&gt;&lt;br&gt;&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-60" width="100%" border="0" cellpadding="10" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div 
style="font-family:sans-serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:16.8px;color:#555;line-height:1.2"&gt;&lt;p style="margin:0;font-size:14px;text-align:center;mso-line-height-alt:16.8px"&gt;&lt;span style="word-break: break-word; color: #000000;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;By Ray Pride&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-61" 
style="height:40px;line-height:40px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="heading_block block-62" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;ART&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-63" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;DePaul Art Collection To Remain After Museum Closure&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p 
style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Following the DePaul Art Museum's recent closure, director Laura-Caroline de Lara "will remain on staff to help the university manage and care for the collections, which are stored in the museum building," &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6krLekzLrjn6kCeSc" style="text-decoration: underline; color: #0068A5;"&gt;notes WBEZ&lt;/a&gt;. "The nearly 4,000 pieces of the collection can be &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6krLekzLrjnLkCeSc" style="text-decoration: underline; color: #0068A5;"&gt; browsed online&lt;/a&gt;. De Lara became director in January of 2022. 'I know it like the back of my hand,' de Lara told a reporter. 'I’m really glad to be able to care for the collection in a way that is an extension of caring for those artists, too.'"&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Nelson-Atkins Museum of Art Appoints Senior Curator&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;The Nelson-Atkins Museum of Art in Kansas City &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6krLekzLrjoakCeSc" style="text-decoration: underline; color: #0068A5;"&gt;has appointed&lt;/a&gt; Dr. Carrie Rebora Barratt, Ph.D, as senior curator-at-large of American art. "Dr. Barratt will serve as a scholarly and strategic advisor on the museum’s significant American art collections, guiding their growth, interpretation and institutional positioning as the museum advances its renovation and expansion plans. Dr. Barratt is an art historian, author, and accomplished museum and public garden leader with a distinguished record of transformative institutional impact. At The Metropolitan Museum of Art, she rose from curator of American art to deputy director."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-64" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;DESIGN&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-65" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;The Ruins Of A Louis Sullivan Building Hidden On The Lakefront&lt;/strong&gt;&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"After hiding in plain sight on the south Lakefront for seven decades, carved stone fragments of a significant nineteenth century building by architect Louis Sullivan have burst into public view," &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6krLekzLrjoqkCeSc" style="text-decoration: underline; color: #0068A5;"&gt;reports Crain's&lt;/a&gt;. "Largely forgotten for decades, the scraps still show the botanical and geometrical patterns that Sullivan specified for the Walker Warehouse, built in 1889 across the street from where the Willis Tower stands now and demolished in 1953."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Cultural historian Tim Samuelson "said during Mayor Lori Lightfoot’s administration he hoped to get the pieces moved to the Riverwalk downtown, but it proved impractical. Together they weigh several tons, and getting a crane to the site either by land or by water would be too costly, 'even if you could do it,' he said." Preservationist Eric Nordstrom "said he believes because of the weight and logistical issues, 'they’re there for all time.'"&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;A Lost Frank Lloyd Wright Office Design Revived&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Visitors to Erie, Pennsylvania's Hagen History Center can step into Frank Lloyd Wright's former San Francisco field office "just as it would have been in the 1950s," &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6krLekzLrjo6kCeSc" style="text-decoration: underline; color: #0068A5;"&gt;spreads Architectural Digest&lt;/a&gt;. The history center is opening the Frank Lloyd Wright Field Office Museum, "a 3,000-square-foot immersive education center with Wright’s former field office, reconstructed in a purpose-built space designed by Kidder Architects, at the heart of the structure." The field office was the architect's "only formal workspace outside of his own homes,&amp;nbsp;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6krLekzLrjqqkCeSc" target="_blank" rel="noopener" style="text-decoration: underline; color: #0068A5;"&gt;Taliesin&lt;/a&gt;,&amp;nbsp;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6krLekzLrjq6kCeSc" target="_blank" rel="noopener" style="text-decoration: underline; color: #0068A5;"&gt;Taliesin West&lt;/a&gt;&amp;nbsp;and his&amp;nbsp;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6krLekzLrjqLkCeSc" target="_blank" rel="noopener" style="text-decoration: underline; color: #0068A5;"&gt;Chicago residence&lt;/a&gt;."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Could Chicago Courtyards Become National Historic Places?&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;An Illinois&amp;nbsp;advisory council "will vote on a measure to make all of the city’s courtyard-style residential buildings eligible for national register consideration," &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6krLekzLrjrakCeSc" style="text-decoration: underline; color: #0068A5;"&gt;writes Lee Bey at the Sun-Times&lt;/a&gt;. "It also would make it easier for owners and developers to later get national register listings for individual courtyard buildings. Individually listed structures can be eligible for state and federal tax breaks that could substantially offset the costs of a historically correct rehab or restoration."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Damen Silos Site Owner Charged For Unapproved Parking Lot&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;According to city officials, "a parking lot on the former Damen Silos site was built without authorization and in violation of city rules," &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6krLekzLrjrqkCeSc" style="text-decoration: underline; color: #0068A5;"&gt;reports Block Club&lt;/a&gt;. Owner Michael Tadin Jr. "could face fines of up to $1,000 a day if he doesn’t comply with the city’s request to stop using the lot and submit a plan for the necessary permits."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-66" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;DINING &amp;amp; DRINKING&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-67" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Chicago Restaurants' World Cup Runneth Over&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p 
style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"Though Chicago is not one of the host cities, a soccer craze has gripped its residents and visitors. And they do not want to stay home to spectate,"&amp;nbsp;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6krLekzLrjr6kCeSc" style="text-decoration: underline; color: #0068A5;"&gt;reports Crain's&lt;/a&gt;. "Restaurants are opening early and staying open late to accommodate. They’ve brought in more staff, erected outdoor jumbotrons and rolled out World Cup-themed food and drink specials. Owners say revenues are skyrocketing, giving them a much-needed boost as operating costs continue to rise."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Chicago's Hello Kitty Cafe Is In The Pink&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"The world’s largest Sanrio character-themed café pairs pastries and pastels with sweeping views of the Chicago River and Downtown," &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6krLekzLrjrLkCeSc" style="text-decoration: underline; color: #0068A5;"&gt;reports the Sun-Times&lt;/a&gt;. "Visitors and kids of all ages can enjoy two stories and 8,000 square feet not just of merchandise and photo ops, but a full-service afternoon tea in the exclusive Bow Room and a host of Instagram-worthy baked goods (after all, Kitty White, the character’s full name, was born with her twin sister Mimmy in the suburbs of London)." Reservations for afternoon tea and more &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6krLekzLrjsakCeSc" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Ever Hails Michelin Stars For Dinner Series&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Weeks after the Michelin Guide awarded third stars to Sonoma County’s Enclos and San Francisco’s Californios, chefs from those kitchens are part of a three-night Chef de Cuisine Dinner Series at Ever, bringing together six of North America’s most acclaimed chefs for one-night-only collaborative tasting menus. July 14, 21, 28. Reservations ($540-$625) and more &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6krLekzLrjsqkCeSc" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Avec Reopens After Refresh&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Last week, the original Randolph Street location of avec got "a long-awaited refresh" after twenty-three years, the restaurant &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6krLekzLrjs6kCeSc" style="text-decoration: underline; color: #0068A5;"&gt;posts on Instagram&lt;/a&gt;. The establishment installed "a new cooking line, upgraded our flooring and improved our air-conditioning systems throughout the restaurant."&lt;/span&gt;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Kitty's Cosmopolitan Club Hosts Singapore's Cat Bite Club&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;On July 20, Kitty's Cosmopolitan Club, sister saloon to Gus’ Sip &amp; Dip and Three Dots, will feature a guest shift with Jesse Vida, co-founder of Singapore's cocktail bar Cat Bite Club. On offer: a four-cocktail fixed menu created exclusively by Vida for the evening, "highlighting the curiosity, precision and playful spirit that have made Cat Bite Club an international destination for drinks enthusiasts." Reservations ($75) &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6krLekzLrj%5EqkCeSc" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Terri Hemmert's Ann Sather Days&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;On Facebook, &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6krLekzLrj%5E6kCeSc" style="text-decoration: underline; color: #0068A5;"&gt;Terri Hemmert reminisces&lt;/a&gt; about being a regular at Ann Sather on Belmont "since I was fresh out of school (Elmhurst College), new to my first radio job (answering the request line at WGLD), taking the L from Oak Park to Belmont to have dinner at Ann's and walk over to the Quiet Knight (on the corner of Belmont and Sheffield) to see artists like Bob Marley, Miles Davis, Richard Thompson, Dan Hicks and His Hot Licks, The Roches, Willie Dixon and others...I wasn't making much money but I was getting free records and concert tickets. That worked." (&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6krLekzLrj3LkCeS%7C%7CjdO-7M-sPARd" target="_blank" style="text-decoration: underline; color: #0068A5;" rel="noopener"&gt;More&lt;/a&gt;.)&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;How Hot Dogs Became The American Food&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;The hot dog "didn’t start here, and it’s not ending here," though "across the country, there are regional variations, from the Mexican-originated Sonoran dog popular in Arizona to the reindeer dogs of Alaska," writes Jaya Saxena at Ravenous (&lt;em&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6krLekzLrj%5ELkCeSc" style="text-decoration: underline; color: #0068A5;"&gt;link with free subscription&lt;/a&gt;&lt;/em&gt;). "Norwegians eat about &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6krLekzLrjvakCeSc" style="text-decoration: underline; color: #0068A5;"&gt;450 million hot dogs a year&lt;/a&gt; and are associated with the country’s independence day on May 17. 'South Americans and Scandinavians really love a hot dog, arguably more than Americans,' an expert says. Sure, American imperialism may have catalyzed this, but the hot dog is a requirement for Filipino spaghetti, Peruvian salchipapas, Korean corn dogs and Chinese flower buns. The symbol of American independence, of summer and vacation, and freedom, is also one of international innovation." (&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6krLekzLrj4akCeS%7C%7CjdO-7M-sPARd" target="_blank" style="text-decoration: underline; color: #0068A5;" rel="noopener"&gt;More&lt;/a&gt;.)&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Prime &amp; Provisions Reopens&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;After a full-scale reconstruction following a late 2025 kitchen fire, Prime &amp; Provisions reopens. The restaurant, with its "beef program, luxurious steakhouse traditions and a grand dining experience inspired by the elegance and spectacle of Chicago’s nineteenth-century World’s Fair era," is the flagship restaurant of DineAmic Hospitality. Reservations and more &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6krLekzLrjvqkCeSc" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; text-align: left; background-color: transparent; font-size: 18px;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-68" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" 
style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;FILM &amp;amp; TELEVISION&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-69" 
width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;The 400 Names Director Of Programming&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Rogers Park resident Nicola McCafferty is now director of programming at the &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6krLekzLrjv6kCeSc" style="text-decoration: underline; color: #0068A5;"&gt;soon-to-be-reopened 400 Theater&lt;/a&gt;. McCafferty "also works as a programmer for the Chicago International Film Festival and teaches at Northwestern University, where she recently completed her Ph.D in Screen Cultures in the Department of Radio/Television/Film." Writes theater owner Jordan Stancil, "Nicola is an experienced programmer, teacher and scholar—our audiences will benefit from her leadership, expertise and commitment to independent cinema." The 400 will announce more hires, including programmers, closer to its reopening.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;What Jeremy Allen White Knew About Ending "The Bear"&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"It was hard to say goodbye," says Jeremy Allen White on the closing of "The Bear," &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6krLekzLrjvLkCeSc" style="text-decoration: underline; color: #0068A5;"&gt;according to the Hollywood Reporter&lt;/a&gt;. But he and the other key actors "found comfort in knowing the series’ ending in advance. 'We’re really lucky in that we had a buildup,' he said. 'I knew for about two years when it was going to end and how it was going to end, so there was a lot of time to prepare.'"&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Tom Skilling Plays Himself During Severe Weather&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Tom Skilling made a post-deluge cameo in "The Bear"'s final season as a patron of the restaurant, &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6krLekzLrjwakCeSc" style="text-decoration: underline; color: #0068A5;"&gt;reports Block Club&lt;/a&gt;.&amp;nbsp; The next-to-last episode, "which featured the restaurant’s stressful make-or-break service during a torrential rainstorm, played host to the man Chicagoans trusted with the weather for nearly fifty years: meteorologist Tom Skilling." Skilling had to "act like he was a wine connoisseur. In reality, though, Skilling is 'not an expert on wine at all.'" Says Skilling, "They would come up and lay some lines on me, and I’d think, ‘God, how am I supposed to respond to this?'"&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Cinema/Chicago Soirée Honors&amp;nbsp;Alex Thompson, Kelly O'Sullivan&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Chicago filmmakers Alex Thompson and Kelly O’Sullivan will receive the Vanguard Award at the sixty-second anniversary Cinema/Chicago Soirée. The biannual fundraising event supports Cinema/Chicago’s year-round artistic, educational and industry programming. "Thompson and O’Sullivan exemplify the type of filmmakers that we celebrate: artists with a distinctive voice telling deeply human stories with heart, wit and a strong sense of place," says Cinema/Chicago artistic director Mimi Plauché. "Their uniquely collaborative work feels both immediate and enduring." Saturday, July 18 at The Geraghty. More &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6krLekzLrjwqkCeSc" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; text-align: left; background-color: transparent; font-size: 18px;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-70" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" 
style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;LIT&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-71" width="100%" border="0" 
cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Chicago's Trans Authors Sustain Representation&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Chicago's community of LGBTQ+ creators "are trying to make space for themselves and others in literature as Chicago becomes a haven for trans people being targeted by legislation in the U.S.,"&amp;nbsp;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6krLekzLrjw6kCeSc" style="text-decoration: underline; color: #0068A5;"&gt;reports the Sun-Times&lt;/a&gt;, profiling a range of local writers.&lt;/span&gt;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;The Year Ahead In Chicago Books&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"From your perfect beach read to captivating books that will carry you into the New Year, our Chicago writing community is bringing you something to enjoy through the rest of 2026 and beyond," &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6krLekzLrjyqkCeSc" style="text-decoration: underline; color: #0068A5;"&gt;writes the Chicago Review Of Books&lt;/a&gt;. The piece lists new titles by Chicago authors from now through late November, including upcoming summer releases like Kathleen Rooney's "Man Overboard!," Rowan Beaird's "Tenderness" and Dawn Turner's "Majestic Hills."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-72" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;MUSIC&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-73" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Bob Dylan Plucks Chicago's Joel Paterson As Guitarist&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p 
style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Bob Dylan "was joined onstage by Chicago jazz and blues musician Joel Paterson" at an Austin gig last week, &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6krLekzLrjy6kCeSc" style="text-decoration: underline; color: #0068A5;"&gt;profiles Stereogum&lt;/a&gt;. If Paterson hadn't joined the Long Hot Summer Tour that night, he "would've played the 150-seat Green Mill Cocktail Lounge in Chicago—he has (had) a &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6krLekzLrjyLkCeSc" target="_blank" rel="noreferrer noopener" style="text-decoration: underline; color: #0068A5;"&gt;weekly residency&lt;/a&gt; on Mondays." "You haven't lived 'til you've seen Joel Patterson at the Green Mill," &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6krLekzLrjzakCeSc" style="text-decoration: underline; color: #0068A5;"&gt;posts writer-director Justin Sherin&lt;/a&gt;. "He makes songs you've heard a million times sound brand new. No wonder Dylan hired him." &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6krLekzLrjzqkCeSc" style="text-decoration: underline; color: #0068A5;"&gt;Adds the Sun-Times&lt;/a&gt;, “Besides his longtime residency at the Green Mill on Monday nights with his quartet, [Paterson] performs regularly throughout the city and suburbs.” A June 22 snap of Paterson performing at the Green Mill is &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6krLekzLrjz6kCeSc" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;. Newcity wrote about Paterson as a master of Christmas music &lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6krLekzLrjzLkCeS%7C%7CjdO-7M-sPARd" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;This Summer's Gospel Fest Lineup Announced&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;DCASE has announced the lineup for the free Chicago Gospel Music Festival, which returns to Millennium Park later this month. This year’s festival features headline performances from Hezekiah Walker and Love Fellowship Choir, Ricky Dillard and New G and Tasha Cobbs Leonard. Friday, July 24-Saturday, July 25. View the full details &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6krLekzLrj0akCeSc" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Alex Ross Leaving New Yorker Music Berth After Thirty Years, But Staying On Staff&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"For thirty years, I’ve had the high honor of serving as the music critic of The New Yorker," &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6krLekzLrj0qkCeSc" style="text-decoration: underline; color: #0068A5;"&gt;posts Alex Ross&lt;/a&gt;. "My &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6krLekzLrj06kCeSc" style="text-decoration: underline; color: #0068A5;"&gt;archive of writing&lt;/a&gt; contains nearly four hundred iterations of the column known as Musical Events, as well as eighty or so longer essays about composers, performers and attendant issues. After much deliberation, I’ve decided to vacate the aisle seat. My latest column is my last. Although the musical scene exhilarates me more than ever—contemporary composition is eternally vital—I wouldn’t want to overstay my welcome." (&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6krLekzLrj4qkCeS%7C%7CjdO-7M-sPARd" target="_blank" style="text-decoration: underline; color: #0068A5;" rel="noopener"&gt;More&lt;/a&gt;.)&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-74" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;STAGE&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-75" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Tanya Saracho Plans New Series With Starz&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p 
style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"Starz is reteaming with 'Vida' creator Tanya Saracho" to develop a series based on "Lauren Palphreyman’s 'The Wolf King,' a steamy adult romance-fantasy that follow a princess who is kidnapped and held captive by a 'brooding werewolf alpha' amidst a war," &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6krLekzLrj2qkCeSc" style="text-decoration: underline; color: #0068A5;"&gt;writes the Hollywood Reporter&lt;/a&gt;. Saracho, who started her career in Chicago's theater scene, co-founding Teatro Luna, will be the show's showrunner and executive producer.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Can American Theaters Keep Up With Contemporary Playwrights?&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"American playwrights, recognizing that identity is more complicated and slippery than ideology, have been shedding fresh light on what it means to be an American," &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6krLekzLrj26kCeSc" style="text-decoration: underline; color: #0068A5;"&gt;writes Charles McNulty at the Los Angeles Times&lt;/a&gt;. "Writers such as Young Jean Lee, Tarell Alvin McCraney, Quiara Alegría Hudes, Branden Jacobs-Jenkins, Jeremy O. Harris, Ayad Akhtar and Bess Wohl have been creating drama from the multidimensional, intersectional realities of characters whose backgrounds refuse to be compartmentalized into a single category."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Nicholas Hytner’s Bridge Theatre Acquired By For-Profit Trafalgar&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;The London theater company founded in 2017 by star director Nicholas Hytner and former National Theatre colleague Nick Starr has been sold to Trafalgar, a company that owns more than twenty venues, &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6krLekzLrj2LkCeSc" style="text-decoration: underline; color: #0068A5;"&gt;charts the Guardian&lt;/a&gt;.&lt;/span&gt;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-76" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;ARTS &amp;amp; CULTURE &amp;amp; ETC.&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-77" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;A Brush-Up For The Chicago Leather Archives &amp; Museum&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p 
style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"The Leather Archives &amp; Museum broke ground June 1 on a $2.2 million renovation that will expand the museum’s gallery space and create an ADA-compliant entrance," &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6krLekzLrj3akCeSc" style="text-decoration: underline; color: #0068A5;"&gt;reports Block Club&lt;/a&gt;. The renovations "include a community event space and upgrades to the museum’s archives with climate controls and additional storage."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Bally's Enlists Former Mayor Lightfoot to Combat Gambling Machines&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"As the battle between Bally’s and the city heats up over the advent of video gambling terminals, the casino company has enlisted an unlikely ally—former Mayor Lightfoot—whose administration chose the Rhode Island-based company to build Chicago’s first casino," &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6krLekzLrj3qkCeSc" style="text-decoration: underline; color: #0068A5;"&gt;reports the Tribune&lt;/a&gt;. "Bally’s has hired Lightfoot’s law firm, RKF Global, to navigate the dispute, which the casino company says would violate its contract with the city and potentially void an annual $4 million payment requirement to Chicago as part of that host agreement."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-78" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p 
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style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;Half or more of America marked the nation's birthday this week with a deep sense of concern about the future of our democracy. And so did much of the world, which has long longed for the successful model of a stable, civil republic that we've represented to them for so long.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;The prominent Brazilian artist Denise Milan is one of those who has been thinking a lot about this. She is the co-creator of the massive and magnificent public sculpture, "America's Courtyard," on the Lakefront, adjacent to the south side of the Adler Planetarium. I asked her to share her thoughts about how, now more than ever, the idea of America that inspired her sculpture—North, South and Central America—as a place that transcends national borders, is so, so relevant. She offered this poetic meditation:&amp;nbsp;&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;An arena of stones. Through pieces of granite, the countries that make up America live.&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;America arises anew, in a structure of play. A structure made up of fragments that can be assembled, taken to pieces again, like a children's game with which we can play, run about, make up our theater and reinvent our dreams.&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;The metaphor is of an America where countries could be reintegrated through an awareness that relies in matter and in its interior order. The consciousness of earth in a precivilization context, when organization was not provided by economic values, but by values that come from earth's primordial order, by values that can unite America's different manifestations, ethnic groups, beliefs and cultures, through different fragments of soil, giving a sense of belonging, a sense of playing an active part in a larger process.&lt;/strong&gt;&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;In "America's Courtyard," the earth soul speaks, the countries are boundary-free and mingle in constant mutation throughout time.&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-7" width="100%" 
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style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px; color: #000000;"&gt;Brian Hieggelke&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px; color: #000000;"&gt;Editor &amp; Publisher&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
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class="spacer_block block-10" style="height:21px;line-height:21px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="text_block block-11" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-left:20px;padding-right:20px"&gt;&lt;div style="font-family:Tahoma,Verdana,sans-serif"&gt;&lt;div class 
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&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6ks6ek06rkz6kCDxm%7CjdO-7M-sPARd" target="_blank" style="text-decoration: none; color: #000000;" rel="noopener"&gt;&lt;span class="mce-content-body mce-edit-focus" style="word-break: break-word; position: relative;" id="afefbdc5-ce15-4115-842f-a3a5c90b4eb2" data-position="10-0-11" data-qa="tinyeditor-root-element"&gt;"On Wonder, Mind &amp;amp; Magic: Jeanette Andrews" Peeks Behind the Curtain&lt;/span&gt;&lt;/a&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-13" width="100%" 
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title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-14" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Andrews' magical medium investigates the human psyche, perception and the history of performance magic. (Elisa Shoenberger)&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="divider_block block-15" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:10px;padding-bottom:20px;padding-left:10px;padding-right:10px" align="center"&gt;
&lt;table border="0" cellpadding="0" cellspacing="0" role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-16" style="height:21px;line-height:21px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="text_block block-17" width="100%" border="0" cellpadding="0" 
cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-left:20px;padding-right:20px"&gt;&lt;div style="font-family:Tahoma,Verdana,sans-serif"&gt;&lt;div class style="font-size:14px;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;mso-line-height-alt:16.8px;color:#555;line-height:1.2"&gt;&lt;p style="margin:0;font-size:14px;mso-line-height-alt:16.8px"&gt;
&lt;span style="word-break: break-word; font-size: 16px; color: #5b7ead;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word;"&gt;FILM&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-18" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:24px;font-weight:900;letter-spacing:normal;line-height:1.5;text-align:left;margin-top:0;margin-bottom:0;mso-line-height-alt:36px"&gt;
&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6ks6ek06rk0akCDxm%7CjdO-7M-sPARd" target="_blank" style="text-decoration: none; color: #000000;" rel="noopener"&gt;&lt;span class="mce-content-body mce-edit-focus" style="word-break: break-word; position: relative;" id="4ff0cf26-a224-4e6b-a4a1-66fde9840953" data-position="10-0-17" data-qa="tinyeditor-root-element"&gt;Film Top 5: July 2026&lt;/span&gt;&lt;/a&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-19" width="100%" border="0" cellpadding="0" cellspacing="0" 
role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;div style="max-width:598px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6ks6ek06rk0qkCDxm%7CjdO-7M-sPARd" target="_blank"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/h3h/4xj/95j/A_MATTER_OF_LIFE_OR_DEATH-600x450.jpg" style="display:block;height:auto;border:0;width:100%" width="598" alt="" title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-20" 
width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;The Music Box hosts 70mm screenings of Christopher Nolan's 172-minute epic, plus one of the greatest and mostly unlikely of otherworldly romances. (Ray Pride)&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="divider_block block-21" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" 
style="padding-top:10px;padding-bottom:20px;padding-left:10px;padding-right:10px" align="center"&gt;&lt;table border="0" cellpadding="0" cellspacing="0" role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-22" style="height:21px;line-height:21px;font-size:1px"&gt;
&amp;#8202;&lt;/div&gt;&lt;table class="text_block block-23" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-left:20px;padding-right:20px"&gt;&lt;div style="font-family:Tahoma,Verdana,sans-serif"&gt;&lt;div class style="font-size:14px;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;mso-line-height-alt:16.8px;color:#555;line-height:1.2"&gt;&lt;p 
style="margin:0;font-size:14px;mso-line-height-alt:16.8px"&gt;&lt;span style="word-break: break-word; font-size: 16px; color: #a82b28;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word;"&gt;STAGE&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-24" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" 
style="width:100%;padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px" align="center"&gt;&lt;h1 style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:24px;font-weight:900;letter-spacing:normal;line-height:1.5;text-align:left;margin-top:0;margin-bottom:0;mso-line-height-alt:36px"&gt;
&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6ks6ek06rk06kCDxm%7CjdO-7M-sPARd" target="_blank" style="text-decoration: none; color: #000000;" rel="noopener"&gt;&lt;span class="mce-content-body mce-edit-focus" style="word-break: break-word; position: relative;" id="ab61a96d-c6ea-4838-9e10-78fb7fb6c411" data-position="10-0-23" data-qa="tinyeditor-root-element"&gt;Exercises in Trust: "between us and everyone here" at the Neo-Futurists&lt;/span&gt;&lt;/a&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-25" width="100%" 
border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;div style="max-width:598px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6ks6ek06rk2qkCDxm%7CjdO-7M-sPARd" target="_blank"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/2el/ddp/ztv/btwenus_head2head_poster-600x450.jpg" style="display:block;height:auto;border:0;width:100%" width="598" alt="" title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;&lt;table class="text_block block-26" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Come to understand dance as a series of actions—actions that sit closer to everyday experience than you may have thought. (Eileen B. Fisher)&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="divider_block block-27" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:10px;padding-bottom:20px;padding-left:10px;padding-right:10px" 
align="center"&gt;&lt;table border="0" cellpadding="0" cellspacing="0" role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-28" style="height:45px;line-height:45px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="image_block block-29" width="100%" border="0" 
cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-left:20px;padding-right:20px" align="center"&gt;&lt;div style="max-width:400px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6ks6ek06rjEqkCDxm%7CjdO-7M-sPARd" target="_blank"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/q6i/gpd/eol/Newcity_2026-07-08_Cover%20Footer.jpeg" style="display:block;height:auto;border:0;width:100%" width="400" alt="" title="" 
height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-30" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class 
style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:18.2px;color:#000;line-height:1.3"&gt;&lt;p style="margin:0;font-size:14px;text-align:center;mso-line-height-alt:26px"&gt;&lt;span style="word-break: break-word; font-size: 20px;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word;"&gt;JULY-AUGUST 2026:&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:14px;text-align:center;mso-line-height-alt:26px"&gt;
&lt;span style="word-break: break-word; font-size: 20px;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word;"&gt;AMERICA 250 + ART IN MICHIGAN&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;br&gt;
&lt;span style="word-break: break-word; font-size: 20px;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word;"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6ks6ek06rjE6kCDxm%7CjdO-7M-sPARd" target="_blank" style="text-decoration: none; color: #19638e;" rel="noopener"&gt;GET THE ISSUE&lt;/a&gt; | &lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6ks6ek06rjELkCDxm%7CjdO-7M-sPARd" target="_blank" style="text-decoration: none; color: #19638e;" rel="noopener"&gt;SUBSCRIBE&lt;/a&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div 
class="spacer_block block-31" style="height:40px;line-height:40px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="divider_block block-32" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:10px;padding-bottom:20px;padding-left:10px;padding-right:10px" align="center"&gt;&lt;table border="0" cellpadding="0" cellspacing="0" role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;
&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-33" style="height:21px;line-height:21px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="text_block block-34" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad" 
style="padding-left:20px;padding-right:20px"&gt;&lt;div style="font-family:Tahoma,Verdana,sans-serif"&gt;&lt;div class style="font-size:14px;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;mso-line-height-alt:16.8px;color:#555;line-height:1.2"&gt;&lt;p style="margin:0;font-size:14px;mso-line-height-alt:16.8px"&gt;&lt;span style="word-break: break-word; font-size: 16px; color: #d3877d;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word;"&gt;MUSIC&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table 
class="heading_block block-35" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:24px;font-weight:900;letter-spacing:normal;line-height:1.5;text-align:left;margin-top:0;margin-bottom:0;mso-line-height-alt:36px"&gt;
&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6ks6ek06rk26kCDxm%7CjdO-7M-sPARd" target="_blank" style="text-decoration: none; color: #000000;" rel="noopener"&gt;&lt;span class="mce-content-body mce-edit-focus" style="word-break: break-word; position: relative;" id="a4f74f0d-c89a-4fb8-b267-daf7d0a52dd8" data-position="10-0-34" data-qa="tinyeditor-root-element"&gt;Music Top 5: July/August 2026&lt;/span&gt;&lt;/a&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-36" width="100%" border="0" cellpadding="0" cellspacing="0" 
role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;div style="max-width:598px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6ks6ek06rk2LkCDxm%7CjdO-7M-sPARd" target="_blank"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/2qa/iu7/pi7/2025-08-16-Park-Shots-029-600x450.jpg" style="display:block;height:auto;border:0;width:100%" width="598" alt="" title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-37" 
width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Summertime music to see: block parties, Graceland, Midwest emo and more. (Todd Hieggelke)&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="divider_block block-38" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:20px;padding-bottom:20px;padding-left:10px;padding-right:10px" align="center"&gt;&lt;table border="0" cellpadding="0" 
cellspacing="0" role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-39" style="height:21px;line-height:21px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="text_block block-40" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-left:20px;padding-right:20px"&gt;&lt;div style="font-family:Tahoma,Verdana,sans-serif"&gt;&lt;div class style="font-size:14px;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;mso-line-height-alt:16.8px;color:#555;line-height:1.2"&gt;&lt;p style="margin:0;font-size:14px;mso-line-height-alt:16.8px"&gt;
&lt;span style="word-break: break-word; font-size: 16px; color: #000000;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word;"&gt;NEWCITY&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-41" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:24px;font-weight:900;letter-spacing:normal;line-height:1.5;text-align:left;margin-top:0;margin-bottom:0;mso-line-height-alt:36px"&gt;
&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6ks6ek06rk3akCDxm%7CjdO-7M-sPARd" target="_blank" style="text-decoration: none; color: #000000;" rel="noopener"&gt;&lt;span class="mce-content-body mce-edit-focus" style="word-break: break-word; position: relative;" id="ea09c962-c5d6-4fe0-aad1-406f877b08a6" data-position="10-0-40" data-qa="tinyeditor-root-element"&gt;Free Will Astrology: Week of July 9, 2026&lt;/span&gt;&lt;/a&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-42" width="100%" border="0" cellpadding="0" 
cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;div style="max-width:598px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6ks6ek06rk3qkCDxm%7CjdO-7M-sPARd" target="_blank"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/qkc/qb8/8p6/george-karelitsky-ntujUh9xfS8-unsplash-600x450.jpg" style="display:block;height:auto;border:0;width:100%" width="598" alt="" title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table 
class="text_block block-43" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Whales value novelty even in their ancient rituals. (Rob Brezsny)&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="divider_block block-44" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:20px;padding-bottom:20px;padding-left:10px;padding-right:10px" align="center"&gt;&lt;table border="0" cellpadding="0" cellspacing="0" 
role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-45" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;div 
style="max-width:598px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6ks6ek06rkfakCDxd" target="_blank"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/977/b6l/34t/Chicago%20Park%20District%20Newcity%20Today%20middle%20lower%20week%20of%20July%206%20%20%202026_NOITP_Newcity_Ad_600x500.jpg" style="display:block;height:auto;border:0;width:100%" width="598" alt="" title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-46" 
style="height:40px;line-height:40px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="heading_block block-47" width="100%" border="0" cellpadding="5" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:28px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:34px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6ks6ek06rk36kCDxm%7CjdO-7M-sPARd" target="_blank" style="text-decoration: underline; color: #000000;" rel="noopener"&gt;TODAY IN CULTURE&lt;/a&gt;&lt;br&gt;&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;
&lt;table class="text_block block-48" width="100%" border="0" cellpadding="10" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:sans-serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:16.8px;color:#555;line-height:1.2"&gt;&lt;p style="margin:0;font-size:14px;text-align:center;mso-line-height-alt:16.8px"&gt;
&lt;span style="word-break: break-word; color: #000000;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;By Ray Pride&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-49" style="height:40px;line-height:40px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="heading_block block-50" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" 
style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;ART&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-51" width="100%" border="0" 
cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Bob Faust’s “Ways And Means” Reimagines The American Flag&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Artist-designer Bob Faust’s “Ways and Means” is a “participatory public initiative that reclaims and reimagines the American flag through typographically-driven flag designs, transforming one of the nation’s most recognizable symbols into a platform for reflection, dialogue and civic participation. The series comprises twelve transparent, double-layered flags featuring rainbow-stitched stripes and twenty-four paired tenets that define and reflect patriotism.” Faust “created ‘Ways and Means’ as an environmentally adaptable, easily mobilized project as opposed to a singular, static installation.” The work debuted when it was carried by a local dance troupe at the Obama Presidential Center opening celebration as part of Nick Cave’s Soundsuit performance. (&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6ks6ek06rkELkCDxm%7CjdO-7M-sPARd" target="_blank" style="text-decoration: underline; color: #0068A5;" rel="noopener"&gt;More&lt;/a&gt;.)&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Chicago Artist Series Hits YouTube&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Pentimenti Productions’ “4×4: Contemporary Art in Chicago” is a series of short documentaries about practicing local artists, directed by Chicago-based filmmakers. Each program profiles a working artist and their distinct neighborhood, and is a collaboration between the artist and the filmmaker. The debut season features Chicago artists Bernard Williams, Deb Sokolow, Errol Ortiz and Jenn Freeman | Po’Chop. The filmmakers are cai thomas; Erin Babbin and Michael Sullivan; Alex Morelli; and Kevin Shaw. Watch&amp;nbsp;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6ks6ek06rk3LkCDxd" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;The Chicago Torture Justice Memorial Groundbreaking Arrives&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;On Wednesday, the&amp;nbsp;Chicago&amp;nbsp;Torture&amp;nbsp;Justice&amp;nbsp;Memorials&amp;nbsp;Foundation hosts “a groundbreaking ceremony to celebrate the construction of a&amp;nbsp;memorial&amp;nbsp;that honors the survivors of&amp;nbsp;torture&amp;nbsp;committed by the infamous former&amp;nbsp;Chicago&amp;nbsp;Police Commander Jon Burge and the men under his command at Area 2 and 3 Police Headquarters from 1972 to 1991,” a release advises. The memorial will be built at 5520 South King Drive, “a stone’s throw from the new Obama Presidential Center.” The groundbreaking will be livestreamed&amp;nbsp;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6ks6ek06rk4akCDxd" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Notre Dame’s Raclin Murphy Museum Receives Lilly Endowment Grant&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;“The Raclin Murphy Museum of Art at the University of Notre Dame has received a $5 million grant from Lilly Endowment Inc. to support capacity-building projects and programs,” the museum reports. “The grant is one of twelve invitational grants that Lilly Endowment is making to help Indiana art museums strengthen and enhance their ability to contribute to cultural vibrancy in their communities and regions.” (&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6ks6ek06rkFakCDxm%7CjdO-7M-sPARd" target="_blank" style="text-decoration: underline; color: #0068A5;" rel="noopener"&gt;More&lt;/a&gt;.)&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;A Southeast Side Testimony To Chainsaw Artist Milton Mizenburg&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;A summer afternoon is well spent wandering among artist Milton Mizenburg’s wood sculptures, “which his family and community members have sought to preserve and protect,”&amp;nbsp;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6ks6ek06rk4qkCDxd" style="text-decoration: underline; color: #0068A5;"&gt;writes Alison Cuddy at WBEZ&lt;/a&gt;. “The Oakland Museum &amp; Garden, a small green oasis on Chicago’s Southeast Side, [contains] four of Mizenburg’s squat, totemic-like wood sculptures [which] form a line west along the length of the park. Painted in shades, including blue, gold and purple, they are fastened together with simple bolts. Small branches and bark-covered logs intersect with openings carved out of sanded blocks of wood.”&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-52" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;DESIGN&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-53" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Frank Gehry’s Striking Desk From The Lobby Of The Inland Steel Goes To Auction&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;On July 15, Freeman’s&amp;nbsp;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6ks6ek06rk46kCDxd" style="text-decoration: underline; color: #0068A5;"&gt;will present “Icehenge” at auction&lt;/a&gt;, “a monumental sculptural work by world-renowned architect Frank Gehry.” The work was used as the security desk in the lobby of the Inland Steel building, which Gehry owned a small stake in. The “rare and expressive example of Gehry’s experimental design practice” is “composed of sculpted slabs of light green glass that catch and refract light with striking intensity. Weighing approximately 15,000 pounds, the work evokes a fractured glacier.”&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;LaSalle Street Conversion Plans Include A New Public Alley&amp;nbsp;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;“Envoi Partners is moving forward with plans for [19 South LaSalle], the sixteen-story building originally designed by the father of the skyscraper, William Le Baron Jenney,”&amp;nbsp;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6ks6ek06rk6qkCDxd" style="text-decoration: underline; color: #0068A5;"&gt;reports Chicago YIMBY&lt;/a&gt;. “The structure long served as the central regional headquarters for the YMCA,” where basketball was promoted across the region. “Designed by local firm HPA, plans call for the reopening of the building’s ground-floor windows and entrances, creating 6,600 square feet of commercial space along the streetfront and the entire length of the adjacent alley. This will revive the alley as a public space.” Before the pandemic, the alley was home to Silk Road and its spicy chicken dish, a Loop lunch mainstay.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Dôen’s First Midwest Store Will Be In Wilmette’s Plaza Del Lago&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Los Angeles-based brand Dôen, known for its feminine and vintage-inspired designs, will open its first Midwest outpost in Plaza del Lago in Wilmette,&amp;nbsp;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6ks6ek06rk66kCDxd" style="text-decoration: underline; color: #0068A5;"&gt;charts WWD&lt;/a&gt;. Plaza del Lago&amp;nbsp;&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6ks6ek06rk6LkCDxm%7CjdO-7M-sPARd" style="text-decoration: underline; color: #0068A5;"&gt;plays a supporting role&lt;/a&gt;&amp;nbsp;in Thomas Pynchon’s most recent novel, period satirical thriller “Shadow Ticket.”&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-54" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;DINING &amp;amp; DRINKING&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-55" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;font-size:18px;text-align:center;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Loulou Sets “L’Soirée” With Damon Locks And Andres L. Hernandez&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;L’Soirée at Loulou is an artist series curated by Amalea Tshilds, which pairs “artists with one another, and with you.” The series features music, conversation and food by Lula Cafe, which opened nearby Loulou as an events venue. Visual artist, educator and vocalist-musician Damon Locks and conceptual artist and educator Andres L. Hernandez will present their work at the next edition. Loulou, 3057 West Logan Boulevard, July 10, 6pm. Reservations ($95) and more&amp;nbsp;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6ks6ek06rk7akCDxd" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;text-align:center;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Profiling Breakfast Queen Ina Pinkney&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;“Ina Pinkney will forever be known as the Breakfast Queen of Chicago,” writes Louisa Kung Liu Chu at the Tribune (&lt;em&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6ks6ek06rk7qkCDxd" style="text-decoration: underline; color: #0068A5;"&gt;gift link&lt;/a&gt;&lt;/em&gt;). “Ina’s, her last namesake restaurant, opened twenty-five years ago on a then-industrial stretch of Randolph Street in an area of warehouse wholesale markets and not much else. Her highness closed the house that pancakes built in 2013, where there’s now the highly desirable West Loop neighborhood. But that wasn’t the first Ina’s restaurant or her first foray in the food business. And Pinkney hasn’t quite retired. She remains a secret restaurant godmother, quietly advising restaurateurs around the city.”&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;text-align:center;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Dear Margaret Continues Pop-Ups, Next At Ox Bar &amp; Hearth&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Dear Margaret continues a series of pop-ups as they search for a new space after a fire, next joining Ox Bar &amp; Hearth for a five-course menu “celebrating the height of the season through two distinct culinary perspectives, brought together by a shared passion for ingredient-driven cooking and the warmth of the live fire hearth.” Expect dishes that honor each restaurant’s unique style while showcasing the creativity that comes from cooking side by side. 1578 North Clybourn. July 16. Tickets ($195 each) and more&amp;nbsp;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6ks6ek06rk76kCDxd" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;text-align:center;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Longman &amp; Eagle’s New Head Chef Preserves Tavern Style&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;“I’ve always loved Longman &amp; Eagle,” recently appointed executive chef Alex Swieton&amp;nbsp;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6ks6ek06rk7LkCDxd" style="text-decoration: underline; color: #0068A5;"&gt;tells Resy&lt;/a&gt;. “I thought it was so cool and I loved the cooking style—something that was kind of bold, but still welcoming and approachable.” Starting as brunch chef in 2010, she “moved up the ranks to dinner, serving as chef de cuisine for three years, and when chef Brian Motyka left last fall, Swieton was promoted to executive chef.” Swieton describes herself as a “vegetable person through and through” but “couldn’t wait to get creative with offal—a hallmark of the restaurant.”&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;text-align:center;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;A Sky Ride To The Loop’s Last Dive&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Kyriakos “Carl” Damianides “has run the Sky Ride Tap since 1972. While business has slowed and the building’s future is uncertain, he says ‘I’m still healthy,'”&amp;nbsp;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6ks6ek06rk8akCDxd" style="text-decoration: underline; color: #0068A5;"&gt;quaffs Block Club&lt;/a&gt;. Besides the shorter hours at 105 West Van Buren (now open weekdays from 10am-8pm), “not much else has changed about the bar since Damianides took over. It still doesn’t take credit cards. There’s no cocktail list. Renovations have been kept to an absolute minimum. He did add floor tile in 1974, but he learned early on not to make too many changes.”&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;text-align:center;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Second Martini Expo Shakes Chicago&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;“After its debut in Brooklyn, the Martini Expo relocates to the Second City September 13-20 for a full week of all things shaken and stirred,”&amp;nbsp;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6ks6ek06rk8qkCDxd" style="text-decoration: underline; color: #0068A5;"&gt;reports Chicago magazine&lt;/a&gt;. “One new event this year will be a martini tour of Chicago: [organizer Robert] Simonson will take a group of martini superfans on a journey around the city, learning about sites of historical importance to the martini.”&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Cocktail Bar Bobo From Chef Zubair Mohajir Opens&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Chef Zubair Mohajir’s new wood-fire-driven restaurant Muhajir has been joined by Bobo, “a high-energy sister cocktail bar hidden inside Muhajir, offering a bold contrast through Filipino street market-inspired drinks, late-night bites and an irreverent nightlife experience.” The beverage program is led by Richard Beltzer and David Mor. The cocktail menu will highlight Filipino and Southeast Asian ingredients such as calamansi, ube, pandan, coconut, rambutan, banana and lipote. 2630 North Clark, 5pm-midnight. More&amp;nbsp;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6ks6ek06rk86kCDxd" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Banchet Awards Pluck Cluck ‘N Bubble&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;The Banchet Awards will present fried chicken and champagne event Cluck ’N Bubble, the organization’s first event outside its annual awards ceremony. Nine Chicago chefs, including Art Smith and Andrew Lim, will compete for the Cluck ’N Bubble Fried Chicken Champion title, with guests tasting each dish and voting. Proceeds will support ongoing work to honor local chefs and restaurants and develop mentorship, education and job-training opportunities. The Alston, Sunday, August 23, noon. Tickets ($150) and more&amp;nbsp;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6ks6ek06rk-qkCDxd" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-56" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;FILM &amp;amp; TELEVISION&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-57" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Pepe Vargas Talks Retirement&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p 
style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;“After decades of leading the International Latino Cultural Center, executive director and founder Pepe Vargas, seventy-eight, has stepped down due to health reasons,”&amp;nbsp;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6ks6ek06rk-6kCDxd" style="text-decoration: underline; color: #0068A5;"&gt;reports the Sun-Times&lt;/a&gt;. “The organization, which has been a steward of pan-Latino multidisciplinary art and artists in Chicago for over forty years, will continue under new leadership…Vargas helped shape the cultural center and, in many ways, the greater landscape of Latino cultural life in Chicago, from building the Latino Film Festival beyond its humble origins to the vast cultural programming it’s known for today.”&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Tony Brown, Host of Public Affairs Show Aimed at Black Audiences, Was Ninety-Three&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;By the time his PBS show, “Tony Brown’s Journal,” “went off the air in 2008, Tony Brown estimated that, over the course of nearly four decades, he had interviewed more than a thousand guests, including Lena Horne, Jesse Jackson, Angela Davis, Bill Cosby and Sammy Davis Jr.,” chronicles the New York Times (&lt;em&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6ks6ek06rk-LkCDxd" style="text-decoration: underline; color: #0068A5;"&gt;gift link&lt;/a&gt;&lt;/em&gt;). Brown said he “made programming decisions by asking himself, ‘Will it help Black people?'”&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-58" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;LIT&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-59" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Rowan&amp;nbsp;Beaird Talks “Tenderness” At Next Literary Salon&lt;/strong&gt;&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;“The Chicago Literary Salon returns for its ninth event with an evening devoted to one of the summer’s most captivating novels,” the series advises. The August 4 event “will welcome author Rowan Beaird to Le Sud (2301 West Roscoe) for an intimate gathering celebrating ‘Tenderness,’ a mesmerizing story of family secrets, cults, complicated loyalties, and the enduring question: How well can we ever know the people we love?” The evening will feature “a salon-style conversation with Rowan Beaird exploring themes of cults and belonging,” and guests will receive a signed hardcover copy of the book, courtesy of Three Avenues Bookshop and a welcome cocktail and curated menu from Le Sud. More &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6ks6ek06rkAakCDxd" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;University of Chicago Press Workers Vote Union&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;“Members of the University of Chicago Press Workers Guild will find out on July 8 whether they have won their union election after a public campaign that began this spring,”&amp;nbsp;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6ks6ek06rkAqkCDxd" style="text-decoration: underline; color: #0068A5;"&gt;reports South Side Weekly&lt;/a&gt;. “Either way, employees at the press, one of the largest university presses in the United States, feel more connected and ready to advocate for themselves.”&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-60" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;MUSIC&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-61" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Moxie Lady: Cynthia Plaster Caster Gets Rolling Stone Profile&lt;/strong&gt;&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;“She was famous for her statues of rock stars’ penises, but this groupie’s entire story has never been told—until now,” claims Rolling Stone in a strong profile of Chicago’s late Cynthia Albritton. (The issue is not yet online.) “Albritton had long talked about writing a memoir but never got past the first chapter. After she died in 2022 at the age of seventy-four, some of her friends got in touch with the Kinsey Institute at Indiana University, Bloomington. Founded in 1947, the organization tasked with studying sex and relationships at the deepest level appreciated both the humor and the history in Albritton’s work. They looked past the titillating shtick and saw how, whether or not she intended to at first, her art had tipped the dynamic of rock-star groupie on its head and reclaimed power from those who might seek to take it from her.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;“Kinsey gladly accepted her papers—years of diaries, casting notes, bindings of clippings and a carefully packaged collection of penis-themed memorabilia—as well as more than a hundred penis casts, some in plaster, others in bronze and all of the material she used to make them." (&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6ks6ek06rkFqkCDxm%7CjdO-7M-sPARd" target="_blank" style="text-decoration: underline; color: #0068A5;" rel="noopener"&gt;More&lt;/a&gt;.)&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Remembering Touch And Go Records Co-Founder David Stimson&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;“Touch and Go co-founder Dave Stimson has passed away,”&amp;nbsp;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6ks6ek06rkA6kCDxd" style="text-decoration: underline; color: #0068A5;"&gt;chronicles the label’s Corey Rusk on Instagram&lt;/a&gt;. “Back in the Touch and Go Fanzine days, Tesco was the master of verbose storytelling. Although Dave was his linguistically minimalist counterpart, Dave could convey as much with a dry, condensed sentence as Tesco could in a full page.”&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Christopher Bell Reups With Grant Park Music Festival&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Grant Park Music Festival chorus director Christopher Bell will follow up his twenty-fifth season with the chorus by renewing his contract through 2029. “To celebrate his twenty-fifth season with the festival, Christopher Bell will lead the orchestra and chorus on July 17 and 18, when he conducts one of the most cherished choral works in the world, Gabriel Fauré’s Requiem. He pairs that with Scottish composer James MacMillan’s deeply sacred ‘Cantos&amp;nbsp;Sagrados&lt;em&gt;,’&lt;/em&gt;&amp;nbsp;a work that Bell has conducted many times, including its world premiere for orchestra and chorus in 1998.” More Bell (before the announcement )&amp;nbsp;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6ks6ek06rkALkCDxd" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;A Million Records In The Middle Of Illinois&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Mendota is the place,&amp;nbsp;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6ks6ek06rkBakCDxd" style="text-decoration: underline; color: #0068A5;"&gt;surveys Leor Galil at the Reader&lt;/a&gt;. “Horizons Music in Mendota, Illinois, has more vinyl for sale than you’ve ever seen in one place. How did that many records all end up in a tiny town an hour away from Rockford and even further from Peoria and Chicago?”&lt;/span&gt;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Prolific Musician John Rice, Known As “Johnny One-Take”&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Tributes are pouring in for longtime Chicago musician John Rice, who recently passed away. “Besides his epic musical accomplishments in his beloved hometown of Chicago, he was just a spectacular brother to me,” writes his brother Bob&amp;nbsp;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6ks6ek06rkBqkCDxd" style="text-decoration: underline; color: #0068A5;"&gt;on Facebook&lt;/a&gt;. “Every pursuit for him was a deep dive. He could argue the point that whatever artist he’d obsess over, you should be obsessing over.”&amp;nbsp;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6ks6ek06rkB6kCDxd" style="text-decoration: underline; color: #0068A5;"&gt;Adds Mekons’ Jon Langford&lt;/a&gt;, “So many records.” “Met John Rice through Chicago’s incredible Sundowners and we collaborated on a million different projects,”&amp;nbsp;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6ks6ek06rkDqkCDxd" style="text-decoration: underline; color: #0068A5;"&gt;Langford posts&lt;/a&gt;.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-62" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;STAGE&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-63" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Ida B. Wells Conversation With Great-Granddaughter And “Suffs” Actor&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;This Thursday, the Chicago Bee Branch will host a conversation between Michelle Duster, the great-granddaughter of trailblazing journalist Ida B. Wells, and Danyel Fulton, who plays Ida B. Wells in “Suffs,” currently on stage in a production hosted by Broadway in Chicago. The Bee Branch of the Chicago Public Library once housed the Chicago Bee, where Ida B. Wells was an editor. Chicago Bee Branch, Chicago Public Library, 3647 South State, Thursday, July 9, 10am.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;The Driehaus Announces Fall Dates For “Brendan Fernandes: In the Round”&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;The Driehaus Museum announces fall performances for “Brendan Fernandes: In the Round,” where Fernandes “transforms the Museum’s 1926 Murphy Auditorium into a dynamic site for dance, movement, sound and sculptural installation.” Organized by guest curator Stephanie Cristello, the shows are part of the Museum’s “A Tale of Today” series “that places contemporary art in dialogue with the art, architecture and design of the Museum.” Read Newcity’s feature on “In the Round”&amp;nbsp;&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6ks6ek06rkD6kCDxm%7CjdO-7M-sPARd" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;. September-November. Free. Reservations and more&amp;nbsp;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6ks6ek06rkDLkCDxd" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Idle Muse’s “What’s Past Is Prologue” Marks Two Decades&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Idle Muse Theatre Company celebrates its twentieth anniversary season with its anniversary gala, “What’s Past is Prologue.” “All tickets include food and drink from Tamale Spaceship, a silent auction with themed baskets, a wine pull, a giving tree and the opportunity to interact with characters from past Idle Muse productions.” The gala will be hosted at Lytle House in Edgewater on Sunday, July 12, from 6-9pm. Tickets and more&amp;nbsp;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6ks6ek06rkEakCDxd" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-64" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;ARTS &amp;amp; CULTURE &amp;amp; ETC.&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-65" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;New York City Approves A Record-High Culture Budget&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;“Mayor Zohran Mamdani and the City Council will provide the New York City Department of Cultural Affairs (DCLA) with its highest-ever yearly appropriation as part of the city’s Fiscal Year 2027 budget,”&amp;nbsp;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6ks6ek06rkEqkCDxd" style="text-decoration: underline; color: #0068A5;"&gt;reports Hyperallergic&lt;/a&gt;. “The city government will give $323.8 million to the agency, which administers public funding to arts institutions throughout the city. The appropriation marks a nearly seven percent increase from last year’s then-record $299.6 million investment.”&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;The Deep Tunnel Is Nearly Full&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;“The massive system of tunnels and reservoirs built to contain Chicago’s floodwater, protect its rivers and Lake Michigan” faces “a risk that suburbs will flood and sewers will overflow into the Chicago River,”&amp;nbsp;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6ks6ek06rkE6kCDxd" style="text-decoration: underline; color: #0068A5;"&gt;marks the Sun-Times&lt;/a&gt;. “Built over more than a half-century, Deep Tunnel sends floodwaters from Chicago and nearby suburbs through more than a hundred miles of tunnels into three reservoirs located just outside of the city. It was designed to help protect the river as well as Lake Michigan. The Thornton reservoir in South Holland was at ninety-four percent capacity around noon on Monday. The McCook reservoir in Bedford Park was at one hundred percent. Between the two, they are holding almost eleven billion gallons of water.”&lt;/span&gt;
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style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Films on the Green Returns to Celebrate America at 250!&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;From June 27 to July 31, Films on the Green&lt;/strong&gt; returns to parks across Chicago, inviting audiences to enjoy five French films under the stars. Presented by &lt;strong&gt;Villa Albertine, the French institute for Culture and Education&lt;/strong&gt;, in partnership with the &lt;strong&gt;Chicago Park District’s Movies in the Parks&lt;/strong&gt;, this 2026 edition brings a vibrant &lt;em&gt;mélange &lt;/em&gt;of French and American flair to the city’s green spaces.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;Make plans to join us for the following screenings:&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6kn6ekv6r%7C%7CqkDywf" style="text-decoration: underline; color: #0068A5;"&gt;&lt;strong&gt;July 10 – Welles (Gideon) Park: &lt;/strong&gt;&lt;strong&gt;&lt;em&gt;Arco&lt;/em&gt;&lt;/strong&gt;&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6kn6ekv6r%7C%7C6kDywf" style="text-decoration: underline; color: #0068A5;"&gt;&lt;strong&gt;July 17 – Belmont Harbor Park: &lt;/strong&gt;&lt;strong&gt;&lt;em&gt;Breathless &lt;/em&gt;&lt;/strong&gt;&lt;strong&gt;(&lt;/strong&gt;&lt;strong&gt;&lt;em&gt;A bout de souffle&lt;/em&gt;&lt;/strong&gt;&lt;strong&gt;)&lt;/strong&gt;&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6kn6ekv6r%7C%7CLkDywf" style="text-decoration: underline; color: #0068A5;"&gt;&lt;/a&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6kn6ekv6r%7CjakDywf" target="_blank" style="text-decoration: underline; color: #0068A5;" rel="noopener"&gt;&lt;/a&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6kn6ekv6r%7CjqkDywf" target="_blank" style="text-decoration: underline; color: #0068A5;" rel="noopener"&gt;&lt;strong&gt;July 24 – Montgomery Ward Park: &lt;/strong&gt;&lt;strong&gt;&lt;em&gt;Mr. Blake at Your Service! &lt;/em&gt;&lt;/strong&gt;&lt;strong&gt;(&lt;/strong&gt;&lt;strong&gt;&lt;em&gt;Complètement &lt;/em&gt;&lt;/strong&gt;&lt;strong&gt;&lt;em&gt;Cramé&amp;nbsp;!&lt;/em&gt;&lt;/strong&gt;&lt;strong&gt;)&lt;/strong&gt;&lt;/a&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6kn6ekv6r%7Cj6kDywf" style="text-decoration: underline; color: #0068A5;"&gt;&lt;/a&gt;&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6kn6ekv6r%7CjLkDywf" style="text-decoration: underline; color: #0068A5;"&gt;&lt;strong&gt;July 31 – Lake Shore Park, &lt;/strong&gt;&lt;strong&gt;&lt;em&gt;La Vie en rose &lt;/em&gt;&lt;/strong&gt;&lt;strong&gt;(&lt;/strong&gt;&lt;strong&gt;&lt;em&gt;La Môme&lt;/em&gt;&lt;/strong&gt;&lt;strong&gt;)&lt;/strong&gt;&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;em&gt;Films are in French with English subtitles, except Arco, which will be shown in English.&lt;/em&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;This program is presented as part of the Chicago Park District’s &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6kn6ekv6r%7CkakDywf" style="text-decoration: underline; color: #0068A5;"&gt;&lt;strong&gt;Night Out in the Parks&lt;/strong&gt;&lt;/a&gt;&lt;strong&gt;&amp;nbsp;&lt;/strong&gt;and&lt;strong&gt;&amp;nbsp;&lt;/strong&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6kn6ekv6r%7CkqkDywf" style="text-decoration: underline; color: #0068A5;"&gt;&lt;strong&gt;Movies in the Parks&lt;/strong&gt;&lt;/a&gt;. with the support of &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6kn6ekv6r%7Ck6kDywf" target="_self" style="text-decoration: underline; color: #0068A5;"&gt;Divvy Lyft&lt;/a&gt;. Films on the Green in Chicago is made possible thanks to the generous support of our official sponsors &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6kn6ekv6r%7CmqkDywf" style="text-decoration: underline; color: #0068A5;"&gt;JC Decaux&lt;/a&gt;, &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6kn6ekv6r%7Cm6kDywf" style="text-decoration: underline; color: #0068A5;"&gt;TV5MONDE&lt;/a&gt; and our local partner &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6kn6ekv6r%7CmLkDywf" style="text-decoration: underline; color: #0068A5;"&gt;Alliance française de Chicago&lt;/a&gt;.&lt;/span&gt;
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&lt;span style="word-break: break-word; font-size: 18px;"&gt;Our summer double issue arrives today, and if you order it &lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6kv6ek36rt8qkEmVy%7CjdO-7M-sPARd" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt; this morning, you'll be among the first to get it in the mail. Or get this issue as your first when you order a subscription &lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6kv6ek36rtmLkEmVy%7CjdO-7M-sPARd" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;.&amp;nbsp;&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;It's a big one, 156 pages in all, with a magnificent cover by the magnificent Edra Soto. And a mix of stories about Chicago, about the Midwest, that you've never seen anywhere else, and never will again.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;
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title="" height="auto"&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-8" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class 
style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px; color: #000000;"&gt;Brian Hieggelke&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px; color: #000000;"&gt;Editor &amp; Publisher&lt;/span&gt;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="divider_block block-9" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:10px;padding-bottom:20px;padding-left:10px;padding-right:10px" align="center"&gt;&lt;table border="0" cellpadding="0" cellspacing="0" role="presentation" width="100%" 
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style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-left:20px;padding-right:20px"&gt;&lt;div style="font-family:Tahoma,Verdana,sans-serif"&gt;&lt;div class style="font-size:14px;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;mso-line-height-alt:16.8px;color:#555;line-height:1.2"&gt;&lt;p style="margin:0;font-size:14px;mso-line-height-alt:16.8px"&gt;
&lt;span style="word-break: break-word; font-size: 16px; color: #9db8b3;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word;"&gt;LIT&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-12" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:24px;font-weight:900;letter-spacing:normal;line-height:1.5;text-align:left;margin-top:0;margin-bottom:0;mso-line-height-alt:36px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6kv6ek36rt86kEmVy%7CjdO-7M-sPARd" target="_blank" style="text-decoration: none; color: #000000;" rel="noopener"&gt;Booking at the Beach: Chicago Authors with New Novels Explore the City’s Formidable Reading Tastes&lt;/a&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;
&lt;table class="image_block block-13" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;div style="max-width:598px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6kv6ek36rt-qkEmVy%7CjdO-7M-sPARd" target="_blank"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/gm8/3he/olc/Kathleen-Rooney-headshot_Credit-Beth-Rooney-1024x683_1_cropped.jpg" 
style="display:block;height:auto;border:0;width:100%" width="598" alt="" title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-14" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class 
style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;Four local authors with novels releasing this summer try to define the kind of books our city likes to read while lounging Lake-side. (Elizabeth Niarchos Neukirch)&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="divider_block block-15" width="100%" border="0" 
cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:10px;padding-bottom:20px;padding-left:10px;padding-right:10px" align="center"&gt;&lt;table border="0" cellpadding="0" cellspacing="0" role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-16" style="height:21px;line-height:21px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="text_block block-17" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-left:20px;padding-right:20px"&gt;&lt;div style="font-family:Tahoma,Verdana,sans-serif"&gt;&lt;div class 
style="font-size:14px;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;mso-line-height-alt:16.8px;color:#555;line-height:1.2"&gt;&lt;p style="margin:0;font-size:14px;mso-line-height-alt:16.8px"&gt;&lt;span style="word-break: break-word; font-size: 16px; color: #65d68b;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word;"&gt;ART&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-18" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px" align="center"&gt;&lt;h1 style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:24px;font-weight:900;letter-spacing:normal;line-height:1.5;text-align:left;margin-top:0;margin-bottom:0;mso-line-height-alt:36px"&gt;
&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6kv6ek36rt-6kEmVy%7CjdO-7M-sPARd" target="_blank" style="text-decoration: none; color: #000000;" rel="noopener"&gt;&lt;span class="mce-content-body mce-edit-focus" style="word-break: break-word; position: relative;" id="0ef38610-2a0d-4fd0-83eb-8b26783d4907" data-position="10-0-17" data-qa="tinyeditor-root-element"&gt;"Beyond the Black Rainbow" and Utopian Collapse&lt;/span&gt;&lt;/a&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-19" width="100%" border="0" cellpadding="0" 
cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;div style="max-width:598px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6kv6ek36rt-LkEmVy%7CjdO-7M-sPARd" target="_blank"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/d1d/byr/ku8/Screenshot-2026-07-07-at-1.40.41-PM_cropped.jpg" style="display:block;height:auto;border:0;width:100%" width="598" alt="" title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table 
class="text_block block-20" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Twelve Ten's group exhibition investigates the skin-crawling vestiges of neoliberalism's failed perfectionist dream. (Teddy Sandler)&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="divider_block block-21" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:10px;padding-bottom:20px;padding-left:10px;padding-right:10px" 
align="center"&gt;&lt;table border="0" cellpadding="0" cellspacing="0" role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-22" style="height:45px;line-height:45px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="image_block block-23" width="100%" border="0" 
cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-left:20px;padding-right:20px" align="center"&gt;&lt;div style="max-width:400px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6kv6ek36rtm6kEmVy%7CjdO-7M-sPARd" target="_blank"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/q6i/gpd/eol/Newcity_2026-07-08_Cover%20Footer.jpeg" style="display:block;height:auto;border:0;width:100%" width="400" alt="" title="" 
height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-24" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class 
style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:18.2px;color:#000;line-height:1.3"&gt;&lt;p style="margin:0;font-size:14px;text-align:center;mso-line-height-alt:26px"&gt;&lt;span style="word-break: break-word; font-size: 20px;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word;"&gt;JULY-AUGUST 2026:&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:14px;text-align:center;mso-line-height-alt:26px"&gt;
&lt;span style="word-break: break-word; font-size: 20px;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word;"&gt;AMERICA 250 + ART IN MICHIGAN&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;br&gt;
&lt;span style="word-break: break-word; font-size: 20px;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word;"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6kv6ek36rto6kEmVy%7CjdO-7M-sPARd" target="_blank" style="text-decoration: none; color: #19638e;" rel="noopener"&gt;GET THE ISSUE&lt;/a&gt; | &lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6kv6ek36rtq6kEmVy%7CjdO-7M-sPARd" target="_blank" style="text-decoration: none; color: #19638e;" rel="noopener"&gt;SUBSCRIBE&lt;/a&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div 
class="spacer_block block-25" style="height:40px;line-height:40px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="divider_block block-26" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:10px;padding-bottom:20px;padding-left:10px;padding-right:10px" align="center"&gt;&lt;table border="0" cellpadding="0" cellspacing="0" role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;
&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-27" style="height:21px;line-height:21px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="text_block block-28" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad" 
style="padding-left:20px;padding-right:20px"&gt;&lt;div style="font-family:Tahoma,Verdana,sans-serif"&gt;&lt;div class style="font-size:14px;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;mso-line-height-alt:16.8px;color:#555;line-height:1.2"&gt;&lt;p style="margin:0;font-size:14px;mso-line-height-alt:16.8px"&gt;&lt;span style="word-break: break-word; font-size: 16px; color: #a82b29;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word;"&gt;STAGE&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table 
class="heading_block block-29" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:24px;font-weight:900;letter-spacing:normal;line-height:1.5;text-align:left;margin-top:0;margin-bottom:0;mso-line-height-alt:36px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6kv6ek36rtAakEmVy%7CjdO-7M-sPARd" target="_blank" style="text-decoration: none; color: #000000;" rel="noopener"&gt;Isn’t It Rich To Experience Sondheim in the Round?&lt;/a&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-30" width="100%" 
border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;div style="max-width:598px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6kv6ek36rtAqkEmVy%7CjdO-7M-sPARd" target="_blank"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/r2p/i76/rcm/1-scaled_cropped.jpg" style="display:block;height:auto;border:0;width:100%" width="598" alt="" title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table 
class="text_block block-31" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;The Marriott Theatre's "A Little Night Music" is an optimistic operetta. (Dennis Polkow)&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="divider_block block-32" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:20px;padding-bottom:20px;padding-left:10px;padding-right:10px" align="center"&gt;&lt;table border="0" cellpadding="0" 
cellspacing="0" role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-33" style="height:21px;line-height:21px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="text_block block-34" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-left:20px;padding-right:20px"&gt;&lt;div style="font-family:Tahoma,Verdana,sans-serif"&gt;&lt;div class style="font-size:14px;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;mso-line-height-alt:16.8px;color:#555;line-height:1.2"&gt;&lt;p style="margin:0;font-size:14px;mso-line-height-alt:16.8px"&gt;
&lt;span style="word-break: break-word; font-size: 16px; color: #429c95;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word;"&gt;BRAZIL&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-35" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:24px;font-weight:900;letter-spacing:normal;line-height:1.5;text-align:left;margin-top:0;margin-bottom:0;mso-line-height-alt:36px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6kv6ek36rtA6kEmVy%7CjdO-7M-sPARd" target="_blank" style="text-decoration: none; color: #000000;" rel="noopener"&gt;Vast Contemporary Art Space and Cultural Park Opens in São Pedro&lt;/a&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-36" 
width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;div style="max-width:598px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6kv6ek36rtALkEmVy%7CjdO-7M-sPARd" target="_blank"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/wo3/um0/yqf/26_06_01_SAMARITAINE_1137_EDITADO-1024x683_cropped.jpg" style="display:block;height:auto;border:0;width:100%" width="598" alt="" title="" 
height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-37" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Plus Almeida &amp; Dale expands south, La Samaritaine in Paris goes Brazilian, and more. (Daniela Cantu)&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="divider_block block-38" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:20px;padding-bottom:20px;padding-left:10px;padding-right:10px" align="center"&gt;&lt;table border="0" 
cellpadding="0" cellspacing="0" role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-39" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" 
align="center"&gt;&lt;div style="max-width:598px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6kv6ek36rtrLkEmVg" target="_blank"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/977/b6l/34t/Chicago%20Park%20District%20Newcity%20Today%20middle%20lower%20week%20of%20July%206%20%20%202026_NOITP_Newcity_Ad_600x500.jpg" style="display:block;height:auto;border:0;width:100%" width="598" alt="" title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-40" 
style="height:40px;line-height:40px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="heading_block block-41" width="100%" border="0" cellpadding="5" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:28px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:34px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6kv6ek36rtBakEmVy%7CjdO-7M-sPARd" target="_blank" style="text-decoration: underline; color: #000000;" rel="noopener"&gt;TODAY IN CULTURE&lt;/a&gt;&lt;br&gt;&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;
&lt;table class="text_block block-42" width="100%" border="0" cellpadding="10" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:sans-serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:16.8px;color:#555;line-height:1.2"&gt;&lt;p style="margin:0;font-size:14px;text-align:center;mso-line-height-alt:16.8px"&gt;
&lt;span style="word-break: break-word; color: #000000;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;By Ray Pride&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-43" style="height:40px;line-height:40px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="heading_block block-44" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" 
style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;ART&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-45" width="100%" border="0" 
cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;font-size:18px;text-align:center;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Hyde Park Art Center’s “Ground Floor” Showcases City’s Recent MFA Grads&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Hyde Park Art Center’s ninth edition of “Ground Floor,” its biennial program showcasing select work by recent graduates from each of Chicago’s five MFA programs, will be on view from August 9-November 1. “The exhibition offers a single destination to view some of Chicago’s most promising emerging talent,” featuring twenty artists who recently graduated from the MFA programs of Columbia College Chicago, Northwestern University, the School of the Art Institute of Chicago, the University of Chicago and the University of Illinois at Chicago. The exhibition is meant “to articulate conceptual and stylistic trends coming out of Chicago art schools right now. Their modes of making range the full spectrum in media, from painting and printmaking to film and sculpture.” More&amp;nbsp;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6kv6ek36rtBqkEmVg" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;text-align:center;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Detroit Museum Director Attributes Portrait To Velázquez&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Detroit Institute of Arts director Salvador Salort-Pons has published research that newly attributes a portrait to artist Diego Velázquez,&amp;nbsp;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6kv6ek36rtB6kEmVg" style="text-decoration: underline; color: #0068A5;"&gt;relays ARTnews&lt;/a&gt;. The painting was “made during the artist’s earliest years as a court painter to King Philip IV. Salort-Pons, a specialist on Velázquez, published his findings (pdf&amp;nbsp;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6kv6ek36rtDqkEmVg" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;) in the current issue of ARS Magazine, run by the Museo Prado in Madrid.” The 1626 work, titled “The Count-Duke of Olivares in Armor,” “depicts Gaspar de Guzmán y Pimental, commonly known as the Count-Duke of Olivares, who served as prime minister of Spain from 1623 to 1643 and was a court favorite of Philip IV. The work currently belongs to a private collection, according to Salort-Pons, who does not provide recent provenance of the work.”&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;text-align:center;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Betye Saar’s Work Gets It On&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;text-align:center;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Los Angeles-based Roberts Projects will publish “Let’s Get It On: The Wearable Art of Betye Saar” as part of a centennial celebration of the artist, with a book launch planned on July 25. The book is meant to accompany the exhibition currently on view at Roberts Projects, which&amp;nbsp;&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6kv6ek36rtD6kEmVy%7CjdO-7M-sPARd" style="text-decoration: underline; color: #0068A5;"&gt;originated at Chicago’s Neubauer Collegium last year&lt;/a&gt;. The volume focuses on “Saar’s early work in costume and jewelry design during the 1960s and 1970s, exploring how this formative period profoundly shaped her pioneering work in assemblage and installation." (&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6kv6ek36rtDLkEmVy%7CjdO-7M-sPARd" target="_blank" style="text-decoration: underline; color: #0068A5;" rel="noopener"&gt;More&lt;/a&gt;.)&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;text-align:center;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;A Museum By Any Other Name…&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;“As arts institutions struggle to increase attendance, entertainment centers marketed as museums are wooing those who once might have gone to view art,”&amp;nbsp;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6kv6ek36rtEakEmVg" style="text-decoration: underline; color: #0068A5;"&gt;surveys the New York Times&lt;/a&gt;. Among them, “the Museum of Ice Cream, a for-profit amusement center, has more in common with Chuck E. Cheese than an educational institution; however, its adoption of museum branding and its emphasis on immersive experiences have blurred the lines in the cultural landscape, wooing tourists and families that might otherwise visit a traditional museum. The company said it received about a million visitors annually across its six locations, including in Chicago, New York and other big cities—higher attendance numbers than the Whitney Museum of American Art and the Cleveland Museum of Art.”&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;text-align:center;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Sotheby’s Will Auction Virgil Abloh Prints To Benefit Scholarship&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Proceeds from the sale of four signed limited-edition prints will benefit a scholarship at the late artist and designer Virgil Abloh’s alma mater, the University of Wisconsin-Madison,&amp;nbsp;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6kv6ek36rtEqkEmVg" style="text-decoration: underline; color: #0068A5;"&gt;reports Axios Chicago&lt;/a&gt;. “The designs were part of Abloh’s 2015 #OffWisconsin collaboration that reinterpreted the school’s iconic ‘red shirt.'” The sale price is estimated at $7,000-$10,000. The listing is&amp;nbsp;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6kv6ek36rtE6kEmVg" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-46" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;DESIGN&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-47" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;font-size:18px;text-align:center;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;City Says The Cost Of Restoring The Uptown Theatre Is Too Dear&lt;/strong&gt;&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Representative Mike Quigley announced his campaign for mayor at the Uptown Theatre, “drawing renewed attention to the long-vacant venue. But the venue’s owner wants more from the city than it can give,”&amp;nbsp;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6kv6ek36rtELkEmVg" style="text-decoration: underline; color: #0068A5;"&gt;reports Block Club&lt;/a&gt;. The Uptown “turned one hundred last year but has been closed since 1981. It was built as a fantastical destination for movie screenings before the advent of home televisions and was later refashioned as a concert venue.” &lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Restoration would depend on about $200 million in funding that would need to come from the city. Said building owner Jerry Mickelson, “So, what’s more important? An office building converted to a residential, or the Uptown Theatre, that’s gonna be amazing for the community and create a huge social impact?”&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;text-align:center;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Measuring Studio Gang’s One Milestone West&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Studio Gang’s One Milestone West, a new building on Harvard’s campus, “is defined by its curved form and expansive glazing,”&amp;nbsp;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6kv6ek36rtFakEmVg" style="text-decoration: underline; color: #0068A5;"&gt;the Architect’s Newspaper reports&lt;/a&gt;. “Bands on the elevations are meant to evoke earthen strata. Lower levels of the 245,000-square-foot building are for dining and socializing, and lab and workspaces are co-located throughout the upper floors.” The new complex is near the&amp;nbsp;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6kv6ek36rtFqkEmVg" style="text-decoration: underline; color: #0068A5;"&gt;David Rubenstein Treehouse also designed by Studio Gang,&lt;/a&gt;&amp;nbsp;which opened in October and is the university’s first mass timber building.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;text-align:center;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Maurice Cox’s Vision For The Future Of Woodlawn&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;“The handful of blocks immediately across Stony Island Avenue from the Obama Presidential Center in Woodlawn are a typical South Side hopscotch of vacant lots with elegant red brick and greystone two-and-three flats, courtyard apartments, community gardens and small churches,”&amp;nbsp;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6kv6ek36rtF6kEmVg" style="text-decoration: underline; color: #0068A5;"&gt;publishes Harvard Design magazine&lt;/a&gt;. “Real estate brokerage signs common on the much more affluent North Side are sprouting up, and there are more vacant lots than vacant buildings—land primed for a flip. It is clear that Woodlawn is in the middle of a transition that will change it forever.” &lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Former planning commissioner and Harvard GSD professor Maurice Cox “is here to guide this change, through a unique studio collaboration between urban design and real estate students at the Harvard Graduate School of Design (GSD).” Read more about Cox’s project&amp;nbsp;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6kv6ek36r%5EeqkEmVg" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;.&lt;/span&gt;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;text-align:center;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Historic Place Designation Sought for Dwight Perkins-Designed High School&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;“State officials have asked the National Park Service to put the Dwight Perkins-designed South Chicago Bowen High School on the National Register of Historic Places,”&amp;nbsp;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6kv6ek36r%5Ee6kEmVg" style="text-decoration: underline; color: #0068A5;"&gt;writes Lee Bey at the Sun-Times&lt;/a&gt;. “Carl Schurz High School is an architectural marvel: An absolute Prairie School beauty at Milwaukee and Addison that rightfully earned city landmark status and a listing on the National Register of Historic Places. Built in 1910, the building is among architect Dwight Perkins’ finest work. Meanwhile, its architectural doppelgänger, James H. Bowen High School in South Chicago, also designed by Perkins and opened the same year as its North Side counterpart, has received no such love—until now.”&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;text-align:center;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Remembering Montgomery Ward’s Role In Preserving Grant Park&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;“Aaron Montgomery Ward was responsible for one of the city’s most drawn-out fights over public parkland,”&amp;nbsp;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6kv6ek36r%5EeLkEmVg" style="text-decoration: underline; color: #0068A5;"&gt;records Curious City at WBEZ&lt;/a&gt;. He “spent twenty-two years and many thousands of dollars fighting to keep Chicago’s premier downtown park ‘forever open, clear and free’ from buildings. But why did he do it? And why isn’t he celebrated more for his crusade? The answer involves Ward’s personal aversion to publicity and his stated desire for accessible greenspace for all residents.”&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;text-align:center;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Midtown Pfizer Skyscraper Under Residential Conversion At Risk Of Collapse&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Mayor Mamdani “said a high-profile housing project under construction near Grand Central Terminal, and at risk of collapse, was still unstable Tuesday afternoon and warned New Yorkers to avoid the area,”&amp;nbsp;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6kv6ek36r%5EfakEmVg" style="text-decoration: underline; color: #0068A5;"&gt;reports the New York Times&lt;/a&gt;. The former headquarters of Pfizer “is being converted to a residential complex with more than 1,600 apartments. The project, which architects said would be the largest of its kind in New York City history, was scheduled to be completed in 2027.”&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-48" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;DINING &amp;amp; DRINKING&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-49" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;font-size:18px;text-align:center;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Coda di Volpe Celebrates Ten Years With Block Party&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Southport Corridor restaurant Coda di Volpe (Italian for “tail of the fox”) will mark a decade in business with a block party on July 13. The restaurant is “one of only a handful of VPN-certified” pizzerias in the city, serving Southern Italian cuisine and Neapolitan pizzas “with authentic pizza shears in true Italian fashion.” Tickets ($25&amp;nbsp;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6kv6ek36r%5EfqkEmVg" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;) include passed hors d’oeuvres, select beer, wine and cocktails. Proceeds will benefit Lurie Children’s Hospital of Chicago. Monday, July 13, 5pm-8pm.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;text-align:center;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;The Getaway Closes After Explosion&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Lincoln Square’s The Getaway is closed indefinitely,&amp;nbsp;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6kv6ek36r%5Ef6kEmVg" style="text-decoration: underline; color: #0068A5;"&gt;reports Block Club&lt;/a&gt;, after a gas stove caught fire and caused an explosion that injured one person at 5pm last Wednesday. A posted notice declares the entire building “off-limits.”&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;
&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-50" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;FILM &amp;amp; TELEVISION&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-51" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;font-size:18px;text-align:center;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Kartemquin Slates Summer Soirée&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Kartemquin Films will celebrate sixty years at their annual fundraiser this summer, where attendees can join “fellow filmmakers, storytellers and democracy defenders for an intimate evening of music, film, drinks and fireworks!” Hosted in a Lakeshore penthouse overlooking Navy Pier, “this intimate fundraising event blends the spirit of documentary storytelling with the electricity of a Chicago summer night. Guests will arrive for a soulful House DJ-driven rooftop reception, sip activism-inspired cocktails, gather for docs under the stars and close the night with a spectacular private view of Chicago’s beautiful Lakefront.” More about the sixtieth anniversary&amp;nbsp;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6kv6ek36r%5EfLkEmVg" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;. Tickets ($300-$2,500)&amp;nbsp;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6kv6ek36r%5EgakEmVg" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;text-align:center;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;FCC Succeeds: ABC’s “The View” Stifles Political Candidate Bookings&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;“The Federal Communications Commission has already changed the programming of one of television’s last remaining relevant daytime talk shows—before even making any formal demands,”&amp;nbsp;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6kv6ek36r%5EgqkEmVg" style="text-decoration: underline; color: #0068A5;"&gt;reports Semafor&lt;/a&gt;. “FCC Chairman Brendan Carr announced in February the agency was investigating whether ‘The View’ violated the ‘equal time’ rule, a 1930s regulation that requires broadcast programs to give equal airtime to opposing candidates if they permit a candidate for public office to appear on public airwaves. Since then, the ABC talk show hasn’t featured a single political candidate running in a competitive midterm race.” (&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6kv6ek36r%5Eg6kEmVy%7CjdO-7M-sPARd" target="_blank" style="text-decoration: underline; color: #0068A5;" rel="noopener"&gt;More&lt;/a&gt;.)&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;text-align:center;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Sony’s Alamo Drafthouse Okay With&amp;nbsp;&lt;em&gt;Certain&lt;/em&gt;&amp;nbsp;Phone Use In Theaters&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;“In January, as reports trickled in that Alamo Drafthouse would be pivoting to an unthinkable QR-code phone-ordering system [for food], the company’s website was updated with a&amp;nbsp;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6kv6ek36r%5E%7CqkEmVg" style="text-decoration: underline; color: #0068A5;"&gt;meticulous FAQ page&lt;/a&gt;&amp;nbsp;designed to quell the growing flames of outrage,”&amp;nbsp;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6kv6ek36r%5E%7C6kEmVg" style="text-decoration: underline; color: #0068A5;"&gt;reports Slate&lt;/a&gt;. “Going forward, anyone watching a movie in one of Alamo’s forty theaters across the country would be required to order food and beverages with their phones, even&amp;nbsp;&lt;em&gt;during&lt;/em&gt;&amp;nbsp;the movie, but company leadership urged us not to despair…All of this represented a significant break from Alamo Drafthouse’s carefully manicured image. One of the few cathedrals of cinema—the antidote to the shabby state of the American movie house—had suddenly made the galling determination that a screen shining in a darkened theater is not nearly as annoying as everyone had thought.”&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-52" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;LIT&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-53" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;font-size:18px;text-align:center;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Horror Mini-Con Hosts Daniel Kraus, Christopher Golden And Christina Henry&amp;nbsp;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Bucket O’ Blood will host a horror mini-con featuring contemporary horror writers Christopher Golden, Daniel Kraus, Jonathan Janz, S.A. Barnes, Gus Moreno, Maurice Broaddus, Christina Henry, Nick Medina and Theodore Van Alst Jr. The event is part of Golden’s “Carry Me To Your Bookshelf ” tour, with pop-up horror mini-conventions celebrating the horror genre and its community of readers and writers.&amp;nbsp;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6kv6ek36r%5E%7CLkEmVg" style="text-decoration: underline; color: #0068A5;"&gt;Bucket O’ Blood&lt;/a&gt;, July 25, 4:30pm.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-54" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;MUSIC&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-55" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:12px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:18px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;font-size:18px;text-align:center;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Metro Hosts A “Hometown Celebration” For The Lin Brehmer Scholars Fund&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;This August, the Metro will host “Hometown Celebration,” a benefit for The Lin Brehmer Scholars Fund. The evening features performances by The Linburgers (Matt Spiegel and Curt Morrison of Tributosaurus) with guests Dag Juhlin, Michael McDermott and Heather Lynne Horton. A portion of proceeds from ticket sales benefit the Lin Brehmer Scholars Fund, a scholarship “for young people overcoming tremendous obstacles to go to college and realize their dreams.” Sunday, August 16. The presale is Thursday, July 9, 9am (with code 93XRT). General tickets on sale Friday, July 10 at 10am&amp;nbsp;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6kv6ek36r%5EjakEmVg" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-56" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;STAGE&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-57" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;font-size:18px;text-align:center;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Johnny Galecki Will Play Tennessee Williams At Lookingglass&lt;/strong&gt;&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;“After taking a seven-year break from acting, ‘The Big Bang Theory’&amp;nbsp;star&amp;nbsp;Johnny Galecki is set to portray renowned playwright Tennessee Williams in the Chicago stage presentation of ‘Kowalski,'”&amp;nbsp;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6kv6ek36r%5EjqkEmVg" style="text-decoration: underline; color: #0068A5;"&gt;reports Variety&lt;/a&gt;. “Colin Hanlon is directing the new play written by Gregg Ostrin for Chicago’s Lookingglass Theatre Company, with performances running September 19-October 25. The story takes place in 1947 Provincetown and, according to an official plot synopsis, imagines the ‘electrifying’ first meeting between Williams and Marlon Brando that led to ‘A Streetcar Named Desire.'”&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;text-align:center;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Talking “Iceboy!” With Cedric Yarbrough&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Actor Cedric Yarbrough&amp;nbsp;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6kv6ek36r%5Ej6kEmVg" style="text-decoration: underline; color: #0068A5;"&gt;talks to the Chicago Defender&lt;/a&gt;&amp;nbsp;about his role in “Iceboy!” at the Goodman, including working alongside Megan Mullally and her husband, Nick Offerman. “Theater has always been my first love,” says Yarbrough. “I was raised in Minneapolis, studied theater at Minnesota State University and originally planned to move to either Chicago or New York before deciding on Los Angeles. My goal was always to build a career and eventually return to theater. Somehow that plan worked.”&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-58" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;ARTS &amp;amp; CULTURE &amp;amp; ETC.&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-59" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;font-size:18px;text-align:center;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Pioneer George E. Johnson Sr. Was Ninety-Nine&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;George E. Johnson Sr. left behind an extraordinary legacy. In an obituary released by his family, they note that he “was a visionary business leader who built a haircare empire, broke barriers on Wall Street and helped fuel the fight for civil rights.” With a $250 loan in 1954 “and an unshakable belief that opportunity should exist for everyone, he and his late wife, Joan, founded Johnson Products Company on Chicago’s South Side. They created an industry and touched millions of lives serving an often overlooked market with excellence and innovation, creating iconic brands like Ultra Sheen and Afro Sheen. Johnson Products became a fixture in homes and salons around the world and a source of pride throughout Black America.” (&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6kv6ek36r%5EjLkEmVy%7CjdO-7M-sPARd" target="_blank" style="text-decoration: underline; color: #0068A5;" rel="noopener"&gt;More&lt;/a&gt;.)&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;text-align:center;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;White House Assails Smithsonian’s “Extreme Political Activism”&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;“A scathing report released on the Fourth of July says the National Museum of American History downplays the role of the founders while emphasizing social justice,” reports The New York Times (&lt;em&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6kv6ek36r%5EkakEmVg" style="text-decoration: underline; color: #0068A5;"&gt;gift link&lt;/a&gt;&lt;/em&gt;). The&amp;nbsp;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6kv6ek36r%5EkqkEmVg" style="text-decoration: underline; color: #0068A5;"&gt;162-page report&lt;/a&gt;, “Saving America’s Story: How Ideological Capture at the Smithsonian Institution’s National Museum of American History Erases Our Heritage,” “by the White House’s Domestic Policy Council, represents a sweeping attack on the museum’s presentation of American history." (&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6kv6ek36r%5Ek6kEmVy%7CjdO-7M-sPARd" target="_blank" style="text-decoration: underline; color: #0068A5;" rel="noopener"&gt;More&lt;/a&gt;.)&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-60" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p 
style="margin:0;font-size:18px;text-align:center;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Send culture news and tips to&amp;nbsp;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6kv6ek36rt66kEmVg" target="_blank" style="text-decoration: underline; color: #0068A5;" rel="noopener"&gt;today@newcity.com&lt;/a&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="divider_block block-61" width="100%" border="0" cellpadding="0" cellspacing="0" 
role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:20px;padding-bottom:20px;padding-left:10px;padding-right:10px" align="center"&gt;&lt;table border="0" cellpadding="0" cellspacing="0" role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table
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class="text_block block-6" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:20px;padding-bottom:10px;padding-left:20px;padding-right:20px"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;Over the holiday week we took a break from publishing to get some critical but time-consuming projects done. One of those was to finish the final piece of our long-in-process evolution from our origins into the magazine that you see today, and that meant retooling our distribution model to set us up for growth and sustainability in the long run.&lt;/span&gt;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;As I hope you've noticed, Newcity has changed dramatically over the last decade, evolving from a weekly, printed on less-expensive newsprint, to a monthly magazine with an extensive offering of stories and the best design in the world (at least we think so), all printed on better-quality paper than most magazines anywhere.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;And we're not done yet, as we work toward our goal of being the best magazine in the world. Who says that can't be done from Chicago?&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Starting with the issue hitting the streets and mailboxes today, the magazine is available via paid subscriptions, on sale at retail and, in a limited number of cases, made available on a complimentary basis by venues who support Newcity.&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;So how can you get a copy of the huge double summer issue that came out yesterday? If you subscribe now &lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6ky6ek66rvDqkFAND%7CjdO-7M-sPARd" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;, it will be your first edition. And as for other options, find out &lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6ky6ek66rwvakFAND%7CjdO-7M-sPARd" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;.&lt;/span&gt;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-7" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px" align="left"&gt;&lt;div style="max-width:104px"&gt;&lt;img 
src="https://d15k2d11r6t6rl.cloudfront.net/pub/40qd/br3kliar/ier/gbh/bha/unnamed-1_1.png" style="display:block;height:auto;border:0;width:100%" width="104" alt="" title="" height="auto"&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-8" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px"&gt;&lt;div 
style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px; color: #000000;"&gt;Brian Hieggelke&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px; color: #000000;"&gt;Editor &amp; Publisher&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="divider_block block-9" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:10px;padding-bottom:20px;padding-left:10px;padding-right:10px" align="center"&gt;&lt;table border="0" 
cellpadding="0" cellspacing="0" role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-10" style="height:21px;line-height:21px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="text_block block-11" width="100%" border="0" cellpadding="0" cellspacing="0" 
role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-left:20px;padding-right:20px"&gt;&lt;div style="font-family:Tahoma,Verdana,sans-serif"&gt;&lt;div class style="font-size:14px;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;mso-line-height-alt:16.8px;color:#555;line-height:1.2"&gt;&lt;p style="margin:0;font-size:14px;mso-line-height-alt:16.8px"&gt;
&lt;span style="word-break: break-word; font-size: 16px; color: #d3877d;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word;"&gt;MUSIC&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-12" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:24px;font-weight:900;letter-spacing:normal;line-height:1.5;text-align:left;margin-top:0;margin-bottom:0;mso-line-height-alt:36px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6ky6ek66rwvqkFAND%7CjdO-7M-sPARd" target="_blank" style="text-decoration: none; color: #000000;" rel="noopener"&gt;Kahil El’Zabar on the Nation’s Anniversary&lt;/a&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-13" width="100%" border="0" 
cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;div style="max-width:598px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6ky6ek66rwv6kFAND%7CjdO-7M-sPARd" target="_blank"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/ckb/p60/nxt/KAHILELZABAR02-600x450.jpg" style="display:block;height:auto;border:0;width:100%" width="598" alt="" title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table 
class="text_block block-14" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;In the wake of George Floyd, the author responded with an album titled "America the Beautiful." Now he revisits the theme as the nation marks 250 years. (Kahil El’Zabar)&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="divider_block block-15" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" 
style="padding-top:10px;padding-bottom:20px;padding-left:10px;padding-right:10px" align="center"&gt;&lt;table border="0" cellpadding="0" cellspacing="0" role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-16" style="height:21px;line-height:21px;font-size:1px"&gt;
&amp;#8202;&lt;/div&gt;&lt;table class="text_block block-17" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-left:20px;padding-right:20px"&gt;&lt;div style="font-family:Tahoma,Verdana,sans-serif"&gt;&lt;div class style="font-size:14px;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;mso-line-height-alt:16.8px;color:#555;line-height:1.2"&gt;&lt;p 
style="margin:0;font-size:14px;mso-line-height-alt:16.8px"&gt;&lt;span style="word-break: break-word; font-size: 16px; color: #65d68b;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word;"&gt;ART&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-18" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" 
style="width:100%;padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px" align="center"&gt;&lt;h1 style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:24px;font-weight:900;letter-spacing:normal;line-height:1.5;text-align:left;margin-top:0;margin-bottom:0;mso-line-height-alt:36px"&gt;
&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6ky6ek66rwvLkFAND%7CjdO-7M-sPARd" target="_blank" style="text-decoration: none; color: #000000;" rel="noopener"&gt;&lt;span class="mce-content-body mce-edit-focus" style="word-break: break-word; position: relative;" id="725ea8c6-b720-4f7b-a3c7-e784a2ffb028" data-position="10-0-17" data-qa="tinyeditor-root-element"&gt;Unfiltered in Sophie Rivera's "Double Exposures"&lt;/span&gt;&lt;/a&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-19" width="100%" border="0" cellpadding="0" 
cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;div style="max-width:598px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6ky6ek66rwwakFAND%7CjdO-7M-sPARd" target="_blank"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/lwd/48i/zkx/a_250818_EMdB_Sophie-Rivera_Individual-Works_1180D-2-scaled-600x450.jpg" style="display:block;height:auto;border:0;width:100%" width="598" alt="" title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;
&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-20" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;The Museo del Barrio in New York highlights Rivera’s legacy as “an artist, a Latino and a feminist.” (Jonathan Bonfiglio)&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="divider_block block-21" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:10px;padding-bottom:20px;padding-left:10px;padding-right:10px" align="center"&gt;&lt;table
 border="0" cellpadding="0" cellspacing="0" role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-22" style="height:21px;line-height:21px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="text_block block-23" width="100%" border="0" cellpadding="0" cellspacing="0" 
role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-left:20px;padding-right:20px"&gt;&lt;div style="font-family:Tahoma,Verdana,sans-serif"&gt;&lt;div class style="font-size:14px;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;mso-line-height-alt:16.8px;color:#555;line-height:1.2"&gt;&lt;p style="margin:0;font-size:14px;mso-line-height-alt:16.8px"&gt;
&lt;span style="word-break: break-word; font-size: 16px; color: #5b7ead;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word;"&gt;FILM&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-24" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:24px;font-weight:900;letter-spacing:normal;line-height:1.5;text-align:left;margin-top:0;margin-bottom:0;mso-line-height-alt:36px"&gt;
&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6ky6ek66rwwqkFAND%7CjdO-7M-sPARd" target="_blank" style="text-decoration: none; color: #000000;" rel="noopener"&gt;&lt;span class="mce-content-body mce-edit-focus" style="word-break: break-word; position: relative;" id="add929f8-04e6-4282-9bcc-5fad45c74bc3" data-position="10-0-23" data-qa="tinyeditor-root-element"&gt;Talking Screens: The Movies of Chicago's Alex Phillips | A Northbrook-Set Erotic Thriller | Mann's "Manhunter," The Final Cut&lt;/span&gt;&lt;/a&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;
&lt;table class="image_block block-25" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;div style="max-width:598px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6ky6ek66rww6kFAND%7CjdO-7M-sPARd" target="_blank"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/xos/lrl/5d6/Anything-That-Moves-Alex-Phillips-600x450.jpg" style="display:block;height:auto;border:0;width:100%" 
width="598" alt="" title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-26" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p 
style="margin:0;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;Plus: “A Matter of Life and Death” at the Music Box, a Mary Oliver documentary and the latest in the "Evil Dead" series. (Ray Pride)&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="divider_block block-27" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" 
style="padding-top:10px;padding-bottom:20px;padding-left:10px;padding-right:10px" align="center"&gt;&lt;table border="0" cellpadding="0" cellspacing="0" role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-28" style="height:45px;line-height:45px;font-size:1px"&gt;
&amp;#8202;&lt;/div&gt;&lt;table class="image_block block-29" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-left:20px;padding-right:20px" align="center"&gt;&lt;div style="max-width:400px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6ky6ek66rvE6kFAND%7CjdO-7M-sPARd" target="_blank"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/q6i/gpd/eol/Newcity_2026-07-08_Cover%20Footer.jpeg" 
style="display:block;height:auto;border:0;width:100%" width="400" alt="" title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-30" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class 
style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:18.2px;color:#000;line-height:1.3"&gt;&lt;p style="margin:0;font-size:14px;text-align:center;mso-line-height-alt:26px"&gt;&lt;span style="word-break: break-word; font-size: 20px;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word;"&gt;JULY-AUGUST 2026:&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:14px;text-align:center;mso-line-height-alt:26px"&gt;
&lt;span style="word-break: break-word; font-size: 20px;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word;"&gt;AMERICA 250 + ART IN MICHIGAN&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;br&gt;
&lt;span style="word-break: break-word; font-size: 20px;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word;"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6ky6ek66rvELkFAND%7CjdO-7M-sPARd" target="_blank" style="text-decoration: none; color: #19638e;" rel="noopener"&gt;GET THE ISSUE&lt;/a&gt; | &lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6ky6ek66rvFakFAND%7CjdO-7M-sPARd" target="_blank" style="text-decoration: none; color: #19638e;" rel="noopener"&gt;SUBSCRIBE&lt;/a&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div 
class="spacer_block block-31" style="height:40px;line-height:40px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="divider_block block-32" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:10px;padding-bottom:20px;padding-left:10px;padding-right:10px" align="center"&gt;&lt;table border="0" cellpadding="0" cellspacing="0" role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;
&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-33" style="height:21px;line-height:21px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="text_block block-34" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad" 
style="padding-left:20px;padding-right:20px"&gt;&lt;div style="font-family:Tahoma,Verdana,sans-serif"&gt;&lt;div class style="font-size:14px;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;mso-line-height-alt:16.8px;color:#555;line-height:1.2"&gt;&lt;p style="margin:0;font-size:14px;mso-line-height-alt:16.8px"&gt;&lt;span style="word-break: break-word; font-size: 16px; color: #9db8b3;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word;"&gt;LIT&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table 
class="heading_block block-35" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:24px;font-weight:900;letter-spacing:normal;line-height:1.5;text-align:left;margin-top:0;margin-bottom:0;mso-line-height-alt:36px"&gt;
&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6ky6ek66rwyqkFAND%7CjdO-7M-sPARd" target="_blank" style="text-decoration: none; color: #000000;" rel="noopener"&gt;&lt;span class="mce-content-body mce-edit-focus" style="word-break: break-word; position: relative;" id="0aba5a6c-e00d-4dd0-bed8-f046968f67cf" data-position="10-0-34" data-qa="tinyeditor-root-element"&gt;Chicago Native Jake La Botz Brings His Blues to the Page&lt;/span&gt;&lt;/a&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-36" width="100%" border="0" 
cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;div style="max-width:598px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6ky6ek66rwy6kFAND%7CjdO-7M-sPARd" target="_blank"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/2pk/m2l/pfp/61Xi9ymV0aL._SL1360-600x450.jpg" style="display:block;height:auto;border:0;width:100%" width="598" alt="" title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table 
class="text_block block-37" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;The musician's new Algren-inspired collection features melodic stories about wanting to belong, in places like Maxwell Street or a Lutheran church basement. (Mary Wisniewski)&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="divider_block block-38" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" 
style="padding-top:20px;padding-bottom:20px;padding-left:10px;padding-right:10px" align="center"&gt;&lt;table border="0" cellpadding="0" cellspacing="0" role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-39" style="height:21px;line-height:21px;font-size:1px"&gt;
&amp;#8202;&lt;/div&gt;&lt;table class="text_block block-40" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-left:20px;padding-right:20px"&gt;&lt;div style="font-family:Tahoma,Verdana,sans-serif"&gt;&lt;div class style="font-size:14px;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;mso-line-height-alt:16.8px;color:#555;line-height:1.2"&gt;&lt;p 
style="margin:0;font-size:14px;mso-line-height-alt:16.8px"&gt;&lt;span style="word-break: break-word; font-size: 16px; color: #a82b29;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word;"&gt;STAGE&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-41" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" 
style="width:100%;padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px" align="center"&gt;&lt;h1 style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:24px;font-weight:900;letter-spacing:normal;line-height:1.5;text-align:left;margin-top:0;margin-bottom:0;mso-line-height-alt:36px"&gt;
&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6ky6ek66rwyLkFAND%7CjdO-7M-sPARd" target="_blank" style="text-decoration: none; color: #000000;" rel="noopener"&gt;&lt;span class="mce-content-body mce-edit-focus" style="word-break: break-word; position: relative;" id="371ffc08-a0da-434d-a1fe-efe60775e523" data-position="10-0-40" data-qa="tinyeditor-root-element"&gt;Stage Top 5: July/August 2026&lt;/span&gt;&lt;/a&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-42" width="100%" border="0" cellpadding="0" cellspacing="0" 
role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;div style="max-width:598px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6ky6ek66rwzakFAND%7CjdO-7M-sPARd" target="_blank"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/8j7/dcs/iko/32432151-d65f-44da-9743-3223983b2e8d-stars_lower-600x450.jpg" style="display:block;height:auto;border:0;width:100%" width="598" alt="" title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table 
class="text_block block-43" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;These two months in theater have all the touchstones of a great summer season, like music, parks and old Western novels. (Todd Hieggelke)&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="divider_block block-44" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:20px;padding-bottom:20px;padding-left:10px;padding-right:10px" 
align="center"&gt;&lt;table border="0" cellpadding="0" cellspacing="0" role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-45" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td 
class="pad" style="width:100%" align="center"&gt;&lt;div style="max-width:598px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6ky6ek66rweLkFANk" target="_blank"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/977/b6l/34t/Chicago%20Park%20District%20Newcity%20Today%20middle%20lower%20week%20of%20July%206%20%20%202026_NOITP_Newcity_Ad_600x500.jpg" style="display:block;height:auto;border:0;width:100%" width="598" alt="" title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div 
class="spacer_block block-46" style="height:40px;line-height:40px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="heading_block block-47" width="100%" border="0" cellpadding="5" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:28px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:34px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6ky6ek66rwzqkFAND%7CjdO-7M-sPARd" target="_blank" style="text-decoration: underline; color: #000000;" rel="noopener"&gt;TODAY IN CULTURE&lt;/a&gt;&lt;br&gt;&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;
&lt;table class="text_block block-48" width="100%" border="0" cellpadding="10" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:sans-serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:16.8px;color:#555;line-height:1.2"&gt;&lt;p style="margin:0;font-size:14px;text-align:center;mso-line-height-alt:16.8px"&gt;
&lt;span style="word-break: break-word; color: #000000;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;By Ray Pride&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-49" style="height:40px;line-height:40px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="heading_block block-50" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" 
style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;ART&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-51" width="100%" border="0" 
cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;The Art Institute Announces Its Remaining Exhibitions This Year&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;The Art Institute's exhibitions for the rest of this year include the recently opened "Beyond Form: Abstraction at Midcentury," which "explores how abstraction emerged as a powerful visual language between 1940-1970, a period of global upheaval and transformation." Featured artists include Ruth Asawa, Helen Frankenthaler, Jackson Pollock, Sam Gilliam, Mark Rothko and Yayoi Kusama. Also planned is "Lee Miller: Fearless," "the first comprehensive survey of the versatile photographer's work in more than twenty-five years."
&lt;br&gt;&lt;br&gt;
Other planned exhibitions include "Mary Cassatt's most innovative compositions to newly created paintings from contemporary artist Jill Mulleady to the first retrospective of Beatriz González, one of Latin America's most renowned contemporary artists." Meer has more on the traveling Lee Miller show &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6ky6ek66rwz6kFANk" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;. Read more on the Art Institute's exhibitions &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6ky6ek66rwzLkFANk" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Could New Bremen, Ohio Become "The Marfa Of The Midwest"?&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;James Dicke II, chairman and CEO of Crown Equipment Corporation, "one of the world's largest forklift truck manufacturers, is a long-time admirer of James Turrell, the renowned Light and Space artist," &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6ky6ek66rw0akFANk" style="text-decoration: underline; color: #0068A5;"&gt;reports The Art Newspaper&lt;/a&gt;. After visiting his famous light installations around the globe, "Dicke II decided he wanted a Turrell closer to home and company headquarters. In 2023, the executive began discussions with the artist about creating a new Skyspace installation for his community in New Bremen, Ohio, a town of around 3,000 people in a rural area.
&lt;br&gt;&lt;br&gt;"The project, which consists of an enclosed chamber with a retractable roof, is scheduled to open in 2027. At the end of this year, Dicke II will open the city's new Modern Aboriginal Art Museum. 'It would be wonderful if New Bremen, Ohio became the Marfa of the Midwest,' he says. 'We aspire to have enough here that's interesting, that it's worth the trip.'"&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Madison's Chazen Museum Plans To Reopen This Fall&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"When the Chazen Museum of Art at the University of Wisconsin-Madison reopens its doors this fall, visitors won't simply return to a familiar destination—they'll experience an entirely new way of seeing the collection," &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6ky6ek66rw0qkFANk" style="text-decoration: underline; color: #0068A5;"&gt;the museum announces&lt;/a&gt;. "After a full reinstallation of its collection galleries, the Chazen is unveiling a dynamic and visitor-centered approach to exhibiting the artwork in its collection." (&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6ky6ek66ryjqkFAND%7CjdO-7M-sPARd" target="_blank" style="text-decoration: underline; color: #0068A5;" rel="noopener"&gt;More&lt;/a&gt;.)&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Health Groups In Wales And Greece Advance Art's Benefits&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"Global interest in the health benefits of the arts is gaining momentum with more governments recognizing that creativity should be embedded across national health systems," &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6ky6ek66rw2qkFANk" style="text-decoration: underline; color: #0068A5;"&gt;relays The Art Newspaper&lt;/a&gt;. "Wales has been forward thinking in this field, with the Arts Council of Wales, the public arm's-length arts funding body, and the Welsh NHS Confederation teaming up in 2017 to sign an ongoing memorandum of understanding aimed at disseminating research and informing government policy around the benefits that the arts can bring to people's health and wellbeing."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"Greece, meanwhile, has gone further: its 'cultural prescription' scheme has been assimilated into the national healthcare infrastructure, becoming statutory policy. The program, embedded within Greece 2.0, the national recovery and resilience strategy, enables health professionals to recommend participation in arts-based activities as part of a holistic approach to mental-health support. Participants living with conditions such as depression or anxiety attend sessions in venues such as galleries, theaters and community arts spaces."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Readers Respond To Art Market Sustainability Essay&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6ky6ek66rw26kFANk" style="text-decoration: underline; color: #0068A5;"&gt;New York Times readers respond&lt;/a&gt; to a guest essay by former Art Basel director Marc Spiegler about the struggles that galleries face. Writes one, "Spiegler’s admonition that galleries must remain locally focused comes across as condescending, unhelpful and unaware of the role that the author himself has played in destabilizing the art market. It is art itself that suffers the most, with artists feeling the pressure to churn out inoffensive works their galleries can sell to remain afloat."(&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6ky6ek66ryj6kFAND%7CjdO-7M-sPARd" target="_blank" style="text-decoration: underline; color: #0068A5;" rel="noopener"&gt;More&lt;/a&gt;.)&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-52" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;DINING &amp;amp; DRINKING&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-53" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;All Well, Three Months After Opening&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p 
style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"All Well comes from the team behind Oriole, a fine dining restaurant that’s been recognized by both the Michelin Guide and the Beard Awards. At the restaurant, 'You feel comforted when you walk in and know that we’ve dialed in the food and the cocktails,' says Larry Feldmeier, the restaurant’s executive chef and co-owner,"&amp;nbsp;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6ky6ek66rw2LkFANk" style="text-decoration: underline; color: #0068A5;"&gt;newsletters Pre Shift&lt;/a&gt; in an extended interview. "Even the name comes from having that kind of rapport. 'When I was working at Oriole with Noah [Sandoval, All Well's chef-partner], when one of us was out of town, we'd check in with each other, and we'd text "all well." It was a way to see how things were going at the restaurant and see how everyone was doing. We were like, "We should just call the restaurant that.""'&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;What's a favored dish? "That family-style pasta course encompasses what we want to do here. It's a stuffed pasta with a Délice de Bourgogne and potato filling. It’s glazed in beurre monté with a bunch of English peas and a little bit of Banyuls vinegar and pea tendrils. We serve it in a copper pot with sourdough toast from Milli bakery here in Chicago." (&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6ky6ek66ryjLkFAND%7CjdO-7M-sPARd" target="_blank" style="text-decoration: underline; color: #0068A5;" rel="noopener"&gt;More&lt;/a&gt;.)&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Scofflaw Team Establishes Drama Club In Humboldt Park&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Drama Club, a "high-design, elegant bar," "will have mezcal and tequila cocktails for $10-$12 and DJs on the weekends," &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6ky6ek66rw3akFANk" style="text-decoration: underline; color: #0068A5;"&gt;locates Block Club&lt;/a&gt;. The decade-dormant site at 819 North California Avenue is a block north of The Continental, and has been transformed into a "moody and theatrical space" fitting of its name. "We wanted to create a lively, affordable cocktail concept but also wanted it to have some grandeur," says Danny Shapiro, co-owner of Scofflaw Group, which also owns popular bars like Scofflaw, Moonlighter, Heavy Feather and Slippery Slope. "Drama Club is a fitting name based on how we wanted it to feel.”&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Getting In Line For The Baked Goods&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;There are lines, and there are lines for breakfast pastries. &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6ky6ek66rw3qkFANk" style="text-decoration: underline; color: #0068A5;"&gt;Chicago magazine dining critic John Kessler&lt;/a&gt; waits in one with hopes to "compare the latest bakery sensation to the previous one. How does Bad Butter compare to Del Sur, Daeji Dough Company or Fat Peach? I’ve not personally been to all the hot bakeries—so many!" he says, spreading on the personal anecdotes and toothsome detail. "There are a lot of good bakeries now. Compare the average croissant of today to one from ten years ago, and you'll note a serious upgrade thanks to better, cheaper tools for laminating dough. You, too, could probably open a good bakery with a little investment and practice."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Celebrating Chicago's Dive Bars&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"Cash Only: An Ode to Dive Bars" is a new group exhibition where "local artists explore why dive bars remain one of the last places where conversations happen face-to-face instead of through a screen." The show opens Friday, July 10 at Art City in Lincoln Park, &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6ky6ek66rw36kFANk" style="text-decoration: underline; color: #0068A5;"&gt;reports Time Out Chicago&lt;/a&gt;. "Running through August 14, the show pays tribute to the neon signs, battered bar stools, sticky floors and colorful regulars that have long made Chicago's corner taverns some of the city's most important (and memorable) gathering places."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Sipping Coffee At The Obama Center&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"Lower West Side company Color Me Coffee was chosen as the sole coffee supplier for the Obama Presidential Center," &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6ky6ek66rw3LkFANk" style="text-decoration: underline; color: #0068A5;"&gt;cups the Sun-Times&lt;/a&gt;. "After a blind taste test that included seven other local roasters, the brand was chosen as the winner in February. The judges included representatives from the Obama Foundation, Bon Appetit magazine and the Chicago Beverage Co. In honor of former President Barack Obama, Stivers and staff created the '44 Reserve,' a proprietary blend of Kenyan, Hawaiian and Indonesian beans, symbolizing Obama's roots. The blend is available at the center and on Color Me Coffee's website."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-54" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;FILM &amp;amp; TELEVISION&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-55" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Mubi Fest Returns&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p 
style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6ky6ek66rw4akFANk" style="text-decoration: underline; color: #0068A5;"&gt;Mubi Fest&lt;/a&gt; plays this weekend at the Salt Shed, the Music Box and the Film Center, including a sold-out preview of Jane Schoenbrun's lurid Gillian Anderson-starring meta-slasher "Teenage Sex and Death at Camp Miasma." The Film Center will show "The Royal Tenenbaums" for its twenty-fifth anniversary under the Film Center roof. Plus: Steven Soderbergh's "Ocean's Eleven" at twenty-five under the Music Box's twinkling sky. And of great note, Rob Mazurek provides live accompaniment to his splendid &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6ky6ek66rw4qkFANk" style="text-decoration: underline; color: #0068A5;"&gt;original score&lt;/a&gt; to Kelly Reichardt's painterly road movie-rebel fable "The Mastermind" (review &lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6ky6ek66rw46kFAND%7CjdO-7M-sPARd" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;). Complete listings &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6ky6ek66rw6qkFANk" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;All-Day "Lollopalooza" To Celebrate Gina Lollobrigida&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Alliance Française de Chicago will present "Lollopalooza: An All-Day Apéro" to salute Italian actress Gina Lollobrigida. Plans include "a stylish summer double feature pairing French cinema, vintage-inspired fashion, garden glamour, sophisticated sips and the irresistible allure of 'La Lollo.' The only essential fashion is a taste for cinema and joie de vivre—think oversized sunglasses, silk scarves, summer dresses, sharp tailoring, market baskets, bold lipstick and unapologetic glamour!" The films are 1952's "Fanfan la Tulipe" at 11:30am and 1968's "Death Laid An Egg" at 2:30pm, with complimentary Twisted Mimosas between films in the Alliance’s jewel-box garden. Saturday, August 1. Tickets ($30) and more &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6ky6ek66rw66kFANk" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Blockbusters In The Wards&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6ky6ek66rw6LkFANk" style="text-decoration: underline; color: #0068A5;"&gt;T magazine checks out&lt;/a&gt; a British nonprofit that "helps patients escape the stress and boredom of ward life by watching the latest blockbusters." Nine cinemas are run inside hospitals around the country by the BAFTA-winning &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6ky6ek66rw7akFANk" style="text-decoration: underline; color: #0068A5;"&gt;MediCinema&lt;/a&gt;. "There is a growing realization that 'patient experience influences patient outcomes,' said Daisy Fancourt, a professor at University College London who has written extensively on the links between culture and health. Too often, she said, the benefits of the arts in clinical settings have been undervalued." Upcoming screenings include "Christopher Nolan's 'The Odyssey' and 'Taxi Driver' for its fiftieth anniversary."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;One Union: "Chicago Fire" And "Chicago Med" PAs Ratify Contract&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Production assistants on Dick Wolf NBC shows "Chicago Fire" and "Chicago Med" have ratified their first union contracts with Production Assistants United and LiUNA Local 724. "These contracts mean pension coverage, health coverage, union representation, enforceable standards and momentum for PA organizing in Chicago." More on Instagram &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6ky6ek66rw7qkFANk" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Lincoln Square Celebrates "Caturday" In August&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;On August 8, Lincoln Square will be host to "Caturday," neighbors will be able to enjoy a day of cat videos followed by a street tour showcasing the neighborhood’s feline friends this August. Plans include a 12:30pm screening of "&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6ky6ek66rw76kFANk" target="_blank" rel="noreferrer noopener external" style="text-decoration: underline; color: #0068A5;"&gt;CatVideoFest 2026&lt;/a&gt;" at the Davis Theater, "a compilation of the latest and best cat videos," followed by the first-ever Lincoln Square Cat Tour through the neighborhood from 3-5pm. More from Block Club &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6ky6ek66rw7LkFANk" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-56" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;LIT&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-57" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Chicago Public Library Foundation Announces&amp;nbsp;President &amp; CEO&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Eva Giglio will join the Chicago Public Library Foundation as president and CEO next month. She succeeds interim leader Bob Wislow, who has run the organization since the death of CEO Brenda Langstraat Bui &lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6ky6ek66rw8akFAND%7CjdO-7M-sPARd" style="text-decoration: underline; color: #0068A5;"&gt;earlier this year&lt;/a&gt;. Giglio brings a background of over seventeen years of "extensive work in education, government and philanthropy. Her passion for lifelong learning and supporting strong communities began in a classroom at Kenwood Academy, where she taught middle and high school students." (&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6ky6ek66rykakFAND%7CjdO-7M-sPARd" target="_blank" style="text-decoration: underline; color: #0068A5;" rel="noopener"&gt;More&lt;/a&gt;.)&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-58" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;MEDIA&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-59" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:12px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:18px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Chicago Public Media To Launch Chicago.com&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p 
style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Chicago Public Media, the parent company of the Sun-Times and WBEZ, plans to turn the coveted domain into a community hub, which "will include Chicago-area information, civic and cultural resources, community-sourced knowledge and opportunities for audience participation," &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6ky6ek66rw8qkFANk" style="text-decoration: underline; color: #0068A5;"&gt;reports WBEZ&lt;/a&gt;. "It will also curate headlines from the Sun-Times, WBEZ and other news sources." The launch "will consist of a 'minimally viable product,' or a basic website, that will continue to evolve."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-60" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;STAGE&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-61" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;"Iceboy!"'s Nick Offerman Remembers His Chicago Theater Days&lt;/strong&gt;&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Nick Offerman "was born in Joliet, grew up in downstate Minooka and got his professional start on Chicago stages in the 1990s, performing with the long-gone Defiant Theatre, as well as with Steppenwolf, the Goodman and A Red Orchid Theatre," &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6ky6ek66rw86kFANk" style="text-decoration: underline; color: #0068A5;"&gt;profiles Web Behrens at Block Club&lt;/a&gt;. Now he’s back in Chicago with his wife, Megan Mullally, "who studied theater at Northwestern University." Says Offerman, "When we got to Chicago, we were scrappy. We were itinerant. I mean, we'd beg and scrape the rent for a theater for six weeks, and I would drive around the alleys of Chicago and collect loose lumber from dumpsters and materials that looked like, if I squint, I can turn that into a chaise lounge for a period piece. And we just had the greatest time."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-62" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;ARTS &amp;amp; CULTURE &amp;amp; ETC.&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-63" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Chicago Museums Host Free Summer Days&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p 
style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"Whether you’re looking for a cheap activity for the kids or craving a new experience, the city’s museum scene has got something for everyone," &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6ky6ek66rw-qkFANk" style="text-decoration: underline; color: #0068A5;"&gt;charts WBEZ&lt;/a&gt;. Illinois residents "can get the most out of the summer by taking advantage of multiple free days across Chicago institutions like the Shedd Aquarium and Field Museum." The piece also lists free dates for the Adler Planetarium; Art Institute of Chicago; Chicago History Museum; DuSable Black History Museum; Griffin Museum of Science and Industry; Heritage Museum of Asian Art; Museum of Contemporary Art; Peggy Notebaert Nature Museum; Shedd Aquarium; and the Swedish American Museum.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;From Out Of The Fog Comes A Free Ferris Wheel&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Navy Pier is offering a small make-good for the fog-felled fireworks of the Fourth of July with free rides on its Ferris wheel on Wednesday nights through Labor Day. More on Instagram &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6ky6ek66rw-6kFANk" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;.&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;World Naked Bike Ride Returns This Weekend&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;For its twenty-second doff, the World Naked Bike Ride comes back on Saturday to Chicago, &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6ky6ek66rw-LkFANk" style="text-decoration: underline; color: #0068A5;"&gt;peeps Time Out Chicago&lt;/a&gt;. The ride "is a &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6ky6ek66rwAakFANk" target="_blank" rel="nofollow noopener noreferrer" style="text-decoration: underline; color: #0068A5;"&gt;national tradition&lt;/a&gt; that celebrates 'freedom from oil' in transportation. As the organizers say, 'Even when clothed, we cyclists are virtually naked, exposed to the dangers and pollution imposed by cars. By cycling naked, we show our confidence in the beauty and individuality of our bodies and the bicycle's place as a catalyst for change to a future of ecologically responsible transport and healthy and humane communities.'" (&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6ky6ek66rykqkFAND%7CjdO-7M-sPARd" target="_blank" style="text-decoration: underline; color: #0068A5;" rel="noopener"&gt;More&lt;/a&gt;.)&lt;/span&gt;
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width="598" alt="" title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-3" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:5px;padding-bottom:5px" align="center"&gt;&lt;div style="max-width:598px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6kzaek7arxsqmr%7Cz%5E%7CjdO-7M-sPARd" target="_blank"&gt;&lt;img 
src="https://d15k2d11r6t6rl.cloudfront.net/pub/40qd/br3kliar/klo/rvp/y5j/Film%20Email%20Header.png" style="display:block;height:auto;border:0;width:100%" width="598" alt="" title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-4" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;div style="max-width:598px"&gt;
&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6kzaek7arx7qmr%7Cz%5E%7CjdO-7M-sPARd" target="_blank"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/bqg/ave/2zj/Evil-Dead-Burn-scaled.jpeg" style="display:block;height:auto;border:0;width:100%" width="598" alt="" title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-5" style="height:21px;line-height:21px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="heading_block block-6" width="100%" border="0" cellpadding="0" cellspacing="0" 
role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px" align="center"&gt;&lt;h1 style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:24px;font-weight:900;letter-spacing:normal;line-height:1.5;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:36px"&gt;
&lt;strong&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6kzaek7arx76mr%7Cz%5E%7CjdO-7M-sPARd" target="_blank" style="text-decoration: none; color: #000000;" rel="noopener"&gt;Talking Screens: A Week In Chicago Film&lt;br&gt;July 10-16, 2026&lt;/a&gt;&lt;/strong&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="divider_block block-7" width="100%" border="0" cellpadding="10" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" align="center"&gt;&lt;table border="0" cellpadding="0" cellspacing="0" 
role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-8" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div 
style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;font-size:18px;text-align:center;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;by Ray Pride&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-9" width="100%" border="0" cellpadding="20" cellspacing="0" 
role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
Movies opening before Thursday's saturation burst of Christopher Nolan's "&lt;strong&gt;The Odyssey&lt;/strong&gt;"—the first three-hour adventure shot entirely in IMAX!—include the live-action rendition of Disney's highly successful cartoon musicals, "&lt;strong&gt;Moana&lt;/strong&gt;"; Sébastien Vani?ek's "&lt;strong&gt;Evil Dead Burn&lt;/strong&gt;"; and David Wain's "&lt;strong&gt;Gail Daughtry And The Celebrity Sex Pass&lt;/strong&gt;," a small-town satire from the makers of "Wet Hot American Summer" that follows a rural woman's spirited attempt to... have sex with Jon Hamm. Along for the ride: John Slattery, Ken Marino, Zoey Deutch, Miles Gutierrez-Riley, Ben Wang and Sabrina Impacciatore. &lt;em&gt;Opens Thursday, July 9 at Landmark Century and other screens&lt;/em&gt;.
&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-10" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;div style="max-width:598px"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/mp2/wlv/4f6/ROMERIA.jpg" style="display:block;height:auto;border:0;width:100%" width="598" alt="" title="" height="auto"&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table 
class="text_block block-11" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;font-size:18px;text-align:center;mso-line-height-alt:18px"&gt;
&lt;span style="word-break: break-word; font-size: 12px;"&gt;"Romería"&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
Janus Films is a home for atmospheric, coming-of-age memory pieces with female characters, especially the semi-autobiographical, among which Spanish filmmaker Carla Simón's bold, confident "&lt;strong&gt;Romería&lt;/strong&gt;" (Pilgrimage) shines. Eighteen-year-old Marina (Llúcia Garcia), raised by her uncle and aunt seeks the story of her father in Vigo, the classic sunny Spanish seaside town. Simón's hold on the story could be called hallucinatory realism. Layers present layers; secrets abound. Both Marina and Garcia come into their own as knowledge buttresses their identity.&amp;nbsp;&lt;em&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6kzaek7arx7Lmr%7Czf" style="text-decoration: underline; color: #0068A5;"&gt;Opens Friday, July 10 at the Film Center&lt;/a&gt;.&lt;/em&gt;
&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-12" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;div style="max-width:598px"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/q5p/svh/m4t/3_Mary_Oliver_Steepletop.jpg" style="display:block;height:auto;border:0;width:100%" width="598" alt="" title="" height="auto"&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;
&lt;table class="text_block block-13" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;font-size:18px;text-align:center;mso-line-height-alt:18px"&gt;
&lt;span style="word-break: break-word; font-size: 12px;"&gt;"Mary Oliver: Saved By The Beauty Of The World"&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
Sasha Waters' refined, loving portrait, "&lt;strong&gt;Mary Oliver: Saved By The Beauty Of The World&lt;/strong&gt;," is a short, sharp walk in the poet's words as well as the Pulitzer winner's eighty-three years. Her admirers are legion and likable, some of whom are touched as they recite Oliver's work, including Oprah Winfrey, Stephen Colbert, Steve Buscemi, Mark Doty, Ada Limón, Nick Flynn, Maria Shriver, Major Jackson, Lucy Dacus, Norman Mailer, V and longtime Provincetown neighbor John Waters. Her words are often heard in the settings that inspired her to stirring effect. &lt;em&gt;Trailer &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6kzaek7arx8amr%7Czf" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;&lt;/em&gt;.&amp;nbsp;&lt;em&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6kzaek7arx8qmr%7Czf" style="text-decoration: underline; color: #0068A5;"&gt;Opens Friday, July 10 at the Film Center.&lt;/a&gt;&lt;/em&gt;
&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-14" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;div style="max-width:598px"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/8os/eaq/uh7/NIGHT-NURSE-STILL-6.jpg" style="display:block;height:auto;border:0;width:100%" width="598" alt="" title="" height="auto"&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table 
class="text_block block-15" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;font-size:18px;text-align:center;mso-line-height-alt:18px"&gt;
&lt;span style="word-break: break-word; font-size: 12px;"&gt;"Night Nurse"&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;It's Brian De Palma meets Catherine Breillat with a tincture of&amp;nbsp; David Cronenberg in Georgia Bernstein's perverse erotic thriller, "&lt;strong&gt;Night Nurse&lt;/strong&gt;," largely shot in the filmmaker's grandmother's Northbrook home. Too many suspense pics of late trade in smears of darkness, rather than the silken, crepuscular character that digital capture also makes possible. The story's about phone calls that unsettle seniors in a home, but Bernstein's sharp with bodies at motion in rest, serrated by frames that cut rather than unite: there's a likable echo of De Palma as well as Roman Polanski that elevates the genuine scares and slashes. With Cemre Paksoy, Bruce McKenzie, Eléonore Hendricks, Colleen Rose Trundy and Mimi Rogers. Bernstein is the production partner of local filmmaker Alex Phillips, and co-produced Friday's double-feature at Facets of Phillips' "All Jacked Up And Full Of Worms" and "Anything That Moves" (more on that below). &lt;em&gt;Trailer &lt;/em&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6kzaek7arx86mr%7Czf" style="text-decoration: underline; color: #0068A5;"&gt;&lt;em&gt;here&lt;/em&gt;&lt;/a&gt;.&amp;nbsp;&lt;em&gt;Opens Thursday, July 9&lt;/em&gt;.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;What Sam Raimi &amp; Co. began in 1981's "The Evil Dead" (and a short film back in Michigan before that) has become a vital succession of bloody supernatural horror action that now runs to six features and a series, with a further entry promised for 2028. Just as it was for Raimi (and producer Rob Tapert and Bruce Campbell), the "Evil Dead" movies, with an expanded budget, provide a chance for fresh faces on what would have been drive-in movies in the past century, but are now a staple of the studio franchise diet. It's a place where producer Raimi, after three explosive comedies, can shepherd talent he's admired into potential careers, including Uruguay's Fede Álvarez, Lee Cronin and from France, Sébastien Vani?ek for "&lt;strong&gt;Evil Dead Burn&lt;/strong&gt;." "Groovy!"&lt;/span&gt;
&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-16" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;div style="max-width:598px"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/dy3/gu9/mt3/manhunter-1.jpg.jpeg" style="display:block;height:auto;border:0;width:100%" width="598" alt="" title="" height="auto"&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table 
class="text_block block-17" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;font-size:18px;text-align:center;mso-line-height-alt:18px"&gt;
&lt;span style="word-break: break-word; font-size: 12px;"&gt;"Manhunter"&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
At the Music Box, eighty-three-year-old Chicago crime auteur Michael Mann isn't resting while prepping "Heat 2": his latest effort is "&lt;strong&gt;Manhunter: The Final Cut&lt;/strong&gt;." Mann's changes include cutting 1986-era dialogue he no longer likes, adding and trimming small bits and a new color grade. &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6kzaek7arx-qmr%7Czf" style="text-decoration: underline; color: #0068A5;"&gt;&lt;em&gt;Two shows only at the Music Box, Saturday, July 11&lt;/em&gt;&lt;/a&gt;.&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;
&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-18" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;div style="max-width:598px"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/rpp/38q/art/The-Mastermind_Still-04_%C2%A92025_Mastermind-Movie-Inc-scaled.webp" style="display:block;height:auto;border:0;width:100%" width="598" alt="" title="" height="auto"&gt;
&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-19" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;font-size:18px;text-align:center;mso-line-height-alt:18px"&gt;
&lt;span style="word-break: break-word; font-size: 12px;"&gt;"The Mastermind"&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6kzaek7arx-6mr%7Czf" style="text-decoration: underline; color: #0068A5;"&gt;&lt;strong&gt;Mubi Fest&lt;/strong&gt;&lt;/a&gt; plays this weekend at Salt Shed, The Music Box and the Film Center, including a sold-out preview of Jane Schoenbrun's lurid Gillian Anderson-starring meta-slasher "&lt;strong&gt;Teenage Sex and Death at Camp Miasma&lt;/strong&gt;." The Film Center will show "&lt;strong&gt;The Royal Tenenbaums&lt;/strong&gt;" for its twenty-fifth anniversary under the Film Center roof. Plus: Steven Soderbergh's "&lt;strong&gt;Ocean's Eleven&lt;/strong&gt;" at twenty-five under the Music Box's twinkling sky.&amp;nbsp;And of great note, Rob Mazurek provides live accompaniment to his splendid &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6kzaek7arx-Lmr%7Czf" style="text-decoration: underline; color: #0068A5;"&gt;original score&lt;/a&gt; to Kelly Reichardt's painterly road movie-rebel fable "&lt;strong&gt;The Mastermind&lt;/strong&gt;" (&lt;em&gt;review &lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6kzaek7arxAamr%7Cz%5E%7CjdO-7M-sPARd" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;&lt;/em&gt;). &lt;em&gt;Complete listings &lt;/em&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6kzaek7arxAqmr%7Czf" style="text-decoration: underline; color: #0068A5;"&gt;&lt;em&gt;here&lt;/em&gt;&lt;/a&gt;.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;And in The Week In Film,&amp;nbsp;"Obsession" executive producer &lt;strong&gt;Jason Blum is excited&lt;/strong&gt; for new filmmakers; and &lt;strong&gt;Kartemquin slates its summer soirée.&lt;/strong&gt; Plus, &lt;strong&gt;Tony Rayns&lt;/strong&gt;, protean supporter of Asian film of many decades was seventy-eight. See below.&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;
&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="divider_block block-20" width="100%" border="0" cellpadding="10" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" align="center"&gt;&lt;table border="0" cellpadding="0" cellspacing="0" role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;
&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-21" width="100%" border="0" cellpadding="10" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p 
style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;strong&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6kzaek7arxA6mr%7Cz%5E%7CjdO-7M-sPARd" target="_blank" style="text-decoration: underline; color: #0068A5;" rel="noopener"&gt;&lt;em&gt;Become a member of Newcity&lt;/em&gt;&lt;/a&gt;&lt;/strong&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="divider_block block-22" width="100%" border="0" cellpadding="10" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" 
align="center"&gt;&lt;table border="0" cellpadding="0" cellspacing="0" role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-23" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td 
class="pad" style="width:100%" align="center"&gt;&lt;div style="max-width:598px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6kzaek7arxALmr%7Cz%5E%7CjdO-7M-sPARd" target="_blank"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/kcw/yua/mwn/House%20Middle_Lower%20-%20December%202025%20-%20600x500.gif" style="display:block;height:auto;border:0;width:100%" width="598" alt="" title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-24" style="height:40px;line-height:40px;font-size:1px"&gt;
&amp;#8202;&lt;/div&gt;&lt;table class="heading_block block-25" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:24px;font-weight:900;letter-spacing:normal;line-height:1.5;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:36px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;REPERTORY &amp;amp; REVIVAL&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-26" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;div style="max-width:598px"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/1t0/72a/ubj/headlesswoman-pawprint_65.jpg" style="display:block;height:auto;border:0;width:100%" width="598" alt="" title="" height="auto"&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-27" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;The Film Center's marquee this week (&lt;em&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6kzaek7arxBamr%7Czf" style="text-decoration: underline; color: #0068A5;"&gt;calendar here&lt;/a&gt;&lt;/em&gt;) includes Cheryl Dunye's "&lt;strong&gt;The &lt;/strong&gt;&lt;strong&gt;Watermelon Woman&lt;/strong&gt;" as part of their "&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6kzaek7arxBqmr%7Czf" style="text-decoration: underline; color: #0068A5;"&gt;&lt;strong&gt;Twentieth Century Queers&lt;/strong&gt;&lt;/a&gt;" series, which also includes the 4K restoration of Lino Brocka's 1988 Philippine crime melodrama "&lt;strong&gt;Macho Dancer&lt;/strong&gt;." And: Lucrecia Martel's tender hallucination, 2008 "&lt;strong&gt;The Headless Woman&lt;/strong&gt;," is part of&amp;nbsp; the Film Center's "&lt;strong&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6kzaek7arxB6mr%7Czf" style="text-decoration: underline; color: #0068A5;"&gt;25 for 25&lt;/a&gt;&lt;/strong&gt;" series.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;This week's "&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6kzaek7arxDqmr%7Czf" style="text-decoration: underline; color: #0068A5;"&gt;&lt;strong&gt;Must-Watch Indies&lt;/strong&gt;&lt;/a&gt;" at Facets include David Lowery's "&lt;strong&gt;Mother Mary&lt;/strong&gt;" (&lt;em&gt;review below&lt;/em&gt;); Sophy Romvari's rich, akilter 1990s Vancouver Island memory piece "&lt;strong&gt;Blue Heron"&lt;/strong&gt;; and the first feature documentary by Argentine master Lucrecia Martel, she of the stylish specs, cheroot, walking stick and anxiety-rich mise-en-scène, "&lt;strong&gt;Nuestra Tierra&lt;/strong&gt;" (Our Land). &lt;em&gt;Showtimes &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6kzaek7arxD6mr%7Czf" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;&lt;/em&gt;.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Also: a Friday double feature at Facets of the oeuvre of Chicago horror hand Alex Phillips, including "&lt;strong&gt;All Jacked Up And Full Of Worms&lt;/strong&gt;" and sexy-fied giallo "&lt;strong&gt;Anything That Moves&lt;/strong&gt;." We talk to Phillips below. &lt;em&gt;Showtimes &lt;/em&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6kzaek7arxDLmr%7Czf" style="text-decoration: underline; color: #0068A5;"&gt;&lt;em&gt;here&lt;/em&gt;&lt;/a&gt;.&lt;/span&gt;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;The Davis, built in 1918, is showing "&lt;strong&gt;Paper Moon&lt;/strong&gt;," Peter Bogdanovich's near-perfect 1972 feat of craft and comedy entertainment set in the depths of the Depression and the heights of Hollywood comedy. &lt;em&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6kzaek7arxEamr%7Czf" style="text-decoration: underline; color: #0068A5;"&gt;Tuesday, July 14, 7pm&lt;/a&gt;&lt;/em&gt;. The Music Box is presenting a different box of yocks with a clutch of "&lt;strong&gt;Looney Tunes&lt;/strong&gt;" cartoons on 35mm for free. &lt;em&gt;Roster &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6kzaek7arxEqmr%7Czf" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;.&lt;/em&gt; &lt;em&gt;Saturday-Sunday, July 11-12&lt;/em&gt;.&lt;/span&gt;
&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-28" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;div style="max-width:598px"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/hw5/0zo/60s/A_MATTER_OF_LIFE_OR_DEATH%20%281%29.jpg" style="display:block;height:auto;border:0;width:100%" width="598" alt="" title="" height="auto"&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;&lt;table class="text_block block-29" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;font-size:18px;text-align:center;mso-line-height-alt:18px"&gt;
&lt;span style="word-break: break-word; font-size: 12px;"&gt;"A Matter Of Life and Death (Stairway To Heaven)"&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;“&lt;strong&gt;A Matter of Life and Death&lt;/strong&gt;” used to play every year-and-a-half or so at places like the old Film Center at the Art Institute on Columbus Drive. Over the course of several years, it played at least three times and I went with three different dates. None of them liked it. Knew nothing would work out, then! Fade in: David Niven wakes up planted face first in the sand on a British-looking beach. Dog wanders past. “Ah! I’d hoped there’d be dogs in heaven.”&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;A pretty woman rides past on a bicycle. Catches his eye. It’s June. He’s alive. The angel meant to ferry him to heaven messed up. A celestial trial is convened in heaven, he asks the greatest minds in history to defend him. And that is only the setup.&lt;/span&gt;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;There are visual innovations that in a way make this the “Matrix” of its era. The cinematography, set design and the mind-boggling turns of the script, eventually about the smallest runnels of the brain and the larger hopes of the human heart, are a ceaseless thrill on the big screen. &lt;em&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6kzaek7arxE6mr%7Czf" style="text-decoration: underline; color: #0068A5;"&gt;Chicago Film Society, Music Box, Sunday, July 12, 7pm&lt;/a&gt;&lt;/em&gt;.&lt;/span&gt;
&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-30" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;div style="max-width:598px"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/z5f/wa3/sod/https___cdn.sanity.io_images_xq1bjtf4_production_a8ea02f87dee13493fbd296e3bb1bed2122f6037-5472x3648-1.jpg" 
style="display:block;height:auto;border:0;width:100%" width="598" alt="" title="" height="auto"&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-31" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class 
style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;font-size:18px;text-align:center;mso-line-height-alt:18px"&gt;&lt;span style="word-break: break-word; font-size: 12px;"&gt;"Mother Mary"&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Weather-battened and blood-borne, writer-director-editor David Lowery’s gothic eighth feature, the mega-, meta-Madonna “&lt;strong&gt;Mother Mary&lt;/strong&gt;," is confident &lt;em&gt;and&lt;/em&gt; careening, an investiture in ghosts, residual sentiment and the bloody glory of collaboration. (Gory, gory, hallelujah.) Mother Mary (bedraggled Anne Hathaway) is a depressed pop star who abandoned her career after an accident and now arises from a storm to the Brit barn-cum-workshop of her former friend and former costume designer, Sam Anselm (gleaming Michaela Coel) in search of a perfect costume for her comeback performance—which is only three days away. Implausible, yes, but also the impetus for a couple of dark nights peeling back a history of them.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Since his first feature, the near-molecular scale “St. Nick,” about two runaway children who also frequent outbuildings, Lowery has been attuned to surroundings, embroidering his characters with history via place. The two-hander “Mother Mary,” while providing blasts of her persona and stage show, lives within a rude fashion atelier, as well as in shadow-swaddled medium close-ups and long shots of his warring compatriots. Yet they’re like a single entity, a melded mind warring with itself, words coming out, especially from Sam, as fully formed theses, compounded thesauruses of a decade’s not-yet-abandoned resentment. “I could build you a pyre the likes of which the world has never seen if that is the way you see things going,” Sam says. (&lt;em&gt;More &lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6kzaek7arxELmr%7Cz%5E%7CjdO-7M-sPARd" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;&lt;/em&gt;.)&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Jerry Blumenthal's 1974 "&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6kzaek7arxFamr%7Czf" style="text-decoration: underline; color: #0068A5;"&gt;T&lt;strong&gt;he Chicago Maternity Center Stor&lt;/strong&gt;&lt;/a&gt;&lt;strong&gt;y&lt;/strong&gt;" is presented by Kartemquin Films, Birth Workers of Color Collective, and Muffy Film Productions, with a post-screening conversation.&amp;nbsp; &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6kzaek7arxFqmr%7Czf" style="text-decoration: underline; color: #0068A5;"&gt;Music Box, Tuesday, July 14, 6:30pm&lt;/a&gt;&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Also at the Music Box: "&lt;strong&gt;We Are Fugazi from Washington, D.C.&lt;/strong&gt;," by&amp;nbsp;Joe Gross, Jeff Krulik and Joseph Pattisall, in a benefit for Lumpen Radio. &lt;em&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6kzaek7arxF6mr%7Czf" style="text-decoration: underline; color: #0068A5;"&gt;Wednesday, July 15, 7pm&lt;/a&gt;&lt;/em&gt;.&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Doc Films (&lt;em&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6kzaek7aryeqmr%7Czf" style="text-decoration: underline; color: #0068A5;"&gt;calendar here&lt;/a&gt;&lt;/em&gt;) showcases two Howard Hawks entries on 35mm, 1930's "&lt;strong&gt;The Dawn Patrol&lt;/strong&gt;" and 1938's comic clockwork "&lt;strong&gt;Bringing Up Baby&lt;/strong&gt;"; Robert Altman's wink-and-a-slap Hollywood satire "&lt;strong&gt;The Player&lt;/strong&gt;" (1992); and Carl Franklin's bruised ne0-noir "&lt;strong&gt;Devil in a Blue Dress&lt;/strong&gt;" (1995).&lt;/span&gt;
&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-32" style="height:40px;line-height:40px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="heading_block block-33" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:24px;font-weight:900;letter-spacing:normal;line-height:1.5;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:36px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;CHICAGO SEEN&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-34" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;
&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;div style="max-width:598px"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/k3d/3c0/vwn/Anything-That-Moves-Alex-Phillips.jpg" style="display:block;height:auto;border:0;width:100%" width="598" alt="" title="" height="auto"&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-35" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;
&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;font-size:18px;text-align:center;mso-line-height-alt:18px"&gt;&lt;span style="word-break: break-word; font-size: 12px;"&gt;"Anything That Moves"&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;At Facets on Friday, July 1o, four shorts plus the features “&lt;strong&gt;All Jacked Up And Full Of Worms&lt;/strong&gt;” and “&lt;strong&gt;Anything That Moves&lt;/strong&gt;” from Chicago’s reigning specialist in low-budget absurdist-surrealist horror are presented as "&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6kzaek7arye6mr%7Czf" style="text-decoration: underline; color: #0068A5;"&gt;&lt;strong&gt;'&lt;/strong&gt;&lt;strong&gt;I’m Going To Kill You': The Movies Of Alex Phillips&lt;/strong&gt;&lt;/a&gt;." (&lt;em&gt;View the "All Jacked Up " trailer &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6kzaek7aryeLmr%7Czf" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;, and the "Anything That Moves" trailer &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6kzaek7aryfamr%7Czf" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;&lt;/em&gt;.)&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Alex, how do you define what you do, how would you explain it to someone you were just introduced to?&amp;nbsp;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;I started off as a playwright and screenwriter, but I quickly became frustrated with people telling me what could not be achieved. Out of necessity, I made short films to show how my ideas were supposed to translate to visual storytelling. They ended up doing well in festivals, and as I picked up work on production sets, I got a wide-eyed sense of what I could do with a feature. My entire path toward making movies has been shortsighted hubris. It's the worst and best art form with too many moving parts. It is also exactly what I want to be doing. I've been at it for a decade.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;What brought you to making the work you make today? Was it a mentor, an experience?&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;I find that candid, impulsive honesty is basically criminal. I use movies as a way to say and do what can't otherwise be expressed. And I think of story as a tool to hook people into empathizing with characters and situations that are larger than everyday life.&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;For mentors and artistic influences, I watch all kinds of movies that intersect throughout the process. For "Worms," it was David Cronenberg, Frank Henenlotter, William S. Burroughs, Jane Campion, Ken Russell, Nicolas Roeg, Lucio Fulci, Alejandro Jodorowsky, Larry Cohen, Bill Gunn, Todd Haynes. With "Anything That Moves," William Friedkin, John McNaughton and Brian De Palma entered the mix. And now I'm hanging with Raoul Walsh, Alfred Hitchcock and Nicholas Ray. I don't look to emulate any one filmmaker, but I'm always searching for methods of storytelling that harmonize with what I'm trying to say.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Why is Chicago the place to do what you do today?&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Chicago has smart, talented artists who make things they believe in, often without pretension. I can't imagine making films in places like New York City or L.A. Mainly, I can't afford it. I think those environments are more risk-averse, class-stratified and homogenous. In Chicago, people want to help make things, and the scene is inclusive. At the very worst our city can be indifferent to filmmaking. Most people here have real jobs.&amp;nbsp;The process of making a film is messy and complicated. Finding adventurous collaborators with their own point of view is extremely necessary. I love all the people I've worked with.&lt;/span&gt;
&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-36" style="height:40px;line-height:40px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="heading_block block-37" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:24px;font-weight:900;letter-spacing:normal;line-height:1.5;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:36px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;THE WEEK IN FILM&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-38" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;div style="max-width:598px"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/2k8/jl8/6xq/Jason-Blum-2026.jpg" style="display:block;height:auto;border:0;width:100%" width="598" alt="" title="" height="auto"&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-39" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:18px"&gt;&lt;span style="word-break: break-word; font-size: 12px;"&gt;Producer Jason Blum&lt;/span&gt;&lt;/p&gt;&lt;p 
style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;"Obsession" Executive Producer Jason Blum Is Excited&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;The Producers Guild &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6kzaek7aryfqmr%7Czf" style="text-decoration: underline; color: #0068A5;"&gt;posted on Instagram&lt;/a&gt; part of a conversation with producer Jason Blum, speaking after the second weekend of "Obsession." The dream of young filmmakers, "their hope, desire, and dream is to make cool movies and 'Backrooms' and 'Obsession' are edgy and weird and fucking nuts, and to me it's that there's almost this feeling of the seventies, of like this new generation of young people who are making edgy movies that are connecting in theaters in a crazy way."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"So many young people grew up in a time when you couldn't go to the movies and they haven't had something for them to go get out and get off their iPad and go see the movies. Suddenly they have two movies! 'Obsession,' this weekend. It went up twenty-percent from last weekend. Last weekend it went thirty-percent up from the opening weekend. No movie has done that, has gone up two weekends in a row since 'E.T.'!"&lt;/span&gt;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"It's unbelievable, and I don't say that to say, 'Aren't we great?' I say that to say there's fucking hope in the movie business and it's exciting and it's great and the generation of people—like, 'Everyone's on Instagram and everyone's on social media'—Actually the stars of the internet, they wanna make movies and that's great!" &lt;em&gt;The full half-hour with Blumhouse-Atomic Monster co-CEOs Blum and James Wan is &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6kzaek7aryf6mr%7Czf" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;&lt;/em&gt;.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Kartemquin Slates Summer Soirée&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Sixty years of Kartemquin Films will be celebrated at their annual fundraiser, "where activism, artistry and community come together. Join fellow filmmakers, storytellers and democracy defenders for an intimate evening of music, film, drinks and fireworks!" Hosted in a Lakeshore penthouse overlooking Navy Pier, "this intimate fundraising event blends the spirit of documentary storytelling with the electricity of a Chicago summer night. Guests will arrive for a soulful House DJ-driven rooftop reception, sip activism-inspired cocktails, gather for docs under the stars, and close the night with a spectacular private view of Chicago’s beautiful Lakefront." More about the sixtieth anniversary &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6kzaek7aryfLmr%7Czf" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;. &lt;em&gt;Tickets ($300-$2,500) &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6kzaek7arygamr%7Czf" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;.&lt;/em&gt;&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Observations On David Bordwell&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;A new anthology of writings about aspects of David Bordwell's career contains contributions from twenty-five writers, plus a preface by Damien Chazelle, &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6kzaek7arygqmr%7Czf" style="text-decoration: underline; color: #0068A5;"&gt;posts Kristin Thompson&lt;/a&gt; on the "Observations On Film Art" site.&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-40" 
style="height:40px;line-height:40px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="heading_block block-41" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:24px;font-weight:900;letter-spacing:normal;line-height:1.5;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:36px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;BENEDICTIONS&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-42" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;font-size:18px;text-align:left;mso-line-height-alt:27px"&gt;
Thai critic Kong Rithdee &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6kzaek7aryg6mr%7Czf" style="text-decoration: underline; color: #0068A5;"&gt;describes the late, great Tony Rayns on Facebook&lt;/a&gt;: "a truly legendary critic, programmer and writer who played a pivotal role in elevating Asian cinema to a status on par with films from the Anglo-Saxon world, thereby expanding the canon of world cinema. He was instrumental in introducing Asian films—spanning Japan, Korea, China, the Philippines, Indonesia, Hong Kong and Thailand—to Western audiences and film festivals from the 1970s right up to the present day."&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6kzaek7ary%7Cqmr%7Czf" style="text-decoration: underline; color: #0068A5;"&gt; Posts Hong Kong expert Dylan Cheung&lt;/a&gt;, "RIP Tony Rayns, one of the few English-language critics who genuinely knew what they were talking about (most of the time) when it came to East Asian cinema, especially Hong Kong's."
&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="divider_block block-43" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:20px;padding-bottom:20px;padding-left:10px;padding-right:10px" align="center"&gt;&lt;table border="0" cellpadding="0" cellspacing="0" role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="divider_inner" 
style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-44" style="height:30px;line-height:30px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="heading_block block-45" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" 
style="width:100%;padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px" align="center"&gt;&lt;h1 style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:24px;font-weight:900;letter-spacing:normal;line-height:1.5;text-align:left;margin-top:0;margin-bottom:0;mso-line-height-alt:36px"&gt;
&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6kzaek7ary%7C6mr%7Cz%5E%7CjdO-7M-sPARd" target="_blank" style="text-decoration: none; color: #000000;" rel="noopener"&gt;&lt;span class="mce-content-body mce-edit-focus" style="word-break: break-word; position: relative;" id="faf5939c-5520-4ee8-8614-d6cf9ecf0aea" data-position="10-0-44" data-qa="tinyeditor-root-element"&gt;Film Top 5: July 2026&lt;/span&gt;&lt;/a&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-46" width="100%" border="0" cellpadding="0" cellspacing="0" 
role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;div style="max-width:598px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6kzaek7ary%7CLmr%7Cz%5E%7CjdO-7M-sPARd" target="_blank"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/h3h/4xj/95j/A_MATTER_OF_LIFE_OR_DEATH-600x450.jpg" style="display:block;height:auto;border:0;width:100%" width="598" alt="" title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-47" 
width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;font-size:18px;text-align:left;mso-line-height-alt:27px"&gt;
The Music Box hosts 70mm screenings of Christopher Nolan's 172-minute epic, plus one of the greatest and mostly unlikely of otherworldly romances. (Ray Pride)&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="divider_block block-48" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:20px;padding-bottom:20px;padding-left:10px;padding-right:10px" align="center"&gt;&lt;table border="0" 
cellpadding="0" cellspacing="0" role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-49" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" 
align="center"&gt;&lt;div style="max-width:598px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6kzaek7aryjamr%7Cz%5E%7CjdO-7M-sPARd" target="_blank"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/kcw/yua/mwn/House%20Middle_Lower%20-%20December%202025%20-%20600x500.gif" style="display:block;height:auto;border:0;width:100%" width="598" alt="" title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="divider_block block-50" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:20px;padding-bottom:20px;padding-left:10px;padding-right:10px" align="center"&gt;&lt;table border="0" cellpadding="0" cellspacing="0" role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table 
class="icons_block block-51" width="100%" border="0" cellpadding="10" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;text-align:center;line-height:0"&gt;&lt;tr&gt;&lt;td class="pad" style="vertical-align:middle;color:#000;font-family:inherit;font-size:14px;font-weight:400" align="center"&gt;&lt;table class="icons-outer" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;display:inline-table"&gt;&lt;tr&gt;&lt;td 
style="vertical-align:middle;text-align:center;padding-top:10px;padding-bottom:10px;padding-left:10px;padding-right:10px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6kzaek7arx46mr%7Czf" target="_self" title="" style="text-decoration: none;"&gt;&lt;img class="icon" src="https://d15k2d11r6t6rl.cloudfront.net/pub/40qd/br3kliar/3qs/o5m/w8g/unnamed-1.png" alt="" height="auto" width="32" align="center" style="display:block;height:auto;margin:0 auto;border:0"&gt;&lt;/a&gt;&lt;/td&gt;&lt;td 
style="vertical-align:middle;text-align:center;padding-top:10px;padding-bottom:10px;padding-left:10px;padding-right:10px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6kzaek7arx6qmr%7Czf" target="_self" title="" style="text-decoration: none;"&gt;&lt;img class="icon" src="https://d15k2d11r6t6rl.cloudfront.net/pub/40qd/br3kliar/coi/z2y/qei/unnamed-2.png" alt="" height="auto" width="32" align="center" style="display:block;height:auto;margin:0 auto;border:0"&gt;&lt;/a&gt;&lt;/td&gt;&lt;td 
style="vertical-align:middle;text-align:center;padding-top:10px;padding-bottom:10px;padding-left:10px;padding-right:10px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6kzaek7arx66mr%7Czf" target="_self" title="" style="text-decoration: none;"&gt;&lt;img class="icon" src="https://d15k2d11r6t6rl.cloudfront.net/pub/40qd/br3kliar/74h/i4d/cse/unnamed-3.png" alt="" height="auto" width="32" align="center" style="display:block;height:auto;margin:0 auto;border:0"&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table 
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src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/1co/l44/o4w/Chicago%20Park%20District%20%20Newcity%20Today%20daily%20week%20of%20July%206%20%20top%20creative%202026_NOITP_Newcity_Newsletter_600x250.jpg" style="display:block;height:auto;border:0;width:100%" width="598" alt="" title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="divider_block block-3" width="100%" border="0" cellpadding="10" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;
&lt;td class="pad" align="center"&gt;&lt;table border="0" cellpadding="0" cellspacing="0" role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-4" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;
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class="text_block block-6" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:20px;padding-bottom:10px;padding-left:20px;padding-right:20px"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Since Newcity, over its forty-year history, has never before been sold at a retail establishment, I decided to hand-deliver the copies to the &lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6kzLek7Lry06mrD%5Bq%7CjdO-7M-sPARd" style="text-decoration: underline; color: #0068A5;"&gt;first three stores&lt;/a&gt; that will have it for sale: The Silver Room, Quimby's and Foursided. It was a blast to visit three such distinct and iconic Chicago retailers, in three distinct parts of the city, and to see where Newcity will sit on their shelves.&amp;nbsp;&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;But the experience was strange, too, because as I drove around town, I listened to a late-May episode of The Grill Room podcast, "&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6kzLek7Lrzj6mrD%5Be" style="text-decoration: underline; color: #0068A5;"&gt;The Google Zero Clickopocalypse&lt;/a&gt;," where they discussed, in frightening detail, the ramifications of Google's shift of search to a captive AI model and what that meant for publishing, especially digital publishing. While no one knows for sure where all of this is going, the sentiment was certainly not as sunny as the day I was enjoying in the city.&amp;nbsp;&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Call me a Luddite all you want, but I loved visiting the old-fashioned brick-and-mortar retailers, and seeing the creative and economic engines they are for their communities. And I was very happy to be in print. I guarantee you, that if you visit any one of these stores to get a copy of the new issue, and spend some time perusing their shelves, you'll feel the same way.&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;
&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-7" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px" align="left"&gt;&lt;div style="max-width:104px"&gt;&lt;img src="https://d15k2d11r6t6rl.cloudfront.net/pub/40qd/br3kliar/ier/gbh/bha/unnamed-1_1.png" 
style="display:block;height:auto;border:0;width:100%" width="104" alt="" title="" height="auto"&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-8" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class 
style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px; color: #000000;"&gt;Brian Hieggelke&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px; color: #000000;"&gt;Editor &amp; Publisher&lt;/span&gt;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px; color: #000000;"&gt;&lt;em&gt;You can still get a copy of the 156-page double summer issue. If you subscribe now &lt;/em&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6kzLek7Lry0qmrD%5Bq%7CjdO-7M-sPARd" style="text-decoration: underline; color: #0068A5;"&gt;&lt;em&gt;here&lt;/em&gt;&lt;/a&gt;&lt;em&gt;, it will be your first edition. And as for other options, find out &lt;/em&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6kzLek7LrzjLmrD%5Bq%7CjdO-7M-sPARd" style="text-decoration: underline; color: #0068A5;"&gt;&lt;em&gt;here&lt;/em&gt;&lt;/a&gt;&lt;em&gt;. &lt;/em&gt;&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="divider_block block-9" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:10px;padding-bottom:20px;padding-left:10px;padding-right:10px" align="center"&gt;&lt;table border="0" cellpadding="0" cellspacing="0" role="presentation" width="100%" 
style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-10" style="height:21px;line-height:21px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="text_block block-11" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-left:20px;padding-right:20px"&gt;&lt;div style="font-family:Tahoma,Verdana,sans-serif"&gt;&lt;div class style="font-size:14px;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;mso-line-height-alt:16.8px;color:#555;line-height:1.2"&gt;&lt;p style="margin:0;font-size:14px;mso-line-height-alt:16.8px"&gt;
&lt;span style="word-break: break-word; font-size: 16px; color: #89c0c9;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word;"&gt;DESIGN&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-12" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:24px;font-weight:900;letter-spacing:normal;line-height:1.5;text-align:left;margin-top:0;margin-bottom:0;mso-line-height-alt:36px"&gt;
&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6kzLek7LrzkamrD%5Bq%7CjdO-7M-sPARd" target="_blank" style="text-decoration: none; color: #000000;" rel="noopener"&gt;&lt;span class="mce-content-body mce-edit-focus" style="word-break: break-word; position: relative;" id="d1600137-bfb1-43f5-8584-b44a9a82bb00" data-position="10-0-11" data-qa="tinyeditor-root-element"&gt;Jeremiah Hulsebos-Spofford Transforms Familiar Design Icons into Unstable Vessels of Memory, Grief and Time&lt;/span&gt;&lt;/a&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table 
class="image_block block-13" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;div style="max-width:598px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6kzLek7LrzkqmrD%5Bq%7CjdO-7M-sPARd" target="_blank"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/blh/2e1/khc/NEAR-ETERNITY-EAM-Jeremiah-Hulsebos-Spofford-photo-credit-Siegfried-Mueller-7-600x450.jpg" 
style="display:block;height:auto;border:0;width:100%" width="598" alt="" title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-14" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class 
style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;The exhibition at Elmhurst Art Museum turns objects like the Barcelona Chair and the Eames splint into altered forms that feel at once recognizable and estranged. (Vasia Rigou)&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="divider_block block-15" width="100%" 
border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:10px;padding-bottom:20px;padding-left:10px;padding-right:10px" align="center"&gt;&lt;table border="0" cellpadding="0" cellspacing="0" role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;
&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-16" style="height:21px;line-height:21px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="text_block block-17" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-left:20px;padding-right:20px"&gt;&lt;div style="font-family:Tahoma,Verdana,sans-serif"&gt;&lt;div class 
style="font-size:14px;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;mso-line-height-alt:16.8px;color:#555;line-height:1.2"&gt;&lt;p style="margin:0;font-size:14px;mso-line-height-alt:16.8px"&gt;&lt;span style="word-break: break-word; font-size: 16px; color: #65d68b;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word;"&gt;ART&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-18" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px" align="center"&gt;&lt;h1 style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:24px;font-weight:900;letter-spacing:normal;line-height:1.5;text-align:left;margin-top:0;margin-bottom:0;mso-line-height-alt:36px"&gt;
&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6kzLek7Lrzk6mrD%5Bq%7CjdO-7M-sPARd" target="_blank" style="text-decoration: none; color: #000000;" rel="noopener"&gt;&lt;span class="mce-content-body mce-edit-focus" style="word-break: break-word; position: relative;" id="c4bcf43f-9c59-49b9-b973-75842411c06c" data-position="10-0-17" data-qa="tinyeditor-root-element"&gt;Leticia Pardo's Stairway to Heaven&lt;/span&gt;&lt;/a&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-19" width="100%" border="0" cellpadding="0" cellspacing="0" 
role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;div style="max-width:598px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6kzLek7LrzmqmrD%5Bq%7CjdO-7M-sPARd" target="_blank"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/vhr/yu2/6um/22Carcasa22-600x450.jpeg" style="display:block;height:auto;border:0;width:100%" width="598" alt="" title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-20" width="100%" 
border="0" cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Pardo honors the legacy of Mexican labor in Chicago's built history with the Arts Club of Chicago. (Lucas Gomez-Doyle)&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="divider_block block-21" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:10px;padding-bottom:20px;padding-left:10px;padding-right:10px" align="center"&gt;&lt;table 
border="0" cellpadding="0" cellspacing="0" role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-22" style="height:45px;line-height:45px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="image_block block-23" width="100%" border="0" cellpadding="0" cellspacing="0" 
role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-left:20px;padding-right:20px" align="center"&gt;&lt;div style="max-width:400px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6kzLek7Lry3LmrD%5Bq%7CjdO-7M-sPARd" target="_blank"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/q6i/gpd/eol/Newcity_2026-07-08_Cover%20Footer.jpeg" style="display:block;height:auto;border:0;width:100%" width="400" alt="" title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;&lt;table class="text_block block-24" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:18.2px;color:#000;line-height:1.3"&gt;&lt;p 
style="margin:0;font-size:14px;text-align:center;mso-line-height-alt:26px"&gt;&lt;span style="word-break: break-word; font-size: 20px;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word;"&gt;JULY-AUGUST 2026:&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:14px;text-align:center;mso-line-height-alt:26px"&gt;&lt;span style="word-break: break-word; font-size: 20px;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word;"&gt;AMERICA 250 + ART IN MICHIGAN&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;br&gt;
&lt;span style="word-break: break-word; font-size: 20px;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word;"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6kzLek7Lry4amrD%5Bq%7CjdO-7M-sPARd" target="_blank" style="text-decoration: none; color: #19638e;" rel="noopener"&gt;GET THE ISSUE&lt;/a&gt; | &lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6kzLek7Lry4qmrD%5Bq%7CjdO-7M-sPARd" target="_blank" style="text-decoration: none; color: #19638e;" rel="noopener"&gt;SUBSCRIBE&lt;/a&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div 
class="spacer_block block-25" style="height:40px;line-height:40px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="divider_block block-26" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:10px;padding-bottom:20px;padding-left:10px;padding-right:10px" align="center"&gt;&lt;table border="0" cellpadding="0" cellspacing="0" role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;
&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-27" style="height:21px;line-height:21px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="text_block block-28" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad" 
style="padding-left:20px;padding-right:20px"&gt;&lt;div style="font-family:Tahoma,Verdana,sans-serif"&gt;&lt;div class style="font-size:14px;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;mso-line-height-alt:16.8px;color:#555;line-height:1.2"&gt;&lt;p style="margin:0;font-size:14px;mso-line-height-alt:16.8px"&gt;&lt;span style="word-break: break-word; font-size: 16px; color: #a82b28;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word;"&gt;STAGE&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table 
class="heading_block block-29" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:24px;font-weight:900;letter-spacing:normal;line-height:1.5;text-align:left;margin-top:0;margin-bottom:0;mso-line-height-alt:36px"&gt;
&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6kzLek7Lrzm6mrD%5Bq%7CjdO-7M-sPARd" target="_blank" style="text-decoration: none; color: #000000;" rel="noopener"&gt;&lt;span class="mce-content-body mce-edit-focus" style="word-break: break-word; position: relative;" id="0b21344b-8637-48bd-a89b-dc60fd8152ac" data-position="10-0-28" data-qa="tinyeditor-root-element"&gt;"Hamlet" Plays Under the Oak Park Skies&lt;/span&gt;&lt;/a&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-30" width="100%" border="0" cellpadding="0" 
cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;div style="max-width:598px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6kzLek7LrzmLmrD%5Bq%7CjdO-7M-sPARd" target="_blank"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/fsg/j57/rw1/Drew-Bos-Josh-Carpenter-photo-by-Josh-Darr-scaled-600x450.jpg" style="display:block;height:auto;border:0;width:100%" width="598" alt="" title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;&lt;table class="text_block block-31" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;The Oak Park Festival Theatre's take on Shakespeare's classic, directed by Peter G. Andersen, is a blend of modernization and appreciation. (Rob Silverman Ascher)&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="divider_block block-32" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" 
style="padding-top:20px;padding-bottom:20px;padding-left:10px;padding-right:10px" align="center"&gt;&lt;table border="0" cellpadding="0" cellspacing="0" role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-33" style="height:21px;line-height:21px;font-size:1px"&gt;
&amp;#8202;&lt;/div&gt;&lt;table class="text_block block-34" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-left:20px;padding-right:20px"&gt;&lt;div style="font-family:Tahoma,Verdana,sans-serif"&gt;&lt;div class style="font-size:14px;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;mso-line-height-alt:16.8px;color:#555;line-height:1.2"&gt;&lt;p 
style="margin:0;font-size:14px;mso-line-height-alt:16.8px"&gt;&lt;span style="word-break: break-word; font-size: 16px; color: #429c95;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word;"&gt;BRAZIL&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-35" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" 
style="width:100%;padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px" align="center"&gt;&lt;h1 style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:24px;font-weight:900;letter-spacing:normal;line-height:1.5;text-align:left;margin-top:0;margin-bottom:0;mso-line-height-alt:36px"&gt;
&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6kzLek7LrznamrD%5Bq%7CjdO-7M-sPARd" target="_blank" style="text-decoration: none; color: #000000;" rel="noopener"&gt;&lt;span class="mce-content-body mce-edit-focus" style="word-break: break-word; position: relative;" id="906f33cf-e844-4519-9ad1-1d81bb74279c" data-position="10-0-34" data-qa="tinyeditor-root-element"&gt;Three Generations of Amazonian Artists at David Nolan Gallery&lt;/span&gt;&lt;/a&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-36" width="100%" border="0" 
cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;div style="max-width:598px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6kzLek7LrznqmrD%5Bq%7CjdO-7M-sPARd" target="_blank"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/tsz/52j/9yi/davidnolangallery-joseca-yanomami-transformation-of-the-krokori-p-into-frogs-bufo-margaritifera-2026-600x450.webp" 
style="display:block;height:auto;border:0;width:100%" width="598" alt="" title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-37" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class 
style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;"Riverlines: Three Generations of Amazonian Indigenous Artists" guides spectators through separate exhibitions in a manner akin to sailing down a riverline. (Mána Taylor)&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="divider_block block-38" width="100%" border="0" 
cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:20px;padding-bottom:20px;padding-left:10px;padding-right:10px" align="center"&gt;&lt;table border="0" cellpadding="0" cellspacing="0" role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-39" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;div style="max-width:598px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6kzLek7Lry7amrD%5Be" target="_blank"&gt;&lt;img 
src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/977/b6l/34t/Chicago%20Park%20District%20Newcity%20Today%20middle%20lower%20week%20of%20July%206%20%20%202026_NOITP_Newcity_Ad_600x500.jpg" style="display:block;height:auto;border:0;width:100%" width="598" alt="" title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-40" style="height:40px;line-height:40px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="heading_block block-41" width="100%" border="0" cellpadding="5" 
cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;h1 style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:28px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:34px"&gt;
&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6kzLek7Lrzn6mrD%5Bq%7CjdO-7M-sPARd" target="_blank" style="text-decoration: underline; color: #000000;" rel="noopener"&gt;TODAY IN CULTURE&lt;/a&gt;&lt;br&gt;&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-42" width="100%" border="0" cellpadding="10" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div 
style="font-family:sans-serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:16.8px;color:#555;line-height:1.2"&gt;&lt;p style="margin:0;font-size:14px;text-align:center;mso-line-height-alt:16.8px"&gt;&lt;span style="word-break: break-word; color: #000000;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;By Ray Pride&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-43" 
style="height:40px;line-height:40px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="heading_block block-44" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;ART&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-45" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;The MCA Plans An Amanda Williams Exhibition, Plus Other Warhol Foundation Grants&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;The Andy Warhol Foundation for the Visual Arts has named the recipients of its spring 2026 grants, totaling "nearly $5.2 million to visual arts organizations and institutions," &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6kzLek7LrznLmrD%5Be" style="text-decoration: underline; color: #0068A5;"&gt;reports Artforum&lt;/a&gt;. The report notes that the MCA has received $100,000 toward an Amanda Williams show. Williams is also being honored at &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6kzLek7LrzoamrD%5Be" style="text-decoration: underline; color: #0068A5;"&gt;the MCA's Visionary luncheon&lt;/a&gt; in October.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;Other Chicago recipients include $20,000 to Roots &amp; Culture for their "Double Exposure" exhibitions, $100,000 to Public Media Institute, $80,000 to the Smart Museum of Art for a Nina Chanel Abney exhibition and $30,000 to Bridge Art for the Festival of Holes.&lt;/span&gt;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;The Summer Of De Kooning&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Two Willem de Kooning shows—one at &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6kzLek7LrzoqmrD%5Be" style="text-decoration: underline; color: #0068A5;"&gt;Princeton&lt;/a&gt; and &lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6kzLek7Lrzo6mrD%5Bq%7CjdO-7M-sPARd" style="text-decoration: underline; color: #0068A5;"&gt;one in Chicago&lt;/a&gt;—"feature different eras and aspects of the Dutch American artist's mastery," &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6kzLek7LrzqqmrD%5Be" style="text-decoration: underline; color: #0068A5;"&gt;surveys Puck&lt;/a&gt;. "But both make a case for de Kooning as the meticulous leader of abstract expressionism and set the stage for a market shift," noting that "fifty-six de Kooning paintings and works on paper have sold for more than $77 million, the most for his auction market since the peak year of 2022. By focusing on de Kooning's training, tools and process, the Chicago show makes the case that his own work—and, by extension, the output of his peers—was the product of planning, meticulous trial and error and revision. In this show, we see de Kooning's extraordinary draftsmanship, honed in the repetition and transposition of images, shapes and gestures. But we also see the tools and his training."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Gertie Announces Chicago Exhibition Week&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Chicago Exhibition Week will bring together leading galleries, artist-run spaces, museums and cultural institutions in celebration of contemporary art across Chicago, September 14–20. Participating galleries include Corbett vs. Dempsey, Good Weather, Gray, M. LeBlanc, Mariane Ibrahim and Patron. More &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6kzLek7Lrzq6mrD%5Be" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;.&lt;/span&gt;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Surveying The Art Surrounding The Obama Center&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"Only a fraction of the more than two dozen commissions sit behind the ticketed museum entrance," &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6kzLek7LrzqLmrD%5Be" style="text-decoration: underline; color: #0068A5;"&gt;notes the Sun-Times&lt;/a&gt; in a tour of the public art at the Obama Presidential Center. "The vast majority of the sculptures, murals and mosaics pop up in locations around the 19.3-acre campus that are open to the public."&lt;/span&gt;&lt;/p&gt;
&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-46" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;DESIGN&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-47" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;An Early Bruce Goff House Is For Sale In Edison Park&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p 
style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"For sale for the first time in six decades is an Edison Park house designed by Bruce Goff, the twentieth century architect of many eccentric buildings who was commemorated with a show at the Art Institute of Chicago that opened in December," &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6kzLek7LrzramrD%5Be" style="text-decoration: underline; color: #0068A5;"&gt;reports Crain's&lt;/a&gt;. "One of two Goff designs that were completed in 1938 and decidedly more conventional than his later work, the four-bedroom house on Olcott Avenue came on the market July 3," and is called a "stepping-stone toward the more eccentric designs" featured in the exhibition. "The Olcott Avenue house was built four years after Goff moved to Chicago from Oklahoma, where his architecture firm had been laid low by the Depression."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;AIA Chicago Firm Awarded To Studio Gang&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Studio Gang has been named the 2026 recipient of the &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6kzLek7LrzrqmrD%5Be" style="text-decoration: underline; color: #0068A5;"&gt;AIA Chicago Firm Award&lt;/a&gt;, which "recognizes outstanding achievements and excellence in the body of work produced by a firm over a period of time, the distinctive characteristics of a firm and its operations and the ongoing contributions of the firm to the advancement of the architectural profession." Says AIA Chicago executive director Jen Masengarb, "Over nearly thirty years, they have demonstrated what it looks like when design excellence and genuine care for community go hand in hand. The firm's culture and core values are reflected in their thoughtful public engagement, design rigor, technical innovation and environmental stewardship. Studio Gang is deeply rooted in Chicago, while also having a global impact on the way our profession sees its responsibility to people, place and the planet."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Downtown Office Vacancies May Have Finally Bottomed Out&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"The share of available workspace in the central business district inched down to twenty-eight percent midway through the year from 28.6 percent at the end of the first quarter, according to data from real estate services firm CBRE," &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6kzLek7Lrzr6mrD%5Be" style="text-decoration: underline; color: #0068A5;"&gt;reports Crain's&lt;/a&gt;. "While the metric still towers over the 13.8 percent vacancy rate when the COVID-19 pandemic began, the slight decrease ended a run of fifteen consecutive quarters during which the rate reached a new all-time high. The data shows a downtown office market slowly transitioning to stabilization."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Fifty Years Of Tattoo Factory&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Far North Side tattoo shop Tattoo Factory "prides itself on having maintained its old-school tattoo parlor vibes throughout its decades in business," &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6kzLek7LrzrLmrD%5Be" style="text-decoration: underline; color: #0068A5;"&gt;inks Block Club&lt;/a&gt;. "Tattoo Factory opened in Uptown in 1976, originally across the street from its current location at 4441 North Broadway, said owner Paul Collurafici. It is believed to be the second-oldest tattoo parlor in the city; the Chicago Tattooing &amp; Piercing Co., located in Lakeview, opened in 1973 and is considered the city and state’s oldest."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-48" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;DINING &amp;amp; DRINKING&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-49" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;A Family Squawk Over The Harold's Chicken Empire&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p 
style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"Six months after the death of Harold's Chicken Shack CEO Kristen Pierce-Sherrod, the question remains: Who owns the iconic Chicago restaurant brand?" &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6kzLek7LrzsamrD%5Be" style="text-decoration: underline; color: #0068A5;"&gt;reports the Trib&lt;/a&gt;. "Pierce-Sherrod's five adult children claim it's their birthright, pointing to a mysterious, still-contested 'will' that, they say, makes clear their mother's final wishes...Pierce-Sherrod's widower, Vincent Sherrod, meanwhile, has enlisted former Chicago Mayor Lori Lightfoot as his lawyer to argue that the purported 'will'—which wasn't referenced until two months after Pierce-Sherrod's death—is fake." Because of the dispute, "the future of Harold's Chicken Shack empire may soon be determined by a Will County probate judge."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Pollyanna Buys And Reopens The Alarmist Taproom And Brewery&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"Pollyanna Brewing &amp; Distilling has purchased Alarmist Brewing, with plans to reopen its Sauganash taproom and bring back its acclaimed beers this year," &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6kzLek7LrzsqmrD%5Be" style="text-decoration: underline; color: #0068A5;"&gt;quaffs the Trib&lt;/a&gt;. "Alarmist Brewing, best known for its flagship Le Jus, an award-winning Hazy IPA, closed the doors on its twelve-year-old Peterson Avenue brewery and taproom in February." With the purchase and reopening plan, "Lemont-based Pollyanna, a twelve-year-old brewery with three suburban locations, is making its first foray into Chicago, looking to expand its geographic reach, brewing capacity and portfolio with the Alarmist acquisition."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-50" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;FILM &amp;amp; TELEVISION&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-51" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Eighteen Emmy Nominations For "The Bear," Including The Late Rob Reiner&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Season five of Chicago-set series "The Bear"&amp;nbsp;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6kzLek7Lrzs6mrD%5Be" style="text-decoration: underline; color: #0068A5;"&gt;took eighteen Emmy nominations&lt;/a&gt; for the upcoming awards, including another nomination for Outstanding Comedy Series. Other nominations for the season include Ayo Edebiri for Outstanding Lead Actress in a Comedy Series; Christopher Storer for Outstanding Directing for a Comedy Series; and Jamie Lee Curtis and the late Rob Reiner for guest appearances in the series. "The Bear" also garnered nominations for cinematography, picture editing and sound mixing.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Colbert Sets Nomination Record In Final Season&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Also in its final season, “The Late Show With Stephen Colbert” drew nine Emmy nominations, &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6kzLek7Lrz%5EqmrD%5Be" style="text-decoration: underline; color: #0068A5;"&gt;tallies Variety&lt;/a&gt;. It's "the biggest awards showing of Colbert's eleven-year tenure behind the desk. Before this year, the largest haul was three consecutive years of five nominations, which occurred from 2020 to 2022."&lt;/span&gt;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-52" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;MEDIA&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-53" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:12px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:18px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;New York Times Expands Into Local Newsletters With Twin Cities Launch&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;The Local is a pilot newsletter "to connect readers to their communities through journalism," &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6kzLek7Lrz%5E6mrD%5Be" style="text-decoration: underline; color: #0068A5;"&gt;crows the New York Times&lt;/a&gt;. "This pilot newsletter will launch in August with the goal of deepening our relationships with readers in Minneapolis and St. Paul and helping them feel more connected through journalism. Our hope is that [this] can serve as a model for similar future efforts elsewhere around the country."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-54" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;MUSIC&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-55" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:12px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:18px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Ravinia's Hunter Pavilion Reopens Following Major Renovation&lt;/strong&gt;&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"The Chicago Symphony Orchestra’s summer home, about twenty-five miles north of the city, starts its season Saturday night with chief conductor Marin Alsop leading a program with pianist Yunchan Lim and flautist Lizzo. A crowd of up to 12,758 can fill the pavilion and lawn in Highland Park, Illinois," &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6kzLek7Lrz%5ELmrD%5Be" style="text-decoration: underline; color: #0068A5;"&gt;reports the Associated Press&lt;/a&gt;. &lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;On the pavilion, the report notes "a geometric Arts and Crafts style pattern found in the windows of the Martin Theatre, which dates to Ravinia’s opening, inspired the design of stage ceiling and walls made of rigid foam clad with 3M vinyl." The renovation also slightly lowered capacity, "as wider seats were installed and made compliant with the Americans with Disabilities Act. LED lights have lowered the stage temperature, and nine ventilation fans were installed to push hot air through the ceiling."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Studio Ghibli Composer Joe Hisaishi's Nights With The CSO&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"Joe Hisaishi got famous writing the soundtracks to Hayao Miyazaki’s Studio Ghibli films. Now he is focusing on his first love: classical music," profiles the New York Times (&lt;em&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6kzLek7LrzvamrD%5Be" style="text-decoration: underline; color: #0068A5;"&gt;gift link&lt;/a&gt;&lt;/em&gt;). Hisaishi recently "spent the evening leading the Chicago Symphony Orchestra from the conductor's podium. But near the end of the concert, a grand piano was wheeled out onstage, and he took a seat on its bench. He started to play and the auditorium rattled with cheers. &lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"His fans immediately recognized the opening of the soundtrack for 'Spirited Away' (2001), one of his many beloved collaborations with the filmmaker Hayao Miyazaki of Studio Ghibli. This excitement, the kind that makes people squeal at pop concerts when they hear the first notes of a favorite song, tends to follow Hisaishi wherever he performs." "Hisaishi Conducts Hisaishi" is &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6kzLek7LrzvqmrD%5Be" style="text-decoration: underline; color: #0068A5;"&gt;slated&lt;/a&gt; for April 30-May 1 of next year.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Chief Keef Returns To Chicago After Fourteen Years&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"After effectively being blacklisted from performing in the city for over a decade, South Side rapper Chief Keef will return to Chicago on September 12 as part of his nationwide tour for his latest mixtape, 'Skeletor,'" &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6kzLek7Lrzv6mrD%5Be" style="text-decoration: underline; color: #0068A5;"&gt;reports Block Club&lt;/a&gt;. Though it's his first recent show within city limits, Keef "made his return to a local stage when he headlined Lyrical Lemonade's Summer Smash Festival in suburban Bridgeview in June 2024. He also headlined the festival in June."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-56" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;STAGE&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-57" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Audrey Francis On Closing Steppenwolf's Fiftieth Annum&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p 
style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Steppenwolf is closing its fiftieth anniversary season with the Chicago premiere of Mia Chung's "Catch As Catch Can," &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6kzLek7LrzvLmrD%5Be" style="text-decoration: underline; color: #0068A5;"&gt;reports Broadway World Chicago&lt;/a&gt;. "Directed by ensemble member Amy Morton, the form-bending theatrical tour-de-force features three actors taking on six roles across gender and generation, following a prodigal son whose return to blue collar New England sets off a spiraling crisis for two families." &lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"It's very meaningful to be closing Steppenwolf's fiftieth season with this show," says artistic director Audrey Francis, who also acts in the show. "First and foremost, having an all-ensemble team, with Amy Morton directing and Tim Hopper and Gary Cole in the cast, allowed us to bring decades of Steppenwolf history to the stage. And this play is about family, identity, fluidity, fracturing, disorientation and the ability and/or willingness to try to catch each other (and ourselves) as best we can. That feels very Steppenwolf to me."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-58" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;ARTS &amp;amp; CULTURE &amp;amp; ETC.&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-59" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Pepe Vargas' Successor Shares Plans&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p 
style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Over the forty-two years under founder Pepe Vargas, "the International Latino Cultural Center has become one of the hallmarks of Latino artistic and cultural life in Chicago," writes the newly appointed ILCC executive director Mateo Mulcahy. "I am honored and humbled by the faith placed in me by Pepe and the board of directors to lead this organization and am eager to continue serving the Chicago community. Under my leadership, I will push to create seven equal pillars of artistic programming that include film, music, dance, theater, visual arts, literary arts and culinary arts...The centerpiece of the ILCC’s programming, the Chicago Latino Film Festival, is of the highest priority and I am excited to build on recent successes and implement some innovative elements to the forty-third edition next April." More &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6kzLek7LrzwamrD%5Be" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;The Obama Center Will Host WNBA All-Star Events&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;On July 24, WNBA events hosted at the Obama Presidential Center "will bring players, fans and community members together to not only engage in basketball activities, but also to promote women in leadership and community engagement," &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6kzLek7LrzwqmrD%5Be" style="text-decoration: underline; color: #0068A5;"&gt;reports the Sun-Times&lt;/a&gt;. "The events will take place at the center's Home Court, a 60,000-square-foot athletic facility that features a WNBA regulation-sized basketball court," &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6kzLek7Lrzw6mrD%5Be" style="text-decoration: underline; color: #0068A5;"&gt;adds USA Today&lt;/a&gt;. "This marks the first time a WNBA All-Star practice has been held at a venue of this type."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-60" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p 
style="margin:0;font-size:18px;text-align:center;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Send culture news and tips to&amp;nbsp;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6kzLek7LrzgqmrD%5Be" target="_blank" style="text-decoration: underline; color: #0068A5;" rel="noopener"&gt;today@newcity.com&lt;/a&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="divider_block block-61" width="100%" border="0" cellpadding="0" cellspacing="0" 
role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:20px;padding-bottom:20px;padding-left:10px;padding-right:10px" align="center"&gt;&lt;table border="0" cellpadding="0" cellspacing="0" role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table
 class="image_block block-62" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;div style="max-width:598px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6kzLek7Lrzg6mrD%5Be" target="_blank"&gt;&lt;img 
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style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-4" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:5px;padding-bottom:5px;padding-left:20px;padding-right:20px" align="center"&gt;&lt;div style="max-width:350px"&gt;
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&lt;span style="word-break: break-word; font-size: 18px;"&gt;It was a beautiful midday morning in Grant Park, and as we neared the Museum Campus, a cheerful young woman greeted us and asked us if we wanted a map to the city. Welcome to Chicago!&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;A few days later, on a busy Saturday near the same spot, a multigenerational family was greeted by a pedicab driver—pedicab being a misnomer for fast motorized vehicles with loud sound systems that trawl for tourists and terrorize all park visitors, seemingly unregulated.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;The driver asked them where they were headed, and they said the Shedd Aquarium, which they were standing near, perhaps a five-minute walk up the path to the entrance. "I can take you all for seventy dollars," the driver offered, making even the highest Uber surge rates seem like bargains by comparison.&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;To our relief, the family passed on the offer, even though they were still unaware that they were standing next to their destination. The driver sped away, in search of another mark. Welcome to Chicago?&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-7" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" 
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cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px; color: #000000;"&gt;Brian Hieggelke&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px; color: #000000;"&gt;Editor &amp; Publisher&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px; color: #000000;"&gt;&lt;em&gt;You can still get a copy of the 156-page double summer issue. If you subscribe now &lt;/em&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6k4qekBqr0eqms-BD%7CjdO-7M-sPARd" style="text-decoration: underline; color: #0068A5;"&gt;&lt;em&gt;here&lt;/em&gt;&lt;/a&gt;&lt;em&gt;, it will be your first edition. And as for other options, find out &lt;/em&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6k4qekBqrzFqms-BD%7CjdO-7M-sPARd" style="text-decoration: underline; color: #0068A5;"&gt;&lt;em&gt;here&lt;/em&gt;&lt;/a&gt;&lt;em&gt;. &lt;/em&gt;&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="divider_block block-9" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:10px;padding-bottom:20px;padding-left:10px;padding-right:10px" align="center"&gt;&lt;table border="0" cellpadding="0" cellspacing="0" role="presentation" width="100%" 
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style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-left:20px;padding-right:20px"&gt;&lt;div style="font-family:Tahoma,Verdana,sans-serif"&gt;&lt;div class style="font-size:14px;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;mso-line-height-alt:16.8px;color:#555;line-height:1.2"&gt;&lt;p style="margin:0;font-size:14px;mso-line-height-alt:16.8px"&gt;
&lt;span style="word-break: break-word; font-size: 16px; color: #65d68b;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word;"&gt;ART&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-12" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:24px;font-weight:900;letter-spacing:normal;line-height:1.5;text-align:left;margin-top:0;margin-bottom:0;mso-line-height-alt:36px"&gt;
&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6k4qekBqr0vLms-BD%7CjdO-7M-sPARd" target="_blank" style="text-decoration: none; color: #000000;" rel="noopener"&gt;&lt;span class="mce-content-body mce-edit-focus" style="word-break: break-word; position: relative;" id="59dbe35a-0c09-4ac0-ba0c-eb2fedea291e" data-position="10-0-11" data-qa="tinyeditor-root-element"&gt;Spectral Traces in the Built Environment with "Phantom Frame"&lt;/span&gt;&lt;/a&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-13" width="100%" border="0" 
cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;div style="max-width:598px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6k4qekBqr0wams-BD%7CjdO-7M-sPARd" target="_blank"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/wz7/zfz/bz7/Phantom-Frame3_Belknaps-600x450.jpg" style="display:block;height:auto;border:0;width:100%" width="598" alt="" title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table 
class="text_block block-14" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Non Stndrd puts on a group exhibition situated within National Building Arts Center's industrial space. (Greg Ruffing)&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="divider_block block-15" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:10px;padding-bottom:20px;padding-left:10px;padding-right:10px" align="center"&gt;&lt;table 
border="0" cellpadding="0" cellspacing="0" role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-16" style="height:21px;line-height:21px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="text_block block-17" width="100%" border="0" cellpadding="0" cellspacing="0" 
role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-left:20px;padding-right:20px"&gt;&lt;div style="font-family:Tahoma,Verdana,sans-serif"&gt;&lt;div class style="font-size:14px;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;mso-line-height-alt:16.8px;color:#555;line-height:1.2"&gt;&lt;p style="margin:0;font-size:14px;mso-line-height-alt:16.8px"&gt;
&lt;span style="word-break: break-word; font-size: 16px; color: #a82b28;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word;"&gt;STAGE&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-18" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:24px;font-weight:900;letter-spacing:normal;line-height:1.5;text-align:left;margin-top:0;margin-bottom:0;mso-line-height-alt:36px"&gt;
&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6k4qekBqr0wqms-BD%7CjdO-7M-sPARd" target="_blank" style="text-decoration: none; color: #000000;" rel="noopener"&gt;&lt;span class="mce-content-body mce-edit-focus" style="word-break: break-word; position: relative;" id="facebb77-d112-4a3f-b283-76e6f7bc136b" data-position="10-0-17" data-qa="tinyeditor-root-element"&gt;In a Room Full of Empty Chairs, a Couple Grapples With Nothingness&lt;/span&gt;&lt;/a&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-19" width="100%" border="0" 
cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;div style="max-width:598px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6k4qekBqr0w6ms-BD%7CjdO-7M-sPARd" target="_blank"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/9xk/g95/aee/MBP_4961-scaled-600x450.jpg" style="display:block;height:auto;border:0;width:100%" width="598" alt="" title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table 
class="text_block block-20" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;The Eugène Ionesco play, on stage at American Players Theatre, is philosophically bleak, but with a comedic vaudeville feeling. (Mary Wisniewski)&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="divider_block block-21" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" 
style="padding-top:10px;padding-bottom:20px;padding-left:10px;padding-right:10px" align="center"&gt;&lt;table border="0" cellpadding="0" cellspacing="0" role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-22" style="height:45px;line-height:45px;font-size:1px"&gt;
&amp;#8202;&lt;/div&gt;&lt;table class="image_block block-23" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-left:20px;padding-right:20px" align="center"&gt;&lt;div style="max-width:400px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6k4qekBqr0fLms-BD%7CjdO-7M-sPARd" target="_blank"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/q6i/gpd/eol/Newcity_2026-07-08_Cover%20Footer.jpeg" 
style="display:block;height:auto;border:0;width:100%" width="400" alt="" title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-24" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class 
style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:18.2px;color:#000;line-height:1.3"&gt;&lt;p style="margin:0;font-size:14px;text-align:center;mso-line-height-alt:26px"&gt;&lt;span style="word-break: break-word; font-size: 20px;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word;"&gt;JULY-AUGUST 2026:&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:14px;text-align:center;mso-line-height-alt:26px"&gt;
&lt;span style="word-break: break-word; font-size: 20px;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word;"&gt;AMERICA 250 + ART IN MICHIGAN&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;br&gt;
&lt;span style="word-break: break-word; font-size: 20px;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word;"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6k4qekBqr0gams-BD%7CjdO-7M-sPARd" target="_blank" style="text-decoration: none; color: #19638e;" rel="noopener"&gt;GET THE ISSUE&lt;/a&gt; | &lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6k4qekBqr0gqms-BD%7CjdO-7M-sPARd" target="_blank" style="text-decoration: none; color: #19638e;" rel="noopener"&gt;SUBSCRIBE&lt;/a&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div 
class="spacer_block block-25" style="height:40px;line-height:40px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="divider_block block-26" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:10px;padding-bottom:20px;padding-left:10px;padding-right:10px" align="center"&gt;&lt;table border="0" cellpadding="0" cellspacing="0" role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;
&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-27" style="height:21px;line-height:21px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="text_block block-28" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad" 
style="padding-left:20px;padding-right:20px"&gt;&lt;div style="font-family:Tahoma,Verdana,sans-serif"&gt;&lt;div class style="font-size:14px;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;mso-line-height-alt:16.8px;color:#555;line-height:1.2"&gt;&lt;p style="margin:0;font-size:14px;mso-line-height-alt:16.8px"&gt;&lt;span style="word-break: break-word; font-size: 16px; color: #9db8b3;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word;"&gt;LIT&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table 
class="heading_block block-29" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:24px;font-weight:900;letter-spacing:normal;line-height:1.5;text-align:left;margin-top:0;margin-bottom:0;mso-line-height-alt:36px"&gt;
&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6k4qekBqr0yqms-BD%7CjdO-7M-sPARd" target="_blank" style="text-decoration: none; color: #000000;" rel="noopener"&gt;&lt;span class="mce-content-body mce-edit-focus" style="word-break: break-word; position: relative;" id="a9808ec6-1869-4863-a488-013d9c8f8d99" data-position="10-0-28" data-qa="tinyeditor-root-element"&gt;Zayd Ayers Dohrn Remembers a Childhood in the Underground&lt;/span&gt;&lt;/a&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-30" width="100%" border="0" 
cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;div style="max-width:598px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6k4qekBqr0y6ms-BD%7CjdO-7M-sPARd" target="_blank"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/xom/yp0/ew5/81mCLdDadVL._AC_UF10001000_QL80__1-600x450.jpg" style="display:block;height:auto;border:0;width:100%" width="598" alt="" title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;&lt;table class="text_block block-31" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;“Dangerous, Dirty, Violent and Young" tells the story of the playwright and Northwestern University professor who was raised by leaders of the Weather Underground. (Mike Claffey)&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="divider_block block-32" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" 
style="padding-top:20px;padding-bottom:20px;padding-left:10px;padding-right:10px" align="center"&gt;&lt;table border="0" cellpadding="0" cellspacing="0" role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-33" style="height:21px;line-height:21px;font-size:1px"&gt;
&amp;#8202;&lt;/div&gt;&lt;table class="text_block block-34" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-left:20px;padding-right:20px"&gt;&lt;div style="font-family:Tahoma,Verdana,sans-serif"&gt;&lt;div class style="font-size:14px;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;mso-line-height-alt:16.8px;color:#555;line-height:1.2"&gt;&lt;p 
style="margin:0;font-size:14px;mso-line-height-alt:16.8px"&gt;&lt;span style="word-break: break-word; font-size: 16px; color: #429c95;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word;"&gt;BRAZIL&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-35" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" 
style="width:100%;padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px" align="center"&gt;&lt;h1 style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:24px;font-weight:900;letter-spacing:normal;line-height:1.5;text-align:left;margin-top:0;margin-bottom:0;mso-line-height-alt:36px"&gt;
&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6k4qekBqr0yLms-BD%7CjdO-7M-sPARd" target="_blank" style="text-decoration: none; color: #000000;" rel="noopener"&gt;&lt;span class="mce-content-body mce-edit-focus" style="word-break: break-word; position: relative;" id="08344b1c-9c99-43a7-aa20-ff2752fe1975" data-position="10-0-34" data-qa="tinyeditor-root-element"&gt;The Island That Can Not Be Reached&lt;/span&gt;&lt;/a&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-36" width="100%" border="0" cellpadding="0" cellspacing="0" 
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&lt;span style="word-break: break-word; font-size: 18px;"&gt;"Ilha," at Almeida &amp; Dale, is a manifestation of opulent, historical influence. (Luiz Armando Bagolin)&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="divider_block block-38" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:20px;padding-bottom:20px;padding-left:10px;padding-right:10px" align="center"&gt;&lt;table border="0" 
cellpadding="0" cellspacing="0" role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-39" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" 
align="center"&gt;&lt;div style="max-width:598px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6k4qekBqr08qms-Bk" target="_blank"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/92y/375/c2u/MOWA%20NT%20newsletter%20creative%20for%20June%2015%20AmLand_digital-2-600x500.jpg" style="display:block;height:auto;border:0;width:100%" width="598" alt="" title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-40" style="height:40px;line-height:40px;font-size:1px"&gt;&amp;#8202;
&lt;/div&gt;&lt;table class="heading_block block-41" width="100%" border="0" cellpadding="5" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;h1 style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:28px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:34px"&gt;
&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6k4qekBqr0zqms-BD%7CjdO-7M-sPARd" target="_blank" style="text-decoration: underline; color: #000000;" rel="noopener"&gt;TODAY IN CULTURE&lt;/a&gt;&lt;br&gt;&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-42" width="100%" border="0" cellpadding="10" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div 
style="font-family:sans-serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:16.8px;color:#555;line-height:1.2"&gt;&lt;p style="margin:0;font-size:14px;text-align:center;mso-line-height-alt:16.8px"&gt;&lt;span style="word-break: break-word; color: #000000;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;By Ray Pride&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-43" 
style="height:40px;line-height:40px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="heading_block block-44" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;ART&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-45" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Chicago Photographer Barbara Karant Alleges Copyright Infringement By Mickalene Thomas&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Chicago-based photographer Barbara Karant, "whose works are held in the photography collections of institutions including the Art Institute of Chicago, claims that artist Mickalene Thomas 'appropriated more than a dozen' of her images without her consent or proper attribution," &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6k4qekBqr0z6ms-Bk" style="text-decoration: underline; color: #0068A5;"&gt;writes Hyperallergic&lt;/a&gt;. "The dispute revolves around Karant’s '&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6k4qekBqr0zLms-Bk" style="text-decoration: underline; color: #0068A5;"&gt;820 Ebony/Jet&lt;/a&gt; '(2013–15) series, a collection of 250 photographs taken at the vacant former headquarters of the Johnson Publishing Company. Their South Michigan Avenue headquarters was Chicago’s first high-rise commissioned by a Black-owned corporation." (&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6k4qekBqr0-qms-BD%7CjdO-7M-sPARd" target="_blank" style="text-decoration: underline; color: #0068A5;" rel="noopener"&gt;More&lt;/a&gt;.)&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;MCA Assistant Curator Nolan Jimbo Departs&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"After five fabulous years, my time as a curator at the MCA has come to an end," &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6k4qekBqr00ams-Bk" style="text-decoration: underline; color: #0068A5;"&gt;announces assistant curator Nolan Jimbo&lt;/a&gt;. "I’m so proud of the exhibitions, performances and everything in between that we made together and I’ve learned so much from you all along the way."&lt;/span&gt;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Lilly Endowment Grants $2.5 Million To Fort Wayne Museum Of Art&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;The Fort Wayne Museum of Art has received a $2.5 million grant from Lilly Endowment Inc. to support projects "that will increase the museum’s capacity for expanded service and organizational excellence," the museum announces. The award is one of twelve grants that Lilly Endowment is making to Indiana art museums, and "will be used to support projects in facility planning and improvements, improving collection storage, professional development and training, museum best practices research, increasing the museum’s online presence and digital collection resources, developing new approaches to inclusivity and making key equipment purchases to create operating efficiencies."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Guggenheim Cooling Tower Holds Legionella&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"The bacteria that causes Legionnaires' disease has been detected in a cooling tower at New York's Solomon R. Guggenheim Museum, though museum officials say the building remains safe for visitors and staff," &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6k4qekBqr00qms-Bk" style="text-decoration: underline; color: #0068A5;"&gt;relays ARTnews&lt;/a&gt;. "The discovery comes as city health officials investigate an outbreak of the potentially serious form of pneumonia across Manhattan's Upper East Side. Legionnaires’ disease is spread by inhaling tiny water droplets contaminated with Legionella bacteria. It cannot be passed from person to person."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-46" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;DESIGN&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-47" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Elevated Chicago And DCASE Present "Intersections: Art, Planning and Place"&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Elevated Chicago, in partnership with DCASE, is launching "Intersections: Art, Planning and Place," a series of events "designed to bring together artists, creative entrepreneurs, developers, community leaders and cultural practitioners to explore how arts and culture can shape more vibrant, connected and resilient neighborhoods." The theme of the first event is "The Art of Belonging: Social Cohesion &amp; Community." Sessions "will provide practical tools for artists to engage in neighborhood development, help developers and planners integrate creative and cultural strategies into their work and create opportunities for cross-sector collaboration." Hosted by Alt_ Chicago, 5645 West Lake, on Friday, July 17, from 1:30pm-6:30pm. Reservations &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6k4qekBqr006ms-Bk" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Bryn Mawr Historic District Nears Landmark Status&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"A key city commission formally recommended an Edgewater historic district become a Chicago landmark while also denying a demolition permit in the district that would have made way for an apartment building," &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6k4qekBqr02qms-Bk" style="text-decoration: underline; color: #0068A5;"&gt;reports Block Club&lt;/a&gt;. "The Commission on Chicago Landmarks&amp;nbsp;unanimously gave a final landmark recommendation for the Bryn Mawr Historic District during a hearing Thursday. The commission granted a preliminary recommendation in April, and held a public hearing on the matter in June."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Renovations For Eighty-Five-Year-Old Northwest Side Industrial Building&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"An eighty-five-year-old industrial building at 4700 West Montrose that originally was used for the production of blueprint paper and associated equipment is undergoing renovations, as a new owner seeks tenants," &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6k4qekBqr026ms-Bk" style="text-decoration: underline; color: #0068A5;"&gt;reports Nadig Newspapers&lt;/a&gt;. "The two-story, 60,000-square-foot building features an Art Moderne façade, designed in 1941 by architect Victor Charn, who also designed the former Motorola factory on Augusta Boulevard in Chicago."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;White House North Portico Columns The Latest Trump Project&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"Repairs are occurring at the White House’s North Portico," &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6k4qekBqr02Lms-Bk" style="text-decoration: underline; color: #0068A5;"&gt;reports The Hill&lt;/a&gt;, "adding it to the list of renovation projects around Washington that President Trump has undertaken." &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6k4qekBqr03ams-Bk" style="text-decoration: underline; color: #0068A5;"&gt;Adds the Independent&lt;/a&gt;, a "massive photorealistic covering displays a rendering of what the White House’s north entrance will look like after upgrades while obscuring the actual entrance from view." "Mr. Trump has undertaken a Washington construction spree unlike any president before him," &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6k4qekBqr03qms-Bk" style="text-decoration: underline; color: #0068A5;"&gt;writes the New York Times&lt;/a&gt;, "proposing at least eighteen major construction projects with a potential cost of &lt;a title="" href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6k4qekBqr036ms-Bk" style="text-decoration: underline; color: #0068A5;"&gt;more than $1 billion&lt;/a&gt;." (&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6k4qekBqr0-6ms-BD%7CjdO-7M-sPARd" target="_blank" style="text-decoration: underline; color: #0068A5;" rel="noopener"&gt;More&lt;/a&gt;.)&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-48" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;FILM &amp;amp; TELEVISION&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-49" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Cinema/Chicago Adds Cinema Soirée Honorees&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p 
style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Cinema/Chicago has announced its Artistic Achievement Award will be presented to Chicago-based author and screenwriter Gillian Flynn, whose work has been brought to the screen by directors including David Fincher ("Gone Girl") and Steve McQueen ("Widows"). Ben Foster will receive the Tour de Force Award. These awards will be presented in addition to the previously announced Vanguard Award recipients, Alex Thompson and Kelly O’Sullivan. "Committed to making films here and collaborating with Chicago actors and crews, they have long been champions of our community." Saturday, July 18. Tickets ($1,000-$50,000) and more &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6k4qekBqr03Lms-Bk" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Netflix Considers Live Programming&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"Engagement, which measures how long people spend watching content and how frequently they finish a movie or series, is the holy grail in modern Hollywood," &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6k4qekBqr04ams-Bk" style="text-decoration: underline; color: #0068A5;"&gt;reports the Wall Street Journal&lt;/a&gt;. "It signals that customers are satisfied and less likely to cancel their subscriptions. To bolster engagement, Netflix executives&amp;nbsp; have discussed adding live channels that would continuously stream certain programs, or shows and films from a certain genre." (The Criterion Channel presents a stream of mystery titles as "Criterion 24/7" as a treat.) Netflix "has also explored bundling other subscription-based streaming services, including NBCUniversal’s Peacock, into its offering. It would sell those subscriptions through its main app as rivals such as Amazon.com and Apple have long done."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-50" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;LIT&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-51" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:12px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:18px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Dominic A. Pacyga Receives Pattis Award For Chronicle Of Chicago Clout&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;The Newberry Library and the Pattis Family Foundation have awarded the fifth Pattis Family Foundation Chicago Book Award, which honors books "that transform public understanding of Chicago, its history and its people." This year’s $25,000 prize has been awarded to Dominic A. Pacyga’s "Clout City: The Rise and Fall of the Chicago Political Machine" (University of Chicago Press, 2025), "which traces the origins of Chicago’s distinctive political system to its eventual collapse." The panel also honors Gayle F. Wald’s "This Is Rhythm: Ella Jenkins, Children’s Music and the Long Civil Rights Movement" (University of Chicago Press, 2025). Wald will receive an award of $2,500. The Newberry will have details closer to the time of the September ceremony &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6k4qekBqr04qms-Bk" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-52" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;MEDIA&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-53" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:12px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:18px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;MacArthur Grant To Newswell Chicago&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p 
style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Newswell Chicago, the new owner of Growing Community Media publications, has received a transformative three-year grant from the John D. and Catherine T. MacArthur Foundation that will allow them to expand their newsroom with three additional full-time reporters and an editor, &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6k4qekBqr046ms-Bk" style="text-decoration: underline; color: #0068A5;"&gt;relays Wednesday Journal&lt;/a&gt;. The grant "reflects a growing belief that local journalism matters and that our neighborhoods deserve strong, independent reporting that informs residents, strengthens civic life and holds institutions accountable."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Are Publishers Preparing To Opt Out Of Google Search?&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"For decades, publishers have done everything in their power to rank as highly in Google Search as possible. For many websites, traffic from the search engine was their single greatest source of audience and, as a result, revenue," &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6k4qekBqr06qms-Bk" style="text-decoration: underline; color: #0068A5;"&gt;reports Adweek&lt;/a&gt;. But "influential players in the digital media ecosystem have begun moving in the opposite direction, laying the groundwork for what was once unthinkable: removing themselves from Google Search."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-54" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;MUSIC&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-55" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:12px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:18px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Pitchfork Parent Condé Nast Sues Festival Co-Founder Mike Reed&lt;/strong&gt;&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;A federal lawsuit filed last week on behalf of Pitchfork Festivals LLC "accuses co-founder Mike Reed of keeping $564,680 that he falsely claimed were expenses he had already incurred to prepare for the 2025 fest before it was cancelled," &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6k4qekBqr066ms-Bk" style="text-decoration: underline; color: #0068A5;"&gt;tallies Block Club&lt;/a&gt;. When Reed was contacted about the money, he submitted "a 'Wind Down Settlement Report' claiming that the money was 'incurred and attributed to the canceled 2025 event and the wind-down of all operations.' Reed wrote that all advanced operations for the event started when Condé Nast notified him to proceed with the next year’s festival."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Chicago's Music Nightspots Face Smaller Drink Orders&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"Young people are drinking less. What does that mean for the bars, venues and other pieces of social infrastructure that support Chicago's music scene?" &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6k4qekBqr06Lms-Bk" style="text-decoration: underline; color: #0068A5;"&gt;asks the Reader&lt;/a&gt;. "At the Empty Bottle, co-owner Matt Ciarleglio says attendance at the venue has climbed year over year since 2022, but liquor sales remain flat. 'That’s an indicator that people are drinking less, for sure,' he says. 'Though our nonalcoholic category of sales has gone up since 2022—like, 300 percent every year.' So far in 2026, NA options have accounted for about ten percent of the Bottle’s total drink sales."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;The Cramps Rise Again&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"The Cramps came to an abrupt end in 2009 when Lux Interior, then sixty-two, died suddenly and unexpectedly from an aortic dissection,"&amp;nbsp;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6k4qekBqr07ams-Bk" style="text-decoration: underline; color: #0068A5;"&gt;writes Anna Merlan in a vivid report at Mother Jones&lt;/a&gt;. Band co-founder Poison Ivy, "often cited as central in shaping the 'primitivist' rock-and-roll style," "withdrew from the public eye: no interviews, no reunion tours with a stand-in singer, no reissues of Cramps records." But thanks to Henry Rollins and Ian MacKaye at Dischord Records, their work will again be heard through "the reformed Vengeance Records, [starting with] a 1977 album that had, until earlier this year, been sitting unheard on tapes in Ivy’s Los Angeles garage." (&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6k4qekBqr0-Lms-BD%7CjdO-7M-sPARd" target="_blank" style="text-decoration: underline; color: #0068A5;" rel="noopener"&gt;More&lt;/a&gt;.)&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-56" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;STAGE&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-57" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Chicago Shakes' Fortieth Anniversary Gala Raises $1.3 Million&lt;/strong&gt;&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Chicago Shakespeare Theater celebrated the company's fortieth anniversary with the Revel in Ruby Gala on June 12,&amp;nbsp;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6k4qekBqr07qms-Bk" style="text-decoration: underline; color: #0068A5;"&gt;tallies Broadway World Chicago&lt;/a&gt;. "The evening raised $1.3 million, honoring four decades of powerful theatermaking and fueling the artistry, education and community engagement...350 attendees from Chicago's civic and cultural community gathered for a lively cocktail hour and seated dinner with a program in The Yard, followed by desserts and dancing in the Jentes Family Courtyard Theater lobby."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;A Nice Half-Hour With "Iceboy!"'s Nick Offerman&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;CBS News Chicago has an agreeable&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6k4qekBqr076ms-Bk" style="text-decoration: underline; color: #0068A5;"&gt; half-hour sit-down&lt;/a&gt; with Minooka's own amiable Nick Offerman, who waxes Offermanian on "Iceboy!," his wife and creative partner Megan Mullaly, who he loves working with, and his Illinois origins.&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Four London Stages Endangered&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Four London theaters "are at risk of closure, redevelopment or demolition, according to the Theatres Trust At Risk Register," &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6k4qekBqr07Lms-Bk" style="text-decoration: underline; color: #0068A5;"&gt;reports the Standard of London&lt;/a&gt;. "Among those are four London locations: Borough Hall, Streatham Hill Theatre, Tottenham Palace Theatre and the Intimate Theatre. Theaters in London have faced challenges in the past few years, including recovery after the pandemic and rising energy costs. But there have also been deep-rooted problems, including restoration and costly repairs."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-58" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p 
style="margin:0;font-size:18px;text-align:center;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Send culture news and tips to&amp;nbsp;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6k4qekBqr0s6ms-Bk" target="_blank" style="text-decoration: underline; color: #0068A5;" rel="noopener"&gt;today@newcity.com&lt;/a&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="divider_block block-59" width="100%" border="0" cellpadding="0" cellspacing="0" 
role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:20px;padding-bottom:20px;padding-left:10px;padding-right:10px" align="center"&gt;&lt;table border="0" cellpadding="0" cellspacing="0" role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table
 class="image_block block-60" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;div style="max-width:598px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6k4qekBqr086ms-Bk" target="_blank"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/92y/375/c2u/MOWA%20NT%20newsletter%20creative%20for%20June%2015%20AmLand_digital-2-600x500.jpg" 
style="display:block;height:auto;border:0;width:100%" width="598" alt="" title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="icons_block block-61" width="100%" border="0" cellpadding="10" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;text-align:center;line-height:0"&gt;&lt;tr&gt;&lt;td class="pad" style="vertical-align:middle;color:#000;font-family:inherit;font-size:14px;font-weight:400" align="center"&gt;&lt;table class="icons-outer" cellpadding="0" 
cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;display:inline-table"&gt;&lt;tr&gt;&lt;td style="vertical-align:middle;text-align:center;padding-top:10px;padding-bottom:10px;padding-left:10px;padding-right:10px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6k4qekBqr0%5E6ms-Bk" target="_self" title="" style="text-decoration: none;"&gt;&lt;img class="icon" src="https://d15k2d11r6t6rl.cloudfront.net/pub/40qd/br3kliar/3qs/o5m/w8g/unnamed-1.png" alt="" height="auto" width="32" 
align="center" style="display:block;height:auto;margin:0 auto;border:0"&gt;&lt;/a&gt;&lt;/td&gt;&lt;td style="vertical-align:middle;text-align:center;padding-top:10px;padding-bottom:10px;padding-left:10px;padding-right:10px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6k4qekBqr0%5ELms-Bk" target="_self" title="" style="text-decoration: none;"&gt;&lt;img class="icon" src="https://d15k2d11r6t6rl.cloudfront.net/pub/40qd/br3kliar/coi/z2y/qei/unnamed-2.png" alt="" height="auto" width="32" align="center" 
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&lt;span style="word-break: break-word; font-size: 18px;"&gt;The unlikely miracle that is the 2026 Chicago White Sox baseball season came into clear focus on Sunday when the number-one draft pick, Roch Cholowsky, threw out the first pitch. The top picks go to the teams with the worst record, which the Sox did have last year, but now they are tied for first place at the All-Star break.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;There's nothing better than sitting in the ballpark for nine innings of professional baseball on a hot summer afternoon, even if the beer is overpriced. The casual pace of the game epitomizes the "lazy, hazy days of summer," and allows for great crowd dynamics. In the seat next to me, a young mother cradled her seven-month-old daughter in a White Sox onesie. "First game?" I asked her. "No, it's her third," she replied. "But the other two were earlier, when it wasn't so hot." Then she laughed, saying her baby was a White Sox fan.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Later, a grizzled white fan caught a ball chucked into the outfield stands by a player, and then handed it to the young Black child who'd brought his glove to the stands, enthusiastically hoping to catch a ball but about three feet too short to compete for it when it came. It conjured up memories for me of the classic &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6k66ekD6r7v6mt6wd" style="text-decoration: underline; color: #0068A5;"&gt;Mean Joe Greene Coke commercial &lt;/a&gt;from the seventies.&amp;nbsp;&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;After the game, we grabbed a beer at the nearby Cork &amp; Kerry and parked at a picnic table on the sidewalk. Before long, a diverse group of White Sox fans congregated around us, talking baseball, bobbleheads and all business in between. They came from the city and the suburbs, and ranged across decades in age. How do they know each other? They've all been sitting in Section 108 for years, and have even spawned a &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6k66ekD6r7vLmt6wd" style="text-decoration: underline; color: #0068A5;"&gt;podcast&lt;/a&gt;.&amp;nbsp;&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;In the outstanding Netflix series, "Brazil '70: The Third Star," a journalist is on the phone with his wife, trying to convince her that cheering for her country in the World Cup is not just about capitulating to the propaganda needs of the military dictatorship then running the country. "It's a crazy thing," he says about the game. "It makes us laugh, cry, hug strangers on the street. It's like we all become one."&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;I have no idea what the politics were in our section, 102, at the White Sox game. What kind of jobs folks had, how big their bank accounts were, anything. I just know that, for one hot summer afternoon, we all became one.&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;
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title="" height="auto"&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-8" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class 
style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px; color: #000000;"&gt;Brian Hieggelke&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px; color: #000000;"&gt;Editor &amp; Publisher&lt;/span&gt;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px; color: #000000;"&gt;&lt;em&gt;You can still get a copy of the 156-page double summer issue. If you subscribe now &lt;/em&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6k66ekD6r0Fqmt6wm%7CjdO-7M-sPARd" style="text-decoration: underline; color: #0068A5;"&gt;&lt;em&gt;here&lt;/em&gt;&lt;/a&gt;&lt;em&gt;, it will be your first edition. And as for other options, find out &lt;/em&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6k66ekD6r0F6mt6wm%7CjdO-7M-sPARd" style="text-decoration: underline; color: #0068A5;"&gt;&lt;em&gt;here&lt;/em&gt;&lt;/a&gt;&lt;em&gt;. &lt;/em&gt;&lt;/span&gt;
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style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-left:20px;padding-right:20px"&gt;&lt;div style="font-family:Tahoma,Verdana,sans-serif"&gt;&lt;div class style="font-size:14px;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;mso-line-height-alt:16.8px;color:#555;line-height:1.2"&gt;&lt;p style="margin:0;font-size:14px;mso-line-height-alt:16.8px"&gt;
&lt;span style="word-break: break-word; font-size: 16px; color: #d3877d;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word;"&gt;MUSIC&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-12" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:24px;font-weight:900;letter-spacing:normal;line-height:1.5;text-align:left;margin-top:0;margin-bottom:0;mso-line-height-alt:36px"&gt;
&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6k66ekD6r7wamt6wm%7CjdO-7M-sPARd" target="_blank" style="text-decoration: none; color: #000000;" rel="noopener"&gt;&lt;span class="mce-content-body mce-edit-focus" style="word-break: break-word; position: relative;" id="a8bbedfb-cdcb-4b2c-916b-6e6fde81c80a" data-position="10-0-11" data-qa="tinyeditor-root-element"&gt;Paul Simon Hosts "A Quiet Celebration" at Ravinia&lt;/span&gt;&lt;/a&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-13" width="100%" border="0" cellpadding="0" 
cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;div style="max-width:598px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6k66ekD6r7wqmt6wm%7CjdO-7M-sPARd" target="_blank"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/ge6/qbf/j4e/Photo-by-Matthew-Straubmuller-scaled_1-600x450.jpg" style="display:block;height:auto;border:0;width:100%" width="598" alt="" title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table 
class="text_block block-14" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Simon finales his tour at Ravinia's Hunter Pavilion, playing 2023 album "Seven Psalms" in full ahead of a second half that spans a career of classic songs. (Teddy Sandler)&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="divider_block block-15" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" 
style="padding-top:10px;padding-bottom:20px;padding-left:10px;padding-right:10px" align="center"&gt;&lt;table border="0" cellpadding="0" cellspacing="0" role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-16" style="height:21px;line-height:21px;font-size:1px"&gt;
&amp;#8202;&lt;/div&gt;&lt;table class="text_block block-17" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-left:20px;padding-right:20px"&gt;&lt;div style="font-family:Tahoma,Verdana,sans-serif"&gt;&lt;div class style="font-size:14px;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;mso-line-height-alt:16.8px;color:#555;line-height:1.2"&gt;&lt;p 
style="margin:0;font-size:14px;mso-line-height-alt:16.8px"&gt;&lt;span style="word-break: break-word; font-size: 16px; color: #65d68b;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word;"&gt;ART&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-18" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" 
style="width:100%;padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px" align="center"&gt;&lt;h1 style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:24px;font-weight:900;letter-spacing:normal;line-height:1.5;text-align:left;margin-top:0;margin-bottom:0;mso-line-height-alt:36px"&gt;
&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6k66ekD6r7w6mt6wm%7CjdO-7M-sPARd" target="_blank" style="text-decoration: none; color: #000000;" rel="noopener"&gt;&lt;span class="mce-content-body mce-edit-focus" style="word-break: break-word; position: relative;" id="71da6230-67a9-4c2a-b987-8a3f7133ebf1" data-position="10-0-17" data-qa="tinyeditor-root-element"&gt;The Anti-Monumentalist Defines "Monumental: Sculpture by Dr. Charles Smith"&lt;/span&gt;&lt;/a&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-19" width="100%" 
border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;div style="max-width:596px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6k66ekD6r7yqmt6wm%7CjdO-7M-sPARd" target="_blank"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/v7z/shy/4g2/2004.2.8-Angle-no-bulb-High-res-scaled-600x450.jpeg" style="display:block;height:auto;border:0;width:100%" width="596" alt="" title="" height="auto"&gt;&lt;/a&gt;
&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-20" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Dr. Smith challenges, inverts and rejects the conventions of traditional monuments at Intuit Art Museum. (Elisa Shoenberger)&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="divider_block block-21" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:10px;padding-bottom:20px;padding-left:10px;padding-right:10px" align="center"&gt;
&lt;table border="0" cellpadding="0" cellspacing="0" role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-22" style="height:45px;line-height:45px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="image_block block-23" width="100%" border="0" cellpadding="0" 
cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-left:20px;padding-right:20px" align="center"&gt;&lt;div style="max-width:400px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6k66ekD6r7fqmt6wm%7CjdO-7M-sPARd" target="_blank"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/q6i/gpd/eol/Newcity_2026-07-08_Cover%20Footer.jpeg" style="display:block;height:auto;border:0;width:100%" width="400" alt="" title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;
&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-24" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:18.2px;color:#000;line-height:1.3"&gt;&lt;p 
style="margin:0;font-size:14px;text-align:center;mso-line-height-alt:26px"&gt;&lt;span style="word-break: break-word; font-size: 20px;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word;"&gt;JULY-AUGUST 2026:&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:14px;text-align:center;mso-line-height-alt:26px"&gt;&lt;span style="word-break: break-word; font-size: 20px;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word;"&gt;AMERICA 250 + ART IN MICHIGAN&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;br&gt;
&lt;span style="word-break: break-word; font-size: 20px;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word;"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6k66ekD6r7f6mt6wm%7CjdO-7M-sPARd" target="_blank" style="text-decoration: none; color: #19638e;" rel="noopener"&gt;GET THE ISSUE&lt;/a&gt; | &lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6k66ekD6r7fLmt6wm%7CjdO-7M-sPARd" target="_blank" style="text-decoration: none; color: #19638e;" rel="noopener"&gt;SUBSCRIBE&lt;/a&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div 
class="spacer_block block-25" style="height:40px;line-height:40px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="divider_block block-26" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:10px;padding-bottom:20px;padding-left:10px;padding-right:10px" align="center"&gt;&lt;table border="0" cellpadding="0" cellspacing="0" role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;
&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-27" style="height:21px;line-height:21px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="text_block block-28" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad" 
style="padding-left:20px;padding-right:20px"&gt;&lt;div style="font-family:Tahoma,Verdana,sans-serif"&gt;&lt;div class style="font-size:14px;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;mso-line-height-alt:16.8px;color:#555;line-height:1.2"&gt;&lt;p style="margin:0;font-size:14px;mso-line-height-alt:16.8px"&gt;&lt;span style="word-break: break-word; font-size: 16px; color: #a82b28;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word;"&gt;STAGE&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table 
class="heading_block block-29" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:24px;font-weight:900;letter-spacing:normal;line-height:1.5;text-align:left;margin-top:0;margin-bottom:0;mso-line-height-alt:36px"&gt;
&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6k66ekD6r7y6mt6wm%7CjdO-7M-sPARd" target="_blank" style="text-decoration: none; color: #000000;" rel="noopener"&gt;&lt;span class="mce-content-body mce-edit-focus" style="word-break: break-word; position: relative;" id="825a8116-014d-4959-9e2f-d9c8f3c35abe" data-position="10-0-28" data-qa="tinyeditor-root-element"&gt;Irene Hsiao's "Guardians of the Earth and Sky" Offers a Garden of Delights&lt;/span&gt;&lt;/a&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-30" width="100%" 
border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;div style="max-width:598px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6k66ekD6r7yLmt6wm%7CjdO-7M-sPARd" target="_blank"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/iw6/aa0/38m/Darling-Shear-Irene-Hsiao-Amanda-Maraist-Paige-Brown-Hunter-Diamond-in-Guardians-of-the-Earth-and-Sky-at-Ping-Tom-Park-photo-by-Scott-Shigley-600x450.jpg" 
style="display:block;height:auto;border:0;width:100%" width="598" alt="" title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-31" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class 
style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;Now in its third year, Hsiao's walking outdoor performance in Chicago Parks is a summertime must for all ages. (Eileen B. Fisher)&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="divider_block block-32" width="100%" border="0" cellpadding="0" cellspacing="0" 
role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:20px;padding-bottom:20px;padding-left:10px;padding-right:10px" align="center"&gt;&lt;table border="0" cellpadding="0" cellspacing="0" role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div 
class="spacer_block block-33" style="height:21px;line-height:21px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="text_block block-34" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-left:20px;padding-right:20px"&gt;&lt;div style="font-family:Tahoma,Verdana,sans-serif"&gt;&lt;div class 
style="font-size:14px;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;mso-line-height-alt:16.8px;color:#555;line-height:1.2"&gt;&lt;p style="margin:0;font-size:14px;mso-line-height-alt:16.8px"&gt;&lt;span style="word-break: break-word; font-size: 16px; color: #000000;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word;"&gt;NEWCITY&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-35" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px" align="center"&gt;&lt;h1 style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:24px;font-weight:900;letter-spacing:normal;line-height:1.5;text-align:left;margin-top:0;margin-bottom:0;mso-line-height-alt:36px"&gt;
&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6k66ekD6r7zamt6wm%7CjdO-7M-sPARd" target="_blank" style="text-decoration: none; color: #000000;" rel="noopener"&gt;&lt;span class="mce-content-body mce-edit-focus" style="word-break: break-word; position: relative;" id="7ecc6aae-bcfc-45a6-95af-fc189cec3b0a" data-position="10-0-34" data-qa="tinyeditor-root-element"&gt;Free Will Astrology: Week of July 16, 2026&lt;/span&gt;&lt;/a&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-36" width="100%" border="0" cellpadding="0" 
cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;div style="max-width:598px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6k66ekD6r7zqmt6wm%7CjdO-7M-sPARd" target="_blank"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/q6i/21h/gge/bruna-branco-7r1HxvVC7AY-unsplash-600x450.jpg" style="display:block;height:auto;border:0;width:100%" width="598" alt="" title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table 
class="text_block block-37" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Make a list of your five greatest pleasures. (Rob Brezsny)&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="divider_block block-38" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:20px;padding-bottom:20px;padding-left:10px;padding-right:10px" align="center"&gt;&lt;table border="0" cellpadding="0" cellspacing="0" 
role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-39" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;div 
style="max-width:598px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6k66ekD6r7%7C6mt6wd" target="_blank"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/92y/375/c2u/MOWA%20NT%20newsletter%20creative%20for%20June%2015%20AmLand_digital-2-600x500.jpg" style="display:block;height:auto;border:0;width:100%" width="598" alt="" title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-40" style="height:40px;line-height:40px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table 
class="heading_block block-41" width="100%" border="0" cellpadding="5" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;h1 style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:28px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:34px"&gt;
&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6k66ekD6r7z6mt6wm%7CjdO-7M-sPARd" target="_blank" style="text-decoration: underline; color: #000000;" rel="noopener"&gt;TODAY IN CULTURE&lt;/a&gt;&lt;br&gt;&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-42" width="100%" border="0" cellpadding="10" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div 
style="font-family:sans-serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:16.8px;color:#555;line-height:1.2"&gt;&lt;p style="margin:0;font-size:14px;text-align:center;mso-line-height-alt:16.8px"&gt;&lt;span style="word-break: break-word; color: #000000;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;By Ray Pride&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-43" 
style="height:40px;line-height:40px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="heading_block block-44" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;ART&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-45" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Chicago Foto League Launches&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p 
style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Chicago Foto League, a new nonprofit "dedicated to documentary image making and its education," &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6k66ekD6r7zLmt6wd" style="text-decoration: underline; color: #0068A5;"&gt;announces its launch on Instagram&lt;/a&gt;. The group, founded by Jonathan Michael Castillo, Paul D'Amato, Lali Khalid, Colleen Plumb and Dylan Yarbrough, intends to "foster critical engagement with the world through community, classes and dialogue centered on an expansive vision of documentary practice. We believe photography is a force for building connection and understanding." View classes and other programming &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6k66ekD6r70amt6wd" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Street Photography magazine &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6k66ekD6r70qmt6wd" style="text-decoration: underline; color: #0068A5;"&gt;looks at a predecessor&lt;/a&gt;: "Founded in 1936, the New York Photo League set out to shoot their complicated, stressed-out world. They believed photography was, first and foremost, an art form. But it was an art form with tremendous documentary potential. And they wanted to unleash that potential. In this respect, they were helping to invent street photography as we know it today."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Stony Island Arts Bank's New Cocktail Bar Features Drinks Created By Chicago Artists&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Each of the seven drinks on offer at Stony Island Arts Bank's arts-themed cocktail bar Yunomi "are crafted by and named after artists with ties to Theaster Gates and Heiji Choy Black," &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6k66ekD6r706mt6wd" style="text-decoration: underline; color: #0068A5;"&gt;sips Eater Chicago&lt;/a&gt;. “It’s one-hundred percent them," says Choy Black of the drinks developed by the artists. "Most of them were telling me in real time 'Oh, I had friends over last night and we decided that this was the one.' It makes me joyful to think of them experimenting and having their own party, trying to figure out their perfect cocktail." &lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Edra Soto "contributed coquito, a rum-based drink synonymous with Puerto Rico. Caroline Kent’s addition is a vodka-based lavender drop and Brendan Fernandes’ Jeté drinks like a very modern martini crossed with a Manhattan. The tequila-based drink is turned electric green by Chartreuse, orange bitters and saffron syrup."&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Broad Art Museum Director Phillip Bahar On Marketing And Museums&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Adam Rozan, a friend of former Chicago Humanities Festival head and current MSU Broad Art Museum director Phillip Bahar, &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6k66ekD6r72qmt6wd" style="text-decoration: underline; color: #0068A5;"&gt;publishes a conversation between the two&lt;/a&gt;. "Phillip, one thing that has always struck me is how few museum directors come from marketing. I can think of you and Elizabeth Pierce (Cincinnati Museum Center), but it's still a pretty short list." Says Bahar, "Slowly, but I actually think it's the wrong question. It's less about whether someone comes from marketing and more about whether they lead with an audience mindset." (&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6k66ekD6r9zqmt6wm%7CjdO-7M-sPARd" target="_blank" style="text-decoration: underline; color: #0068A5;" rel="noopener"&gt;More&lt;/a&gt;.)&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-46" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;DESIGN&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-47" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;A New Age For The Stockyards?&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p 
style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;More than a half-century after they were closed, Chicago's Union Stockyards are starting to see developers modernize the area, &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6k66ekD6r726mt6wd" style="text-decoration: underline; color: #0068A5;"&gt;explores Axios&lt;/a&gt;. "While other industrial parts of the city, like Fulton Market and the West Loop, have boomed with development, the Stockyards have remained stagnant. Chicago developers The Missner Group are hoping to change that by banking on the area's proximity to the Loop, Dan Ryan expressway and labor force." (&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6k66ekD6r9z6mt6wm%7CjdO-7M-sPARd" target="_blank" style="text-decoration: underline; color: #0068A5;" rel="noopener"&gt;More&lt;/a&gt;.)&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;A "Goldilocks" Building In South Chicago&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"There hasn’t been a lot of new anything for decades in the neighborhood immediately west of the old South Works site in South Chicago. But that’s changed with the recent completion of a well-scaled mixed-use mid-rise called Thrive Exchange," &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6k66ekD6r72Lmt6wd" style="text-decoration: underline; color: #0068A5;"&gt;writes Tribune architecture critic Edward Keegan&lt;/a&gt;. "The design is the product of locally based Koo Architecture led by architect Jackie Koo," and was built "as part of the Invest South/West initiative that was launched by then-Mayor Lori Lightfoot and then-Department of Planning and Development Commissioner Maurice Cox." (&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6k66ekD6r9zLmt6wm%7CjdO-7M-sPARd" target="_blank" style="text-decoration: underline; color: #0068A5;" rel="noopener"&gt;More&lt;/a&gt;.)&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Box Stores Find Urban Foothold In Affordable Housing&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"As more states and municipalities continue their push to build affordable housing, companies like Costco and Target are riding along and getting their stores into crowded cities," &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6k66ekD6r73amt6wd" style="text-decoration: underline; color: #0068A5;"&gt;reports the New York Times&lt;/a&gt;. "As the nation's housing shortage worsens, more states and municipalities, including California, Florida, Massachusetts and Philadelphia, have rolled out incentives and financing to encourage housing construction," with the retailers taking ground floor retail space. "For the retailers, the partnerships often mean access to scarce unused land, with the housing developers responsible for construction and other upfront costs. For the developers, a retailer like Costco can lend cachet and even contribute to the project's garnering higher rents."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-48" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;DINING AND DRINKING&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-49" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;The Home Depot Hot Dog Is An Essential Chicago Thing&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p 
style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"If you live in Chicago, a hardware run includes the opportunity to visit one of the seventeen Fixin' Franks locations in Home Depot's bright-orange exit vestibules throughout the city and suburbs," &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6k66ekD6r73qmt6wd" style="text-decoration: underline; color: #0068A5;"&gt;profiles Block Club&lt;/a&gt; of the chain of hot dog stands housed in the hardware giant's local entryways. "Today's Fixin' Franks menu include Italian beef served on bread from D'Amato's Bakery, elotes in a cup and even the paper-wrapped, machine-extruded, Chicago-style tamale. It tends to surprise those unfamiliar with the deep cuts of Chicago fast food, [owner] Jordan Shirley said."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;South Loop Resto Faces Eviction, Wage Theft Accusations&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"Former bartenders and servers of South Loop restaurant Reserv said they're owed thousands in unpaid wages, after the business was served an eviction notice last month," &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6k66ekD6r736mt6wd" style="text-decoration: underline; color: #0068A5;"&gt;reports the Sun-Times&lt;/a&gt;. The eatery "owes an estimated total of $45,800 for unpaid rent since March, court records show. The 9,454-square-foot restaurant at 744 South Dearborn opened in December and replaced Roots Handmade Pizza in Printers Row. Reserv owner Gerald Joseph said he's contesting the eviction filing and dealing with a dispute involving a business partner."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Chengdu Impression Could Expand To Logan Square&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Sichuan restaurant Chengdu Impression may be opening up their fourth location in Chicago, &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6k66ekD6r73Lmt6wd" style="text-decoration: underline; color: #0068A5;"&gt;rumors B Talent&lt;/a&gt;. The potential Logan Square location is at the former Chiya Chai space.&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;
&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Restos Rush Back To OpenTable From Resy&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"A decade ago, Resy skimmed many of the most popular restaurants off of OpenTable's platform, turning it from a monopoly player in digital reservations to an old-timer," &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6k66ekD6r74amt6wd" style="text-decoration: underline; color: #0068A5;"&gt;reserves Grub Street&lt;/a&gt;. "Over the last year or so, that's changed: OpenTable is now betting that a combination of product updates, pricing changes and a full-on charm offensive—plus, in certain cases, straight cash—will be enough to win back the kinds of sought-after spots that draw diners to a booking platform. The strategy is working. [In New York], Estela, Raf's, Altro Paradiso, Scarr's Pizza and Win Son are just some of the restaurants that have moved from Resy to OpenTable since last summer." (&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6k66ekD6r90amt6wm%7CjdO-7M-sPARd" target="_blank" style="text-decoration: underline; color: #0068A5;" rel="noopener"&gt;More&lt;/a&gt;.)&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-50" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;FILM &amp;amp; TELEVISION&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-51" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div 
style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:12px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:18px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Christopher Nolan On Discovering IMAX In Chicago&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"You spent a lot of time in Chicago growing up. Were you a Museum of Science and Industry guy?" &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6k66ekD6r74qmt6wd" style="text-decoration: underline; color: #0068A5;"&gt;asks Richard Roeper at WBEZ&lt;/a&gt;. (Nolan and his siblings spent their summers in Evanston.) "My early, formative IMAX experiences were going to the Museum of Science and Industry and seeing 'Ring of Fire' (1991), a wonderful documentary about volcanoes in the Pacific and Indonesia," says Nolan. "And going to Great America and seeing 'To Fly!' (1976). The Museum of Science and Industry was an IMAX dome, which was incredible. But the [&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6k66ekD6r746mt6wd" style="text-decoration: underline; color: #0068A5;"&gt;IMAX Pictorium&lt;/a&gt; at Six Flags Great America in Gurnee] back then was a flat IMAX, and 'To Fly!' was there."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;State Attorneys General Could Stop Paramount Skydance Deal; Ellison Family Threatens To Abandon California&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;
&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"A coalition of state attorneys general have sued Paramount to stop its $111 billion takeover of Warner Bros. Discovery, a sweeping legal challenge to a merger that threatens to reshape Hollywood amid the absence of the Trump administration's intervention in big deals," &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6k66ekD6r76qmt6wd" style="text-decoration: underline; color: #0068A5;"&gt;writes the Hollywood Reporter&lt;/a&gt;. "In a much-anticipated lawsuit filed in California federal court, the states allege that the acquisition will substantially throttle competition in wide-release and top-grossing theatrical distribution and cable licensing in violation of antitrust laws. They argue that the merger will combine two of the top five studios in Hollywood, leading to higher prices, fewer movies in theaters and a reduction in the variety and quality of content." (&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6k66ekD6r90qmt6wm%7CjdO-7M-sPARd" target="_blank" style="text-decoration: underline; color: #0068A5;" rel="noopener"&gt;More&lt;/a&gt;.)&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-52" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;LIT&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-53" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:12px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:18px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;"Welcome To The Show" Books Harold Washington Library To Talk Folding Map Project&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;The next edition of "Welcome to the Show," "Chicago's only live, traveling talk show" will feature interviews with Folding Map Project creator and organizer Tonika Lewis Johnson, urban explorer Joabe Barbosa, composer Charles Joseph Smith and saxophonist Nick Zoulek. The program will also include a performance by members of Backroom Shakespeare. Sunday, August 9, 2pm. More on Instagram &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6k66ekD6r77amt6wd" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-54" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;MUSIC&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-55" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:12px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:18px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Swan Paddle Boats As The Stage In A Milwaukee Lagoon&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p 
style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"Swans," a free public performance in Milwaukee's Veteran's Park Lagoon, will use swan paddle boats as the stage in a performance created by Chicago composer Lia Kohl and visual artist Jess Bass. "Six boats will move around the lagoon in choreographed formations, each holding dancers waving wing sculptures and saxophones playing from the back of each boat. Performers include dancers and musicians from Milwaukee and Chicago." The event is presented by "Out There," Milwaukee's experimental performance series. Sunday, August 30. More &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6k66ekD6r77qmt6wd" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Better Acoustics, Fewer Seats In Ravinia Revamp&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Audiences who visit the Ravinia Festival this season will "see and hear&lt;em&gt; &lt;/em&gt;a few improvements, the result of a $70 million makeover," &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6k66ekD6r776mt6wd" style="text-decoration: underline; color: #0068A5;"&gt;measures the Sun-Times&lt;/a&gt;. "The Highland Park venue's signature stage, called the Hunter Pavilion, is bigger, freshly designed and features a brand new orchestra shell with enhanced acoustics. The new shell is inspired by the stained-glass windows of the Martin Theatre, the last original structure standing from when the thirty-six-acre wooded park opened in 1904." A seven-foot increase in stage space reduces the pavilion's seating to 2,840 seats, down from 3,350. "But Ravinia has invested in brand-new, cushioned seats that come with cupholders. They're wider than the old chairs, too."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Smoking Out The Windy City Smokeout&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Windy City Smokeout, which took place this past weekend, brings BBQ pitmasters and country music bands "into the exceedingly unfriendly confines of a United Center parking lot, [which] lacks shade, good views of the stage (for everyone) and, paradoxically, any negativity whatsoever. I don’t know about you, but I found it hard to relate at times. It may be the only place in Chicago you won't hear a lot of whining," writes the usually equanimous Christopher Borrelli at the Trib (&lt;em&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6k66ekD6r77Lmt6wd" style="text-decoration: underline; color: #0068A5;"&gt;gift link&lt;/a&gt;&lt;/em&gt;). "Being at Windy City Smokeout is like being in a crowded bar with a jukebox playing and occasionally you recognize a song but hearing music is not a priority. Why they have Windy City Smokeout here and not in the middle of Clark Street and Wrigleyville—Nashville North—is beyond me." (&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6k66ekD6r906mt6wm%7CjdO-7M-sPARd" target="_blank" style="text-decoration: underline; color: #0068A5;" rel="noopener"&gt;More&lt;/a&gt;.)&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Could Lollapalooza Do More To Serve Chicago?&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"Chicago Made is one of a handful of ways the city deepens its ties to Lollapalooza year-round," &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6k66ekD6r78amt6wd" style="text-decoration: underline; color: #0068A5;"&gt;writes Leor Galil at the Reader&lt;/a&gt;. "C3 Presents also hosts an annual job fair linked to Lolla and Sueños, the Latine music fest it helped launch in 2022. Lolla has donated $3.9 million to Chicago Public Schools in support of arts programming between 2021 and 2031. And Lolla and C3 threw down $30,000 to help the Chicago Park District purchase Buckingham Fountain’s new set of a hundred lawn chairs...These initiatives all sound like good things in and of themselves, but they also invite the city to become reliant on Lollapalooza. And the festival clearly gains more from its use of Grant Park than the city’s music culture gets from Lolla’s four days of programming or its charitable gestures. Those gestures incentivize local public institutions to see themselves as part of a corporate festival whose priority is Live Nation’s finances, not Chicago’s cultural health."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-56" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;STAGE&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-57" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;John Mulaney's Wrigley Field Stand Sets A Stand-Up Record&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Chicago native John Mulaney "returned home to become the first comedian to perform at Wrigley Field, and he sold out the venue to boot, performing for one of the largest stand-up audiences ever," offers the Hollywood Reporter &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6k66ekD6r78qmt6wd" style="text-decoration: underline; color: #0068A5;"&gt;in an extended recap&lt;/a&gt;. "'How did this happen?' asked a bearded David Letterman as he took centerstage to wild cheers and applause. 'What, are the Beatles here tonight, ladies and gentlemen? This makes that Taylor Swift wedding look like a student film.'" &lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Other guests included Buddy Guy, Fred Armisen and, of course, Richard Kind. "Mulaney seemed floored by the scene. 'Every Chicago thing in me tells me to stop bowing, but I’m going to enjoy the moment,' he said as he closed the show. 'Words can’t describe how cool this is.'" Mulaney says goodnight to the assembled in a video &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6k66ekD6r786mt6wd" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Skokie Theatre To Reopen In Fall&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Monica and Chris Matsakis along with Jose and Kristi Cantillo have bought the Skokie Theatre, which closed at the start of 2012, and plan to reopen it as soon as September. The theater will be "a live entertainment venue dedicated to comedy, storytelling, music and community," &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6k66ekD6r7-qmt6wd" style="text-decoration: underline; color: #0068A5;"&gt;they announce&lt;/a&gt;. View updates &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6k66ekD6r7-6mt6wd" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-58" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;&lt;strong&gt;ARTS &amp;amp; CULTURE &amp;amp; ETC.&lt;/strong&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-59" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td 
class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;The Obama Center Sets The Silver Room Symposium&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;The Obama Center and the Silver Room are hosting a symposium that explores "America through the interconnected lenses of arts, culture, archival preservation and civics," bringing "together scholars and cultural practitioners for conversations that connect history with modern changemaking." The afternoon hosts a performance by musician Sam Thousand and two panels: "Preserving Democracy and the Role of the Archives," is moderated by Natalie Y. Moore and features panelists Tracie D. Hall, Nichole Hill and Faheem Majeed; "Preserving Democracy and the Role of Artists" is moderated by Jacqueline Stewart and features Edra Soto, Nancy Villafranca-Guzman, Raquel Flores-Clemons and Norman Teague. Friday, July 17, 2pm-5:15pm. Tickets ($65) &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6k66ekD6r7-Lmt6wd" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;.&lt;/span&gt;
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&lt;span style="word-break: break-word; font-size: 18px;"&gt;Get your ticket now for Chicago's hottest summer festival: The StoryBoard Writers Festival!&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Join StoryStudio Chicago Artistic Director Rebecca Makkai, Program Curator Ananda Lima, and an exciting group of instructors on &lt;strong&gt;August 15 at the Newberry Library&lt;/strong&gt; for an inspiring day of creative writing, craft, and community.&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Your StoryBoard Festival ticket gets you:&lt;/span&gt;&lt;/p&gt;&lt;ul style="line-height:1.5;mso-line-height-alt:27px"&gt;&lt;li&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;Coffee &amp; Breakfast Social&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;Choose from 15 Breakout Sessions with Featured Craft Lecturers and StoryStudio Instructors&lt;/span&gt;&lt;/li&gt;&lt;li&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Lunch with your fellow writers (lunch is included!)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;Book Signing with Featured Craft Lecturers&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;Saturday Evening Cocktail Party&lt;/span&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-8" style="height:21px;line-height:21px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table 
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class="pad" style="padding-top:20px;padding-bottom:10px;padding-left:20px;padding-right:20px"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;My earliest political memory is of despising Nixon and cheering on the demise of his presidency, a sentiment far too mature for the boy I was, but one readily absorbed from my very liberal father. Not long after Nixon resigned, America celebrated its bicentennial with a flourish that pervaded our lives. We were celebrating the nation in its conception and totality, so whatever disdain we had for the then-current president Ford did not seem to matter.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;It feels so different now, as we fear not for our policy positions, but for the very institutions we cherish. And yet, it's our country too. Our 250th birthday, too. So how do we fashion our own celebration?&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;In Chicago, the answer came to us on a silver platter, with the opening of the Obama Presidential Center, a magnificent monument to a moment when so much of the promise of America seemed closer to realization than ever.&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;But we had a problem. This issue is coming out a few weeks after the Center opened, and the onslaught of press coverage has been overwhelming. I count at least ten stories over just a few weeks in the New York Times alone.&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Meanwhile, I've had the Theodore Roosevelt Presidential Library on my radar ever since I visited the so-cheesy-it's-charming Medora, North Dakota back in the summer of 2021.&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;&lt;em&gt;Continue reading &lt;/em&gt;&lt;/strong&gt;&lt;em&gt;the July/August Editor's Letter &lt;/em&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6k8aekFar-qqmv-%5BD%7CjdO-7M-sPARd" style="text-decoration: underline; color: #0068A5;"&gt;&lt;em&gt;here&lt;/em&gt;&lt;/a&gt;&lt;em&gt;. &lt;/em&gt;&lt;em&gt;&lt;br&gt;&lt;/em&gt;&lt;em&gt;Order the July/August edition &lt;/em&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6k8aekFar-q6mv-%5BD%7CjdO-7M-sPARd" style="text-decoration: underline; color: #0068A5;"&gt;&lt;em&gt;here&lt;/em&gt;&lt;/a&gt;&lt;em&gt;. &lt;/em&gt;&lt;/span&gt;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-7" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px" align="left"&gt;&lt;div style="max-width:104px"&gt;&lt;img 
src="https://d15k2d11r6t6rl.cloudfront.net/pub/40qd/br3kliar/ier/gbh/bha/unnamed-1_1.png" style="display:block;height:auto;border:0;width:100%" width="104" alt="" title="" height="auto"&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-8" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px"&gt;&lt;div 
style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px; color: #000000;"&gt;Brian Hieggelke&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px; color: #000000;"&gt;Editor &amp; Publisher&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px; color: #000000;"&gt;&lt;em&gt;You can still get a copy of the 156-page double summer issue. If you subscribe now &lt;/em&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6k8aekFar98amv-%5BD%7CjdO-7M-sPARd" style="text-decoration: underline; color: #0068A5;"&gt;&lt;em&gt;here&lt;/em&gt;&lt;/a&gt;&lt;em&gt;, it will be your first edition. And as for other options, find out &lt;/em&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6k8aekFar98qmv-%5BD%7CjdO-7M-sPARd" style="text-decoration: underline; color: #0068A5;"&gt;&lt;em&gt;here&lt;/em&gt;&lt;/a&gt;&lt;em&gt;. &lt;/em&gt;&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="divider_block block-9" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:10px;padding-bottom:20px;padding-left:10px;padding-right:10px" align="center"&gt;&lt;table border="0" cellpadding="0" cellspacing="0" role="presentation" width="100%" 
style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-10" style="height:21px;line-height:21px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="text_block block-11" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-left:20px;padding-right:20px"&gt;&lt;div style="font-family:Tahoma,Verdana,sans-serif"&gt;&lt;div class style="font-size:14px;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;mso-line-height-alt:16.8px;color:#555;line-height:1.2"&gt;&lt;p style="margin:0;font-size:14px;mso-line-height-alt:16.8px"&gt;
&lt;span style="word-break: break-word; font-size: 16px; color: #5b7ead;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word;"&gt;FILM&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-12" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:24px;font-weight:900;letter-spacing:normal;line-height:1.5;text-align:left;margin-top:0;margin-bottom:0;mso-line-height-alt:36px"&gt;
&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6k8aekFar-qLmv-%5BD%7CjdO-7M-sPARd" target="_blank" style="text-decoration: none; color: #000000;" rel="noopener"&gt;&lt;span class="mce-content-body mce-edit-focus" style="word-break: break-word; position: relative;" id="9367ffa5-679e-4a89-845f-bb46de8ff822" data-position="10-0-11" data-qa="tinyeditor-root-element"&gt;Rise, Fall, Rise: Civilization and "The Odyssey"&lt;/span&gt;&lt;/a&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-13" width="100%" border="0" cellpadding="0" 
cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;div style="max-width:598px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6k8aekFar-ramv-%5BD%7CjdO-7M-sPARd" target="_blank"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/pb0/hnx/vgy/ODYSSEY-DAMON-600x450.jpg" style="display:block;height:auto;border:0;width:100%" width="598" alt="" title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table 
class="text_block block-14" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Under a Kodachrome sky, Christopher Nolan shows what happens when kindness and unquestioning hospitality are abandoned: around the survivors, an age collapsing, its ruins, ours. (Ray Pride)&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Note: Due to an embargo, the review will be published at 11am CST at &lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6k8aekFar-rqmv-%5BD%7CjdO-7M-sPARd" style="text-decoration: underline; color: #0068A5;"&gt;newcityfilm.com&lt;/a&gt;.&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="divider_block block-15" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" 
style="padding-top:10px;padding-bottom:20px;padding-left:10px;padding-right:10px" align="center"&gt;&lt;table border="0" cellpadding="0" cellspacing="0" role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-16" style="height:21px;line-height:21px;font-size:1px"&gt;
&amp;#8202;&lt;/div&gt;&lt;table class="text_block block-17" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-left:20px;padding-right:20px"&gt;&lt;div style="font-family:Tahoma,Verdana,sans-serif"&gt;&lt;div class style="font-size:14px;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;mso-line-height-alt:16.8px;color:#555;line-height:1.2"&gt;&lt;p 
style="margin:0;font-size:14px;mso-line-height-alt:16.8px"&gt;&lt;span style="word-break: break-word; font-size: 16px; color: #a82b28;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word;"&gt;STAGE&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-18" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" 
style="width:100%;padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px" align="center"&gt;&lt;h1 style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:24px;font-weight:900;letter-spacing:normal;line-height:1.5;text-align:left;margin-top:0;margin-bottom:0;mso-line-height-alt:36px"&gt;
&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6k8aekFar-r6mv-%5BD%7CjdO-7M-sPARd" target="_blank" style="text-decoration: none; color: #000000;" rel="noopener"&gt;“Suffs” Offers Sustenance to Keep Marching for Gender Equality&lt;/a&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-19" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;div style="max-width:598px"&gt;
&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6k8aekFar-rLmv-%5BD%7CjdO-7M-sPARd" target="_blank"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/15z/qkn/7e4/2-SUFFS-Tour_Maya-Keleher-as-Alice-Paul-and-SUFFS-Company-scaled-600x450.jpg" style="display:block;height:auto;border:0;width:100%" width="598" alt="" title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-20" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;Broadway in Chicago's musical on the suffragist movement makes feminism sing. (Dennis Polkow)&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;
&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="divider_block block-21" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:10px;padding-bottom:20px;padding-left:10px;padding-right:10px" align="center"&gt;&lt;table border="0" cellpadding="0" cellspacing="0" role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="divider_inner" 
style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-22" style="height:21px;line-height:21px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="text_block block-23" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-left:20px;padding-right:20px"&gt;&lt;div 
style="font-family:Tahoma,Verdana,sans-serif"&gt;&lt;div class style="font-size:14px;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;mso-line-height-alt:16.8px;color:#555;line-height:1.2"&gt;&lt;p style="margin:0;font-size:14px;mso-line-height-alt:16.8px"&gt;&lt;span style="word-break: break-word; font-size: 16px; color: #65d68b;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word;"&gt;ART&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-24" width="100%" border="0" cellpadding="0" 
cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px" align="center"&gt;&lt;h1 style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:24px;font-weight:900;letter-spacing:normal;line-height:1.5;text-align:left;margin-top:0;margin-bottom:0;mso-line-height-alt:36px"&gt;
&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6k8aekFar-samv-%5BD%7CjdO-7M-sPARd" target="_blank" style="text-decoration: none; color: #000000;" rel="noopener"&gt;&lt;span class="mce-content-body mce-edit-focus" style="word-break: break-word; position: relative;" id="7f897820-a258-400a-9f54-2dcd292fc6b8" data-position="10-0-23" data-qa="tinyeditor-root-element"&gt;Kazuhito Tanaka's Colorful Display at Document&lt;/span&gt;&lt;/a&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-25" width="100%" border="0" cellpadding="0" 
cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;div style="max-width:598px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6k8aekFar-sqmv-%5BD%7CjdO-7M-sPARd" target="_blank"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/cjw/8ud/8ha/Image-3-scaled-600x450.jpg" style="display:block;height:auto;border:0;width:100%" width="598" alt="" title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table 
class="text_block block-26" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Tanaka takes over Document's space in a vibrant medley of hues, tones and shades with his exhibition "Picture(s)." (Lucas Gomez-Doyle)&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="divider_block block-27" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:10px;padding-bottom:20px;padding-left:10px;padding-right:10px" 
align="center"&gt;&lt;table border="0" cellpadding="0" cellspacing="0" role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-28" style="height:45px;line-height:45px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="image_block block-29" width="100%" border="0" 
cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-left:20px;padding-right:20px" align="center"&gt;&lt;div style="max-width:400px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6k8aekFar9Aamv-%5BD%7CjdO-7M-sPARd" target="_blank"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/q6i/gpd/eol/Newcity_2026-07-08_Cover%20Footer.jpeg" style="display:block;height:auto;border:0;width:100%" width="400" alt="" title="" 
height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-30" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class 
style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:18.2px;color:#000;line-height:1.3"&gt;&lt;p style="margin:0;font-size:14px;text-align:center;mso-line-height-alt:26px"&gt;&lt;span style="word-break: break-word; font-size: 20px;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word;"&gt;JULY-AUGUST 2026:&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:14px;text-align:center;mso-line-height-alt:26px"&gt;
&lt;span style="word-break: break-word; font-size: 20px;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word;"&gt;AMERICA 250 + ART IN MICHIGAN&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;br&gt;
&lt;span style="word-break: break-word; font-size: 20px;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word;"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6k8aekFar9Aqmv-%5BD%7CjdO-7M-sPARd" target="_blank" style="text-decoration: none; color: #19638e;" rel="noopener"&gt;GET THE ISSUE&lt;/a&gt; | &lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6k8aekFar9A6mv-%5BD%7CjdO-7M-sPARd" target="_blank" style="text-decoration: none; color: #19638e;" rel="noopener"&gt;SUBSCRIBE&lt;/a&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div 
class="spacer_block block-31" style="height:40px;line-height:40px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="divider_block block-32" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:10px;padding-bottom:20px;padding-left:10px;padding-right:10px" align="center"&gt;&lt;table border="0" cellpadding="0" cellspacing="0" role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;
&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-33" style="height:21px;line-height:21px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="text_block block-34" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad" 
style="padding-left:20px;padding-right:20px"&gt;&lt;div style="font-family:Tahoma,Verdana,sans-serif"&gt;&lt;div class style="font-size:14px;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;mso-line-height-alt:16.8px;color:#555;line-height:1.2"&gt;&lt;p style="margin:0;font-size:14px;mso-line-height-alt:16.8px"&gt;&lt;span style="word-break: break-word; font-size: 16px; color: #a82b28;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word;"&gt;STAGE&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table 
class="heading_block block-35" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:24px;font-weight:900;letter-spacing:normal;line-height:1.5;text-align:left;margin-top:0;margin-bottom:0;mso-line-height-alt:36px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6k8aekFar-s6mv-%5BD%7CjdO-7M-sPARd" target="_blank" style="text-decoration: none; color: #000000;" rel="noopener"&gt;Too Much Farce, Not Enough Force in This Version of “The Importance of Being Earnest”&lt;/a&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table 
class="image_block block-36" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;div style="max-width:598px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6k8aekFar-%5Eqmv-%5BD%7CjdO-7M-sPARd" target="_blank"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/gvq/z4t/j5u/IMG_7284-scaled-600x450.jpg" style="display:block;height:auto;border:0;width:100%" width="598" alt="" title="" 
height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-37" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Sight gags go Wilde in No Dogs in the Kitchen Theatre Company’s revival of the classic comedy, overwhelming the play’s trenchant commentary on Victorian social mores. (Hugh Iglarsh)&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="divider_block block-38" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" 
style="padding-top:20px;padding-bottom:20px;padding-left:10px;padding-right:10px" align="center"&gt;&lt;table border="0" cellpadding="0" cellspacing="0" role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-39" style="height:21px;line-height:21px;font-size:1px"&gt;
&amp;#8202;&lt;/div&gt;&lt;table class="text_block block-40" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-left:20px;padding-right:20px"&gt;&lt;div style="font-family:Tahoma,Verdana,sans-serif"&gt;&lt;div class style="font-size:14px;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;mso-line-height-alt:16.8px;color:#555;line-height:1.2"&gt;&lt;p 
style="margin:0;font-size:14px;mso-line-height-alt:16.8px"&gt;&lt;span style="word-break: break-word; font-size: 16px; color: #429c95;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word;"&gt;BRAZIL&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-41" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" 
style="width:100%;padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px" align="center"&gt;&lt;h1 style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:24px;font-weight:900;letter-spacing:normal;line-height:1.5;text-align:left;margin-top:0;margin-bottom:0;mso-line-height-alt:36px"&gt;
&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6k8aekFar-%5E6mv-%5BD%7CjdO-7M-sPARd" target="_blank" style="text-decoration: none; color: #000000;" rel="noopener"&gt;Casa Fundação Itaú Debuts At FLIP’s Twenty-Fourth Edition&lt;/a&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-42" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;div style="max-width:598px"&gt;
&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6k8aekFar-%5ELmv-%5BD%7CjdO-7M-sPARd" target="_blank"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/p44/lvl/w0n/10.ConceicaoEvaristo_Reproducao-600x450.jpeg" style="display:block;height:auto;border:0;width:100%" width="598" alt="" title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-43" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;Plus: SP-Arte Rotas releases its exhibitor list. (Daniela Cantu)&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table 
class="divider_block block-44" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:20px;padding-bottom:20px;padding-left:10px;padding-right:10px" align="center"&gt;&lt;table border="0" cellpadding="0" cellspacing="0" role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;
&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-45" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;div style="max-width:598px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6k8aekFar9Dqmv-%5Bk" target="_blank"&gt;&lt;img 
src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/92y/375/c2u/MOWA%20NT%20newsletter%20creative%20for%20June%2015%20AmLand_digital-2-600x500.jpg" style="display:block;height:auto;border:0;width:100%" width="598" alt="" title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-46" style="height:40px;line-height:40px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="heading_block block-47" width="100%" border="0" cellpadding="5" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;h1 style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:28px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:34px"&gt;
&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6k8aekFar-vamv-%5BD%7CjdO-7M-sPARd" target="_blank" style="text-decoration: underline; color: #000000;" rel="noopener"&gt;TODAY IN CULTURE&lt;/a&gt;&lt;br&gt;&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-48" width="100%" border="0" cellpadding="10" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div 
style="font-family:sans-serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:16.8px;color:#555;line-height:1.2"&gt;&lt;p style="margin:0;font-size:14px;text-align:center;mso-line-height-alt:16.8px"&gt;&lt;span style="word-break: break-word; color: #000000;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;By Ray Pride&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-49" 
style="height:40px;line-height:40px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="heading_block block-50" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;ART&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-51" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Karen Finley Shares Her Believer Stories&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p 
style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Artist, poet and performer Karen Finley will perform her solo piece "Believe" at the School of the Art Institute of Chicago on Monday, July 20 in a free performance open to the public. In the piece, "Finley creates a series of artworks illustrating mentors, teachers and artists who 'believed' in Finley and gave support with their encouragement." For the performance, "Finley sits at a table handling the works on paper artwork she created that illustrates the narrative while a live camera with a bird's-eye view projects Finley's hands and artwork onto the screen simultaneously in real time.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"While the images are projected, Finley tells the story of each 'believe' encounter. The artworks act as a storyboard creating intimacy, the private made public of supportive relationships." The artists include Louise Bourgeois, Kathy Acker, bell hooks, Sinead O'Connor, Joan Rivers, David Wojnarowicz, Tony Fitzpatrick and Lee Godie. Hosted on Monday, July 20 at 6pm in the ballroom at 112 South Michigan. More &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6k8aekFar-vqmv-%5Bk" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-52" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;DESIGN&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-53" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;The Loop's Weather Bell Glows Again&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p 
style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;The long-abandoned weather bell at 79 West Monroe, which "changes color to alert passersby of coming weather conditions," is being restored, &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6k8aekFar-v6mv-%5Bk" style="text-decoration: underline; color: #0068A5;"&gt;reports the Sun-Times&lt;/a&gt;. "It's an icon for the city," said Gary Stoltz of R2 Companies, which is redeveloping the landmark Rector Building where the sign is located. "Everybody who's spent time in the Loop, walking through the Loop, recognizes the building by the bell." R2 and Luxembourg's Lagfin S.C.A. "are handling the $64 million &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6k8aekFar-vLmv-%5Bk" style="text-decoration: underline; color: #0068A5;"&gt;residential conversion&lt;/a&gt;," which will be called the Bellwether Residences. &lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"The city's landmark designation didn't require restoration of the weather bell—but the state's historic preservation office did. Stoltz said the project includes upgrading the bell's lighting, installing controls that can better anticipate the weather, then recladding the whole thing over the next few weeks."&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;City Council Approves $425 Million Subsidy For The 78, With Half Going To Parking Garage&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"Despite myriad concerns, a City Council committee Monday overwhelmingly approved a $425 million tax increment financing subsidy to bankroll the public improvements needed to support a South Loop development anchored by a new soccer stadium privately financed by the Chicago Fire" and billionaire owner Joe Mansueto, &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6k8aekFar-wamv-%5Bk" style="text-decoration: underline; color: #0068A5;"&gt;reports the Sun-Times&lt;/a&gt;.&amp;nbsp;"Some members questioned Mayor Brandon Johnson’s commitment to use more than half the public subsidy—$216 million—to build a 1,200-space parking garage that will serve as the 'podium' for an open-air plaza and future high-rise development on the air rights above the garage." The original infrastructure plans included a new Red Line stop, which is no longer planned.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;A Brick Mid Rise Planned For Vacant Logan Square Lot&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"A mixed-use development is in the works on a vacant site at 2758 North Mozart," &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6k8aekFar-wqmv-%5Bk" style="text-decoration: underline; color: #0068A5;"&gt;reports Urbanize Chicago&lt;/a&gt;. Planned by Studio Oakley and designed by Chicago Common Studio and Gansari &amp; Associates LLC, the proposal is to take shape as a five-story mixed-use building with "a dark masonry exterior with punched window openings and horizontal banding that breaks down the massing." The project includes "forty residential units, 2,525 square feet of retail space, nine parking spaces and bike parking. To meet Affordable Requirements Ordinance requirements, twenty percent of the residential units will be set aside as affordable housing units."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;New York First State To Pause Data Center Construction (For A Year)&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"New York state's data center moratorium may become the blueprint for [the] anti-AI movement," &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6k8aekFar-w6mv-%5Bk" style="text-decoration: underline; color: #0068A5;"&gt;reports Ars Technica&lt;/a&gt;. "The statewide ban applies to data centers using fifty megawatts or more and it won't be lifted until the state figures out what 'consistent standards' for responsible data center development in New York should look like." Adds the New York Times (&lt;em&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6k8aekFar-yqmv-%5Bk" style="text-decoration: underline; color: #0068A5;"&gt;gift link&lt;/a&gt;&lt;/em&gt;), "Ms. [Kathy] Hochul, a Democrat seeking re-election this year, reiterated her belief in the power of technological innovation to improve New Yorkers' lives. 'I also believe this: that the businesses that build technology capable of changing civilization with AI are also capable of working with us to protect our power grid, to protect our water supplies and our communities.'"&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-54" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;DINING AND DRINKING&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-55" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Greek Frozen Yogurt Pop-Up Settles In Pilsen&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p 
style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"Former Google interns and best friends Nathalie Del Valle and Maya Matta have bet their savings on their frozen yogurt made with fresh fruit and syrups," &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6k8aekFar-y6mv-%5Bk" style="text-decoration: underline; color: #0068A5;"&gt;reports the Sun-Times&lt;/a&gt;, which lined up with the very first customers on opening day. After months of selling frozen yogurt out of their apartment "and later hosting sold-out pop-ups all around the city, the best friends have opened the brick-and-mortar home for their independent froyo brand Mikono" in Pilsen. At the opening, "a long line of enthusiastic followers…wrapped around the building."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Edgewater's Sip &amp; Savor Closes&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;With the closing of its Edgewater site in the historic Belle Shore Apartments building, coffee shop Sip &amp; Savor has closed three stores since December, &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6k8aekFar-yLmv-%5Bk" style="text-decoration: underline; color: #0068A5;"&gt;reports Block Club&lt;/a&gt;. That was the chain's only North Side shop; locations remain in Bronzeville and Hyde Park.&lt;/span&gt;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-56" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;FILM &amp;amp; TELEVISION&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-57" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div 
style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:12px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:18px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Christopher Nolan: Pro-Celluloid, Anti-Slop&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Making his international interview rounds for "The Odyssey," IMAX emissary Nolan is optimistic about the rejection of AI: "I’ve never seen a more rapid wholesale dismissal of a supposedly foundational jump in technology in my lifetime," &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6k8aekFar-zamv-%5Bk" style="text-decoration: underline; color: #0068A5;"&gt;he tells the Telegraph&lt;/a&gt;. "So much energy has been expended on bringing in AI, but if you look at that generation’s reaction, they’re utterly rejecting it...And while that doesn't mean that every aspect of the technology is useless or meaningless, in filmmaking it's hitting at exactly the wrong time. After years of driving towards heavily virtual environments, we're seeing a renewed interest in more tactile, more real forms of storytelling." Nolan also &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6k8aekFar-zqmv-%5Bk" style="text-decoration: underline; color: #0068A5;"&gt;talked to Jon Stewart for a half hour&lt;/a&gt;, including on his time living in Chicago.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Behind The Scenes At Cinespace Chicago&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"Cinespace Chicago is often called 'The Hollywood of the Midwest.' It spans sixty acres, includes fifty-one soundstages and employs thousands of people," &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6k8aekFar-z6mv-%5Bk" style="text-decoration: underline; color: #0068A5;"&gt;reports WGN-TV&lt;/a&gt; in a six minute segment. Jane Williamson, vice president of client services and operations, says, "Just a couple of months ago, we had seven productions on the lot. They have their story, they have their script, they have their crew and they come to us for the space." Adds Williamson, "Last year, the state of Illinois had about $700 million in revenue thanks to this industry."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-58" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;LIT&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-59" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:12px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:18px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;How Many Books Is Too Many Books For A New York City Apartment?&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"For a young Jewish scholar and writer named Mendel Uminer, books are the wellspring of enlightenment. So when he scored a studio apartment a block away from Central Park on Manhattan’s Upper East Side a year ago, he brought his books with him—all 10,000 of them. What followed, at least for a little while, was a charmed existence in his 600-square-foot temple of knowledge," reports the New York Times from moving-out day (&lt;em&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6k8aekFar-zLmv-%5Bk" style="text-decoration: underline; color: #0068A5;"&gt;gift link&lt;/a&gt;&lt;/em&gt;). "The stacks kept rising as Uminer added his hauls from thrift shops, book dealers and eBay deliveries. 'I don’t think of myself as a hoarder,' he said, 'but I guess my building did.'"&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-60" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;MUSIC&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-61" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:12px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:18px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Back Alley Jazz, Take Nine&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p 
style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;The Hyde Park Jazz Festival has announced the ninth annual Back Alley Jazz program, which is "inspired by the original jazz alley jams that took place in locations on the South Side in the 1960s and seventies, and which continue in different forms. The project creates a contemporary neighborhood 'happening' that animates, builds on and celebrates Chicago’s history and the continuum of culture and art within communities," with "two free live performances in July and August in the South Shore and Greater Grand Crossing neighborhoods on the South Side." View the performance locations, times and artists &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6k8aekFar-0amv-%5Bk" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Chicago's Urge Overkill On Reissues And Meltdowns&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"The intentionality of placing the needle and having it physically come out of a thing—it's miraculous. I’m glad that it's become popular again," Urge Overkill guitarist Eddie "King" Roeser &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6k8aekFar-0qmv-%5Bk" style="text-decoration: underline; color: #0068A5;"&gt;tells the Vinyl District&lt;/a&gt;, as their 1995 album "Enter The Dragon" is reissued. Why was it their last album for a decade? "Well, we had what would be called a classic internal meltdown," says Roeser of the Chicago band. "You watch 'Inside the Music;' it's like a Greek myth. Very few bands don't have a flameout. I think our flameout was, forgive me for this comparison, was almost Beatlesque, where you've got two, almost three songwriters involved." (&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6k8aekFarAm6mv-%5BD%7CjdO-7M-sPARd" target="_blank" style="text-decoration: underline; color: #0068A5;" rel="noopener"&gt;More&lt;/a&gt;.)&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;HotHouse At Forty&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"Founded in 1986 by Marguerite Horberg in a loft in the West Loop of Chicago, HotHouse has developed and operated two game-changing cultural centers: The first opened its doors in Wicker Park in the early 1990s, and set the bar for international programming as well as a home for creative improvised music. Relocating to the South Loop in the late 1990s, the club doubled in size and welcomed 70,000 patrons a year to more than 500 annual events." As the organization reaches a milestone anniversary, the city "will honor HotHouse with a formal proclamation recognizing its longstanding contributions to the cultural life of the city." A celebration will be held at the Edgewater Beach Apartments on Saturday, August 8, 4pm. Tickets ($25-$535) and more &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6k8aekFar-06mv-%5Bk" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;StubHub CEO Alleged To Be Major Ticket Scalper&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"Eric Baker isn’t just the CEO of ticket resale site StubHub—he's also a major scalper, using his Andro Capital private equity company," &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6k8aekFar-2qmv-%5Bk" style="text-decoration: underline; color: #0068A5;"&gt;reports John Stanton at New Orleans' Gambit&lt;/a&gt;. "He buys tickets to everything, from Taylor Swift shows and the New Orleans Jazz Fest, to major sporting events like the World Cup, in bulk to resale at massive markups on StubHub, according to documents filed with the &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6k8aekFar-26mv-%5Bk" style="text-decoration: underline; color: #0068A5;"&gt;Security &amp; Exchange Commission&lt;/a&gt;. The CBC first reported the questionable arrangement July 10. A New York man filed a class action lawsuit against Baker and StubHub July 13, alleging the company engages in misleading business practices."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-62" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;STAGE&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-63" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Raven Theatre "Octet" Transfers To Goodman&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p 
style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"In the a cappella musical 'Octet,' written and composed by Dave Malloy, eight strangers meet at a support group for Internet addiction. The Raven Theatre Midwest premiere this spring yielded a sold-out run in the company’s 130-seat theater," &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6k8aekFar-2Lmv-%5Bk" style="text-decoration: underline; color: #0068A5;"&gt;reports the Sun-Times&lt;/a&gt;. "Now the production is getting another extension—and an upgrade, opening tonight in the Goodman’s Owen Theatre, which has more than double the capacity at 300 seats. Director Keira Fromm said the stories told through the production sound familiar to audiences. 'It is a musical about eight individuals who meet weekly to untangle their uniquely toxic relationships to the internet, which is, I think, a theme we can all really relate to.'" Read Newcity's review of the Raven Theatre production &lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6k8aekFar-3amv-%5BD%7CjdO-7M-sPARd" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;A Ballet With Choreographed Farm Equipment&amp;nbsp;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"Make Hay While the Sun Shines" features a ballet that "frames everyday farming practices within a classical dance aesthetic, and pays homage to the inherent craft and significance of family farm-scale agricultural practices." The program begins with an opening act by Wild Space Dance Company, leading the audience past straw sculpture by artist Brian Sobaski to the stage for the Hay Rake Ballet, where choreographed farm machinery, harvest rhythms and live music converge. "Rooted in the fertile space between culture and agriculture, 'Make Hay While the Sun Shines' invites audiences to celebrate the harvest and our enduring connections to the land." More details &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6k8aekFar-3qmv-%5Bk" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;. Saturday, September 12. The Sauk County location will be announced closer to the date. Tickets ($40-$80) &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6k8aekFar-36mv-%5Bk" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Sir Andrew Lloyd Webber Fears For Broadway&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"Ever since I was a kid, I’ve wanted to write musicals. Even though I’m British, when I was young, Broadway meant musicals to me," &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6k8aekFar-3Lmv-%5Bk" style="text-decoration: underline; color: #0068A5;"&gt;the seventy-eight-year-old composer writes&lt;/a&gt;&amp;nbsp;as "Cats: The Jellicle Ball"&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6k8aekFar-4amv-%5Bk" style="text-decoration: underline; color: #0068A5;"&gt; prepares to close in August.&lt;/a&gt; "What is happening in front of all who care about the Great White Way breaks my heart. One of the last things Hal Prince said to me was that it broke his heart that it was impossible for new or daring work to be originated on Broadway any more. For any show, it makes practically no financial sense to come to Broadway with things as they are. Would a show like 'West Side Story,' a musical which changed musical theater forever, have a remote chance to premiere on Broadway today?" (&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6k8aekFarAmLmv-%5BD%7CjdO-7M-sPARd" target="_blank" style="text-decoration: underline; color: #0068A5;" rel="noopener"&gt;More&lt;/a&gt;.)&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-64" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;&lt;strong&gt;ARTS &amp;amp; CULTURE &amp;amp; ETC.&lt;/strong&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-65" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td 
class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Sotheby's Sells T. Rex For $50 Million&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"When Sotheby’s sold "Sue," a 67-million-year-old Tyrannosaurus rex skeleton for $8.4 million in 1997, the house changed the way the art world looked at dinosaur fossils," &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6k8aekFar-4qmv-%5Bk" style="text-decoration: underline; color: #0068A5;"&gt;records ARTnews&lt;/a&gt;. "On Tuesday, Sotheby’s landed even higher with "Gus," one of the largest and most complete T. rex skeletons ever found. Standing 12.5 feet tall and measuring nearly forty feet long, the specimen dates back 67 million years and carried an estimate of $30 million. "Gus" sold on Tuesday morning for a record $50.1 million with fees, a record for a fossil on the auction block. The growth of the dinosaur fossil market has created a new ecosystem of dealers, excavators, and specialists."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Car-Free Sundays Return To Wicker Park This Summer&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;In Wicker Park, Milwaukee Avenue "will once again be closed to car and bus traffic on the last Sundays in August, September and October," &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6k8aekFar-46mv-%5Bk" style="text-decoration: underline; color: #0068A5;"&gt;reports Block Club&lt;/a&gt;. The collaboration between alder Daniel La Spata’s office and the Wicker Park-Bucktown Chamber of Commerce "launched last summer as a way to reimagine the often-hectic Wicker Park thoroughfare without vehicular traffic...Each Meet Me On Milwaukee brought out not only pedestrians but cyclists, rollerbladers, scooter riders and other street users. Some shops set up sidewalk sales outside their storefronts and even welcomed trick-or-treaters at the final event in October."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Smithsonian Kept From Adding Board Members&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"An odd silence has surrounded a delay to fill several open seats on the board of the Smithsonian, even as a fierce battle to control the institution ensues," &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6k8aekFar-6qmv-%5Bk" style="text-decoration: underline; color: #0068A5;"&gt;reports the New York Times&lt;/a&gt;. "In a turn of events that attests to a Smithsonian under siege from the White House, the names of several recent nominees to the board have not even made it to Congress. Not the embattled Smithsonian director Lonnie G. Bunch III, who is hanging on to a bare majority of support on the board, nor other trustees." (&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6k8aekFarAnamv-%5BD%7CjdO-7M-sPARd" target="_blank" style="text-decoration: underline; color: #0068A5;" rel="noopener"&gt;More&lt;/a&gt;.)&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-66" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p 
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&lt;table class="image_block block-2" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;div style="max-width:598px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6kAaece%5EbgztaM2Ejd" target="_blank"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/i6b/9r4/uhz/MOWA%20NT%20newsletter%20creative%20for%20June%2015%20AmLand_digital-2-600x250.jpg" 
style="display:block;height:auto;border:0;width:100%" width="598" alt="" title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="divider_block block-3" width="100%" border="0" cellpadding="10" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" align="center"&gt;&lt;table border="0" cellpadding="0" cellspacing="0" role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="divider_inner" 
style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-4" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:5px;padding-bottom:5px;padding-left:20px;padding-right:20px" align="center"&gt;&lt;div style="max-width:350px"&gt;
&lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6kAaece%5Ebgz%5EaM2EjL6-poshgrlsx1a" target="_blank"&gt;&lt;img src="https://d15k2d11r6t6rl.cloudfront.net/pub/40qd/br3kliar/trm/f81/xfb/NewcityLogoEmail.png" style="display:block;height:auto;border:0;width:100%" width="350" alt="" title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="divider_block block-5" width="100%" border="0" cellpadding="10" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" align="center"&gt;
&lt;table border="0" cellpadding="0" cellspacing="0" role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-6" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td 
class="pad" style="padding-top:20px;padding-bottom:10px;padding-left:20px;padding-right:20px"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;The news of Mary Morello's passing brought back memories of a very early Newcity cover story that featured her. It was almost certainly the only time the story was about a rock star's mom and not the star himself.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Tom's Chicago-area-based mom was the founder of Parents for Rock and Rap, an anti-censorship group started in the late eighties in response to the Parents Music Resource Center, co-founded by Tipper Gore, the wife of the future Democratic vice president Al Gore. Gore's group wanted warning labels of explicit content on music that their children had access to.&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;It seems so long ago and so very quaint, doesn't it, that parents could protect their kids with a sticker? Now they blindly give their children smartphones and all that these instruments open up to them: graphic pornography, incitements to violence, access to predators—and any and all music.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;And, of course, a lifetime of solitude and depression. Too bad there's no warning labels for that.&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-7" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" 
style="width:100%;padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px" align="left"&gt;&lt;div style="max-width:104px"&gt;&lt;img src="https://d15k2d11r6t6rl.cloudfront.net/pub/40qd/br3kliar/ier/gbh/bha/unnamed-1_1.png" style="display:block;height:auto;border:0;width:100%" width="104" alt="" title="" height="auto"&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-8" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px; color: #000000;"&gt;Brian Hieggelke&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px; color: #000000;"&gt;Editor &amp; Publisher&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px; color: #000000;"&gt;&lt;em&gt;You can still get a copy of the 156-page double summer issue. If you subscribe now &lt;/em&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6kAaece%5EbgzxaM2EjL6-poshgrlsx1a" style="text-decoration: underline; color: #0068A5;"&gt;&lt;em&gt;here&lt;/em&gt;&lt;/a&gt;&lt;em&gt;, it will be your first edition. And as for other options, find out &lt;/em&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6kAaece%5EbgzyaM2EjL6-poshgrlsx1a" style="text-decoration: underline; color: #0068A5;"&gt;&lt;em&gt;here&lt;/em&gt;&lt;/a&gt;&lt;em&gt;. &lt;/em&gt;&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="divider_block block-9" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:10px;padding-bottom:20px;padding-left:10px;padding-right:10px" align="center"&gt;&lt;table border="0" cellpadding="0" cellspacing="0" role="presentation" width="100%" 
style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-10" style="height:21px;line-height:21px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="text_block block-11" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-left:20px;padding-right:20px"&gt;&lt;div style="font-family:Tahoma,Verdana,sans-serif"&gt;&lt;div class style="font-size:14px;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;mso-line-height-alt:16.8px;color:#555;line-height:1.2"&gt;&lt;p style="margin:0;font-size:14px;mso-line-height-alt:16.8px"&gt;
&lt;span style="word-break: break-word; font-size: 16px; color: #9db8b3;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word;"&gt;LIT&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-12" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:24px;font-weight:900;letter-spacing:normal;line-height:1.5;text-align:left;margin-top:0;margin-bottom:0;mso-line-height-alt:36px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6kAaece%5Ebg2saM2EjL6-poshgrlsx1a" target="_blank" style="text-decoration: none; color: #000000;" rel="noopener"&gt;Budi Darma’s Work Is Found in Translation, From Indonesia to Indiana&lt;/a&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table 
class="image_block block-13" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;div style="max-width:598px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6kAaece%5Ebg2taM2EjL6-poshgrlsx1a" target="_blank"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/17r/av6/xn7/91p7YIk4jL._SL1500_-600x450.jpg" style="display:block;height:auto;border:0;width:100%" width="598" alt="" title="" 
height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-14" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
The renowned Indonesian writer is breaking through thanks to new English-language versions of his Bloomington, Indiana-set books translated by Tiffany Tsao. (Ted C. Fishman)&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="divider_block block-15" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:10px;padding-bottom:20px;padding-left:10px;padding-right:10px" align="center"&gt;&lt;table 
border="0" cellpadding="0" cellspacing="0" role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-16" style="height:21px;line-height:21px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="text_block block-17" width="100%" border="0" cellpadding="0" cellspacing="0" 
role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-left:20px;padding-right:20px"&gt;&lt;div style="font-family:Tahoma,Verdana,sans-serif"&gt;&lt;div class style="font-size:14px;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;mso-line-height-alt:16.8px;color:#555;line-height:1.2"&gt;&lt;p style="margin:0;font-size:14px;mso-line-height-alt:16.8px"&gt;
&lt;span style="word-break: break-word; font-size: 16px; color: #65d68b;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word;"&gt;ART&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-18" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:24px;font-weight:900;letter-spacing:normal;line-height:1.5;text-align:left;margin-top:0;margin-bottom:0;mso-line-height-alt:36px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6kAaece%5Ebg2%5EaM2EjL6-poshgrlsx1a" target="_blank" style="text-decoration: none; color: #000000;" rel="noopener"&gt;Edgar Calel Presents "Corn Mountain of Life (Ixim Juyu K’aslem)"&lt;/a&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-19" 
width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;div style="max-width:598px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6kAaece%5Ebg2vaM2EjL6-poshgrlsx1a" target="_blank"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/gnn/1r9/ynm/Edgar-Calel-600x450.jpg" style="display:block;height:auto;border:0;width:100%" width="598" alt="" title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;&lt;table class="text_block block-20" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Architecture from Chi Xot interacts with Chicago's skyline at the Art Institute. (John H. Guevara)&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="divider_block block-21" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:10px;padding-bottom:20px;padding-left:10px;padding-right:10px" align="center"&gt;&lt;table border="0" 
cellpadding="0" cellspacing="0" role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-22" style="height:21px;line-height:21px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="text_block block-23" width="100%" border="0" cellpadding="0" cellspacing="0" 
role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-left:20px;padding-right:20px"&gt;&lt;div style="font-family:Tahoma,Verdana,sans-serif"&gt;&lt;div class style="font-size:14px;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;mso-line-height-alt:16.8px;color:#555;line-height:1.2"&gt;&lt;p style="margin:0;font-size:14px;mso-line-height-alt:16.8px"&gt;
&lt;span style="word-break: break-word; font-size: 16px; color: #d3877d;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word;"&gt;MUSIC&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-24" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:24px;font-weight:900;letter-spacing:normal;line-height:1.5;text-align:left;margin-top:0;margin-bottom:0;mso-line-height-alt:36px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6kAaece%5Ebg2waM2EjL6-poshgrlsx1a" target="_blank" style="text-decoration: none; color: #000000;" rel="noopener"&gt;Max Subar’s “Anything Could Be” Makes the Case for Hope&lt;/a&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-25" 
width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;div style="max-width:598px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6kAaece%5Ebg2xaM2EjL6-poshgrlsx1a" target="_blank"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/rh6/rje/6if/Max_Subar-650x450.jpeg" style="display:block;height:auto;border:0;width:100%" width="598" alt="" title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;&lt;table class="text_block block-26" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Rich with acoustic guitar, fiddle, pedal steel and vivid lyrical imagery, “Anything Could Be” embraces the classic singer-songwriter tradition with warmth and originality. (Elizabeth Jakaitis)&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="divider_block block-27" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" 
style="padding-top:10px;padding-bottom:20px;padding-left:10px;padding-right:10px" align="center"&gt;&lt;table border="0" cellpadding="0" cellspacing="0" role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-28" style="height:45px;line-height:45px;font-size:1px"&gt;
&amp;#8202;&lt;/div&gt;&lt;table class="image_block block-29" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-left:20px;padding-right:20px" align="center"&gt;&lt;div style="max-width:400px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6kAaece%5EbgzBaM2EjL6-poshgrlsx1a" target="_blank"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/q6i/gpd/eol/Newcity_2026-07-08_Cover%20Footer.jpeg" 
style="display:block;height:auto;border:0;width:100%" width="400" alt="" title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-30" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class 
style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:18.2px;color:#000;line-height:1.3"&gt;&lt;p style="margin:0;font-size:14px;text-align:center;mso-line-height-alt:26px"&gt;&lt;span style="word-break: break-word; font-size: 20px;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word;"&gt;JULY-AUGUST 2026:&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:14px;text-align:center;mso-line-height-alt:26px"&gt;
&lt;span style="word-break: break-word; font-size: 20px;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word;"&gt;AMERICA 250 + ART IN MICHIGAN&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;br&gt;
&lt;span style="word-break: break-word; font-size: 20px;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word;"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6kAaece%5EbgzCaM2EjL6-poshgrlsx1a" target="_blank" style="text-decoration: none; color: #19638e;" rel="noopener"&gt;GET THE ISSUE&lt;/a&gt; | &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6kAaece%5EbgzDaM2EjL6-poshgrlsx1a" target="_blank" style="text-decoration: none; color: #19638e;" rel="noopener"&gt;SUBSCRIBE&lt;/a&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div 
class="spacer_block block-31" style="height:40px;line-height:40px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="divider_block block-32" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:10px;padding-bottom:20px;padding-left:10px;padding-right:10px" align="center"&gt;&lt;table border="0" cellpadding="0" cellspacing="0" role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;
&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-33" style="height:21px;line-height:21px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="text_block block-34" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad" 
style="padding-left:20px;padding-right:20px"&gt;&lt;div style="font-family:Tahoma,Verdana,sans-serif"&gt;&lt;div class style="font-size:14px;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;mso-line-height-alt:16.8px;color:#555;line-height:1.2"&gt;&lt;p style="margin:0;font-size:14px;mso-line-height-alt:16.8px"&gt;&lt;span style="word-break: break-word; font-size: 16px; color: #5b7ead;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word;"&gt;FILM&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table 
class="heading_block block-35" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:24px;font-weight:900;letter-spacing:normal;line-height:1.5;text-align:left;margin-top:0;margin-bottom:0;mso-line-height-alt:36px"&gt;
&lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6kAaece%5Ebg2yaM2EjL6-poshgrlsx1a" target="_blank" style="text-decoration: none; color: #000000;" rel="noopener"&gt;Talking Screens: Ruth Leitman's Debut Restored | Whit Stillman's “Last Days Of Disco” | "Twentieth Century Queers" at the Film Center&lt;/a&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-36" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" 
align="center"&gt;&lt;div style="max-width:598px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6kAaece%5Ebg2zaM2EjL6-poshgrlsx1a" target="_blank"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/7mj/fe2/9li/ODYSSEY-FIRE-600x450.jpg" style="display:block;height:auto;border:0;width:100%" width="598" alt="" title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-37" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Plus: Ross McElwee's "Sherman's March" plays at the Music Box, the Chicago Film Society screens "The Queen" and "Barrio Triste" comes to the Film Center. (Ray Pride)&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="divider_block block-38" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" 
style="padding-top:20px;padding-bottom:20px;padding-left:10px;padding-right:10px" align="center"&gt;&lt;table border="0" cellpadding="0" cellspacing="0" role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-39" style="height:21px;line-height:21px;font-size:1px"&gt;
&amp;#8202;&lt;/div&gt;&lt;table class="text_block block-40" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-left:20px;padding-right:20px"&gt;&lt;div style="font-family:Tahoma,Verdana,sans-serif"&gt;&lt;div class style="font-size:14px;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;mso-line-height-alt:16.8px;color:#555;line-height:1.2"&gt;&lt;p 
style="margin:0;font-size:14px;mso-line-height-alt:16.8px"&gt;&lt;span style="word-break: break-word; font-size: 16px; color: #a82b28;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word;"&gt;STAGE&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-41" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" 
style="width:100%;padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px" align="center"&gt;&lt;h1 style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:24px;font-weight:900;letter-spacing:normal;line-height:1.5;text-align:left;margin-top:0;margin-bottom:0;mso-line-height-alt:36px"&gt;
&lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6kAaece%5Ebg8haM2EjL6-poshgrlsx1a" target="_blank" style="text-decoration: none; color: #000000;" rel="noopener"&gt;“Safe Landing: Coyote Embrace” Is Caught Between Genres&lt;/a&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-42" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;div style="max-width:598px"&gt;
&lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6kAaece%5Ebg8%7CaM2EjL6-poshgrlsx1a" target="_blank"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/dl3/shs/4m9/Photo-by-Alex-Albrecht-scaled-600x450.jpeg" style="display:block;height:auto;border:0;width:100%" width="598" alt="" title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-43" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;
&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Authentic Chicago Ensemble production spans everything from coyote-masked interpretive dance to a thriller with hitmen, trapping itself in too many conflicting choices. (Robert Eric Shoemaker)&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="divider_block block-44" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" 
style="padding-top:20px;padding-bottom:20px;padding-left:10px;padding-right:10px" align="center"&gt;&lt;table border="0" cellpadding="0" cellspacing="0" role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-45" width="100%" border="0" cellpadding="0" cellspacing="0" 
role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;div style="max-width:598px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6kAaece%5EbgzOaM2Ejd" target="_blank"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/92y/375/c2u/MOWA%20NT%20newsletter%20creative%20for%20June%2015%20AmLand_digital-2-600x500.jpg" style="display:block;height:auto;border:0;width:100%" width="598" alt="" title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;&lt;div class="spacer_block block-46" style="height:40px;line-height:40px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="heading_block block-47" width="100%" border="0" cellpadding="5" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:28px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:34px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6kAaece%5Ebg28aM2EjL6-poshgrlsx1a" target="_blank" style="text-decoration: underline; color: #000000;" rel="noopener"&gt;TODAY IN CULTURE&lt;/a&gt;&lt;br&gt;&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;
&lt;table class="text_block block-48" width="100%" border="0" cellpadding="10" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:sans-serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:16.8px;color:#555;line-height:1.2"&gt;&lt;p style="margin:0;font-size:14px;text-align:center;mso-line-height-alt:16.8px"&gt;
&lt;span style="word-break: break-word; color: #000000;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;By Ray Pride&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-49" style="height:40px;line-height:40px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="heading_block block-50" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" 
style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;ART&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-51" width="100%" border="0" 
cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Document Partner Sibylle Friche Announces Departure&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"After eleven years with Document, it is with mixed emotions that I am saying goodbye to the gallery and its incredible team," &lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6kAaece%5Ebg29aM2Ejd" style="text-decoration: underline; color: #0068A5;"&gt;writes Sibylle Friche&lt;/a&gt;. "I take pride in what we achieved together and have nothing but respect for the artists I’ve shared this journey with. It’s been a true honor to help you along the way." Friche joined the gallery as its first director from 2015 to 2022, when she became a partner in the gallery. Before joining Document, she was the director of Rhona Hoffman Gallery as well as Galerie Laurent Godin in Paris.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Hannah Klemm Named Warhol Curator of Art&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Pittsburgh's Andy Warhol Museum has announced Hannah Klemm as the new Milton Fine Curator of Art, &lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6kAaece%5Ebg2-aM2Ejd" style="text-decoration: underline; color: #0068A5;"&gt;reports Art Daily&lt;/a&gt;. "Klemm is the curator of modern and contemporary art at the Blanton Museum of Art at the University of Texas at Austin. Before joining the Blanton Museum of Art, she served as associate curator of modern and contemporary art for the Saint Louis Art Museum and held a variety of curatorial fellowship positions at the San Francisco Museum of Modern Art, the Art Institute of Chicago and the Smart Museum of Art at the University of Chicago. She will join the Warhol on August 17."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-52" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;DESIGN&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-53" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Wicker Park Getting First All-Way Pedestrian Crossing Outside Of The Loop&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"The all-way pedestrian crossing residents voted for through participatory budgeting is coming to the North, Damen and Milwaukee intersection," &lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6kAaece%5Ebg2AaM2Ejd" style="text-decoration: underline; color: #0068A5;"&gt;newsletters First Ward alder Daniel La Spata&lt;/a&gt;. Also known as a pedestrian scramble, this gives the intersection's signals a cycle where all vehicle traffic is stopped, and pedestrians are able to cross diagonally. It's famously used in places like Tokyo's Shibuya District. "What we are tentatively calling the Pedestrian Priority Pilot should be in place later this year," continues La Spata. "I'm excited to see the first all-way pedestrian crossing phase outside of the Loop come to Wicker Park!"&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;"Project Runway"-Featured Fabric Store Makes For State Street&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"For more than twenty years, millions have been able to step inside Mood Fabrics just by turning on their TV thanks to its presence on the reality fashion competition 'Project Runway,' which premiered on Bravo TV," &lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6kAaece%5Ebg2BaM2Ejd" style="text-decoration: underline; color: #0068A5;"&gt;stitches the Sun-Times&lt;/a&gt;. "Now, Chicago fabric lovers will get the chance to experience what the company calls the 'world's most famous fabric store.' Mood plans to open a Loop showroom at 109 South State Street, sharing the block with the Palmer House. It's their first Midwest location."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;The Sweeping Views From A St. Regis Penthouse Condo&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"This is not a standard developer unit. Instead, it's a custom-crafted home in the sky that took over a year to finalize," &lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6kAaece%5Ebg2CaM2Ejd" style="text-decoration: underline; color: #0068A5;"&gt;reports Robb Report&lt;/a&gt;. "Set on the entire seventy-sixth floor of the 101-story St. Regis Chicago—an undulating hotel and residential supertall designed by Jeanne Gang of Studio Gang—the condo was bought for $8.3 million in 2024 by the billionaire family behind cookware Le Creuset. They then enlisted Brazil-based designer Matheus Lima to outfit the space with finishes and furniture that elevated it beyond the standard developer specs. Appointed with Roberto Cavalli and Pininfarina decor, the four-bedroom, five-bath residence is being offered fully furnished for $11.5 million." View the listing &lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6kAaece%5Ebg2DaM2Ejd" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Chicago Retail Corridors Rebound&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"Major retail corridors like Michigan Avenue are moving out of survival mode and into thriving," &lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6kAaece%5Ebg2EaM2Ejd" style="text-decoration: underline; color: #0068A5;"&gt;reports Axios Chicago&lt;/a&gt;. "The Mag Mile, Fulton Market and other neighborhood corridors are seen as indicators of broader economic trends, and the picture for Chicago is bright right now. As return-to-office numbers still lag behind pre-pandemic levels, retailers downtown feel the pinch on weekdays 8am-4pm. Shoppers are making up for some of that slowdown on weekends."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;World Architecture Festival Shortlist Unveiled&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;The World Architecture Festival has announced the shortlist for its 2026 Awards, "recognizing completed buildings, future projects, interiors and landscape works from around the world. The finalists, selected from hundreds of submissions, will compete at this year's festival in November," &lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6kAaece%5Ebg2FaM2Ejd" style="text-decoration: underline; color: #0068A5;"&gt;reports ArchDaily&lt;/a&gt;. "This year's selection includes projects by practices such as Foster + Partners, Herzog &amp; de Meuron, Studio Gang, Grimshaw, Perkins&amp;Will, RSHP, Woods Bagot, KPF, Nikken Sekkei, VTN Architects and Sanjay Puri Architects, alongside work by emerging studios." Studio Gang's candidate is &lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6kAaece%5Ebg2MaM2Ejd" style="text-decoration: underline; color: #0068A5;"&gt;the Shirley Chisholm Recreation Center in New York City&lt;/a&gt;.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-54" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;DINING AND DRINKING&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-55" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Will Chicago Keep The James Beard Awards Past 2028?&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p 
style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"Just months after extending its Chicago partnership through 2028, the James Beard Foundation has officially opened the competition to determine where the nation’s premier culinary awards will be held beginning in 2029," &lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6kAaece%5Ebg2NaM2Ejd" style="text-decoration: underline; color: #0068A5;"&gt;reports Crain's&lt;/a&gt;. Block Club &lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6kAaece%5Ebg2OaM2Ejd" style="text-decoration: underline; color: #0068A5;"&gt;has more&lt;/a&gt; on the post-2028 road show, noting that "the city will be given a chance to remain the awards ceremony's host as part of the search process."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;The Fourth Generation Takes Up The Eighty-Year-Old Hagen Fish Market&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"Eric Johnson, the twenty-seven-year-old great-grandson of one of the founders of Hagen Fish Market, now leads the family business—home to one of Chicago’s last natural hardwood smokehouses," &lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6kAaece%5Ebg2PaM2Ejd" style="text-decoration: underline; color: #0068A5;"&gt;reports Block Club&lt;/a&gt; on the Portage Park-based fish market. "Over the past eighty years, the neighborhood surrounding Hagen’s has changed a lot more than the store itself. His grandparents and his great-grandparents lived next to the shop, and he grew up across the street." Said Johnson, "It was the family complex."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-56" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;FILM &amp;amp; TELEVISION&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-57" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:12px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:18px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;AMC Closes Evanston Multiplex Until 2027 For Renovations&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p
 style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;AMC Evanston 12 is closing until early 2027 for renovations, &lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6kAaece%5Ebg2QaM2Ejd" style="text-decoration: underline; color: #0068A5;"&gt;reports the Daily Northwestern&lt;/a&gt;. "The theater will downsize by five screens as developers look to construct a mixed-use high-rise on the property." In September 2025, Continuum Development "acquired Church Street Plaza, the site of the proposed twenty-six-story tower which houses AMC. The tower’s plans call for 360 units, including seventy-two designated as affordable housing." The site had reopened as an AMC in 2022 after previous operator Cinemark closed the theater in 2021.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;George Lucas Says Get In The Rocket Before AI Leaves You Behind&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;George Lucas is out on the circuit talking up the September opening of Los Angeles' Lucas Museum Of Narrative Art, which had once been proposed for the Chicago Lakefront. In a recent interview at Cannes, Lucas, eighty-two, said that "artificial intelligence means it’s much easier for us to make movies." Resistance is "very much like sitting here saying: Well, I believe the horse and the buggy is really where it's at. These cars, they break down, they need gas, there's all kinds of problems with them and pretty soon they'll be making them into tanks, and then they'll be killing people. It’s terrible.' Adoption of such tools, continued Lucas, was an inevitability." (&lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6kAaece%5Ebg8jaM2EjL6-poshgrlsx1a" target="_blank" style="text-decoration: underline; color: #0068A5;" rel="noopener"&gt;More&lt;/a&gt;.)&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-58" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;MUSIC&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-59" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:12px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:18px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Times Takes To Ravinia Opening Gala&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p 
style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"The gorgeously renovated Hunter Pavilion at Ravinia, the Chicago Symphony Orchestra’s off-season home, was inaugurated with a gala last weekend,"&amp;nbsp;reports the New York Times (&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6kAaece%5Ebg2VaM2Ejd" style="text-decoration: underline; color: #0068A5;"&gt;&lt;em&gt;gift link&lt;/em&gt;&lt;/a&gt;). "Marin Alsop was there, the latest in a line of Ravinia chief conductors that includes James Conlon, Christoph Eschenbach and Seiji Ozawa. Under her baton was the Chicago Symphony Orchestra, in residence at its suburban summer home as it has been since the festival debuted in 1936. Yunchan Lim, the superstar Korean pianist who recently received his college diploma, joined them for a typically astute reading of the Ravel Piano Concerto." (&lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6kAaece%5Ebg8kaM2EjL6-poshgrlsx1a" target="_blank" style="text-decoration: underline; color: #0068A5;" rel="noopener"&gt;More&lt;/a&gt;.)&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;John Prine's Eightieth Birthday Celebrated Across Five Days&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;October 10 would have marked the eightieth birthday of musician John Prine. To commemorate the late singer, the Prine family and the Hello In There Foundation have announced a slate of events, collaborations and tributes across Chicago, including screenings of the concert documentary "How Lucky Can One Man Get" (2010); a panel discussion of Prine's contribution to the Chicago folk scene at the Chicago History Museum; the unveiling of Jon Langford's mural of Prine, followed by an all-day celebration at the Old Town School of Folk Music; and a celebration of Prine's life in the village of Maywood, where he grew up and attended high school. A full schedule will be posted soon &lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6kAaece%5Ebg3baM2Ejd" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;. "Souvenirs: 80 Years of John Prine," the concert celebrating Prine's life and legacy, hosted by John C. Reilly on October 8 at the Chicago Theatre, is sold out. Dates and details &lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6kAaece%5Ebg3caM2Ejd" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;RIP Mary Morello, 102, Mother Of&amp;nbsp; Tom Morello&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Mary Morello "walked onstage at the Aragon Ballroom in 1996 and her son, guitarist Tom Morello of Rage Against the Machine, lowered the microphone so she could offer a few words before the band went on," &lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6kAaece%5Ebg3daM2Ejd" style="text-decoration: underline; color: #0068A5;"&gt;chronicles Mitch Dudek at the Sun-Times&lt;/a&gt;. "Looking sweetly at the audience, she said, 'I’d like to introduce the best fucking band in the universe.' She delivered the pandemonium-inducing line many times—in recent years, with the assistance of a walker. Ms. Morello, a retired schoolteacher and free speech activist who raised her son in Libertyville as a single mother, was 102." Says Morello, "My mom led a humble yet powerfully impactful life, always siding with the underdog, always fearlessly speaking out against racism, intolerance and injustice."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;R. Kelly Anticipates Trump Commutation Of Sentence&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"As a long shot motion for a new trial remains pending, imprisoned Chicago R&amp;B superstar R. Kelly has formally asked President Trump to commute his thirty-year sentence for an array of sexual misconduct convictions," &lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6kAaece%5Ebg3eaM2Ejd" style="text-decoration: underline; color: #0068A5;"&gt;the Tribune reports&lt;/a&gt;. "Kelly’s request, which remains pending, was for a commutation of his sentence, not a full pardon, online records show. Kelly's formal bid for clemency comes more than a year after his newly hired attorney, Beau Brindley, made a public plea to Trump to release the singer from prison immediately, alleging a far-fetched plot by federal authorities to steal his mail and turn witnesses against him, then have a convicted member of the Aryan Brotherhood murder him in prison to keep it all from being exposed."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Why Some International Musicians Avoid The United States&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"Before a musician from another country can take the stage in the U.S., someone has to file paperwork with the federal government on their behalf. And not just any paperwork—a petition, hundreds of pages long, stacked with press clippings, award documentation, testimonial letters from other artists, venue contracts, a detailed tour itinerary and evidence that the artist is legitimately accomplished at what they do," &lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6kAaece%5Ebg3faM2Ejd" style="text-decoration: underline; color: #0068A5;"&gt;reports NPR&lt;/a&gt;. "It's a complicated, expensive process that arts advocates say has long made the country a difficult place for foreign artists to access. But now, they say it's gotten much worse." (&lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6kAaece%5Ebg8raM2EjL6-poshgrlsx1a" target="_blank" style="text-decoration: underline; color: #0068A5;" rel="noopener"&gt;More&lt;/a&gt;.)&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-60" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;STAGE&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-61" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Oil Lamp Theater Announces Its Future Home, Designed By Future Firm&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Oil Lamp Theater, currently at 1723 Glenview Road, has announced its future home at the former Ten Ninety Brewing Co. location in downtown Glenview. "At approximately 11,000 square feet, this new home will feature a warm and welcoming lobby, a flexible theater with seating for up to 150 plus guests and thoughtfully designed spaces by Future Firm that will serve Oil Lamp’s artists, students and community," the theater company announces. "The opportunity to move to a larger performance space, that is adjacent to Oil Lamp Academy, became possible due to the founder of the Negaunee Foundation, client of Virginia Trux, who purchased the property as a personal project and looks forward to years of joy with Oil Lamp Theater." More &lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6kAaece%5Ebg3gaM2Ejd" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;SummerDance Returns With More Than Thirty Dance Styles Across City Parks&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Mayor Johnson and DCASE have outlined the return of Chicago SummerDance 2026, "the city's free social dancing series that invites residents and visitors of all ages to experience Chicago's vibrant cultural traditions through free dance lessons, live music and community celebration. This year's lineup features dance styles representing traditions from around the world, including salsa, plena, East Coast swing, Bollywood, vintage swing, square dance, Brazilian samba and Chicago Steppin'. Professional dance instructors will lead free lessons before live performances by acclaimed bands and DJs, making each event accessible for beginners and experienced dancers alike." View the schedule &lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6kAaece%5Ebg3haM2Ejd" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;West End Strike Averted With Deal On Actor Pay&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;The Society of London Theatre "has reached a proposed three-year agreement with Equity covering pay and working conditions for performers and stage management working in the West End," &lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6kAaece%5Ebg3%7CaM2Ejd" style="text-decoration: underline; color: #0068A5;"&gt;notes What's On Stage&lt;/a&gt;.&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table 
class="text_block block-62" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;font-size:18px;text-align:center;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Send culture news and tips to&amp;nbsp;&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6kAaece%5Ebg0AaM2Ejd" target="_blank" style="text-decoration: underline; color: #0068A5;" rel="noopener"&gt;today@newcity.com&lt;/a&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="divider_block block-63" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" 
style="padding-top:20px;padding-bottom:20px;padding-left:10px;padding-right:10px" align="center"&gt;&lt;table border="0" cellpadding="0" cellspacing="0" role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-64" width="100%" border="0" cellpadding="0" cellspacing="0" 
role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;div style="max-width:598px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6kAaece%5Ebg0BaM2Ejd" target="_blank"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/92y/375/c2u/MOWA%20NT%20newsletter%20creative%20for%20June%2015%20AmLand_digital-2-600x500.jpg" style="display:block;height:auto;border:0;width:100%" width="598" alt="" title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;&lt;table class="icons_block block-65" width="100%" border="0" cellpadding="10" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;text-align:center;line-height:0"&gt;&lt;tr&gt;&lt;td class="pad" style="vertical-align:middle;color:#000;font-family:inherit;font-size:14px;font-weight:400" align="center"&gt;&lt;table class="icons-outer" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;display:inline-table"&gt;&lt;tr&gt;&lt;td 
style="vertical-align:middle;text-align:center;padding-top:10px;padding-bottom:10px;padding-left:10px;padding-right:10px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6kAaece%5Ebg0CaM2Ejd" target="_self" title="" style="text-decoration: none;"&gt;&lt;img class="icon" src="https://d15k2d11r6t6rl.cloudfront.net/pub/40qd/br3kliar/3qs/o5m/w8g/unnamed-1.png" alt="" height="auto" width="32" align="center" style="display:block;height:auto;margin:0 auto;border:0"&gt;&lt;/a&gt;&lt;/td&gt;&lt;td 
style="vertical-align:middle;text-align:center;padding-top:10px;padding-bottom:10px;padding-left:10px;padding-right:10px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6kAaece%5Ebg0DaM2Ejd" target="_self" title="" style="text-decoration: none;"&gt;&lt;img class="icon" src="https://d15k2d11r6t6rl.cloudfront.net/pub/40qd/br3kliar/coi/z2y/qei/unnamed-2.png" alt="" height="auto" width="32" align="center" style="display:block;height:auto;margin:0 auto;border:0"&gt;&lt;/a&gt;&lt;/td&gt;&lt;td 
style="vertical-align:middle;text-align:center;padding-top:10px;padding-bottom:10px;padding-left:10px;padding-right:10px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6kAaece%5Ebg0EaM2Ejd" target="_self" title="" style="text-decoration: none;"&gt;&lt;img class="icon" src="https://d15k2d11r6t6rl.cloudfront.net/pub/40qd/br3kliar/74h/i4d/cse/unnamed-3.png" alt="" height="auto" width="32" align="center" style="display:block;height:auto;margin:0 auto;border:0"&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table 
class="divider_block block-66" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-bottom:35px;padding-left:10px;padding-right:10px" align="center"&gt;&lt;table border="0" cellpadding="0" cellspacing="0" role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;
&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-67" width="100%" border="0" cellpadding="10" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:16.8px;color:#555;line-height:1.2"&gt;&lt;p 
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alt="" title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-3" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:5px;padding-bottom:5px" align="center"&gt;&lt;div style="max-width:598px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6kA6ecewbg6taM3tAa6-poshgrlsx1a" target="_blank"&gt;&lt;img 
src="https://d15k2d11r6t6rl.cloudfront.net/pub/40qd/br3kliar/klo/rvp/y5j/Film%20Email%20Header.png" style="display:block;height:auto;border:0;width:100%" width="598" alt="" title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-4" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;div style="max-width:598px"&gt;
&lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6kA6ecewbg70aM3tAa6-poshgrlsx1a" target="_blank"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/q22/sa7/jok/ODYSSEY-FIRE%20%281%29.jpg" style="display:block;height:auto;border:0;width:100%" width="598" alt="" title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-5" style="height:21px;line-height:21px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="heading_block block-6" width="100%" border="0" cellpadding="0" cellspacing="0" 
role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px" align="center"&gt;&lt;h1 style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:24px;font-weight:900;letter-spacing:normal;line-height:1.5;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:36px"&gt;
&lt;strong&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6kA6ecewbg77aM3tAa6-poshgrlsx1a" target="_blank" style="text-decoration: none; color: #000000;" rel="noopener"&gt;Talking Screens: A Week In Chicago Film&lt;br&gt;July 17-23, 2026&lt;/a&gt;&lt;/strong&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="divider_block block-7" width="100%" border="0" cellpadding="10" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" align="center"&gt;&lt;table border="0" cellpadding="0" cellspacing="0" 
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style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;font-size:18px;text-align:center;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;by Ray Pride&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-9" width="100%" border="0" cellpadding="20" cellspacing="0" 
role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
In Christopher Nolan's "&lt;strong&gt;The Odyssey&lt;/strong&gt;," from the epic poem by Homer, the writer-director-producer shows what happens when kindness and unquestioning hospitality are abandoned: around the survivors, an age collapsing, its ruins, ours. Matt Damon's Odysseus is lost, lost, lost, lost. But with love, he is found. He is an extraordinary everyman. &lt;em&gt;Our review is &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6kA6ecewbg78aM3tAa6-poshgrlsx1a" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;. Now playing, in IMAX at Roosevelt and Regal City North and on 70mm at the Music Box, Roosevelt and River East&lt;/em&gt;.
&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-10" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;div style="max-width:598px"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/r84/ast/n5m/REMAKE_img3-scaled.jpeg" style="display:block;height:auto;border:0;width:100%" width="598" alt="" title="" height="auto"&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table 
class="text_block block-11" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;font-size:18px;text-align:center;mso-line-height-alt:18px"&gt;
&lt;span style="word-break: break-word; font-size: 12px;"&gt;"Remake"&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Ross McElwee's 1985 "&lt;strong&gt;Sherman’s March: A Meditation on the Possibility Of Romantic Love in the South During An Era of Nuclear Weapons Proliferation&lt;/strong&gt;" is a progenitor of the personal documentary, a 158-minute comic road trip stripping away moments in history as well as a soul as he meets several remarkable women. It's a solid, unassuming masterpiece, fruitfully restored—but an even greater testament to lives led is McElwee's beautiful and shattering "&lt;strong&gt;Remake&lt;/strong&gt;."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;It's essential viewing, and compactly summarized by McElwee himself: "It’s been fourteen years since I completed my last film, 'Photographic Memory.' What animated that film was the sense that I no longer understood my son, Adrian, the way I once thought I did. As a child, Adrian liked being filmed, and I liked filming him. It was a process that linked us. But as the years went by, things changed—for him and for me.&lt;/span&gt;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"When Adrian died, suddenly and unexpectedly, in the winter of 2016, I wasn’t sure I would make another film. Eventually I started going through my home movies again, all these accumulated moments with my son, who was now no longer here. And then I began to look at what he’d filmed too. 'Remake' is both my attempt to hold onto Adrian, and to let him go." My summa is simpler: Go. &lt;em&gt;"&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6kA6ecewbg79aM3tAa" style="text-decoration: underline; color: #0068A5;"&gt;Sherman's March&lt;/a&gt;" and "&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6kA6ecewbg7-aM3tAa" style="text-decoration: underline; color: #0068A5;"&gt;Remake&lt;/a&gt;" open Friday, July 17 at the Music Box.&lt;/em&gt;&lt;/span&gt;
&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-12" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;div style="max-width:598px"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/01s/f9d/mte/BARRIO-TRISTE.jpeg" style="display:block;height:auto;border:0;width:100%" width="598" alt="" title="" height="auto"&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table 
class="text_block block-13" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;font-size:18px;text-align:center;mso-line-height-alt:18px"&gt;
&lt;span style="word-break: break-word; font-size: 12px;"&gt;"Barrio Triste"&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Beautifully earnest "&lt;strong&gt;Barrio Triste&lt;/strong&gt;," from Colombian-American filmmaker, photographer and Bad Bunny collaborator Stillz and presented by Harmony Korine, is an arresting lo-fi testament to youth in corrupted surroundings, a visual astonishment that does not let up (or let go). In 1980s Medellín, teenagers who live in neglect steal a news reporter's camera and frame their world. There's a no-budget affinity with "City of God"; the dystopia that's already here is reminiscent of Alfonso Cuarón's vision in "Children of Men." Comparisons between Stillz's neorealist-surrealist vision have been made to Gabriel García Márquez's Colombia of the past; the milieu simmers fiercely. Death is right there; right here. The score by Arca is refined delirium. &lt;em&gt;The trailer is &lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6kA6ecewbg7AaM3tAa" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;.&amp;nbsp;&lt;/em&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6kA6ecewbg7BaM3tAa" style="text-decoration: underline; color: #0068A5;"&gt;&lt;em&gt;"Barrio Triste" opens Friday, July 17 at the Film Center&lt;/em&gt;&lt;/a&gt;.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;We talk at length to Chicago filmmaker Ruth Leitman about the return of her first feature, its scrappy origins and&amp;nbsp;hardscrabble life, "&lt;strong&gt;Wildwood, NJ&lt;/strong&gt;." (&lt;em&gt;Interview at end of column&lt;/em&gt;.)&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="divider_block block-14" width="100%" 
border="0" cellpadding="10" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" align="center"&gt;&lt;table border="0" cellpadding="0" cellspacing="0" role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-15" 
width="100%" border="0" cellpadding="10" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;strong&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6kA6ecewbg6saM3tAa6-poshgrlsx1a" target="_blank" style="text-decoration: underline; color: #0068A5;" rel="noopener"&gt;&lt;em&gt;Become a member of Newcity&lt;/em&gt;&lt;/a&gt;&lt;/strong&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="divider_block block-16" width="100%" border="0" cellpadding="10" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" align="center"&gt;&lt;table border="0" cellpadding="0" cellspacing="0" 
role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-17" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;div 
style="max-width:598px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6kA6ecewbg7CaM3tAa" target="_blank"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/ps5/jwe/vx9/FACETS%20-%20MWI%20july%20%28email%29.png" style="display:block;height:auto;border:0;width:100%" width="598" alt="" title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-18" style="height:40px;line-height:40px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="heading_block block-19" width="100%" 
border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px" align="center"&gt;&lt;h1 style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:24px;font-weight:900;letter-spacing:normal;line-height:1.5;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:36px"&gt;
&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;HOLDOVERS&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-20" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p
 style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
This week’s “&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6kA6ecewbg6FaM3tAa" style="text-decoration: underline; color: #0068A5;"&gt;&lt;strong&gt;Must-Watch Indies&lt;/strong&gt;&lt;/a&gt;” at Facets include David Lowery’s “&lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6kA6ecewbg6RaM3tAa6-poshgrlsx1a" style="text-decoration: underline; color: #0068A5;"&gt;&lt;strong&gt;Mother Mary&lt;/strong&gt;&lt;/a&gt;”&amp;nbsp;and the first feature documentary by Argentine master Lucrecia Martel, she of the stylish specs, cheroot, walking stick, class consciousness and anxiety-rich mise-en-scène, “&lt;strong&gt;Nuestra Tierra&lt;/strong&gt;” (Our Land). &lt;em&gt;Showtimes &lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6kA6ecewbg6MaM3tAa" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;&lt;/em&gt;.
&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-21" style="height:40px;line-height:40px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="heading_block block-22" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:24px;font-weight:900;letter-spacing:normal;line-height:1.5;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:36px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;CHICAGO SEEN&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-23" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Notable Repertory &amp; Revival attractions include Whit Stillman's "&lt;strong&gt;Last Days Of Disco&lt;/strong&gt;" (&lt;em&gt;a fragment of a 1998 interview is below&lt;/em&gt;); Howard Hawks' comic clockwork “&lt;strong&gt;Bringing Up Baby&lt;/strong&gt;“ at Doc Films; and Frank Simon's period drag doc "&lt;strong&gt;The Queen&lt;/strong&gt;."&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;The Film Center &lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6kA6ecewbg7DaM3tAa" style="text-decoration: underline; color: #0068A5;"&gt;features&lt;/a&gt; the fiftieth anniversary restoration of Bruno Bozzetto's animated musical fantasy, "&lt;strong&gt;Allegro non troppo&lt;/strong&gt;" and Abbas Kiarostami's mysterious masterpiece "&lt;strong&gt;The Taste Of Cherry&lt;/strong&gt;" (&lt;em&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6kA6ecewbg7EaM3tAa" style="text-decoration: underline; color: #0068A5;"&gt;which prompted one of Roger Ebert's most uncomprehending reviews&lt;/a&gt;&lt;/em&gt;).&lt;/span&gt;
&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-24" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;div style="max-width:598px"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/f48/uhk/f7h/THE_QUEEN.jpg" style="display:block;height:auto;border:0;width:100%" width="598" alt="" title="" height="auto"&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table 
class="text_block block-25" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;font-size:18px;text-align:center;mso-line-height-alt:18px"&gt;
&lt;span style="word-break: break-word; font-size: 12px;"&gt;"The Queen"&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;The Chicago Film Society showcases Simon's 1968 "&lt;strong&gt;The Queen&lt;/strong&gt;" (35mm). "Shot over five days in the lead-up to the Miss All-American Camp Beauty Pageant of 1967, 'The Queen,'" writes CFS' Kyle Westphal, "eavesdrops on a cadre of female impersonators as they primp, preen, sing showtunes, and turn New York upside down in search of the right wig." Shown with Heather McAdams' 1988 "Meet ... Bradley Harrison Picklesimer," a visit with "your favorite 'redneck in sheep’s clothing,' proprietor of Club LMNOP, Lexington, Kentucky’s neighborhood drag bar with the best jukebox in town."&amp;nbsp;&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6kA6ecewbg7FaM3tAa" style="text-decoration: underline; color: #0068A5;"&gt;&lt;em&gt;Film Center, Sunday, July 19, 5pm&lt;/em&gt;&lt;/a&gt;.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Also at the Film Center, as part of their "&lt;strong&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6kA6ecewbg6DaM3tAa" style="text-decoration: underline; color: #0068A5;"&gt;20th Century Queers&lt;/a&gt;&lt;/strong&gt;" series, Chantal Akerman's newly restored, luminous, brooding portrait of a filmmaker in flux, played by the great Aurore Clément, "&lt;strong&gt;Les Rendez-vous d'Anna&lt;/strong&gt;" (1978)&lt;em&gt;. "&lt;/em&gt;Chantal Akerman’s narrative follow-up to her international breakthrough, '&lt;em&gt;Jeanne Dielman,'&lt;/em&gt; is a penetrating portrait of a woman’s soul-deep malaise and a mesmerizing odyssey through a haunted Europe," &lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6kA6ecewbg7MaM3tAa" style="text-decoration: underline; color: #0068A5;"&gt;synopsizes Criterion&lt;/a&gt;.&amp;nbsp;&lt;em&gt;Trailer &lt;/em&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6kA6ecewbg7NaM3tAa" style="text-decoration: underline; color: #0068A5;"&gt;&lt;em&gt;here&lt;/em&gt;&lt;/a&gt;. &lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6kA6ecewbg7OaM3tAa" style="text-decoration: underline; color: #0068A5;"&gt;&lt;em&gt;Film Center, July 18-22&lt;/em&gt;&lt;/a&gt;.&lt;/span&gt;
&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-26" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;div style="max-width:598px"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/bzo/ais/kvd/DESPERATE-LIVING-1.jpg" style="display:block;height:auto;border:0;width:100%" width="598" alt="" title="" height="auto"&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table 
class="text_block block-27" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;font-size:18px;text-align:center;mso-line-height-alt:18px"&gt;
&lt;span style="word-break: break-word; font-size: 12px;"&gt;"Desperate Living"&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;John Waters has fresh Criterion Blu-rays of "&lt;strong&gt;Hairspray&lt;/strong&gt;" and "&lt;strong&gt;Desperate Living&lt;/strong&gt;," and the latter is also showing as part of "&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6kA6ecewbg7PaM3tAa" style="text-decoration: underline; color: #0068A5;"&gt;20th Century Queers&lt;/a&gt;." Rapscallion and "filth elder" Waters just turned eighty and made the interview circuit for the Criterion editions. One of the best chats &lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6kA6ecewbg7QaM3tAa" style="text-decoration: underline; color: #0068A5;"&gt;comes from Queer Review&lt;/a&gt;: "I’m amazed that 'Hairspray' has lasted so long and that it has had so many different lives. Watching it again, I thought, boy, the idea of a fat girl fighting for civil rights was a damn good one!'" Of "Desperate Living," “Once thought to be my ugliest and angriest film, It’s now ludicrously but beautifully restored in 4K."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Looking at his 1977 work, Waters says, "That movie is extremely confusingly politically correct or incorrect. I actually believe that time has made it now politically correct, when at one time it might not have been. The young hip trans people that I know love it and they love its excess. Susan Lowe as Mole says, ‘I want a wang and I want it now!’ What’s the matter with that? That’s just being militant." &lt;em&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6kA6ecewbg7RaM3tAa" style="text-decoration: underline; color: #0068A5;"&gt;Film Center, July 17-23&lt;/a&gt;&lt;/em&gt;.&lt;/span&gt;
&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-28" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;div style="max-width:598px"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/d4t/58z/cyl/BODY-DOUBLE.jpg" style="display:block;height:auto;border:0;width:100%" width="598" alt="" title="" height="auto"&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table 
class="text_block block-29" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;font-size:18px;text-align:center;mso-line-height-alt:18px"&gt;
&lt;span style="word-break: break-word; font-size: 12px;"&gt;"Body Double"&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
Brian De Palma's memorably sleek yet joyously tacky provocation "&lt;strong&gt;Body Double&lt;/strong&gt;," a cartoon of the world of Los Angeles porn in 1984 and his fantasies of driller-killer double-crosses, glides into Lincoln Square. Come for John Lautner's 1960 Chemosphere, stay for the sudden apparition of a four-minute peregrinating video of &lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6kA6ecewbg7SaM3tAa" style="text-decoration: underline; color: #0068A5;"&gt;Frankie Goes To Hollywood performing "Relax."&lt;/a&gt; &lt;em&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6kA6ecewbg7TaM3tAa" style="text-decoration: underline; color: #0068A5;"&gt;Davis, Thursday, July 23&lt;/a&gt;&lt;/em&gt;.
&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-30" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;div style="max-width:598px"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/3la/859/fao/LInda-Linda-Linda.jpg" style="display:block;height:auto;border:0;width:100%" width="598" alt="" title="" height="auto"&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table 
class="text_block block-31" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;font-size:18px;text-align:center;mso-line-height-alt:18px"&gt;
&lt;span style="word-break: break-word; font-size: 12px;"&gt;"Linda Linda Linda"&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;At Facets: the gleeful 2002 black-and-white experimental animation of "&lt;strong&gt;Tamala 2010: A Punk Cat in Space&lt;/strong&gt;," from the Japanese composer-director team of T.O.L., who have acknowledged it's an adaptation of Thomas Pynchon's "The Crying Of Lot 49." Also: the irresistible fun of “&lt;strong&gt;Linda Linda Linda&lt;/strong&gt;," one of the more joyous comedies of the 2000s.&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;
&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Nobuhiro Yamashita’s Aki Kaurismäki-esque tale, which takes its title from an infernally catchy Japanese pop song, is a little like “Rock School,” seems influenced by Jim Jarmusch, but it’s filled with the kind of youthful exuberance that only the Japanese do well. Like the great “All About Lily Chou-Chou,” “Linda Linda Linda” treats music like air or water: strictly necessary. &lt;em&gt;Showtimes &lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6kA6ecewbg7%5BaM3tAa" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;&lt;/em&gt;.&lt;/span&gt;
&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-32" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;div style="max-width:598px"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/syh/zjk/hb8/LAST-DAYS-OF-DISCO.jpeg" style="display:block;height:auto;border:0;width:100%" width="598" alt="" title="" height="auto"&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table 
class="text_block block-33" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;font-size:18px;text-align:center;mso-line-height-alt:18px"&gt;
&lt;span style="word-break: break-word; font-size: 12px;"&gt;"The Last Days Of Disco"&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Doc Films is showing “&lt;strong&gt;Last Days Of Disco&lt;/strong&gt;” (1998), the third of &lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6kA6ecewbg7VaM3tAa" style="text-decoration: underline; color: #0068A5;"&gt;Whit Stillman'&lt;/a&gt;s keenly observed, neatly structured, dialogue-furnished trilogy that began with “Metropolitan” (1990) and “Barcelona" (1994). Here's part of a interview from before its release.&lt;/span&gt;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:left;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Why these very specific people of a particular class?&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;I find that because of "Metropolitan," people are interpreting the characters, their bourgeois identity as more important than it really has to be. In this country, there's a broad class of people who've gone to universities. Wherever they started, they go through the mill and they come to the city and they get professional jobs, publishing jobs, whatever that is. There is a similarity, the people sort themselves out, it's not necessarily where it came from. That's not the intention, but maybe inadvertently it does wind up that way. There is a sort of stylistic self-definition of certain people who would have these jobs and care about going out at night. It's a dressier crowd. There'd be other crowds at work and their friends they went to college with. I think in university years, people start self-selection and forming identities and winding up in one group or another.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:left;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Your three movies take place in the past.&amp;nbsp;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;For me, it's really important to write with a fifteen-year time lag. That's another reason for the disco period. When I looked back from 1994, fifteen years put me plonk in the middle of that period. I find I can't really write about the present. Only through the past do you get through the mist of stuff you want to remember and think about. And also I don't like all popular culture. When something happens in popular culture that you respond to, I want to hold onto that. It was one period that I thought was fun and interesting. &lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6kA6ecewbg6VaM3tAa" style="text-decoration: underline; color: #0068A5;"&gt;&lt;em&gt;"The Last Days of Disco" plays July 21 and 24 on 35mm at Doc Films&lt;/em&gt;&lt;/a&gt;.&lt;/span&gt;
&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-34" style="height:40px;line-height:40px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="heading_block block-35" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:24px;font-weight:900;letter-spacing:normal;line-height:1.5;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:36px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;CHICAGO SEEN&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-36" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;
&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;div style="max-width:598px"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/zru/wdi/3u4/Wildwood-NJ.jpg" style="display:block;height:auto;border:0;width:100%" width="598" alt="" title="" height="auto"&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-37" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div 
style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;font-size:18px;text-align:center;mso-line-height-alt:18px"&gt;&lt;span style="word-break: break-word; font-size: 12px;"&gt;Behind the scenes of making "Wildwood, NJ"&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;A restoration of Chicago filmmaker Ruth Leitman's debut, "&lt;strong&gt;Wildwood, NJ&lt;/strong&gt;" plays this week. We talk about the documentary's twenty-five-year history, from teen girl empowerment to lo-fi tech. &lt;em&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6kA6ecewbg8baM3tAa" style="text-decoration: underline; color: #0068A5;"&gt;Davis Theater,&amp;nbsp;Saturday, July 18&lt;/a&gt;&lt;/em&gt;.&lt;/span&gt;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;How did the restoration and tour come about?&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"Wildwood, NJ" premiered at festivals in 1994. It has had a second, third and maybe now, fourth life. The first "second life" happened in 2009. "Wildwood" was invited to screen at Hot Docs' fifteen-year anniversary in 2013 and was later featured in Sight &amp; Sound's "The Female Gaze: One Hundred Overlooked Films Directed by Women," which sparked a theatrical tour of the UK over the summer of 2016. Earlier this year, the film was invited to the Berlinale Retrospective “Lost in the Nineties," no better way to premiere the restoration by American Genre Film Archive, followed by this summer tour in tandem with AGFA’s Blu-Ray.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;And of course, right now, as a culture, we are obsessed with and nostalgic for the nineties, and this film delivers that authenticity of a time that was so hopeful and pure. There’s even a payphone that is a character in the film, harkening to a time that will never be the same again. As a filmmaker deeply engaged in the exhibition and distribution of my work, I have embraced every iteration of "Wildwood’"s life. It lives on as a 1990s time capsule of teen girl culture. But the sharing and viral nature of "Wildwood" now, in a sense, belongs to all of us searching for the complexities of a time gone by and reflecting back upon the fleeting nature of our own youth.&lt;/span&gt;
&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-38" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;div style="max-width:598px"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/mv0/2a8/j19/WILDWOOD-NJ-1.jpg" style="display:block;height:auto;border:0;width:100%" width="598" alt="" title="" height="auto"&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table 
class="text_block block-39" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;font-size:18px;text-align:center;mso-line-height-alt:18px"&gt;
&lt;span style="word-break: break-word; font-size: 12px;"&gt;"Wildwood NJ"&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Tell me about the restoration.&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Yes, it is a restoration derived from its best digital form. "Wildwood" was shot on Super 8 film stock and edited on tape. Our source was the Digital Betacam master. The raw, gritty aesthetic of the movie is one of its defining traits. The visual quality is just as nostalgic and beautiful as the neon lights of the boardwalk that appear in the film. Our goal was to retain the aesthetic of the original analog elements (including the 1994 color grade and audio mix) while bringing out a richness and vibrancy overall. It was shot on Kodak Ektachrome and Kodachrome Super 8 film stock with magnetic sound, which was used as a scratch track. I purchased an older Canon 1014 XLS camera, which I had modified in order to be able to film as a sync sound camera double system to sync with a Nagra and DAT sound recorders. I literally answered an ad from a film magazine: "Crystal Synch Your Super8 camera!" I sent a $500 check and the camera was the way to transform my home movie camera into a professional sync sound film camera package.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;What has the actual place meant to you over time?&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;As a teen, this place held a certain nostalgia for me, but also a fantasy. There was a bit of the unattainable teenage life I’d missed that I was moved to capture. I wanted to explore the magic of the place, and thus the highly grainy Super 8 stock, heightens the retro aesthetic of the film, making the 1990s look like the 1980s, hearkening even further back in time.&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-40" 
width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;div style="max-width:516px"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/gq7/2rd/nn5/WILDWOOD-NJ-2.jpg" style="display:block;height:auto;border:0;width:100%" width="516" alt="" title="" height="auto"&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-41" width="100%" border="0" cellpadding="20" 
cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:18px"&gt;&lt;span style="word-break: break-word; font-size: 12px;"&gt;"Wildwood, NJ"&lt;/span&gt;&lt;/p&gt;&lt;p 
style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Do you remember your goals in making the film and do they hold up?&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;When we made "Wildwood," it really was an exploration, there was so much experimentation in the process of how it was made. I was working mainly as a photographer at that point. But I felt that teen girls—especially those from working class backgrounds in New Jersey—are seldom listened to or ever taken seriously. I wanted to give the megaphone to the tough teen girls I had been photographing for years. I wanted to capture the experiences of my friends, the things that I had missed while ostensibly being imprisoned in an abusive relationship as a teenager myself. I wrote about my films and how my own experience as a teen affected me a few weeks ago at Talkhouse (&lt;em&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6kA6ecewbg8caM3tAa" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;&lt;/em&gt;).&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;That goal holds up better than I ever could have imagined because even though the film was made in and "about" a very specific place, the characters we meet in the film transcend the place, becoming universal examples of girlhood and growing up female and what it takes for us to have dreams, aspiration and, really, just to even be heard.&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6kA6ecewbg8gaM3tAa" target="_blank" style="text-decoration: underline; color: #0068A5;" rel="noopener"&gt;&lt;strong&gt;Images and stories&lt;/strong&gt;&lt;/a&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Back then, I was looking for the instrument, the art form that would help give me some hope and a way out. Picking up a camera after escaping an abusive relationship as a teenager was my lifeline. So my younger self was telling me that I could do this and that I needed to work my ass off and be good at it, otherwise I could end up dead. And there’s no question that this is what drove me. But I fell in love with filmmaking, because it gave me great purpose. Younger me tells older me… "You did it!" Older me says: "I have no idea how you did it." Back then, I gravitated toward teen girls who were much like myself, at risk and scrappy as hell. I am still scrappy decades later, and that experience has made me unbreakable. Good thing though, because I would eventually need that. The film industry is so broken and especially doesn’t work for women, queer, people of color or any marginalized makers. So I have always felt comfortable working outside of this dysfunctional system.&lt;/span&gt;
&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="divider_block block-42" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:20px;padding-bottom:20px;padding-left:10px;padding-right:10px" align="center"&gt;&lt;table border="0" cellpadding="0" cellspacing="0" role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="divider_inner" 
style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-43" style="height:30px;line-height:30px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="heading_block block-44" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" 
style="width:100%;padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px" align="center"&gt;&lt;h1 style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:24px;font-weight:900;letter-spacing:normal;line-height:1.5;text-align:left;margin-top:0;margin-bottom:0;mso-line-height-alt:36px"&gt;
&lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6kA6ecewbg8daM3tAa6-poshgrlsx1a" target="_blank" style="text-decoration: none; color: #000000;" rel="noopener"&gt;&lt;span class="mce-content-body mce-edit-focus" style="word-break: break-word; position: relative;" id="e9581b0d-adc9-4cbe-ae14-27b89f052935" data-position="10-0-43" data-qa="tinyeditor-root-element"&gt;Rise, Fall, Rise: Civilization and "The Odyssey"&lt;/span&gt;&lt;/a&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-45" width="100%" border="0" cellpadding="0" 
cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;div style="max-width:598px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6kA6ecewbg8eaM3tAa6-poshgrlsx1a" target="_blank"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/pb0/hnx/vgy/ODYSSEY-DAMON-600x450.jpg" style="display:block;height:auto;border:0;width:100%" width="598" alt="" title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table 
class="text_block block-46" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;font-size:18px;text-align:left;mso-line-height-alt:27px"&gt;
Under a Kodachrome sky, Christopher Nolan shows what happens when kindness and unquestioning hospitality are abandoned: around the survivors, an age collapsing, its ruins, ours. (Ray Pride)&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="divider_block block-47" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:20px;padding-bottom:20px;padding-left:10px;padding-right:10px" align="center"&gt;
&lt;table border="0" cellpadding="0" cellspacing="0" role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-48" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" 
style="width:100%" align="center"&gt;&lt;div style="max-width:598px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6kA6ecewbg8faM3tAa" target="_blank"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/ps5/jwe/vx9/FACETS%20-%20MWI%20july%20%28email%29.png" style="display:block;height:auto;border:0;width:100%" width="598" alt="" title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="divider_block block-49" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" 
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style="margin:0;font-size:15px;text-align:center;mso-line-height-alt:18px"&gt;&lt;span style="word-break: break-word; font-size: 15px;"&gt;&lt;em&gt;Copyright © 2026 Newcity, All rights reserved.&lt;/em&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:15px;text-align:center;mso-line-height-alt:16.8px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:15px;mso-line-height-alt:18px"&gt;&lt;span style="word-break: break-word; font-size: 15px;"&gt;To ensure Newcity makes it to your inbox regularly,&lt;/span&gt;&lt;br&gt;
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&lt;table class="image_block block-2" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;div style="max-width:598px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6kB6ece0bgA%7CaM6R4b" target="_blank"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/i6b/9r4/uhz/MOWA%20NT%20newsletter%20creative%20for%20June%2015%20AmLand_digital-2-600x250.jpg" 
style="display:block;height:auto;border:0;width:100%" width="598" alt="" title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="divider_block block-3" width="100%" border="0" cellpadding="10" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" align="center"&gt;&lt;table border="0" cellpadding="0" cellspacing="0" role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="divider_inner" 
style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-4" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:5px;padding-bottom:5px;padding-left:20px;padding-right:20px" align="center"&gt;&lt;div style="max-width:350px"&gt;
&lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6kB6ece0bgAjaM6R4q6-poshgrlsx1a" target="_blank"&gt;&lt;img src="https://d15k2d11r6t6rl.cloudfront.net/pub/40qd/br3kliar/trm/f81/xfb/NewcityLogoEmail.png" style="display:block;height:auto;border:0;width:100%" width="350" alt="" title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="divider_block block-5" width="100%" border="0" cellpadding="10" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" align="center"&gt;
&lt;table border="0" cellpadding="0" cellspacing="0" role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-6" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td 
class="pad" style="padding-top:20px;padding-bottom:10px;padding-left:20px;padding-right:20px"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;I used to love snow days as a kid, when the weather gave us a bonus day to play outside in the powder or hole up in the living room to watch cartoons on WGN-TV without even needing to exaggerate a sniffle.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Smoke days, on the other hand, simply seem ominous; shades of pandemic isolation without even being able to go outside and burn off some energy. They do remind us, however, of how much we take for granted. Once we can see and breathe again, let's all enjoy the city and its great outdoor summer offerings all the more.&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Until then, we can all hole up at "The Odyssey" in the movie theater or curl up at home with the summer edition of Newcity. If you don't have it yet, you might want to venture out to &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6kB6ece0bgAraM6R4q6-poshgrlsx1a" style="text-decoration: underline; color: #0068A5;"&gt;one of the retailers&lt;/a&gt; who now have it on sale. Each of them is a singular Chicago destination worth a visit any time, on a sunny, snowy or smoky day.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-7" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px" align="left"&gt;&lt;div style="max-width:104px"&gt;&lt;img 
src="https://d15k2d11r6t6rl.cloudfront.net/pub/40qd/br3kliar/ier/gbh/bha/unnamed-1_1.png" style="display:block;height:auto;border:0;width:100%" width="104" alt="" title="" height="auto"&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-8" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px"&gt;&lt;div 
style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px; color: #000000;"&gt;Brian Hieggelke&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px; color: #000000;"&gt;Editor &amp; Publisher&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px; color: #000000;"&gt;&lt;em&gt;You can still get a copy of the 156-page double summer issue. If you subscribe now &lt;/em&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6kB6ece0bgAkaM6R4q6-poshgrlsx1a" style="text-decoration: underline; color: #0068A5;"&gt;&lt;em&gt;here&lt;/em&gt;&lt;/a&gt;&lt;em&gt;, it will be your first edition. And as for other options, find out &lt;/em&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6kB6ece0bgBzaM6R4q6-poshgrlsx1a" style="text-decoration: underline; color: #0068A5;"&gt;&lt;em&gt;here&lt;/em&gt;&lt;/a&gt;&lt;em&gt;. &lt;/em&gt;&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="divider_block block-9" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:10px;padding-bottom:20px;padding-left:10px;padding-right:10px" align="center"&gt;&lt;table border="0" cellpadding="0" cellspacing="0" role="presentation" width="100%" 
style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-10" style="height:21px;line-height:21px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="text_block block-11" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-left:20px;padding-right:20px"&gt;&lt;div style="font-family:Tahoma,Verdana,sans-serif"&gt;&lt;div class style="font-size:14px;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;mso-line-height-alt:16.8px;color:#555;line-height:1.2"&gt;&lt;p style="margin:0;font-size:14px;mso-line-height-alt:16.8px"&gt;
&lt;span style="word-break: break-word; font-size: 16px; color: #a82b28;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word;"&gt;STAGE&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-12" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:24px;font-weight:900;letter-spacing:normal;line-height:1.5;text-align:left;margin-top:0;margin-bottom:0;mso-line-height-alt:36px"&gt;
&lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6kB6ece0bgB0aM6R4q6-poshgrlsx1a" target="_blank" style="text-decoration: none; color: #000000;" rel="noopener"&gt;&lt;span class="mce-content-body mce-edit-focus" style="word-break: break-word; position: relative;" id="0cb0d2da-ab85-419d-b18e-6ddfe31290c1" data-position="10-0-11" data-qa="tinyeditor-root-element"&gt;Gwydion Reclaims the Risk-Taking Heritage of Chicago Storefront Theater&lt;/span&gt;&lt;/a&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-13" width="100%" 
border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;div style="max-width:598px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6kB6ece0bgB7aM6R4q6-poshgrlsx1a" target="_blank"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/0p3/py8/fll/8-scaled-600x450.jpg" style="display:block;height:auto;border:0;width:100%" width="598" alt="" title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table 
class="text_block block-14" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
These recent transplants represent a new generation of theater artists who have chosen this city based on its reputation as a place open to brash, bright young thespians willing to do their own thing on their own terms. (Hugh Iglarsh)&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="divider_block block-15" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" 
style="padding-top:10px;padding-bottom:20px;padding-left:10px;padding-right:10px" align="center"&gt;&lt;table border="0" cellpadding="0" cellspacing="0" role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-16" style="height:21px;line-height:21px;font-size:1px"&gt;
&amp;#8202;&lt;/div&gt;&lt;table class="text_block block-17" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-left:20px;padding-right:20px"&gt;&lt;div style="font-family:Tahoma,Verdana,sans-serif"&gt;&lt;div class style="font-size:14px;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;mso-line-height-alt:16.8px;color:#555;line-height:1.2"&gt;&lt;p 
style="margin:0;font-size:14px;mso-line-height-alt:16.8px"&gt;&lt;span style="word-break: break-word; font-size: 16px; color: #89c0c9;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word;"&gt;DESIGN&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-18" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" 
style="width:100%;padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px" align="center"&gt;&lt;h1 style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:24px;font-weight:900;letter-spacing:normal;line-height:1.5;text-align:left;margin-top:0;margin-bottom:0;mso-line-height-alt:36px"&gt;
&lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6kB6ece0bgB8aM6R4q6-poshgrlsx1a" target="_blank" style="text-decoration: none; color: #000000;" rel="noopener"&gt;&lt;span class="mce-content-body mce-edit-focus" style="word-break: break-word; position: relative;" id="dc308428-4bff-49bb-96a9-7a663c52b407" data-position="10-0-17" data-qa="tinyeditor-root-element"&gt;A Lost Frank Lloyd Wright Design, Worn With a Windsor&lt;/span&gt;&lt;/a&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-19" width="100%" border="0" 
cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;div style="max-width:598px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6kB6ece0bgB9aM6R4q6-poshgrlsx1a" target="_blank"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/hbu/4bo/62c/TB_FLW_2026_Day2_0001-600x450.jpg" style="display:block;height:auto;border:0;width:100%" width="598" alt="" title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table 
class="text_block block-20" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;The Tie Bar turns Wright’s now-demolished Midway Gardens, the architect’s Hyde Park entertainment complex, into wearable Chicago design history. (Vasia Rigou)&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="divider_block block-21" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" 
style="padding-top:10px;padding-bottom:20px;padding-left:10px;padding-right:10px" align="center"&gt;&lt;table border="0" cellpadding="0" cellspacing="0" role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-22" style="height:45px;line-height:45px;font-size:1px"&gt;
&amp;#8202;&lt;/div&gt;&lt;table class="image_block block-23" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-left:20px;padding-right:20px" align="center"&gt;&lt;div style="max-width:400px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6kB6ece0bgAyaM6R4q6-poshgrlsx1a" target="_blank"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/q6i/gpd/eol/Newcity_2026-07-08_Cover%20Footer.jpeg" 
style="display:block;height:auto;border:0;width:100%" width="400" alt="" title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-24" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class 
style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:18.2px;color:#000;line-height:1.3"&gt;&lt;p style="margin:0;font-size:14px;text-align:center;mso-line-height-alt:26px"&gt;&lt;span style="word-break: break-word; font-size: 20px;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word;"&gt;JULY-AUGUST 2026:&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:14px;text-align:center;mso-line-height-alt:26px"&gt;
&lt;span style="word-break: break-word; font-size: 20px;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word;"&gt;AMERICA 250 + ART IN MICHIGAN&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;br&gt;
&lt;span style="word-break: break-word; font-size: 20px;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word;"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6kB6ece0bgAzaM6R4q6-poshgrlsx1a" target="_blank" style="text-decoration: none; color: #19638e;" rel="noopener"&gt;GET THE ISSUE&lt;/a&gt; | &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6kB6ece0bgA0aM6R4q6-poshgrlsx1a" target="_blank" style="text-decoration: none; color: #19638e;" rel="noopener"&gt;SUBSCRIBE&lt;/a&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div 
class="spacer_block block-25" style="height:40px;line-height:40px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="divider_block block-26" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:10px;padding-bottom:20px;padding-left:10px;padding-right:10px" align="center"&gt;&lt;table border="0" cellpadding="0" cellspacing="0" role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;
&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-27" style="height:21px;line-height:21px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="text_block block-28" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad" 
style="padding-left:20px;padding-right:20px"&gt;&lt;div style="font-family:Tahoma,Verdana,sans-serif"&gt;&lt;div class style="font-size:14px;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;mso-line-height-alt:16.8px;color:#555;line-height:1.2"&gt;&lt;p style="margin:0;font-size:14px;mso-line-height-alt:16.8px"&gt;&lt;span style="word-break: break-word; font-size: 16px; color: #65d68b;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word;"&gt;ART&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table 
class="heading_block block-29" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:24px;font-weight:900;letter-spacing:normal;line-height:1.5;text-align:left;margin-top:0;margin-bottom:0;mso-line-height-alt:36px"&gt;
&lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6kB6ece0bgB-aM6R4q6-poshgrlsx1a" target="_blank" style="text-decoration: none; color: #000000;" rel="noopener"&gt;&lt;span class="mce-content-body mce-edit-focus" style="word-break: break-word; position: relative;" id="4f5c3cc9-29a0-40b5-8796-be17ea23f9af" data-position="10-0-28" data-qa="tinyeditor-root-element"&gt;"Life Is an Art: The Collection of Jan Petry" Honors Intuitive Collecting&lt;/span&gt;&lt;/a&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-30" width="100%" 
border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;div style="max-width:598px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6kB6ece0bgBAaM6R4q6-poshgrlsx1a" target="_blank"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/63i/y4v/s33/20260411_153231-600x450.gif" style="display:block;height:auto;border:0;width:100%" width="598" alt="" title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;
&lt;table class="text_block block-31" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;The exhibition pays tribute to Petry’s formative role and endorsement of the Intuit Art Museum as well as her lifelong passion for the arts. (Zara Yost)&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="divider_block block-32" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" 
style="padding-top:20px;padding-bottom:20px;padding-left:10px;padding-right:10px" align="center"&gt;&lt;table border="0" cellpadding="0" cellspacing="0" role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-33" style="height:21px;line-height:21px;font-size:1px"&gt;
&amp;#8202;&lt;/div&gt;&lt;table class="text_block block-34" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-left:20px;padding-right:20px"&gt;&lt;div style="font-family:Tahoma,Verdana,sans-serif"&gt;&lt;div class style="font-size:14px;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;mso-line-height-alt:16.8px;color:#555;line-height:1.2"&gt;&lt;p 
style="margin:0;font-size:14px;mso-line-height-alt:16.8px"&gt;&lt;span style="word-break: break-word; font-size: 16px; color: #429c95;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word;"&gt;BRAZIL&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-35" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" 
style="width:100%;padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px" align="center"&gt;&lt;h1 style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:24px;font-weight:900;letter-spacing:normal;line-height:1.5;text-align:left;margin-top:0;margin-bottom:0;mso-line-height-alt:36px"&gt;
&lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6kB6ece0bgDQaM6R4q6-poshgrlsx1a" target="_blank" style="text-decoration: none; color: #000000;" rel="noopener"&gt;&lt;span class="mce-content-body mce-edit-focus" style="word-break: break-word; position: relative;" id="d63fe95c-d20e-4fb3-8745-2bb10ab051db" data-position="10-0-34" data-qa="tinyeditor-root-element"&gt;For Almir Mavignier, Art Is an Existential Issue&lt;/span&gt;&lt;/a&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-36" width="100%" border="0" cellpadding="0" 
cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;div style="max-width:598px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6kB6ece0bgDRaM6R4q6-poshgrlsx1a" target="_blank"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/qzt/6z8/4d6/Determined-chance-scaled-600x450.jpg" style="display:block;height:auto;border:0;width:100%" width="598" alt="" title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table 
class="text_block block-37" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Three shows celebrate the work of the &amp;nbsp;Brazilian painter and graphic designer after his centenary. (Jose Bento Ferreira)&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="divider_block block-38" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:20px;padding-bottom:20px;padding-left:10px;padding-right:10px" align="center"&gt;
&lt;table border="0" cellpadding="0" cellspacing="0" role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-39" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" 
style="width:100%" align="center"&gt;&lt;div style="max-width:598px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6kB6ece0bgAAaM6R4b" target="_blank"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/92y/375/c2u/MOWA%20NT%20newsletter%20creative%20for%20June%2015%20AmLand_digital-2-600x500.jpg" style="display:block;height:auto;border:0;width:100%" width="598" alt="" title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-40" 
style="height:40px;line-height:40px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="heading_block block-41" width="100%" border="0" cellpadding="5" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:28px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:34px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6kB6ece0bgBBaM6R4q6-poshgrlsx1a" target="_blank" style="text-decoration: underline; color: #000000;" rel="noopener"&gt;TODAY IN CULTURE&lt;/a&gt;&lt;br&gt;&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;
&lt;table class="text_block block-42" width="100%" border="0" cellpadding="10" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:sans-serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:16.8px;color:#555;line-height:1.2"&gt;&lt;p style="margin:0;font-size:14px;text-align:center;mso-line-height-alt:16.8px"&gt;
&lt;span style="word-break: break-word; color: #000000;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;By Ray Pride&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-43" style="height:40px;line-height:40px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="heading_block block-44" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" 
style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;ART&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-45" width="100%" border="0" 
cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Vogue Visits The Studio Of Gladys Nilsson&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"It's not more than a few seconds after we meet that the artist Gladys Nilsson, eighty-six, insists on helping me carry my suitcase over the threshold and into her home. Nilsson has lived in a handsome brick house with Craftsman-style interiors in the town of Wilmette, just north of Chicago, since 1976 with her husband, the artist Jim Nutt, eighty-six. The two met in 1960 when they were both students at the School of the Art Institute of Chicago," &lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6kB6ece0bgBCaM6R4b" style="text-decoration: underline; color: #0068A5;"&gt;profiles Vogue&lt;/a&gt;. &lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"There is art everywhere—paintings and sculptures and masks, piles of papers and books, work made by the two of them or their friends, plus plenty of souvenirs from their decades of travel. 'Stuff gets put down and it stays there and we ignore it,' Nilsson deadpans. Eclecticism suits them." &lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6kB6ece0bgBDaM6R4b" style="text-decoration: underline; color: #0068A5;"&gt;"Gleefully Askew: A Gladys Nilsson Retrospective"&lt;/a&gt; is on view at the Crocker Art Museum in Sacramento from July 19-November 29.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Driehaus Museum Adds To Board Of Directors, Including Former Frick Director&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;The Driehaus Museum has added Chicago philanthropist Cari B. Sacks and former Frick Collection director Ian Wardropper to its board of directors. Sacks is involved with civic and cultural organizations across the city, and provided major support for the museum’s inaugural artist residency, "Brendan Fernandes: In the Round." Wardropper was the director of the Frick Collection from 2011-2025, overseeing its major renovation before retiring from the role. (&lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6kB6ece0bgDSaM6R4q6-poshgrlsx1a" target="_blank" style="text-decoration: underline; color: #0068A5;" rel="noopener"&gt;More&lt;/a&gt;.)&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Strong Mid-Year Art Auction Results Driven By Trophy Collections&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Auction giants Christie's and Sotheby's "closed the first half of 2026 with multibillion-dollar totals, but that rebound depended heavily on major estates at the very top end of the market and a broader, cross-category buyer base," &lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6kB6ece0bgBEaM6R4b" style="text-decoration: underline; color: #0068A5;"&gt;reports the Observer&lt;/a&gt;. "Single-owner collections were a key driver of auction sales growing, bringing in $2.17 billion in total sales and accounting for thirty-two percent of total auction sales value. Christie’s sold the highest-value collection with the $630.8 million S.I. Newhouse sales in May." (&lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6kB6ece0bgDTaM6R4q6-poshgrlsx1a" target="_blank" style="text-decoration: underline; color: #0068A5;" rel="noopener"&gt;More&lt;/a&gt;.)&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-46" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;DESIGN&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-47" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Jahn Imagines A Pedestrian-Only LaSalle Street&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p 
style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"What if LaSalle Street became Chicago’s next great public space?" &lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6kB6ece0bgBFaM6R4b" style="text-decoration: underline; color: #0068A5;"&gt;writes architecture firm Jahn&lt;/a&gt; of their submission for citywide competition "Horizon Lines: Visions for Chicago 2050." "As downtown evolves, so should the streets that define it. Our vision reimagines LaSalle Street as a pedestrian-first corridor that reconnects people, neighborhoods and the Chicago River, transforming a historic financial district into a vibrant place for everyday life. Chicago has never been afraid to reinvent itself, and perhaps LaSalle Street is ready for its next chapter." The submission was named among the World Business Chicago competition's "&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6kB6ece0bgDraM6R4b" style="text-decoration: underline; color: #0068A5;"&gt;Notable Visions&lt;/a&gt;."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Krueck Sexton Updates UIC Learning Spaces, Preserving Brutalist Character&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Major renovations of the Walter Netsch-designed Jefferson and Henry Halls are underway at the University of Illinois Chicago, with the updates designed by Chicago-based Krueck Sexton Partners, &lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6kB6ece0bgDsaM6R4b" style="text-decoration: underline; color: #0068A5;"&gt;UIC announces&lt;/a&gt;. These changes "will expand classroom and studio space for students in the College of Architecture, Design and the Arts’ School of Theatre and Music and the growing computer science and design major. It also will add office spaces for the college. &lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"The renovation, supported by private philanthropy and institutional support, marks the first comprehensive update to the buildings since their 1965 opening. As part of the redesign, a freestanding brick wall along Harrison Street will be removed and replaced with perennial plantings." Attention will be paid to "the architectural legacy of Walter Netsch and the stewardship of UIC’s internationally recognized Brutalist campus." More &lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6kB6ece0bgDtaM6R4b" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Edgar Miller Legacy Sets "Handmade Histories"&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;The Edgar Miller Legacy announces "Handmade Histories: One Hundred Years of Old Town Art &amp; Design," an exhibition at the Art on Sedgwick Gallery that celebrates the new graphic novel on the Chicago artist, "A Total Work of Art: The Story of Edgar Miller." The show "explores how Old Town became a crossroads of a rapidly changing urban environment defined by its artistic nature, modernist aesthetic, traditional craft and generational legacy." Opens Friday, July 24. Registration and more &lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6kB6ece0bgD%5EaM6R4b" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;. Read Newcity's recent feature on Edgar Miller and the creation of the graphic novel &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6kB6ece0bgDvaM6R4q6-poshgrlsx1a" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Mid-Rise Apartment Projects Proposed For Fulton Market And West Town&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"A local firm has proposed a 109-unit apartment building in Fulton Market at 1133 West Kinzie, adding to a wave of development proposals coming to the district’s northwestern edge," &lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6kB6ece0bgDwaM6R4b" style="text-decoration: underline; color: #0068A5;"&gt;observes Crain's&lt;/a&gt;. The report notes that "downtown Chicago’s development pipeline overall has seen a&amp;nbsp;major slowdown the last couple of years amid challenges drawing equity to the city to finance large-scale projects, an environment that makes mid-rise projects like this one an easier lift." A bit further west, a new proposal has been revealed for &lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6kB6ece0bgDxaM6R4b" style="text-decoration: underline; color: #0068A5;"&gt;2119 West Grand&lt;/a&gt;, rising five stories and featuring forty-eight residential units.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Detroit's Own Shinola Launches First Brand Campaign&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"Shinola has unveiled its first-ever overarching brand campaign, marking a new creative chapter for the Detroit-based brand while reintroducing its signature Runwell timepiece," &lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6kB6ece0bgDyaM6R4b" style="text-decoration: underline; color: #0068A5;"&gt;notches Fashion Network&lt;/a&gt;. "Introduced in 2011 as the first watch assembled by Shinola in Detroit, the Runwell remains the brand’s best-known timepiece and helped establish the company as a modern American watchmaker. The latest campaign positions the watch as more than a timepiece, framing it as a symbol of choosing one’s own pace in an increasingly fast-moving world."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-48" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;FILM &amp;amp; TELEVISION&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-49" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:12px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:18px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Hollywood's Counting On The Youth For A $10 Billion Year&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p
 style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"It’s not just Homer fever that has America going to the movies again," &lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6kB6ece0bgDzaM6R4b" style="text-decoration: underline; color: #0068A5;"&gt;cover-stories Variety&lt;/a&gt;. "Popcorn is popping at concession stands (and moviegoers are shelling out extra to consume the buttery goodness in collectible themed buckets), teens are turning out in force (and sharing the fun on TikTok) and studio accountants are giddy as the list of blockbusters keeps growing. Yes, people have fallen back in love with the silver screen... Revenues for the summer are in line with those of 2019, a banner year for the business, and overall ticket sales are ten percent above the same point in 2025, according to Rentrak. At this pace, yearly domestic grosses are expected to hit $10 billion for the first time since the onset of the pandemic."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Activist FCC Chairman Says Local News Ownership Must Agglomerate&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;FCC chair Brendan Carr says an August 6 vote "to allow the FCC to, on a case-by-case basis, lift a limit on the number of stations a broadcaster owns is vital to the survival of the medium," &lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6kB6ece0bgD0aM6R4b" target="_blank" rel="noopener" style="text-decoration: underline; color: #0068A5;"&gt;reports The Hill&lt;/a&gt;.&amp;nbsp;Regulation has "really been holding back local broadcasters from reaching the scale necessary to invest in local news and journalism reporting."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-50" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;LIT&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-51" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:12px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:18px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;NewberryFest Features 250 Years Of The United States This Saturday&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;The 2026 edition of NewberryFest, hosted by the library this Saturday, July 18, "will offer opportunities to come face-to-face with collection items, interact with scholars and curators, and reflect on the 250th anniversary of the Declaration of Independence. The day is anchored by two exhibitions on American history topics—'Free and Independent: The Declaration of Independence and the Words That Made the United States' and 'Conceived in Liberty: Cartoons, Caricatures, and Illustrations in the Wartime US, 1812-1918.' A collection presentation featuring rare Revolutionary-era materials will take place throughout the day, as will building tours and a small used book sale." Saturday, July 18, 10am. More Newberry &lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6kB6ece0bgD7aM6R4b" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Memoir Panel Books Harold Washington Center&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;The Chicago Public Library is hosting an event on writing memoirs with a panel of authors with recently published memoirs. The panel includes Melissa Fraterrigo ("The Perils of Girlhood"), Timothy J. Hillegonds ("And You Will Call It Fate: A Memoir") and Alex Poppe ("Breakfast Wine"), moderated by Miles Harvey. Newcity reviewed all three memoirs of the featured panelists: read the "Breakfast Wine" review &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6kB6ece0bgD8aM6R4q6-poshgrlsx1a" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;, the review of "And You Will Call It Fate" &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6kB6ece0bgD9aM6R4q6-poshgrlsx1a" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;&amp;nbsp;and "The Perils Of Girlhood" &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6kB6ece0bgD-aM6R4q6-poshgrlsx1a" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;. Hosted at the Harold Washington Library Center on Tuesday, August 11 at 6pm. More on the event &lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6kB6ece0bgDAaM6R4b" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-52" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;MUSIC&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-53" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:12px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:18px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;William Shatner Makes Heavy Metal Debut At Riot Fest&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p 
style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Ninety-five-year-old William Shatner will debut The *uckers, his new heavy metal band at Riot Fest on Sunday, September 20, &lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6kB6ece0bgDBaM6R4b" style="text-decoration: underline; color: #0068A5;"&gt;Block Club records&lt;/a&gt;. The *uckers includes guitarists Marcus Nand and Britt Lightning, Phil Soussan on bass and Fred Aching on drums. Says Shatner, the actor, writer, veteran of space flight and "Mr. Tambourine Man," "I’ve always believed that music, like space, is about exploration. Riot Fest is exactly the kind of place where anything can happen. We’re bringing volume, intensity and a few surprises. I can’t wait to share this experience." Shatner offers a thirty-second video transmission &lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6kB6ece0bgDCaM6R4b" target="_blank" rel="noopener" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-54" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;STAGE&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-55" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Northlight Theatre: A New Home, A New Season And A New Era&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Northlight Theatre is preparing to move into its new home in Evanston. "The building’s ribbon cutting will be held on July 28," and "the inaugural season in Evanston will begin on September 9, with the world premiere of 'The Front Page,' adapted by Jeffrey Hatcher from the original by Ben Hecht and Charles MacArthur." The theater company's grand opening gala, “Celebrating our Past, Building our Future," will mark "the beginning of a new era" in their 287-seat Evanston theater. "Musical entertainment will be by celebrated performers and Evanston natives Abby Mueller, Andrew Mueller, Jessie Mueller and Matt Mueller with music direction by Northwestern University alumnus Ian Weinberger." The benefit event will be held Saturday, August 15, at Northlight Theatre, 1012 Church Street in Evanston. Limited tickets ($500) and more &lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6kB6ece0bgDDaM6R4b" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Chicago Black Dance Legacy Project Returns To The Harris&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Following last year’s sold-out engagement, the Harris Theater for Music and Dance presents the return of Chicago Black Dance Legacy Project in a one-night-only performance, "Dancing the Archive: Embodied Histories, Collective Power." As performed by ten Black dance organizations, the evening celebrates Chicago’s inaugural Legacy Bearers, "ten visionaries and changemakers whose lives and leadership have shaped the city’s landscape while inspiring its future." Harris Theater for Music and Dance, Friday, August 28. Tickets ($46 and up)&amp;nbsp;&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6kB6ece0bgDEaM6R4b" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;. More on the Dance Legacy Project &lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6kB6ece0bgDFaM6R4b" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;TimeLine's World Premiere Based On Jonathan Eig's "The Birth Of The Pill"&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;TimeLine Theatre will open its thirtieth anniversary at its new home in Uptown with the world premiere of "The Birth of the Pill," based on the book by Pulitzer Prize-winner Jonathan Eig, adapted by Jessica Huang and directed by Sandra Marquez. The cast features TimeLine company member Janet Ulrich Brooks as Margaret Sanger, with Rammel Chan, Mitchell J. Fain, Mary Beth Fisher, María Victoria Martínez, as well as TimeLine company member David Parkes. Previews begin September 2; performances run through October 4. Single tickets go on sale July 21 &lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6kB6ece0bgDMaM6R4b" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Chicago Live! Returns To Navy Pier&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Chicago Live! will return for its sixth year, hosting more than a hundred of the city’s performing arts organizations and artists across five stages throughout Navy Pier. Since its debut in 2021, the festival has grown from forty-three performing companies, "reflecting both the strength of Chicago’s performing arts community and Navy Pier's commitment to creating opportunities for artists to reach new audiences." September 19-20. More &lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6kB6ece0bgDNaM6R4b" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-56" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;&lt;strong&gt;ARTS &amp;amp; CULTURE &amp;amp; ETC.&lt;/strong&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-57" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td 
class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;250 Chicago Artists Receive Grants From The City&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Mayor Johnson and DCASE have announced $1.3 million in Individual Artists Program grants to 250 Chicago artists working across visual arts, music, theater, dance, literary arts and film and media arts. "The grants provide critical support for artists to develop new work, preserve Chicago's rich cultural heritage and bring innovative creative experiences to neighborhoods throughout the city," &lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6kB6ece0bgDOaM6R4b" style="text-decoration: underline; color: #0068A5;"&gt;the city writes&lt;/a&gt;. The program attracted 1,239 applications. This year's total of 250 artists is the highest number of awards in program history, and artists represent all fifty wards. The&amp;nbsp;list of recipients is &lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6kB6ece0bgDPaM6R4b" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-58" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p 
style="margin:0;font-size:18px;text-align:center;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Send culture news and tips to&amp;nbsp;&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6kB6ece0bgBsaM6R4b" target="_blank" style="text-decoration: underline; color: #0068A5;" rel="noopener"&gt;today@newcity.com&lt;/a&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="divider_block block-59" width="100%" border="0" cellpadding="0" cellspacing="0" 
role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:20px;padding-bottom:20px;padding-left:10px;padding-right:10px" align="center"&gt;&lt;table border="0" cellpadding="0" cellspacing="0" role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table
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style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-4" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:5px;padding-bottom:5px;padding-left:20px;padding-right:20px" align="center"&gt;&lt;div style="max-width:350px"&gt;
&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6ceraq%7Ctee0C2dgsyrccqX%5B%7C2ze%7Ej3l" target="_blank"&gt;&lt;img src="https://d15k2d11r6t6rl.cloudfront.net/pub/40qd/br3kliar/trm/f81/xfb/NewcityLogoEmail.png" style="display:block;height:auto;border:0;width:100%" width="350" alt="" title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="divider_block block-5" width="100%" border="0" cellpadding="10" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" align="center"&gt;
&lt;table border="0" cellpadding="0" cellspacing="0" role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-6" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td 
class="pad" style="padding-top:20px;padding-bottom:10px;padding-left:20px;padding-right:20px"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;If I owe you an email from these last couple of months, it's at least in part because we've been doing a ton of interviews and meetings that have resulted in the addition of two amazing people to the Newcity team.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;When our longest-serving art director Dan Streeting decided to leave this year, we were worried about how we'd replace him and maintain the exceptional design standards he'd brought to the publication. So when we connected with the founder of the Design Museum of Chicago, Tanner Woodford, and found out he was interested in taking over, we could not be more excited about the way things turned out. You can read more about Tanner &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6ceraq%7Ctee2tedgsyrccqX%5B%7C2ze%7Ej3l" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;.&amp;nbsp;&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Separately, we were a bit overwhelmed by the number of great candidates we met in the process of hiring a new assistant editor. But we found Maya Surrenti from an unexpected source: She'd been referred to us by an editor who got his start with us in the nineties, &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6ceraq%7Ctee2t%7Cdgsyra" style="text-decoration: underline; color: #0068A5;"&gt;Gil Kaufman&lt;/a&gt;, and went on to a long career as a leading music journalist, now based in Cincinnati. You can read more about Maya &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6ceraq%7Ctee2tmdgsyrccqX%5B%7C2ze%7Ej3l" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;.&amp;nbsp;&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;And now let me get back to responding to emails. I don't have an excuse anymore.&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-7" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px" align="left"&gt;&lt;div style="max-width:104px"&gt;&lt;img src="https://d15k2d11r6t6rl.cloudfront.net/pub/40qd/br3kliar/ier/gbh/bha/unnamed-1_1.png" style="display:block;height:auto;border:0;width:100%" width="104" alt="" title="" height="auto"&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-8" width="100%" border="0" cellpadding="0" 
cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px; color: #000000;"&gt;Brian Hieggelke&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px; color: #000000;"&gt;Editor &amp; Publisher&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px; color: #000000;"&gt;&lt;em&gt;You can still get a copy of the 156-page double summer issue. If you subscribe now &lt;/em&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6ceraq%7Ctee0C-dgsyrccqX%5B%7C2ze%7Ej3l" style="text-decoration: underline; color: #0068A5;"&gt;&lt;em&gt;here&lt;/em&gt;&lt;/a&gt;&lt;em&gt;, it will be your first edition. And as for other options, find out &lt;/em&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6ceraq%7Ctee0C6dgsyrccqX%5B%7C2ze%7Ej3l" style="text-decoration: underline; color: #0068A5;"&gt;&lt;em&gt;here&lt;/em&gt;&lt;/a&gt;&lt;em&gt;. &lt;/em&gt;&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="divider_block block-9" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:10px;padding-bottom:20px;padding-left:10px;padding-right:10px" align="center"&gt;&lt;table border="0" cellpadding="0" cellspacing="0" role="presentation" width="100%" 
style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-10" style="height:21px;line-height:21px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="text_block block-11" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-left:20px;padding-right:20px"&gt;&lt;div style="font-family:Tahoma,Verdana,sans-serif"&gt;&lt;div class style="font-size:14px;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;mso-line-height-alt:16.8px;color:#555;line-height:1.2"&gt;&lt;p style="margin:0;font-size:14px;mso-line-height-alt:16.8px"&gt;
&lt;span style="word-break: break-word; font-size: 16px; color: #000000;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word;"&gt;NEWCITY&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-12" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:24px;font-weight:900;letter-spacing:normal;line-height:1.5;text-align:left;margin-top:0;margin-bottom:0;mso-line-height-alt:36px"&gt;
&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6ceraq%7Ctee2tqdgsyrccqX%5B%7C2ze%7Ej3l" target="_blank" style="text-decoration: none; color: #000000;" rel="noopener"&gt;&lt;span class="mce-content-body mce-edit-focus" style="word-break: break-word; position: relative;" id="e0d76492-b838-496f-b5aa-ba8eba40eae1" data-position="10-0-11" data-qa="tinyeditor-root-element"&gt;Of the Audacity of Change: The Obama Presidential Center&lt;/span&gt;&lt;/a&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-13" width="100%" border="0" 
cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;div style="max-width:598px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6ceraq%7Ctee2t%5EdgsyrccqX%5B%7C2ze%7Ej3l" target="_blank"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/gp8/f9r/rtw/OF052026AM-173-600x450.jpg" style="display:block;height:auto;border:0;width:100%" width="598" alt="" title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table 
class="text_block block-14" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
The “grand” grand opening provided a feeling of American (and Black) pride unfelt in a very long time. But with it, the audacity of this architecture of change—and the cost of that change—ever present and inescapable. (Robert Scoop Jackson)&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="divider_block block-15" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" 
style="padding-top:10px;padding-bottom:20px;padding-left:10px;padding-right:10px" align="center"&gt;&lt;table border="0" cellpadding="0" cellspacing="0" role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-16" style="height:21px;line-height:21px;font-size:1px"&gt;
&amp;#8202;&lt;/div&gt;&lt;table class="text_block block-17" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-left:20px;padding-right:20px"&gt;&lt;div style="font-family:Tahoma,Verdana,sans-serif"&gt;&lt;div class style="font-size:14px;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;mso-line-height-alt:16.8px;color:#555;line-height:1.2"&gt;&lt;p 
style="margin:0;font-size:14px;mso-line-height-alt:16.8px"&gt;&lt;span style="word-break: break-word; font-size: 16px; color: #65d68b;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word;"&gt;ART&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-18" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" 
style="width:100%;padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px" align="center"&gt;&lt;h1 style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:24px;font-weight:900;letter-spacing:normal;line-height:1.5;text-align:left;margin-top:0;margin-bottom:0;mso-line-height-alt:36px"&gt;
&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6ceraq%7Ctee2tydgsyrccqX%5B%7C2ze%7Ej3l" target="_blank" style="text-decoration: none; color: #000000;" rel="noopener"&gt;&lt;span class="mce-content-body mce-edit-focus" style="word-break: break-word; position: relative;" id="35f16be4-539b-479e-adae-8f6b70f5455e" data-position="10-0-17" data-qa="tinyeditor-root-element"&gt;Gelsy Verna's Pleading Monument&lt;/span&gt;&lt;/a&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-19" width="100%" border="0" cellpadding="0" cellspacing="0" 
role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;div style="max-width:598px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6ceraq%7Ctee2t2dgsyrccqX%5B%7C2ze%7Ej3l" target="_blank"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/aer/hhe/v34/angle-01-front-scaled-600x450.jpg" style="display:block;height:auto;border:0;width:100%" width="598" alt="" title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-20" 
width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Verna's work joins the Madison Museum of Contemporary Art's collection. (Rafael Salas)&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="divider_block block-21" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:10px;padding-bottom:20px;padding-left:10px;padding-right:10px" align="center"&gt;&lt;table border="0" cellpadding="0" 
cellspacing="0" role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-22" style="height:21px;line-height:21px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="text_block block-23" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-left:20px;padding-right:20px"&gt;&lt;div style="font-family:Tahoma,Verdana,sans-serif"&gt;&lt;div class style="font-size:14px;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;mso-line-height-alt:16.8px;color:#555;line-height:1.2"&gt;&lt;p style="margin:0;font-size:14px;mso-line-height-alt:16.8px"&gt;
&lt;span style="word-break: break-word; font-size: 16px; color: #a82b28;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word;"&gt;STAGE&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-24" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:24px;font-weight:900;letter-spacing:normal;line-height:1.5;text-align:left;margin-top:0;margin-bottom:0;mso-line-height-alt:36px"&gt;
&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6ceraq%7Ctee2t6dgsyrccqX%5B%7C2ze%7Ej3l" target="_blank" style="text-decoration: none; color: #000000;" rel="noopener"&gt;&lt;span class="mce-content-body mce-edit-focus" style="word-break: break-word; position: relative;" id="f7aba177-7901-4e8b-97d3-129103c76ad0" data-position="10-0-23" data-qa="tinyeditor-root-element"&gt;"The Matchmaker" Is the Play That Became "Hello, Dolly!"&lt;/span&gt;&lt;/a&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-25" width="100%" border="0" 
cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;div style="max-width:598px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6ceraq%7Ctee2t-dgsyrccqX%5B%7C2ze%7Ej3l" target="_blank"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/s5a/qv8/0k2/Matchmaker-156-scaled-600x450.jpg" style="display:block;height:auto;border:0;width:100%" width="598" alt="" title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table 
class="text_block block-26" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;On stage at American Players Theatre, Wisconsin native Thornton Wilder's play is an old-fashioned but well-made farce that was later adapted into the 1964 Broadway hit. (Mary Wisniewski)&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="divider_block block-27" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" 
style="padding-top:10px;padding-bottom:20px;padding-left:10px;padding-right:10px" align="center"&gt;&lt;table border="0" cellpadding="0" cellspacing="0" role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-28" style="height:45px;line-height:45px;font-size:1px"&gt;
&amp;#8202;&lt;/div&gt;&lt;table class="image_block block-29" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-left:20px;padding-right:20px" align="center"&gt;&lt;div style="max-width:400px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6ceraq%7Ctee0D%5EdgsyrccqX%5B%7C2ze%7Ej3l" target="_blank"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/q6i/gpd/eol/Newcity_2026-07-08_Cover%20Footer.jpeg" 
style="display:block;height:auto;border:0;width:100%" width="400" alt="" title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-30" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class 
style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:18.2px;color:#000;line-height:1.3"&gt;&lt;p style="margin:0;font-size:14px;text-align:center;mso-line-height-alt:26px"&gt;&lt;span style="word-break: break-word; font-size: 20px;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word;"&gt;JULY-AUGUST 2026:&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:14px;text-align:center;mso-line-height-alt:26px"&gt;
&lt;span style="word-break: break-word; font-size: 20px;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word;"&gt;AMERICA 250 + ART IN MICHIGAN&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;br&gt;
&lt;span style="word-break: break-word; font-size: 20px;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word;"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6ceraq%7Ctee0DydgsyrccqX%5B%7C2ze%7Ej3l" target="_blank" style="text-decoration: none; color: #19638e;" rel="noopener"&gt;GET THE ISSUE&lt;/a&gt; | &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6ceraq%7Ctee2tDdgsyrccqX%5B%7C2ze%7Ej3l" target="_blank" style="text-decoration: none; color: #19638e;" rel="noopener"&gt;SUBSCRIBE&lt;/a&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div 
class="spacer_block block-31" style="height:40px;line-height:40px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="divider_block block-32" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:10px;padding-bottom:20px;padding-left:10px;padding-right:10px" align="center"&gt;&lt;table border="0" cellpadding="0" cellspacing="0" role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;
&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-33" style="height:21px;line-height:21px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="text_block block-34" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad" 
style="padding-left:20px;padding-right:20px"&gt;&lt;div style="font-family:Tahoma,Verdana,sans-serif"&gt;&lt;div class style="font-size:14px;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;mso-line-height-alt:16.8px;color:#555;line-height:1.2"&gt;&lt;p style="margin:0;font-size:14px;mso-line-height-alt:16.8px"&gt;&lt;span style="word-break: break-word; font-size: 16px; color: #9db8b3;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word;"&gt;LIT&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table 
class="heading_block block-35" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:24px;font-weight:900;letter-spacing:normal;line-height:1.5;text-align:left;margin-top:0;margin-bottom:0;mso-line-height-alt:36px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6ceraq%7Ctee2%5EmdgsyrccqX%5B%7C2ze%7Ej3l" target="_blank" style="text-decoration: none; color: #000000;" rel="noopener"&gt;“Man Overboard!” Throws Readers Into the Deep End&lt;/a&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-36" width="100%" 
border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;div style="max-width:598px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6ceraq%7Ctee2%5EqdgsyrccqX%5B%7C2ze%7Ej3l" target="_blank"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/iku/06h/r0m/91x1xIPZbfL._SL1500__1_600x450.jpg" style="display:block;height:auto;border:0;width:100%" width="598" alt="" title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;&lt;table class="text_block block-37" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Kathleen Rooney spins a tale of depression and resilience that begins on the deck of a cruise ship. (Amanda Norton)&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="divider_block block-38" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:20px;padding-bottom:20px;padding-left:10px;padding-right:10px" align="center"&gt;&lt;table 
border="0" cellpadding="0" cellspacing="0" role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-39" style="height:21px;line-height:21px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="text_block block-40" width="100%" border="0" cellpadding="0" cellspacing="0" 
role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-left:20px;padding-right:20px"&gt;&lt;div style="font-family:Tahoma,Verdana,sans-serif"&gt;&lt;div class style="font-size:14px;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;mso-line-height-alt:16.8px;color:#555;line-height:1.2"&gt;&lt;p style="margin:0;font-size:14px;mso-line-height-alt:16.8px"&gt;
&lt;span style="word-break: break-word; font-size: 16px; color: #429c95;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word;"&gt;BRAZIL&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-41" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:24px;font-weight:900;letter-spacing:normal;line-height:1.5;text-align:left;margin-top:0;margin-bottom:0;mso-line-height-alt:36px"&gt;
&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6ceraq%7Ctee2%5E%5EdgsyrccqX%5B%7C2ze%7Ej3l" target="_blank" style="text-decoration: none; color: #000000;" rel="noopener"&gt;&lt;span class="mce-content-body mce-edit-focus" style="word-break: break-word; position: relative;" id="fde010a1-44db-400f-99bb-030c54d963b9" data-position="10-0-40" data-qa="tinyeditor-root-element"&gt;Rubem Valentim's Geometry of the Sacred&lt;/span&gt;&lt;/a&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-42" width="100%" border="0" cellpadding="0" 
cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;div style="max-width:598px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6ceraq%7Ctee2%5EydgsyrccqX%5B%7C2ze%7Ej3l" target="_blank"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/y5e/6j9/wv8/2026-05-08_Rubem-Valentim-1-600x450.jpg" style="display:block;height:auto;border:0;width:100%" width="598" alt="" title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table 
class="text_block block-43" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;MAM Rio's retrospective Valentim exhibition follows a historical wave of influence. (Luiz Armando Bagolin)&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="divider_block block-44" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:20px;padding-bottom:20px;padding-left:10px;padding-right:10px" align="center"&gt;&lt;table border="0" 
cellpadding="0" cellspacing="0" role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-45" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" 
align="center"&gt;&lt;div style="max-width:598px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6ceraq%7Ctee2%5EedgsyrccqX%5B%7C2ze%7Ej3l" target="_blank"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/kcw/yua/mwn/House%20Middle_Lower%20-%20December%202025%20-%20600x500.gif" style="display:block;height:auto;border:0;width:100%" width="598" alt="" title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-46" style="height:40px;line-height:40px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table 
class="heading_block block-47" width="100%" border="0" cellpadding="5" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;h1 style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:28px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:34px"&gt;
&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6ceraq%7Ctee2%5E2dgsyrccqX%5B%7C2ze%7Ej3l" target="_blank" style="text-decoration: underline; color: #000000;" rel="noopener"&gt;TODAY IN CULTURE&lt;/a&gt;&lt;br&gt;&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-48" width="100%" border="0" cellpadding="10" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div 
style="font-family:sans-serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:16.8px;color:#555;line-height:1.2"&gt;&lt;p style="margin:0;font-size:14px;text-align:center;mso-line-height-alt:16.8px"&gt;&lt;span style="word-break: break-word; color: #000000;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;By Ray Pride&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-49" 
style="height:40px;line-height:40px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="heading_block block-50" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;ART&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-51" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;The Driehaus Museum Presents A Solo Show Of Sculptor Emma Stebbins&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;The Driehaus Museum has announced "Emma Stebbins: Carving Out History," "a touring exhibition that examines the full scope of Stebbins’ history-making career as one of the most significant American sculptors of the nineteenth century. From 1857 to 1870, Stebbins created innovative marble and bronze sculptures while living in Rome and studying within the circles of historic sculptors. Her work models inventive and incisive interpretations of literary and biblical subjects, as well as unprecedented allegories of American industry. With the Bethesda Fountain in 1863, Stebbins became the first woman to earn a commission for a public sculpture from the City of New York." October 8-April 18. More &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6ceraq%7Ctee2%5E6dgsyra" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Collector Carl Thoma, Now Based In Dallas, Has No Regrets&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"I’m drawn to where art is going. The experimental, digital, time-based work that's redefining the medium's boundaries," collector Carl Thoma &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6ceraq%7Ctee2%5E-dgsyra" style="text-decoration: underline; color: #0068A5;"&gt; tells the Observer&lt;/a&gt;. "The Thoma Foundation has been headquartered in Dallas since 2023, two years after [he and wife Marilynn] relocated from Chicago. Yet it already feels as though Dallas is becoming 'Thoma Town,' as museum publicist Taylor Mayad Powell puts it. Both her clients, the Meadows Museum of Spanish Art at SMU and the Crow Museum of Asian Art, are showing works from the Thoma Foundation this year."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;What's Trump Got Against The Smithsonian's History?&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;The recent report claiming reform is required across the Smithsonian's range of museums "is not a document about history; it is the product of a racial and political ideology in search of a history that no longer bears scrutiny," writes historian David W. Blight at the New York Times (&lt;em&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6ceraq%7Ctee2%5EDdgsyra" style="text-decoration: underline; color: #0068A5;"&gt;gift link&lt;/a&gt;&lt;/em&gt;). "People often joke about how Trumpism would like to return us to some version of the 1950s, when America supposedly was 'great.' In this &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6ceraq%7Ctee2vedgsyra" style="text-decoration: underline; color: #0068A5;"&gt;162-page report,&lt;/a&gt; the administration has done just that. The report would prefer that nothing had ever happened since the fifties to mar the White House’s polished, superficial, puerile version of America’s past."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-52" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;DESIGN&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-53" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;A Symposium On Sustainable Architecture Coming This September&lt;/strong&gt;&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Villa Albertine Chicago and Mas Context have organized a three-day symposium "bringing together leading voices to explore the future of sustainable architecture" this September. Titled "Shaping Contemporary Realities: Architecture And Beyond," the event will gather "more than thirty-five architects, landscape architects, urban planners, curators, artists, scientists, researchers, philosophers and experts [to] explore three themes: innovative adaptation, civic changemaking and flourishing environments. Each day will take place at a different venue—the IIT College of Architecture, Experimental Station on the South Side and the Chicago Architecture Center—and will combine short talks, public Q&amp;A sessions and guided tours." The program will be announced soon, and is free. September 24-26. More &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6ceraq%7Ctee2v%7Cdgsyra" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;A Vintage Office Tower At 70 East Lake Will Go Residential&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"A vintage office tower in the northeast corner of the Loop is poised to become apartments, adding another large-scale, privately-backed project to the wave of conversions downtown," &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6ceraq%7Ctee2vmdgsyra" style="text-decoration: underline; color: #0068A5;"&gt;writes Crain's&lt;/a&gt;. "Chicago developer Honore Properties bought the seventeen-story office building at 70 East Lake and plans to convert it to about 170 apartments. The purchase price for the 141,593-square-foot property was $9.2 million. Honore has completed office-to-apartment conversions at 118 South Clinton in the West Loop and at 811 West Evergreen near Goose Island, both of which [developer Michael] Shenouda said leased up quickly, and has another under construction at 50 East Superior."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;A Guidebook Author's Six Favorite Illinois Frank Lloyd Wright Sites&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"Milwaukee writer Kristine Hansen's 'Frank Lloyd Wright's Illinois: Explore His Most Prolific State, From Prairie to Usonian,' is illustrated with color photographs and has entries on forty Wright sites in the Land of Lincoln," &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6ceraq%7Ctee2vqdgsyra" style="text-decoration: underline; color: #0068A5;"&gt;relays On Milwaukee&lt;/a&gt;. She pinpoints six sites, leading, of course, with the Frank Lloyd Wright Home (1889) and Studio (1898) in Oak Park.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-54" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;DINING &amp;amp; DRINKING&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-55" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div 
style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:12px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:18px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Where Danny's Tavern Once Stood&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Block Club reporter Quinn Myers &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6ceraq%7Ctee2v%5Edgsyra" style="text-decoration: underline; color: #0068A5;"&gt;shares a dispiriting shot&lt;/a&gt; of the less-than-memorable apartment building that's taken the place of Danny's Tavern in Bucktown. His earlier Block Club story on the demolition of the legendary Bucktown nightlife spot is &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6ceraq%7Ctee2vydgsyra" style="text-decoration: underline; color: #0068A5;"&gt;here.&lt;/a&gt;&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Is Malört Poised To Flavor A Nation?&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"Jeppson’s Malört is gearing up for its biggest ad campaign yet under current ownership as demand for its unusual flavor grows beyond the Chicago area," &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6ceraq%7Ctee2v2dgsyra" style="text-decoration: underline; color: #0068A5;"&gt;sniffs the Wall Street Journal&lt;/a&gt;. "Not so long ago, it was tough to find Jeppson’s Malört in bars or liquor stores outside of Chicago and its suburbs. Now, it is in thirty-seven states and counting, thanks to a strange strategy: playing up how disgusting it tastes." A new marketing campaign "will prompt consumers to share their harrowing tales of trying the extremely bitter Malört for the first time—and to taste it if they haven’t before."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"Last year, a campaign called 'Malört Tastes Like' featured consumer comparisons to 'fermented back sweat' and 'moist dumpster residue.' The distiller of the spirit, made from the weedlike wormwood plant using a Swedish recipe and likened by consumers to 'liquefied existential dread' or 'octane-fueled Chicago gutter water,' has been beefing up sales and marketing since acquiring the brand in 2018."&lt;/span&gt;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;The Fine Arts Building Now Pours Groundswell Coffee&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Groundswell Coffee Roasters is expected to open in the Fine Arts Building this week, "pending final city inspections, marking the first cafe in the Downtown architectural landmark since its Artist’s Cafe closed in 2019," &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6ceraq%7Ctee2v6dgsyra" style="text-decoration: underline; color: #0068A5;"&gt;reports the Sun-Times&lt;/a&gt;. "Groundswell’s bright space was designed by Hammersley Architecture, with interior design by Gooch Design Studio. Both are Fine Arts Building tenants. Hammersley Architecture previously worked on the Studebaker Theater’s renovation. The cafe shares design motifs with the Studebaker, such as wood paneling and metal grating found in the theater," and it features "a gilt-framed mirror from an elevator originally in the space." Groundswell, spanning about 1,000 square feet, will offer food and beverages daily from 7am-7pm. More &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6ceraq%7Ctee2v-dgsyra" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;. (Read Newcity's longest feature ever, a history of the building published, &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6ceraq%7Ctee2vDdgsyrccqX%5B%7C2ze%7Ej3l" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;.)&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;A Hundred Years Of Original Rainbow Cone&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"Chicago's Original Rainbow Cone turns one hundred this year, but it's staying dedicated to its recipe," &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6ceraq%7Ctee2wedgsyra" style="text-decoration: underline; color: #0068A5;"&gt;scoops Axios Chicago&lt;/a&gt;. "Joe and Katherine Sapp opened Rainbow Cone at 92nd and Western in Beverly in 1926, serving their signature five-layer ice cream treat of chocolate, strawberry, Palmer House, pistachio and orange sherbet. Always sliced, not scooped." The Museum of Ice Cream is opening "an exhibit dedicated to the sweet shop's history, including archival photos and the ice cream paddles servers use to slice up the flavors," and $5 cones will be available on weekends in nearby Pioneer Court.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-56" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;FILM &amp;amp; TELEVISION&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-57" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:12px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:18px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Indie Cinema Revival Sweeps Nation&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p 
style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"With unexpected programming and a community ethos, independent cinemas across the U.S. are giving multiplexes a run for their money," &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6ceraq%7Ctee2w%7Cdgsyra" style="text-decoration: underline; color: #0068A5;"&gt;observes the Guardian&lt;/a&gt;, with a splash photo of the Music Box marquee. "Indie movie theaters have found themselves 'in the business of culture-making' after years of being a niche, highbrow activity," said Lela Meadow-Conner, the interim executive director at &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6ceraq%7Ctee2wmdgsyra" style="text-decoration: underline; color: #0068A5;"&gt;Art House Convergence&lt;/a&gt;. "Gen Z is flocking to repertory cinema, which we know to be true around the world, and nobody curates rep better than the art house. This is in large part because independent theaters are programmed by humans who understand the tastes and desires of their community rather than just programming for the bottom line.”&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;The Paramount Skydance Absorption Of Warner Is Getting Shaky&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Investments of about $300 billion in OpenAI appear to be a major cause of the increasing volatility of the Larry Ellison-owned Oracle, and lawsuits are being filed to stall or prevent the $111-billion takeover of Warner Bros. Discovery by the much smaller Paramount Skydance. The New York Times &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6ceraq%7Ctee2wqdgsyra" style="text-decoration: underline; color: #0068A5;"&gt;reported Friday&lt;/a&gt; that Oracle debt "stands just one notch above junk bond status. &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6ceraq%7Ctee2w%5Edgsyra" target="_blank" rel="noopener noreferrer" style="text-decoration: underline; color: #0068A5;"&gt;S&amp;P Global&lt;/a&gt; has said that Oracle’s finances had been deteriorating. Oracle has also been hit hard in the stock market, reducing the value of Larry Ellison’s holdings since September by about $230 billion." Meanwhile, "Oracle Corp. founder Larry Ellison and his son, producer David Ellison, are accused in a lawsuit of cutting an illegal deal with President Donald Trump to pave the way for their blockbuster acquisition," &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6ceraq%7Ctee2wydgsyra" style="text-decoration: underline; color: #0068A5;"&gt;reports Bloomberg Law&lt;/a&gt;. (&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6ceraq%7Ctee2ymdgsyrccqX%5B%7C2ze%7Ej3l" target="_blank" style="text-decoration: underline; color: #0068A5;" rel="noopener"&gt;More&lt;/a&gt;.)&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-58" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;LIT&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-59" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:12px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:18px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;South Side Zine Fest And Carnival Returns&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p 
style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Zine Club Chicago will present the second South Side Zine Fest And Carnival, a "free community celebration of self-publishing with carnival vibes. Highlights include artist-led programming, exploration of the South Side Zine Library, stations for zine and button making and a zine swap, along with tabling by two dozen local zine collectives, distributors and artists." Programs and activities include "a workshop on zines and disability curated by Keidra Chaney (Wild Ramp Publishing), a panel discussion about longevity in DIY moderated by Liz Mason (Caboose, Sugar Hijinx), Zinester Qigong with Heather Anacker (Heather Andhercats) and typewriter poetry with the Mysterious Liz Baudler." Free. Hosted at the Chicago Public Library's Richard J. Daley Branch,&amp;nbsp; 3400 South Halsted. Saturday, August 15 from 11am-4pm. More &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6ceraq%7Ctee2wDdgsyra" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-60" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;MUSIC&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-61" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:12px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:18px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;In A First, Ravinia Closed Due To Big Smoke&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p 
style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"Due to the wildfire smoke from Canada, which caused increasingly hazardous air quality, the Ravinia Festival cancelled Thursday night’s performance of Mozart’s 'Abduction From The Seraglio,'"&amp;nbsp;&lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6ceraq%7Ctee2xedgsyra" style="text-decoration: underline; color: #0068A5;"&gt;reports Slipped Disc&lt;/a&gt;. "Nobody can remember a Ravinia Festival cancellation due to fires, smoke or weather conditions," notes Norman Lebrecht. "Evidently, the entire cast of singers did not want to sing given the horrendous quality of the air."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Permanent Records Is Selling The Record Collection Of Legendary Music Journo Mikal Gilmore&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Once a West Town staple and now a stalwart of the Los Angeles music scene, Permanent Records is in charge of disseminating the vast, lifelong record collection of indispensable music journalist Mikal Gilmore, who is serializing his life's work on &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6ceraq%7Ctee2x%7Cdgsyra" style="text-decoration: underline; color: #0068A5;"&gt;Facebook&lt;/a&gt; and &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6ceraq%7Ctee2xmdgsyra" style="text-decoration: underline; color: #0068A5;"&gt;Substack&lt;/a&gt; under the title, "Night Beat." "For nearly five decades, Gilmore helped document the artists, albums and movements that shaped modern music, [assembling] records from the personal collection he built while chronicling rock history from the inside. Discogs and &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6ceraq%7Ctee2xqdgsyra" style="text-decoration: underline; color: #0068A5;"&gt;Permanent Warehouse&lt;/a&gt; are giving collectors exclusive access to Gilmore’s personal archive—a collection that is filled with rare promotional copies, test pressings and records acquired through decades at the center of music culture. Each record will include a certificate of authenticity," writes &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6ceraq%7Ctee2x%5Edgsyra" style="text-decoration: underline; color: #0068A5;"&gt;Discogs&lt;/a&gt;. USA Today covers the sale &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6ceraq%7Ctee2xydgsyra" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Bucket O' Blood Closing Avondale Spot, With Plans To Relocate&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Bucket O' Blood owners Grant and Jennifer McKee say "they’re exploring future locations for their sixteen-year-old business," &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6ceraq%7Ctee2x2dgsyra" style="text-decoration: underline; color: #0068A5;"&gt;reports Block Club&lt;/a&gt;. "When the lease [for their current Avondale location] ends November 30, the McKees don’t plan to renew it." They cite building issues as the reason for relocation.&lt;/span&gt;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;"Seven Nation Army" Has Entered The Stadium&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;ESPN has released &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6ceraq%7Ctee2x6dgsyra" style="text-decoration: underline; color: #0068A5;"&gt;a very good fifteen-minute doc&lt;/a&gt; about how The White Stripes' "Seven Nation Army" became the most familiar seven notes in sports.&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-62" width="100%" border="0" 
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&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;STAGE&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-63" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p 
style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Harold Washington Drama Slated For Lookingglass&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Lookingglass Theatre Company will stage J. Nicole Brooks' new drama, "Prince Hal." The production will portray former mayor Harold Washington "as a reluctant candidate for greatness who is buoyed by finding supporters among everyday Chicagoans in a West Loop tavern, a plot that suggests parallels with the Shakespeare history play," reports Chris Jones at the Trib (&lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6ceraq%7Ctee2x-dgsyra" style="text-decoration: underline; color: #0068A5;"&gt;&lt;em&gt;gift link&lt;/em&gt;&lt;/a&gt;). The character is a riff on a character in Shakespeare’s "Henry IV." "Brooks, a Chicago-based actor, writer and director, previously wrote 'Her Honor, Jane Byrne.' 'Prince Hal,' slated for the late summer of 2027, is the second in a planned trilogy for Lookingglass about Chicago mayors." (What's next? "Rahm With A View"?)&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-64" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;&lt;strong&gt;ARTS &amp;amp; CULTURE &amp;amp; ETC.&lt;/strong&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-65" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td 
class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Checking Into Nighthawk, Albany Park's Versatile Arts Center&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p 
style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"Nighthawk is located in Albany Park," &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6ceraq%7Ctee2xDdgsyra" style="text-decoration: underline; color: #0068A5;"&gt;reports NPR&lt;/a&gt;. "Once upon a time, it was just a local bar. 'We've been coming here for the last ten years, practically since they opened,' said David Chavez, who by day plans programs and cultural events for the city of Chicago.&amp;nbsp;Back then, he and three members of his family were just patrons at this cozy neighborhood hang. But since then, they've reimagined Nighthawk into something else altogether.&amp;nbsp;At the beginning of 2025, the four of them became managing partners in this local joint—and they've turned it into one of the most interesting small arts venues in the city.&amp;nbsp;They present live music and DJs, visual art exhibitions, live drawing and painting evenings; you don't have to buy anything to attend."&amp;nbsp;Instagram &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6ceraq%7Ctee2yedgsyra" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Eleven Things To Do At The Obama Center Without A Ticket&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;You do need a ticket to get into the museum inside the towering granite building, but there are other attractions on the campus, &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6ceraq%7Ctee2y%7Cdgsyra" style="text-decoration: underline; color: #0068A5;"&gt;enumerates Time Out Chicago&lt;/a&gt;. Among them: the grounds of the 19.3-acre campus and Tafari’s Kitchen, "the fast-casual on-site restaurant inside the Forum Building, which is open to the public. Named after the Obamas’ late personal chef, the restaurant features an elevated dining room and additional tables in the lobby area."&lt;/span&gt;
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style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Films on the Green Returns to Celebrate America at 250!&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Until July 31, Films on the Green&lt;/strong&gt; continues its run in parks across Chicago, inviting audiences to enjoy French films under the stars. Presented by &lt;strong&gt;Villa Albertine, the French institute for Culture and Education&lt;/strong&gt;, in partnership with the &lt;strong&gt;Chicago Park District’s Movies in the Parks&lt;/strong&gt;, this 2026 edition brings a vibrant &lt;em&gt;mélange &lt;/em&gt;of French and American flair to the city’s green spaces.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;Make plans to join us for the last two screenings:&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6kBqecezbg-OaMAk-b" style="text-decoration: underline; color: #0068A5;"&gt;&lt;/a&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6kBqecezbg-PaMAk-b" target="_blank" style="text-decoration: underline; color: #0068A5;" rel="noopener"&gt;&lt;/a&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6kBqecezbg-QaMAk-b" target="_blank" style="text-decoration: underline; color: #0068A5;" rel="noopener"&gt;&lt;strong&gt;July 24 – Montgomery Ward Park: &lt;/strong&gt;&lt;strong&gt;&lt;em&gt;Mr. Blake at Your Service! &lt;/em&gt;&lt;/strong&gt;&lt;strong&gt;(&lt;/strong&gt;&lt;strong&gt;&lt;em&gt;Complètement &lt;/em&gt;&lt;/strong&gt;&lt;strong&gt;&lt;em&gt;Cramé&amp;nbsp;!&lt;/em&gt;&lt;/strong&gt;&lt;strong&gt;)&lt;/strong&gt;&lt;/a&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6kBqecezbg-RaMAk-b" style="text-decoration: underline; color: #0068A5;"&gt;&lt;/a&gt;&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6kBqecezbg-SaMAk-b" style="text-decoration: underline; color: #0068A5;"&gt;&lt;strong&gt;July 31 – Lake Shore Park, &lt;/strong&gt;&lt;strong&gt;&lt;em&gt;La Vie en rose &lt;/em&gt;&lt;/strong&gt;&lt;strong&gt;(&lt;/strong&gt;&lt;strong&gt;&lt;em&gt;La Môme&lt;/em&gt;&lt;/strong&gt;&lt;strong&gt;)&lt;/strong&gt;&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;em&gt;Films are in French with English subtitles&lt;/em&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;This program is presented as part of the Chicago Park District’s &lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6kBqecezbg-TaMAk-b" style="text-decoration: underline; color: #0068A5;"&gt;&lt;strong&gt;Night Out in the Parks&lt;/strong&gt;&lt;/a&gt;&lt;strong&gt;&amp;nbsp;&lt;/strong&gt;and&lt;strong&gt;&amp;nbsp;&lt;/strong&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6kBqecezbg-%5BaMAk-b" style="text-decoration: underline; color: #0068A5;"&gt;&lt;strong&gt;Movies in the Parks&lt;/strong&gt;&lt;/a&gt;. with the support of &lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6kBqecezbg-VaMAk-b" target="_self" style="text-decoration: underline; color: #0068A5;"&gt;Divvy Lyft&lt;/a&gt;. Films on the Green in Chicago is made possible thanks to the generous support of our official sponsors &lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6kBqecezbgAbaMAk-b" style="text-decoration: underline; color: #0068A5;"&gt;JC Decaux&lt;/a&gt;, &lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6kBqecezbgAcaMAk-b" style="text-decoration: underline; color: #0068A5;"&gt;TV5MONDE&lt;/a&gt; and our local partner &lt;a href="https://newcity.omeclk.com/portal/wts/ue%5EcnP6kBqecezbgAdaMAk-b" style="text-decoration: underline; color: #0068A5;"&gt;Alliance française de Chicago&lt;/a&gt;.&lt;/span&gt;
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&lt;table class="image_block block-2" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;div style="max-width:598px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6cevaq%7Ct%5Ee20%5Edg8qRccqX%5B%7C2ze%7Ej3l" target="_blank"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/ifp/be7/h4k/House%20Top%20-%20December%202025%20600%20x%20250.gif" style="display:block;height:auto;border:0;width:100%" 
width="598" alt="" title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="divider_block block-3" width="100%" border="0" cellpadding="10" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" align="center"&gt;&lt;table border="0" cellpadding="0" cellspacing="0" role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;
&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-4" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:5px;padding-bottom:5px;padding-left:20px;padding-right:20px" align="center"&gt;&lt;div style="max-width:350px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6cevaq%7Ct%5Ee20ydg8qRccqX%5B%7C2ze%7Ej3l" target="_blank"&gt;&lt;img 
src="https://d15k2d11r6t6rl.cloudfront.net/pub/40qd/br3kliar/trm/f81/xfb/NewcityLogoEmail.png" style="display:block;height:auto;border:0;width:100%" width="350" alt="" title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="divider_block block-5" width="100%" border="0" cellpadding="10" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" align="center"&gt;&lt;table border="0" cellpadding="0" cellspacing="0" role="presentation" width="100%" 
style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-6" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad" 
style="padding-top:20px;padding-bottom:10px;padding-left:20px;padding-right:20px"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;I'm not in my best summer head space right now thanks to June's rain, July's smoke and the fact that my days are being spent working on our September issue, which is typically the biggest of the year.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;And that's a problem since summer is my favorite season. And when I got an email newsletter today that proclaimed "summer is almost over," well… ugh.&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;What is almost over is your chance to subscribe to Newcity and get our 156-page double summer issue as part of it. Just a couple days in fact. You can subscribe &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6cevaq%7Ct%5Ee20Ddg8qRccqX%5B%7C2ze%7Ej3l" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt; now.&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-7" 
width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px" align="left"&gt;&lt;div style="max-width:104px"&gt;&lt;img src="https://d15k2d11r6t6rl.cloudfront.net/pub/40qd/br3kliar/ier/gbh/bha/unnamed-1_1.png" style="display:block;height:auto;border:0;width:100%" width="104" alt="" title="" height="auto"&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table 
class="text_block block-8" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px; color: #000000;"&gt;Brian Hieggelke&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px; color: #000000;"&gt;Editor &amp; Publisher&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="divider_block block-9" width="100%" border="0" cellpadding="0" 
cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:10px;padding-bottom:20px;padding-left:10px;padding-right:10px" align="center"&gt;&lt;table border="0" cellpadding="0" cellspacing="0" role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;
&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-10" style="height:21px;line-height:21px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="text_block block-11" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-left:20px;padding-right:20px"&gt;&lt;div style="font-family:Tahoma,Verdana,sans-serif"&gt;&lt;div class 
style="font-size:14px;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;mso-line-height-alt:16.8px;color:#555;line-height:1.2"&gt;&lt;p style="margin:0;font-size:14px;mso-line-height-alt:16.8px"&gt;&lt;span style="word-break: break-word; font-size: 16px; color: #5b7ead;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word;"&gt;FILM&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-12" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px" align="center"&gt;&lt;h1 style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:24px;font-weight:900;letter-spacing:normal;line-height:1.5;text-align:left;margin-top:0;margin-bottom:0;mso-line-height-alt:36px"&gt;
&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6cevaq%7Ct%5Ee2B2dg8qRccqX%5B%7C2ze%7Ej3l" target="_blank" style="text-decoration: none; color: #000000;" rel="noopener"&gt;Movies Are Back! Surmising the Sizzle in This Summer’s Box Office&lt;/a&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-13" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;div style="max-width:598px"&gt;
&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6cevaq%7Ct%5Ee2B6dg8qRccqX%5B%7C2ze%7Ej3l" target="_blank"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/ywv/mel/ewd/The-Odyssey-Trojan-Horse-600x450.jpg" style="display:block;height:auto;border:0;width:100%" width="598" alt="" title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-14" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td
 class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;"People are showing up for original movies again. They're discovering new filmmakers, talking about films with their friends afterward, and turning a night at the movies into an event…" (Ray Pride)&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;
&lt;table class="divider_block block-15" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:10px;padding-bottom:20px;padding-left:10px;padding-right:10px" align="center"&gt;&lt;table border="0" cellpadding="0" cellspacing="0" role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;
&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-16" style="height:21px;line-height:21px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="text_block block-17" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-left:20px;padding-right:20px"&gt;&lt;div style="font-family:Tahoma,Verdana,sans-serif"&gt;&lt;div class 
style="font-size:14px;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;mso-line-height-alt:16.8px;color:#555;line-height:1.2"&gt;&lt;p style="margin:0;font-size:14px;mso-line-height-alt:16.8px"&gt;&lt;span style="word-break: break-word; font-size: 16px; color: #65d68b;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word;"&gt;ART&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-18" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px" align="center"&gt;&lt;h1 style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:24px;font-weight:900;letter-spacing:normal;line-height:1.5;text-align:left;margin-top:0;margin-bottom:0;mso-line-height-alt:36px"&gt;
&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6cevaq%7Ct%5Ee2B-dg8qRccqX%5B%7C2ze%7Ej3l" target="_blank" style="text-decoration: none; color: #000000;" rel="noopener"&gt;&lt;span class="mce-content-body mce-edit-focus" style="word-break: break-word; position: relative;" id="35074d25-bba9-45f6-893a-7959d8deeddd" data-position="10-0-17" data-qa="tinyeditor-root-element"&gt;Artist in Residence Gets a Fresh Spin&lt;/span&gt;&lt;/a&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-19" width="100%" border="0" cellpadding="0" 
cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;div style="max-width:598px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6cevaq%7Ct%5Ee2BDdg8qRccqX%5B%7C2ze%7Ej3l" target="_blank"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/iyp/k65/ns1/IMG_2311-scaled-600x450.jpeg" style="display:block;height:auto;border:0;width:100%" width="598" alt="" title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table 
class="text_block block-20" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Caryn Capotosto expands her Museum &amp; Crane Arts from film into art exhibition at her Gold Coast home. (Maya Surrenti)&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="divider_block block-21" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:10px;padding-bottom:20px;padding-left:10px;padding-right:10px" align="center"&gt;&lt;table 
border="0" cellpadding="0" cellspacing="0" role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-22" style="height:21px;line-height:21px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="text_block block-23" width="100%" border="0" cellpadding="0" cellspacing="0" 
role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-left:20px;padding-right:20px"&gt;&lt;div style="font-family:Tahoma,Verdana,sans-serif"&gt;&lt;div class style="font-size:14px;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;mso-line-height-alt:16.8px;color:#555;line-height:1.2"&gt;&lt;p style="margin:0;font-size:14px;mso-line-height-alt:16.8px"&gt;
&lt;span style="word-break: break-word; font-size: 16px; color: #a82b28;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word;"&gt;STAGE&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-24" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:24px;font-weight:900;letter-spacing:normal;line-height:1.5;text-align:left;margin-top:0;margin-bottom:0;mso-line-height-alt:36px"&gt;
&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6cevaq%7Ct%5Ee2Cedg8qRccqX%5B%7C2ze%7Ej3l" target="_blank" style="text-decoration: none; color: #000000;" rel="noopener"&gt;&lt;span class="mce-content-body mce-edit-focus" style="word-break: break-word; position: relative;" id="36c4f45b-d5ad-4d87-ad9b-f28db8b5663a" data-position="10-0-23" data-qa="tinyeditor-root-element"&gt;Annie Franklin Weaves Fluidity and Attack with Chicago Dance Crash in "Six Ways to Fall"&lt;/span&gt;&lt;/a&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-25" 
width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;div style="max-width:598px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6cevaq%7Ct%5Ee2C%7Cdg8qRccqX%5B%7C2ze%7Ej3l" target="_blank"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/1em/slr/8vy/LXIV-Juan-Rodrigo-Mercado_A.-Deran-Photography-600x450.jpg" style="display:block;height:auto;border:0;width:100%" width="598" alt="" title="" 
height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-26" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;In Franklin's new piece, little chapters explore various ways people experience vulnerability, relating to physical, emotional, social, relational and existential challenges, and to identity. (Eileen B. Fisher)&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="divider_block block-27" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" 
style="padding-top:10px;padding-bottom:20px;padding-left:10px;padding-right:10px" align="center"&gt;&lt;table border="0" cellpadding="0" cellspacing="0" role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-28" style="height:45px;line-height:45px;font-size:1px"&gt;
&amp;#8202;&lt;/div&gt;&lt;table class="image_block block-29" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-left:20px;padding-right:20px" align="center"&gt;&lt;div style="max-width:400px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6cevaq%7Ct%5Ee276dg8qRccqX%5B%7C2ze%7Ej3l" target="_blank"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/q6i/gpd/eol/Newcity_2026-07-08_Cover%20Footer.jpeg" 
style="display:block;height:auto;border:0;width:100%" width="400" alt="" title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-30" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class 
style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:18.2px;color:#000;line-height:1.3"&gt;&lt;p style="margin:0;font-size:14px;text-align:center;mso-line-height-alt:26px"&gt;&lt;span style="word-break: break-word; font-size: 20px;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word;"&gt;JULY-AUGUST 2026:&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:14px;text-align:center;mso-line-height-alt:26px"&gt;
&lt;span style="word-break: break-word; font-size: 20px;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word;"&gt;AMERICA 250 + ART IN MICHIGAN&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;br&gt;
&lt;span style="word-break: break-word; font-size: 20px;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word;"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6cevaq%7Ct%5Ee27-dg8qRccqX%5B%7C2ze%7Ej3l" target="_blank" style="text-decoration: none; color: #19638e;" rel="noopener"&gt;GET THE ISSUE&lt;/a&gt; | &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6cevaq%7Ct%5Ee27Ddg8qRccqX%5B%7C2ze%7Ej3l" target="_blank" style="text-decoration: none; color: #19638e;" rel="noopener"&gt;SUBSCRIBE&lt;/a&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div 
class="spacer_block block-31" style="height:40px;line-height:40px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="divider_block block-32" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:10px;padding-bottom:20px;padding-left:10px;padding-right:10px" align="center"&gt;&lt;table border="0" cellpadding="0" cellspacing="0" role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;
&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-33" style="height:21px;line-height:21px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="text_block block-34" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad" 
style="padding-left:20px;padding-right:20px"&gt;&lt;div style="font-family:Tahoma,Verdana,sans-serif"&gt;&lt;div class style="font-size:14px;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;mso-line-height-alt:16.8px;color:#555;line-height:1.2"&gt;&lt;p style="margin:0;font-size:14px;mso-line-height-alt:16.8px"&gt;&lt;span style="word-break: break-word; font-size: 16px; color: #d3877d;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word;"&gt;MUSIC&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table 
class="heading_block block-35" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:24px;font-weight:900;letter-spacing:normal;line-height:1.5;text-align:left;margin-top:0;margin-bottom:0;mso-line-height-alt:36px"&gt;
&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6cevaq%7Ct%5Ee2Cmdg8qRccqX%5B%7C2ze%7Ej3l" target="_blank" style="text-decoration: none; color: #000000;" rel="noopener"&gt;&lt;span class="mce-content-body mce-edit-focus" style="word-break: break-word; position: relative;" id="7f7fffde-32c3-42b3-8456-31f508847d61" data-position="10-0-34" data-qa="tinyeditor-root-element"&gt;Chicago Musicians Unite to Perform for Immigrant and Refugee Rights&lt;/span&gt;&lt;/a&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-36" width="100%" border="0" 
cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;div style="max-width:598px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6cevaq%7Ct%5Ee2Cqdg8qRccqX%5B%7C2ze%7Ej3l" target="_blank"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/6m6/yj1/3f7/Dave-Specter-promo-1_1-600x450.jpg" style="display:block;height:auto;border:0;width:100%" width="598" alt="" title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table 
class="text_block block-37" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;“Songs of Protest, Sounds of Freedom” was organized by Space co-owner Dave Specter, who was driven to action by ICE's recent presence in Chicago communities. (David Witter)&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="divider_block block-38" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" 
style="padding-top:20px;padding-bottom:20px;padding-left:10px;padding-right:10px" align="center"&gt;&lt;table border="0" cellpadding="0" cellspacing="0" role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-39" style="height:21px;line-height:21px;font-size:1px"&gt;
&amp;#8202;&lt;/div&gt;&lt;table class="text_block block-40" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-left:20px;padding-right:20px"&gt;&lt;div style="font-family:Tahoma,Verdana,sans-serif"&gt;&lt;div class style="font-size:14px;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;mso-line-height-alt:16.8px;color:#555;line-height:1.2"&gt;&lt;p 
style="margin:0;font-size:14px;mso-line-height-alt:16.8px"&gt;&lt;span style="word-break: break-word; font-size: 16px; color: #000000;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word;"&gt;NEWCITY&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-41" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" 
style="width:100%;padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px" align="center"&gt;&lt;h1 style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:24px;font-weight:900;letter-spacing:normal;line-height:1.5;text-align:left;margin-top:0;margin-bottom:0;mso-line-height-alt:36px"&gt;
&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6cevaq%7Ct%5Ee2C%5Edg8qRccqX%5B%7C2ze%7Ej3l" target="_blank" style="text-decoration: none; color: #000000;" rel="noopener"&gt;&lt;span class="mce-content-body mce-edit-focus" style="word-break: break-word; position: relative;" id="ecc0efaf-5534-4a55-9409-69f1eba48b1b" data-position="10-0-40" data-qa="tinyeditor-root-element"&gt;Free Will Astrology: Week of July 23, 2026&lt;/span&gt;&lt;/a&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-42" width="100%" border="0" cellpadding="0" 
cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;div style="max-width:598px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6cevaq%7Ct%5Ee2Cydg8qRccqX%5B%7C2ze%7Ej3l" target="_blank"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/7uw/j6a/142/tricia-galvin-hKCPYT-R9-E-unsplash-600x450.jpg" style="display:block;height:auto;border:0;width:100%" width="598" alt="" title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table 
class="text_block block-43" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;In the coming weeks, overproduce. (Rob Brezsny)&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="divider_block block-44" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:20px;padding-bottom:20px;padding-left:10px;padding-right:10px" align="center"&gt;&lt;table border="0" cellpadding="0" cellspacing="0" role="presentation" 
width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-45" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;div style="max-width:598px"&gt;
&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6cevaq%7Ct%5Ee28%5Edg8qRccqX%5B%7C2ze%7Ej3l" target="_blank"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/kcw/yua/mwn/House%20Middle_Lower%20-%20December%202025%20-%20600x500.gif" style="display:block;height:auto;border:0;width:100%" width="598" alt="" title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-46" style="height:40px;line-height:40px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="heading_block block-47" width="100%" border="0" 
cellpadding="5" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;h1 style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:28px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:34px"&gt;
&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6cevaq%7Ct%5Ee2C2dg8qRccqX%5B%7C2ze%7Ej3l" target="_blank" style="text-decoration: underline; color: #000000;" rel="noopener"&gt;TODAY IN CULTURE&lt;/a&gt;&lt;br&gt;&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-48" width="100%" border="0" cellpadding="10" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div 
style="font-family:sans-serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:16.8px;color:#555;line-height:1.2"&gt;&lt;p style="margin:0;font-size:14px;text-align:center;mso-line-height-alt:16.8px"&gt;&lt;span style="word-break: break-word; color: #000000;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;By Ray Pride&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-49" 
style="height:40px;line-height:40px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="heading_block block-50" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;ART&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-51" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Secrist Beach Now Represents&amp;nbsp;Jeffly Gabriela Molina&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p
 style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Secrist Beach has announced representation of Jeffly Gabriela Molina, a Chicago-based artist "whose works explore the profound experience of migration, and the tension of living between identities. Informed by her migration from Venezuela to the United States, Molina creates visual narratives about the work of building a home amid uncertainty. She paints intimate, symbolic objects—flower arrangements, glasses of water and personal artifacts, alongside gracious&amp;nbsp;portraits of friends and neighbors that simultaneously carry fragility and the promise of beginning again." More on Instagram &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cevaq%7Ct%5Ee2C6dg8qRa" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Is Frank Gehry's Icehenge Desk Headed To A Museum?&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Recently sold at auction, the Frank Gehry-designed desk "might be temporarily loaned to a museum or institution by the new owner who wants to preserve public access to the seven-ton marvel," &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cevaq%7Ct%5Ee2C-dg8qRa" style="text-decoration: underline; color: #0068A5;"&gt;writes Lee Bey at WBEZ&lt;/a&gt;. "Called Icehenge, the sixteen-piece emerald glass desk created for the lobby of the Inland Steel Building sold Wednesday for $243,200." The buyer's identity has not been revealed, and "no specific plans have been finalized."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Minneapolis Institute Of Art Hires Lead Curator&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Curator Kevin Tervala will move to Minnesota after more than ten years at the Baltimore Museum of Art, &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cevaq%7Ct%5Ee2CDdg8qRa" style="text-decoration: underline; color: #0068A5;"&gt;reports The Art Newspaper&lt;/a&gt;. "Tervala will oversee the museum’s curatorial division, including collections, exhibitions planning and scheduling and scholarship. 'MIA is one of this country’s great art institutions, and I have long been impressed with its collection and its approach to visitor accessibility with its free admission,' says Tervala."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Bongs Gonged At Toledo Museum Of Art&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"After the Toledo Museum of Art canceled a pioneering exhibition of glass cannabis pipes, many people wondered what lay behind the decision," &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cevaq%7Ct%5Ee2Dedg8qRa" style="text-decoration: underline; color: #0068A5;"&gt;reports the New York Times&lt;/a&gt;. "About three years ago, it approached a former curator at the Corning Museum of Glass to coordinate the show. It spent $250,000 to organize it, and it attracted interest from dozens of artists whose sculptural smoking tools top anything one might find in the average head shop. But this spring, only months from its opening, 'High Style: the Art of Cannabis Pipes' was canceled." (&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6cevaq%7Ct%5Ee3%7C6dg8qRccqX%5B%7C2ze%7Ej3l" target="_blank" style="text-decoration: underline; color: #0068A5;" rel="noopener"&gt;More&lt;/a&gt;.)&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-52" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;DINING &amp;amp; DRINKING&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-53" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:12px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:18px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Hot Dog Season Keeps Chicago's Bun Powerhouse Busy&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p 
style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"S.Rosen’s Mary Ann, the go-to brand for hot dog stands across the city, is churning out four million buns a week from an unassuming building," &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cevaq%7Ct%5Ee2D%7Cdg8qRa" style="text-decoration: underline; color: #0068A5;"&gt;scarfs Block Club&lt;/a&gt;. Every bun "is baked in a long and narrow building in Hermosa. Though the owners don’t know exactly when the building was built, they estimate that parts of it are at least a hundred years old. Nearly every part of the baking process is automated. Flour is fed to the mixers through tubes that hang from the ceiling. A maze of conveyor belts winds through the space, advancing the dough as it’s shaped, proofed, baked, sliced and packaged. Even with all the automation, workers are there at every step, carefully monitoring the buns."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Thai Street Food Comes To North Side&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Mayfair Thai restaurant Noodles Party, at 4205 West Lawrence, "is the closest thing in Chicago to Bangkok street food," &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cevaq%7Ct%5Ee2Dmdg8qRa" style="text-decoration: underline; color: #0068A5;"&gt;attests Kevin Pang at NBC5 Chicago&lt;/a&gt;. "Its charismatic owner and chef, Aomjai Phumpardit, has recreated her room—from the colorful Thai bric-a-brac to the vinyl table covers—to resemble sitting under a canopied food stall on Bangkok's Khao San Road." But what makes it special is that "the food is uncompromising to its Bangkok street food roots. If you're expecting pad thai, feel free to visit one of the city's hundred other Thai restaurants. Noodle Party's signature boat noodles are a savory, assertive, big-flavored noodle bowl with liver, meatballs and thickened with pork blood, as is the tradition of Thai boat noodles. It's tremendous."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Chicago Food Giants Want Consumers To Embrace Its Legacy Brands&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"Companies like Kraft Heinz, Conagra and Mondelez are grappling with an increasingly hard to please consumer base and rising inflation,"&amp;nbsp;&lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cevaq%7Ct%5Ee2Dqdg8qRa" style="text-decoration: underline; color: #0068A5;"&gt;reports WBEZ&lt;/a&gt;. As the food giants "have struggled to quickly adjust to changing consumer tastes while managing volatile economic conditions," these companies have been "leaning more into consumer trends and product collaborations intended to feed excitement. In May, Kraft Heinz launched 'Snackables,' joining the Lunchables brand. The company also rolled out Capri-Sun juices with electrolytes; a protein version of its Mac &amp; Cheese; and a line of instant noodles, called KD Ramen, available in Canada. And in June, Kraft Heinz announced a collaboration with Heineken. For a limited time, customers can buy a six-pack that includes five beers and one bottle of Heinz ketchup."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Old Town Pour House Returns To The Loop&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Bottleneck Management will open a new Old Town Pour House in the Loop at 120 North LaSalle, marking the brand's return to the city after its longtime Wells Street location closed in 2024. The location "features a menu created for the downtown crowd, a strong craft beer program, happy hour and spaces designed for business lunches, after-work gatherings and pre-theater dining." Opening Monday, August 3. More &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cevaq%7Ct%5Ee2D%5Edg8qRa" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-54" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;FILM &amp;amp; TELEVISION&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-55" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:12px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:18px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Keeping Ferris Bueller From Becoming "Punchable"&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p 
style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Matthew Broderick and Alan Ruck gaze back at "Ferris Bueller’s Day Off" &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cevaq%7Ct%5Ee2Dydg8qRa" style="text-decoration: underline; color: #0068A5;"&gt;at the Guardian&lt;/a&gt;. Says Broderick: "Alan and I have neat hair because we’d both just been in a military play. If we’d had crazy 1980s mullets, it wouldn’t have become a timeless classic. I thought Ferris shouldn’t seem to be trying too hard, that things came easy to him. I wanted to be a little cool and aloof. We didn’t want him to be somebody you wanted to punch in the face. That’s always the danger with guys who get away with everything. After a test screening, one young woman’s feedback was that she didn’t like Ferris because 'he’d make me do things I don’t want to do,' so they got rid of a scene where I try to get Sloane not to go back home and keep hanging out having fun."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Federal Judge Grants Two-Week Delay In Paramount-Warner Merger&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"Paramount Skydance’s takeover of Warner Bros. Discovery hit a roadblock Monday after a federal judge temporarily paused the proposed merger, granting a request from a coalition of twelve state attorneys general who sued to thwart the $110 billion deal," &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cevaq%7Ct%5Ee2D2dg8qRa" style="text-decoration: underline; color: #0068A5;"&gt;reports NBC News&lt;/a&gt;. "U.S. District Judge Araceli Martínez-Olguín of the Northern District of California issued a temporary restraining order barring Paramount from closing the transaction, a corporate tie-up that would unite two movie studios, two streaming platforms and two news organizations under the control of David Ellison, the son of billionaire technology tycoon Larry Ellison." "The delay is intended to give the court time to consider a lawsuit that argues the $111 billion merger violates antitrust laws," adds the New York Times (&lt;em&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cevaq%7Ct%5Ee2D6dg8qRa" style="text-decoration: underline; color: #0068A5;"&gt;gift link&lt;/a&gt;&lt;/em&gt;). The preliminary injunction hearing is August 3. The ten-page order is &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cevaq%7Ct%5Ee2D-dg8qRa" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-56" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;LIT&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-57" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:12px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:18px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;“&lt;strong&gt;The Odyssey” Translations Come To Shore In Fresh Regalia&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;The market for Homer's epic poem, obviously out of copyright, "is as crowded as a certain Ithacan palace, and publishers have had to get crafty to attract readers to their editions," &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cevaq%7Ct%5Ee2DDdg8qRa" style="text-decoration: underline; color: #0068A5;"&gt;reports the New York Times&lt;/a&gt;. "So far this year, sales of the 'Odyssey' rose by seventy-six percent compared with last year. The most direct way publishers are elevating their translations is by giving them splashy reissues. Picador released a new edition of Robert Fitzgerald’s 1961 translation. Christopher Nolan’s film directly influenced its rerelease strategy."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"Last year, the University of Chicago Press released a version translated by the Bard College professor Daniel Mendelsohn. Classicists are stereotyped as monkish, spending their time cloistered in the ivory tower of academia, but Mendelsohn is a surprisingly buzzy media figure. Mendelsohn’s cultural criticism is as acclaimed as his scholarship, and he has written for publications including The New York Times, The New Yorker and The New York Review of Books."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-58" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;MEDIA&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-59" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:12px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:18px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;The Feds Go After Times Reporters And Relatives&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p 
style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"The government is aggressively seeking the confidential sources of Times reporters who wrote about Trump’s new Air Force One. The Times has asked a judge to quash the subpoenas," &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cevaq%7Ct%5Ee2Eedg8qRa" style="text-decoration: underline; color: #0068A5;"&gt;reports the New York Times&lt;/a&gt;. The Justice Department "sought the phone records of several New York Times journalists and their relatives—including one reporter’s mother.&amp;nbsp;The government’s actions amount to an extraordinarily aggressive and unorthodox attempt by the Trump administration to unearth the confidential sources of independent journalists whose reporting had angered the president."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-60" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;MUSIC&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-61" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:12px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:18px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Marin Alsop Departs As Ravinia's Chief Conductor&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p 
style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"What Marin Alsop built at Ravinia started to feel real, she says, in 2022," &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cevaq%7Ct%5Ee2E%7Cdg8qRa" style="text-decoration: underline; color: #0068A5;"&gt;profiles the Trib&lt;/a&gt;. "Her second summer at the festival, the conductor—the first woman to lead major orchestras in the U.S., Great Britain, Austria and South America—had begun Breaking Barriers, a festival-within-a-festival dedicated to smashing the glass ceiling. The first iteration spotlighted female conductors, like her." Says Alsop, "When I walked into the Ravinia campus, and families were stopping to look at posters of one-hundred women conductors, many of whom I had never even heard of—that was pretty monumental." Alsop, "who turns seventy this fall, is departing Ravinia after six years as chief conductor and a one-time curator of the festival." (&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6cevaq%7Ct%5Ee3%7C-dg8qRccqX%5B%7C2ze%7Ej3l" target="_blank" style="text-decoration: underline; color: #0068A5;" rel="noopener"&gt;More&lt;/a&gt;.)&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Chicago As America's "Music City"&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"Without the sounds of Chicago, our entire musical landscape would be different and much poorer for it,"&amp;nbsp;&lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cevaq%7Ct%5Ee2Emdg8qRa" style="text-decoration: underline; color: #0068A5;"&gt;argues England's Far Out magazine&lt;/a&gt;. "Owing to the deep and abiding influence of the blues, which were first so electrified in Illinois, you could say that all of the modern music that came afterwards was born in Chicago, and it wasn’t just Muddy who was setting the scene on fire. Chicago boasted the talents of Howlin’ Wolf, Buddy Guy and Bo Diddley, as well as the next generation like Mike Bloomfield, Paul Butterfield and Nick Gravenites, among others. As if that wasn’t enough, artists as diverse as Herbie Hancock, Chance the Rapper, Quincy Jones, Minnie Ripperton, Patti Smith and more were born and raised in the city limits, as well."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;A Century Of The Aragon Ballroom&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"Over the years, [the Aragon] has hosted ballroom dancing, a roller rink, disco and boxing matches. In 1973, Aragon most significantly transferred hands to promoter Jam Productions, which helped usher in the venue’s present-day 'Brawlroom' concert era," &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cevaq%7Ct%5Ee2Eqdg8qRa" style="text-decoration: underline; color: #0068A5;"&gt;the Sun-Times reports&lt;/a&gt;. "Jam owner and president Jerry Mickelson was a fan of many of the holdover features from the ballroom days, but says there was one that was a bit of a hamper. 'The dome design was acoustically challenging because it swirled the sound around it,' he said. To help the issue, Jam came up with the idea to put some curtains in the dome to improve the acoustics. 'It’s still challenging, but it’s a lot better than what it was.'"&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-62" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;STAGE&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-63" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Broadway In Chicago Announces Four Shows For 2027, Plus Its Summer Concert&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Broadway in Chicago has announced four new shows for 2027: "The Who's Tommy" will be on stage in February, "The Bodyguard" in April, "The Lion King" in June and July and "Heathers: The Musical" in June. Songs from all four shows will be performed at Broadway in Chicago's free summer concert, as well as a song from "The Sound Of Music" and eight other productions. The concert is presented with DCASE and held at Pritzker Pavilion in Millennium Park on Monday, August 10 at 6:15pm. More &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cevaq%7Ct%5Ee2E%5Edg8qRa" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;The West End Gets An “August: Osage County” Revival&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Jeremy Herrin will direct Tracy Letts' "August: Osage County" at the West End's Noël Coward Theatre. "Leading the cast will be two-time Olivier winner and 2026 Tony winner Lesley Manville as Violet Weston, alongside Anna Maxwell Martin as Barbara Fordham,"&amp;nbsp;&lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cevaq%7Ct%5Ee2Eydg8qRa" style="text-decoration: underline; color: #0068A5;"&gt;reports Playbill&lt;/a&gt;. "Letts' comic drama about a dysfunctional Plains family that reunites when the patriarch goes missing, which debuted at the&amp;nbsp;Steppenwolf Theatre Company, won the 2008 Pulitzer Prize for Drama and the 2008 Tony Award for Best New Play." The production will take place from January 18 through April 10, 2027.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-64" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;ARTS &amp;amp; CULTURE &amp;amp; ETC.&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-65" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div 
style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Ohio Arts Funding Looks A Decade Ahead&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Reports released last week provide evidence that strong public funding for the arts provided by Cuyahoga County’s cigarette tax "is supporting a nationally significant cultural sector," &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cevaq%7Ct%5Ee2E2dg8qRa" style="text-decoration: underline; color: #0068A5;"&gt;reports Ideastream Public Media&lt;/a&gt;. "Nevertheless, one of the reports looks ahead for potential new sources of public support beyond the cigarette tax, a levy slated to end in 2035."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-66" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p 
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&lt;table class="image_block block-2" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;div style="max-width:598px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6ce0aq%7CtDe3kmd%7C%5EAeccqX%5B%7C2ze%7Ej3l" target="_blank"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/ifp/be7/h4k/House%20Top%20-%20December%202025%20600%20x%20250.gif" style="display:block;height:auto;border:0;width:100%" 
width="598" alt="" title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="divider_block block-3" width="100%" border="0" cellpadding="10" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" align="center"&gt;&lt;table border="0" cellpadding="0" cellspacing="0" role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;
&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-4" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:5px;padding-bottom:5px;padding-left:20px;padding-right:20px" align="center"&gt;&lt;div style="max-width:350px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6ce0aq%7CtDe3kqd%7C%5EAeccqX%5B%7C2ze%7Ej3l" target="_blank"&gt;&lt;img 
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style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-6" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad" 
style="padding-top:20px;padding-bottom:10px;padding-left:20px;padding-right:20px"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;I pretty much knew I wanted the vinyl of the new Rolling Stones record, "Foreign Tongues," when I saw that the artist who'd done &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6ce0aq%7CtDe3%5EDd%7C%5EAeccqX%5B%7C2ze%7Ej3l" style="text-decoration: underline; color: #0068A5;"&gt;our May cover&lt;/a&gt;, Nathaniel Mary Quinn, had also done the artwork for&lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6ce0aq%7CtDe3ved%7C%5EAea" style="text-decoration: underline; color: #0068A5;"&gt; this album&lt;/a&gt;. But when I started seeing reviews that were almost all positive, even saying it was the band's best record since 1978's "Some Girls"—which is likely the last new Stones album I bought—I pulled the trigger.&amp;nbsp;&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Perhaps it was the memory of that high-school favorite that made me decide to listen to this new record the way I did in those pre-digital-music days, when every birthday, holiday or paycheck went toward vinyl LPs at $5.99 a pop. (Albums like this new one, that cost $30-$50, seem so expensive by comparison, but if you do the math, my $5.99 then is about $35 now.)&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;I intentionally did not stream the album beforehand, so when I unwrapped the record and placed the vinyl on the turntable, it was brand new in every sense. I put my phone away and immersed myself in its totality, listening to the music and studying the liner notes, which is how I would have played every new record back then.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;I tend to &lt;em&gt;listen&lt;/em&gt; to music all day long, every day while I work. But I don't think I can say I've really &lt;em&gt;heard&lt;/em&gt; anything new until now.&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-7" width="100%" 
border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px" align="left"&gt;&lt;div style="max-width:104px"&gt;&lt;img src="https://d15k2d11r6t6rl.cloudfront.net/pub/40qd/br3kliar/ier/gbh/bha/unnamed-1_1.png" style="display:block;height:auto;border:0;width:100%" width="104" alt="" title="" height="auto"&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table 
class="text_block block-8" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px; color: #000000;"&gt;Brian Hieggelke&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px; color: #000000;"&gt;Editor &amp; Publisher&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;em&gt;You just have two more days to subscribe to Newcity and get our 156-page double summer issue as part of it. You can subscribe &lt;/em&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6ce0aq%7CtDe3k%5Ed%7C%5EAeccqX%5B%7C2ze%7Ej3l" style="text-decoration: underline; color: #0068A5;"&gt;&lt;em&gt;here&lt;/em&gt;&lt;/a&gt;&lt;em&gt; now.&lt;/em&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="divider_block block-9" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:10px;padding-bottom:20px;padding-left:10px;padding-right:10px" align="center"&gt;&lt;table border="0" cellpadding="0" cellspacing="0" role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div 
class="spacer_block block-10" style="height:21px;line-height:21px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="text_block block-11" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-left:20px;padding-right:20px"&gt;&lt;div style="font-family:Tahoma,Verdana,sans-serif"&gt;&lt;div class 
style="font-size:14px;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;mso-line-height-alt:16.8px;color:#555;line-height:1.2"&gt;&lt;p style="margin:0;font-size:14px;mso-line-height-alt:16.8px"&gt;&lt;span style="word-break: break-word; font-size: 16px; color: #000000;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word;"&gt;NEWCITY&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-12" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px" align="center"&gt;&lt;h1 style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:24px;font-weight:900;letter-spacing:normal;line-height:1.5;text-align:left;margin-top:0;margin-bottom:0;mso-line-height-alt:36px"&gt;
&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6ce0aq%7CtDe3v%7Cd%7C%5EAeccqX%5B%7C2ze%7Ej3l" target="_blank" style="text-decoration: none; color: #000000;" rel="noopener"&gt;&lt;span class="mce-content-body mce-edit-focus" style="word-break: break-word; position: relative;" id="e23d4d7c-3b34-41d6-ba7d-2557e836ade5" data-position="10-0-11" data-qa="tinyeditor-root-element"&gt;A Rough Rider Rides Again in the Badlands: The Theodore Roosevelt Presidential Library&lt;/span&gt;&lt;/a&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-13" 
width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;div style="max-width:598px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6ce0aq%7CtDe3vmd%7C%5EAeccqX%5B%7C2ze%7Ej3l" target="_blank"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/g4r/sc9/6xu/Snohetta-TRPL-2-Entry-600x450.jpg" style="display:block;height:auto;border:0;width:100%" width="598" alt="" title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;
&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-14" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
Roosevelt said that he would not have been president if not for his experience in North Dakota. “It was here that the romance of my life began." (Mary Wisniewski)&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="divider_block block-15" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:10px;padding-bottom:20px;padding-left:10px;padding-right:10px" align="center"&gt;&lt;table border="0" 
cellpadding="0" cellspacing="0" role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-16" style="height:21px;line-height:21px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="text_block block-17" width="100%" border="0" cellpadding="0" cellspacing="0" 
role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-left:20px;padding-right:20px"&gt;&lt;div style="font-family:Tahoma,Verdana,sans-serif"&gt;&lt;div class style="font-size:14px;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;mso-line-height-alt:16.8px;color:#555;line-height:1.2"&gt;&lt;p style="margin:0;font-size:14px;mso-line-height-alt:16.8px"&gt;
&lt;span style="word-break: break-word; font-size: 16px; color: #65d68b;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word;"&gt;ART&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-18" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:24px;font-weight:900;letter-spacing:normal;line-height:1.5;text-align:left;margin-top:0;margin-bottom:0;mso-line-height-alt:36px"&gt;
&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6ce0aq%7CtDe3vqd%7C%5EAeccqX%5B%7C2ze%7Ej3l" target="_blank" style="text-decoration: none; color: #000000;" rel="noopener"&gt;&lt;span class="mce-content-body mce-edit-focus" style="word-break: break-word; position: relative;" id="8deec7c8-0b8e-41ad-83df-9d563319a8e9" data-position="10-0-17" data-qa="tinyeditor-root-element"&gt;Eighteenth-Century Prints Make an Inky Splash in "Ink and Outrage"&lt;/span&gt;&lt;/a&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-19" width="100%" border="0" 
cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;div style="max-width:598px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6ce0aq%7CtDe3v%5Ed%7C%5EAeccqX%5B%7C2ze%7Ej3l" target="_blank"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/iqb/6mh/alq/001_BOB00333_high-res-scaled-600x450.jpg" style="display:block;height:auto;border:0;width:100%" width="598" alt="" title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;
&lt;table class="text_block block-20" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;The Driehaus Museum exhibits satirical prints from London and Dublin. (Elisa Shoenberger)&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="divider_block block-21" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:10px;padding-bottom:20px;padding-left:10px;padding-right:10px" align="center"&gt;&lt;table border="0" cellpadding="0" 
cellspacing="0" role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-22" style="height:45px;line-height:45px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="image_block block-23" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-left:20px;padding-right:20px" align="center"&gt;&lt;div style="max-width:400px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6ce0aq%7CtDe3r%7Cd%7C%5EAeccqX%5B%7C2ze%7Ej3l" target="_blank"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/q6i/gpd/eol/Newcity_2026-07-08_Cover%20Footer.jpeg" style="display:block;height:auto;border:0;width:100%" width="400" alt="" title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table 
class="text_block block-24" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:18.2px;color:#000;line-height:1.3"&gt;&lt;p 
style="margin:0;font-size:14px;text-align:center;mso-line-height-alt:26px"&gt;&lt;span style="word-break: break-word; font-size: 20px;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word;"&gt;JULY-AUGUST 2026:&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:14px;text-align:center;mso-line-height-alt:26px"&gt;&lt;span style="word-break: break-word; font-size: 20px;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word;"&gt;AMERICA 250 + ART IN MICHIGAN&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;br&gt;
&lt;span style="word-break: break-word; font-size: 20px;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word;"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6ce0aq%7CtDe3rmd%7C%5EAeccqX%5B%7C2ze%7Ej3l" target="_blank" style="text-decoration: none; color: #19638e;" rel="noopener"&gt;GET THE ISSUE&lt;/a&gt; | &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6ce0aq%7CtDe3rqd%7C%5EAeccqX%5B%7C2ze%7Ej3l" target="_blank" style="text-decoration: none; color: #19638e;" rel="noopener"&gt;SUBSCRIBE&lt;/a&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div 
class="spacer_block block-25" style="height:40px;line-height:40px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="divider_block block-26" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:10px;padding-bottom:20px;padding-left:10px;padding-right:10px" align="center"&gt;&lt;table border="0" cellpadding="0" cellspacing="0" role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;
&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-27" style="height:21px;line-height:21px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="text_block block-28" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad" 
style="padding-left:20px;padding-right:20px"&gt;&lt;div style="font-family:Tahoma,Verdana,sans-serif"&gt;&lt;div class style="font-size:14px;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;mso-line-height-alt:16.8px;color:#555;line-height:1.2"&gt;&lt;p style="margin:0;font-size:14px;mso-line-height-alt:16.8px"&gt;&lt;span style="word-break: break-word; font-size: 16px; color: #a82b28;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word;"&gt;STAGE&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table 
class="heading_block block-29" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:24px;font-weight:900;letter-spacing:normal;line-height:1.5;text-align:left;margin-top:0;margin-bottom:0;mso-line-height-alt:36px"&gt;
&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6ce0aq%7CtDe3vyd%7C%5EAeccqX%5B%7C2ze%7Ej3l" target="_blank" style="text-decoration: none; color: #000000;" rel="noopener"&gt;&lt;span class="mce-content-body mce-edit-focus" style="word-break: break-word; position: relative;" id="b6eb4b00-7da0-4463-a6f1-478ecb870a40" data-position="10-0-28" data-qa="tinyeditor-root-element"&gt;"Hair" Is More Relevant Than Ever&lt;/span&gt;&lt;/a&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-30" width="100%" border="0" cellpadding="0" cellspacing="0" 
role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;div style="max-width:598px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6ce0aq%7CtDe3v2d%7C%5EAeccqX%5B%7C2ze%7Ej3l" target="_blank"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/bkf/14i/3pb/Hair-4.-Michael-Brosilow-600x450.jpeg" style="display:block;height:auto;border:0;width:100%" width="598" alt="" title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-31" 
width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Kokandy Productions revives the "tribal love-rock musical" at Chopin Theatre. (Mary Wisniewski)&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="divider_block block-32" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:20px;padding-bottom:20px;padding-left:10px;padding-right:10px" align="center"&gt;&lt;table border="0" 
cellpadding="0" cellspacing="0" role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-33" style="height:21px;line-height:21px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="text_block block-34" width="100%" border="0" cellpadding="0" cellspacing="0" 
role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-left:20px;padding-right:20px"&gt;&lt;div style="font-family:Tahoma,Verdana,sans-serif"&gt;&lt;div class style="font-size:14px;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;mso-line-height-alt:16.8px;color:#555;line-height:1.2"&gt;&lt;p style="margin:0;font-size:14px;mso-line-height-alt:16.8px"&gt;
&lt;span style="word-break: break-word; font-size: 16px; color: #429c95;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word;"&gt;BRAZIL&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-35" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:24px;font-weight:900;letter-spacing:normal;line-height:1.5;text-align:left;margin-top:0;margin-bottom:0;mso-line-height-alt:36px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6ce0aq%7CtDe3v6d%7C%5EAeccqX%5B%7C2ze%7Ej3l" target="_blank" style="text-decoration: none; color: #000000;" rel="noopener"&gt;MAM São Paulo Sets Reopening After Two Years&lt;/a&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-36" width="100%" 
border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;div style="max-width:598px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6ce0aq%7CtDe3v-d%7C%5EAeccqX%5B%7C2ze%7Ej3l" target="_blank"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/e5h/uo3/jr4/Museu_de_Arte_Moderna_Sao_Paulo_-_Fachada_600x450.jpg" style="display:block;height:auto;border:0;width:100%" width="598" alt="" title="" height="auto"&gt;&lt;/a&gt;
&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-37" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;First, a gala for the museum that's been in the wilderness. Plus Artist Cildo Meireles will feature his sound piece “Tilim Tilim” through a commission by Carbono Galeria. (Daniela Cantu)&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="divider_block block-38" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" 
style="padding-top:20px;padding-bottom:20px;padding-left:10px;padding-right:10px" align="center"&gt;&lt;table border="0" cellpadding="0" cellspacing="0" role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-39" width="100%" border="0" cellpadding="0" cellspacing="0" 
role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;div style="max-width:598px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6ce0aq%7CtDe3r-d%7C%5EAeccqX%5B%7C2ze%7Ej3l" target="_blank"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/kcw/yua/mwn/House%20Middle_Lower%20-%20December%202025%20-%20600x500.gif" style="display:block;height:auto;border:0;width:100%" width="598" alt="" title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div 
class="spacer_block block-40" style="height:40px;line-height:40px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="heading_block block-41" width="100%" border="0" cellpadding="5" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:28px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:34px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6ce0aq%7CtDe3vDd%7C%5EAeccqX%5B%7C2ze%7Ej3l" target="_blank" style="text-decoration: underline; color: #000000;" rel="noopener"&gt;TODAY IN CULTURE&lt;/a&gt;&lt;br&gt;&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;
&lt;table class="text_block block-42" width="100%" border="0" cellpadding="10" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:sans-serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:16.8px;color:#555;line-height:1.2"&gt;&lt;p style="margin:0;font-size:14px;text-align:center;mso-line-height-alt:16.8px"&gt;
&lt;span style="word-break: break-word; color: #000000;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;By Ray Pride&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-43" style="height:40px;line-height:40px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="heading_block block-44" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" 
style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;ART&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-45" width="100%" border="0" 
cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;The Block Museum Names New Curatorial Head&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;The Block Museum of Art at Northwestern University has named Ainsley M. Cameron, D.Phil. (Oxon.), as associate director of curatorial affairs, effective September 1, 2026. Cameron will lead The Block's curatorial department, shaping exhibitions and publications, collections strategy and interdisciplinary teaching initiatives. Cameron joins The Block from the Cincinnati Art Museum, where she is director of curatorial affairs and initiatives. More &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6ce0aq%7CtDe3wed%7C%5EAea" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;The National Museum Of Puerto Rican Arts &amp; Culture Receives National Accreditation&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;The National Museum of Puerto Rican Arts &amp; Culture located in Humboldt Park has received accreditation from the American Alliance of Museums, the highest national recognition available to museums in the United States. This makes it the only Puerto Rican Museum in the continental United States to join "an elite group of institutions recognized for excellence, accountability and public trust." More on the museum &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6ce0aq%7CtDe3w%7Cd%7C%5EAea" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Clean Sweep: Art Institute To Eliminate Custodial Staff&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;The Art Institute "plans to eliminate its entire in-house custodial workforce in August," &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6ce0aq%7CtDe3wmd%7C%5EAea" style="text-decoration: underline; color: #0068A5;"&gt;reports Hyperallergic&lt;/a&gt;. "Up to twenty-five of the museum’s custodians—including twenty-three unionized workers—would lose their current jobs as part of the plan to outsource its custodial work to a private, third-party vendor. The affected workers are responsible for cleaning the institution’s galleries and facilities. Some of them have worked at the AIC for decades."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Auction Houses Shifting Focus From Trophy Lots To Breadth&amp;nbsp;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"The biggest transformation in the auction business isn’t the recovery itself. It’s the transformation of the auction houses’ businesses," &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6ce0aq%7CtDe3wqd%7C%5EAea" style="text-decoration: underline; color: #0068A5;"&gt;reports ARTnews&lt;/a&gt;. "Every house is focused less on record prices and more on participation. Christie’s emphasized record bidder participation, stronger sell-through rates and competitive bidding on works estimated between $20,000 and $100,000. Sotheby’s repeatedly highlighted its highest sell-through rate in more than a decade and a record 4.9 bidders per lot. Phillips focused on first-time buyers and strong online bidding. Heritage pointed to an ever-broadening universe of collectors entering through everything from Pokémon cards and vintage video games to sports memorabilia and coins."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-46" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;DESIGN&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-47" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;What's Ahead For Belmora, Located At The Former Ann Sather Site&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Renderings have been shown for the second phase of the mixed-use development at 909 West Belmont, &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6ce0aq%7CtDe3w%5Ed%7C%5EAea" style="text-decoration: underline; color: #0068A5;"&gt;pictures Chicago YIMBY&lt;/a&gt;. One block from the CTA Belmont stop, "the proposal will complement the first phase next door at 919 West Belmont and replace a two-story mixed-use building, for which a demolition permit was issued last week. The two buildings will be known as Belmora. The five-story structures are a downsizing from the original glassy ten-story proposal, which was opposed by locals due to its density and massing."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-48" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;DINING &amp;amp; DRINKING&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-49" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:12px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:18px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;How To Make The Publican’s Little Gem Salad&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p 
style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"For Midwestern chefs, so keenly attuned to summer’s impermanence, fresh local fruit is no mere ingredient—it’s a muse. Take the genesis of this dish, which the Publican’s Rob Levitt credits to a chat with the restaurant’s founder, Paul Kahan," &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6ce0aq%7CtDe3wyd%7C%5EAea" style="text-decoration: underline; color: #0068A5;"&gt;reports Chicago magazine&lt;/a&gt;. "We were talking about summer produce, and he was waxing poetic about blueberries," Levitt says. "Inspired, Levitt created a salad with crisp Little Gem and radicchio leaves, spiced almonds and aged cheddar to showcase blueberries two ways—lightly cooked into a brilliant purple vinaigrette and as an unadulterated mix-in—for an elegant bite that tastes of a fleeting season."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Bourbon County Stouts Announced&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;In addition to its Original Stout, Goose Island has announced five new flavors in its 2026 lineup of Bourbon County Brand Stouts: Tiramisu Cask Finish Stout, Apple Crisp Stout, Toasted Barrel Rye Stout, Triple Oak Barleywine and Proprietor's Stout. Says Goose Island, "Spanning seven unique barrel types and six distinct expressions, each asks the same question in a different way—what does a barrel, and the spirit it once held, bring to the final stout? Not simply as a vessel, but as the defining force behind a style of beer that didn't exist until Goose Island made it. This year's family celebrates the oak, the char and the craft of the barrel itself." More &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6ce0aq%7CtDe3w2d%7C%5EAea" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;New Report: Gen Z Still Drinking As Much As Boomers&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"Millennials still drink more than any other generation, followed by Gen X," &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6ce0aq%7CtDe3w6d%7C%5EAea" style="text-decoration: underline; color: #0068A5;"&gt;reports global drinks analyst IWSR&lt;/a&gt;. Boomers "registered significant declines across all consumption metrics, and now have the lowest drinking rate of any generation at just seventy-one percent. Boomers also reported the smallest number of drinking occasions of any generation and reported consuming the smallest number of drinks when they do drink (an average of 2.6 drinks per occasion)."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-50" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;FILM &amp;amp; TELEVISION&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-51" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:12px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:18px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Music Box Tunes Up Noir City Chicago 2026&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p 
style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;The Music Box &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6ce0aq%7CtDe3w-d%7C%5EAea" style="text-decoration: underline; color: #0068A5;"&gt;has announced&lt;/a&gt; a musicalized, terpsichorean season for the annual "Noir City" festival it hosts, with "genuine musical legends like Elvis Presley, Sammy Davis Jr., Hoagy Carmichael, Doris Day, Frank Sinatra and Dexter Gordon performing alongside film noir favorites including Humphrey Bogart, Lauren Bacall, Ida Lupino, Dan Duryea, Linda Darnell and Rita Hayworth." The nineteen noirs of dark doings and musical mayhem include "Man With The Golden Arm," "The Sweet Smell of Success," "Blues In the Night," "To Have And Have Not" and much more. September 4-10. &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6ce0aq%7CtDe3wDd%7C%5EAea" style="text-decoration: underline; color: #0068A5;"&gt;Tickets go on sale Friday, July 24&lt;/a&gt;.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Carrie Coon On Portraying The Very Rich&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"On camera, Carrie Coon and her 'Gilded Age' costars revel in the spoils of extreme wealth," &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6ce0aq%7CtDe3xed%7C%5EAea" style="text-decoration: underline; color: #0068A5;"&gt;writes the Ankler's Prestige Junkie&lt;/a&gt;. Off camera? "'Our cast is sort of famously political,' Coon says of the New York-set series, in which she stars alongside fellow New York theater legends and outspoken actors like Christine Baranski, Cynthia Nixon and Audra McDonald. 'It is rather hilarious that we’re the people celebrating the lives of these billionaires and playing them earnestly and without judgment. At the same time, we are railing against them anytime the press asks a question about it.'"&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-52" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;LIT&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-53" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:12px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:18px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;House, Senate Both Introduce Bills To Encourage Nationwide Book Bans&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"Senate Bill 4925, a partisan effort to control materials in public schools, has been referred to the Committee on Health, Education, Labor and Pensions. The bill was introduced June 24 by Republican Senators Jim Banks of Indiana, James Lankford of Oklahoma and Tommy Tuberville of Alabama," &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6ce0aq%7CtDe3x%7Cd%7C%5EAea" style="text-decoration: underline; color: #0068A5;"&gt;reports Publishers Weekly&lt;/a&gt;. "Like House Bill 7661, SB 4925 would amend the Elementary and Secondary Education Act of 1965 to prohibit the use of federal funding for 'sexually oriented material' in public schools. Both SB 4925 and HB 7661 are known as the 'Stop the Sexualization of Children Act.'" (&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6ce0aq%7CtDe3O2d%7C%5EAeccqX%5B%7C2ze%7Ej3l" target="_blank" style="text-decoration: underline; color: #0068A5;" rel="noopener"&gt;More&lt;/a&gt;.)&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Top-Shelf German Art Book Publisher Steidl Endangered&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"Steidl Verlag, one of the most beloved publishers of photobooks, is facing preliminary insolvency proceedings in Germany," &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6ce0aq%7CtDe3xmd%7C%5EAea" style="text-decoration: underline; color: #0068A5;"&gt;writes ARTnews&lt;/a&gt;. Hearing the news, an art book publisher we know was not surprised, saying that the entire industry is endangered, with only stores and distributors making money today. "Insolvency proceedings were opened last week at the request of a creditor."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-54" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;MEDIA&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-55" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:12px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:18px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Can The Times Newsletter Its Way Into Other Locales?&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p 
style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"The Times, Axios and niche newsletters are betting on local news. But with ad spend fleeing to video, the business case remains elusive," &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6ce0aq%7CtDe3xqd%7C%5EAea" style="text-decoration: underline; color: #0068A5;"&gt;reports Puck&lt;/a&gt; on their new Minneapolis newsletter. "Sure, everyone agrees local news is essential. The real question is whether anyone can actually make money rebuilding it for an AI-first, video-first internet. The New York Times is giving it a shot."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Reader Union Begins Letter-Writing Campaign&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"The Chicago Reader Union has been bargaining with Noisy Creek since February," the union writes, and "management has consistently offered proposals that would cut longstanding benefits in exchange for meager pay raises." They have started a letter-writing campaign to support their bargaining for a new contract, which can be viewed &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6ce0aq%7CtDe3x%5Ed%7C%5EAea" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-56" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;MUSIC&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-57" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:12px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:18px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;What's Ahead At The Englewood Jazz Festival&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p 
style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;The twenty-seventh Annual Englewood Jazz Festival will take place at historic Hamilton Park on September 17–19. "This year’s festival celebrates the next generation of creative musicians while honoring the centennial legacies of Oscar Brown Jr., John Coltrane and Miles Davis. All music performed will be original compositions by the featured artists." The lineup includes festival showcase performances by Julius Tucker, Live the Spirit Residency Expanded Ensemble with Dee Alexander, Jeremiah Hunt, Kevin King, the Young Masters, Ernest Dawkins' New Horizons Ensemble Redux, Maggie Brown and many more. 513 West 72nd, September 17-19. More &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6ce0aq%7CtDe3xyd%7C%5EAea" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Bella Voce Announces Season, Artistic Director's Twentieth&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Bella Voce celebrates Andrew Lewis’ twentieth season as artistic director by reprising some of his favorite programs from the past two decades. The repertoire extends from the Renaissance through today, with performances by the Bella Voce Chorus and Sinfonia, plus a featured organ collaboration with Opus 327. Lewis conducts all programs this season—the ensemble’s forty-fourth. More &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6ce0aq%7CtDe3x2d%7C%5EAea" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Madison Symphony Appoints Music Director&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"Laura Jackson, conductor of the Reno Philharmonic Orchestra in Nevada, has been selected to lead the Madison Symphony Orchestra," &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6ce0aq%7CtDe3x6d%7C%5EAea" style="text-decoration: underline; color: #0068A5;"&gt;reports the Cap Times&lt;/a&gt;. "Jackson has led the Reno Phil since 2009. She intends to stay on there, having signed a contract through the 2028-29 season, in addition to her work in Madison. 'The reality is it’s more common than not for conductors today to have more than one music directorship,' said Jackson, who has a home base in Ann Arbor, where her husband is a musicologist. 'The Madison Symphony and the Reno Philharmonic work beautifully in complement to each other.'"&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-58" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;STAGE&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-59" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Stage Manager Laura D. Glenn Joins The Steppenwolf Ensemble&lt;/strong&gt;&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Steppenwolf Theatre Company's artistic directors Glenn Davis and Audrey Francis have announced that veteran Production Stage Manager Laura D. Glenn has been welcomed into the company’s ensemble. Glenn, "whose journey with Steppenwolf began as a summer intern in 1988, has worked on more than a hundred Steppenwolf productions over thirty-eight years and collaborated with all fifty-five ensemble members. This historic appointment makes Glenn the second-ever stage manager invited into the ensemble, joining the late Malcolm Ewen." (&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6ce0aq%7CtDe3O6d%7C%5EAeccqX%5B%7C2ze%7Ej3l" target="_blank" style="text-decoration: underline; color: #0068A5;" rel="noopener"&gt;More&lt;/a&gt;.)&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;A Red Orchid Announces "World On Fire," Its Thirty-Fourth Season&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;A Red Orchid Theatre has announced its thirty-fourth season, exploring the theme of a “world on fire.” The season opens with the Chicago premiere of Will Arbery’s politically-charged drama "Heroes of the Fourth Turning," directed by ensemble member dado, then continues with the Chicago premiere of Keiko Green’s dark comedy "You Are Cordially Invited to the End of the World!," directed by Terry Guest. The season concludes with a world premiere adaptation of Henrik Ibsen’s "Rosmersholm," adapted by ensemble members Steve Haggard and Shade Murray, directed by Shade Murray. More &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6ce0aq%7CtDe3x-d%7C%5EAea" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Chris Jones Takes In The Hand &amp; Eye&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"Chicago, a city with an auspicious past and present of prestidigitation and legerdemain, has never before had a space for magic anything close to The Hand &amp; The Eye," writes Chris Jones at the Trib (&lt;em&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6ce0aq%7CtDe3xDd%7C%5EAea" style="text-decoration: underline; color: #0068A5;"&gt;gift link&lt;/a&gt;&lt;/em&gt;). "And where else in town can you hear a line like 'as the fork melts, the shrimp un-fries,' and then watch it happen?&amp;nbsp;I’ve already written about Broadway designer David Rockwell’s stunning interiors within &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6ce0aq%7CtDe3yed%7C%5EAea" style="text-decoration: underline; color: #0068A5;"&gt;creator Glen Tullman’s&lt;/a&gt; opulent, $50 million renovation of the McCormick Mansion on the corner of Ontario and Rush streets, most recently the home of Lawry’s Prime Rib. Once you add a dress code that obligates humans to be dressed to the nines, the effect is akin to walking through a kind of 'Eyes Wide Shut' dreamscape, if you will—a costly adult playground of bespoke cocktails (The Spade! The Diamond!) and fancy trickery with dinner on the side."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Joan Crawford Goes Back To Hell With Hell In A Handbag&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;In its twenty-fifth year, Hell in a Handbag Productions presents a revival of "Joan Crawford Goes To Hell," written by artistic director David Cerda and directed by Cheryl Snodgrass. "Originally produced in 1999 with Sweetback Productions, 'Joan Crawford Goes To Hell' is a roller coaster ride that explores the life of the legendary Hollywood star." In the play, "Joan Crawford dies, goes to hell and is forced to view her life through the eyes of her daughter, Christina." August 21-September 27 at The Clutch. Tickets &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6ce0aq%7CtDe3y%7Cd%7C%5EAea" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-60" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;ARTS &amp;amp; CULTURE &amp;amp; ETC.&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-61" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Chicago Cabbies And Rideshare Drivers Struggling&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p 
style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;In recent years, "rideshare drivers have hit speed bumps. The app-based companies control their fares and the trips available to them, take an ever-changing percentage of their pay and sometimes cut off drivers’ accounts at a moment’s notice," &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6ce0aq%7CtDe3ymd%7C%5EAea" style="text-decoration: underline; color: #0068A5;"&gt;reports the Sun-Times&lt;/a&gt;. City and state lawmakers have taken "steps to support cabbies and rideshare drivers alike, but some worry it may be too little too late. Since the pandemic, major commuting pattern shifts have hurt both taxis and rideshare services. And then there’s the emerging threat of autonomous vehicles looming over all drivers."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Canadian Beluga Whales Coming To The Shedd&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;The transport of four beluga whales to the Shedd Aquarium "is the first phase of a plan to move up to thirty belugas from the shuttered Marineland in Niagara Falls to several American aquariums as well as to Oceanografic Valencia in Spain," &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6ce0aq%7CtDe3yqd%7C%5EAea" style="text-decoration: underline; color: #0068A5;"&gt;announces the Sun-Times&lt;/a&gt;. The Shedd "could receive up to ten belugas from Marineland."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-62" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p 
style="margin:0;font-size:18px;text-align:center;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Send culture news and tips to&amp;nbsp;&lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6ce0aq%7CtDe3%5Emd%7C%5EAea" target="_blank" style="text-decoration: underline; color: #0068A5;" rel="noopener"&gt;today@newcity.com&lt;/a&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="divider_block block-63" width="100%" border="0" cellpadding="0" cellspacing="0" 
role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:20px;padding-bottom:20px;padding-left:10px;padding-right:10px" align="center"&gt;&lt;table border="0" cellpadding="0" cellspacing="0" role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table
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style="display:block;height:auto;border:0;width:100%" width="598" alt="" title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="icons_block block-65" width="100%" border="0" cellpadding="10" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;text-align:center;line-height:0"&gt;&lt;tr&gt;&lt;td class="pad" style="vertical-align:middle;color:#000;font-family:inherit;font-size:14px;font-weight:400" align="center"&gt;&lt;table class="icons-outer" cellpadding="0" 
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style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;Join treasure hunters on July 25th and 26th, 2026 at the Plumbers Union Hall in Chicago for an unforgettable weekend of shopping, art, and entertainment!&amp;nbsp;&lt;/span&gt;&lt;br&gt;&lt;br&gt;&lt;strong&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;Event Details:&lt;/span&gt;&lt;/strong&gt;&lt;/p&gt;&lt;p dir="auto" style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;-Indoors &amp; Outdoors/Rain or Shine&lt;/span&gt;&lt;br&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;- Date: July 25-26, 2026&lt;/span&gt;&lt;br&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;- Location: Plumbers Union Hall, Chicago&lt;/span&gt;&lt;br&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;- Early Buy Ticket For Charity: Saturday July 25th from 9 AM - 10 AM&lt;/span&gt;&lt;br&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;- General Admission: 10 AM - 5 PM each day&lt;/span&gt;&lt;br&gt;&lt;br&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;Dive into a treasure trove of vintage and antique art, fashion, and housewares! While you shop, enjoy live performances from talented musicians and indulge in delicious offerings from local food vendors. Plus 3 bars indoors and out to make the party even more fun!&lt;/span&gt;&lt;br&gt;&lt;br&gt;
&lt;strong&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;Special Highlight: Art Camp 2026&lt;/span&gt;&lt;/strong&gt;&lt;br&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;Join us for our special Art Camp, where creativity meets sustainability! Engage in hands-on activities using recycled materials to create unique masterpieces. Perfect for all ages!&amp;nbsp; Bring 3 or more empty pill containers and get a complimentary admission to any future Market!&lt;/span&gt;&lt;br&gt;&lt;br&gt;
&lt;strong&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;Transportation &amp; Parking:&lt;/span&gt;&lt;/strong&gt;&lt;br&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;- Convenient secure parking available on-site.&lt;/span&gt;&lt;br&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;- Easily accessible via public transportation.&lt;/span&gt;&lt;br&gt;&lt;br&gt;&lt;strong&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;Ticket Information:&lt;/span&gt;&lt;/strong&gt;&lt;br&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Get your tickets now! Visit &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6ce%5Eaq%7Ctqe20%7Cd%7CDsDa" target="_blank" style="text-decoration: underline; color: #0068A5;" rel="noopener"&gt;RandolphStreetMarket.com&lt;/a&gt;. &lt;/span&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;DON’T MISS OUT ON OUR SPECIAL EARLY SHOPPING TICKET (SATURDAY 9 AM - 10 AM) 100% of the proceeds goes to the Dr. Martin Luther King, Jr Boys &amp; Girls Club of Chicago&lt;/span&gt;&lt;br&gt;&lt;br&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;You won’t want to miss this vibrant celebration of art and community!&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-8" style="height:21px;line-height:21px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="button_block block-9" width="100%" border="0" cellpadding="10" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td 
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style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:16.8px;color:#555;line-height:1.2"&gt;&lt;p style="margin:0;font-size:15px;text-align:center;mso-line-height-alt:18px"&gt;&lt;span style="word-break: break-word; font-size: 15px;"&gt;&lt;em&gt;Copyright © 2026 Newcity, All rights reserved.&lt;/em&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:15px;text-align:center;mso-line-height-alt:16.8px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:15px;mso-line-height-alt:18px"&gt;
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&lt;/style&gt;&lt;!--[if mso ]&gt;&lt;style&gt;sup, sub { font-size: 100% !important; } sup { mso-text-raise:10% } sub { mso-text-raise:-10% }&lt;/style&gt; &lt;![endif]--&gt;&lt;/head&gt;&lt;body class="body" style="margin:0;padding:0;-webkit-text-size-adjust:none;text-size-adjust:none;background-color:#fffbf5"&gt;&lt;span style="display:none !important;visibility:hidden;mso-hide:all;font-size:1px;color:#ffffff;line-height:1px;max-height:0px;max-width:0px;opacity:0;overflow:hidden"&gt;And we mean to go on, and on, and on, and on&lt;/span&gt;&lt;table class="nl-container" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;background-color:#fffbf5"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td&gt;&lt;table class="row row-1" 
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&lt;table class="image_block block-2" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;div style="max-width:598px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6ceBaq%7C%5Eye3Q%7Cd%7CSrrccqX%5B%7C2ze%7Ej3l" target="_blank"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/ifp/be7/h4k/House%20Top%20-%20December%202025%20600%20x%20250.gif" style="display:block;height:auto;border:0;width:100%" 
width="598" alt="" title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="divider_block block-3" width="100%" border="0" cellpadding="10" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" align="center"&gt;&lt;table border="0" cellpadding="0" cellspacing="0" role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;
&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-4" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:5px;padding-bottom:5px;padding-left:20px;padding-right:20px" align="center"&gt;&lt;div style="max-width:350px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6ceBaq%7C%5Eye3Qmd%7CSrrccqX%5B%7C2ze%7Ej3l" target="_blank"&gt;&lt;img 
src="https://d15k2d11r6t6rl.cloudfront.net/pub/40qd/br3kliar/trm/f81/xfb/NewcityLogoEmail.png" style="display:block;height:auto;border:0;width:100%" width="350" alt="" title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="divider_block block-5" width="100%" border="0" cellpadding="10" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" align="center"&gt;&lt;table border="0" cellpadding="0" cellspacing="0" role="presentation" width="100%" 
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style="padding-top:20px;padding-bottom:10px;padding-left:20px;padding-right:20px"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;em&gt;"A spectacular July-August edition, just wildly good."&lt;/em&gt;&lt;/span&gt;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;em&gt;"I received the newest issue of Newcity this weekend, and I just wanted to pass along how much I’m enjoying it."&lt;/em&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;em&gt;"Gorgeous, electrifying issue!"&lt;/em&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;We've been hearing from readers about the new issue and wanted to pass along a few of their comments. Because today is the final day to subscribe and get this issue as your first edition. Sign up &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6ceBaq%7C%5Eye3Qyd%7CSrrccqX%5B%7C2ze%7Ej3l" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;.&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table 
class="image_block block-7" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px" align="left"&gt;&lt;div style="max-width:104px"&gt;&lt;img src="https://d15k2d11r6t6rl.cloudfront.net/pub/40qd/br3kliar/ier/gbh/bha/unnamed-1_1.png" style="display:block;height:auto;border:0;width:100%" width="104" alt="" title="" height="auto"&gt;
&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-8" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px; color: #000000;"&gt;Brian Hieggelke&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px; color: #000000;"&gt;Editor &amp; Publisher&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table 
class="divider_block block-9" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:10px;padding-bottom:20px;padding-left:10px;padding-right:10px" align="center"&gt;&lt;table border="0" cellpadding="0" cellspacing="0" role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;
&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-10" style="height:21px;line-height:21px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="text_block block-11" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-left:20px;padding-right:20px"&gt;&lt;div style="font-family:Tahoma,Verdana,sans-serif"&gt;&lt;div class 
style="font-size:14px;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;mso-line-height-alt:16.8px;color:#555;line-height:1.2"&gt;&lt;p style="margin:0;font-size:14px;mso-line-height-alt:16.8px"&gt;&lt;span style="word-break: break-word; font-size: 16px; color: #d3877d;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word;"&gt;MUSIC&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-12" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px" align="center"&gt;&lt;h1 style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:24px;font-weight:900;letter-spacing:normal;line-height:1.5;text-align:left;margin-top:0;margin-bottom:0;mso-line-height-alt:36px"&gt;
&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6ceBaq%7C%5Eye3Vmd%7CSrrccqX%5B%7C2ze%7Ej3l" target="_blank" style="text-decoration: none; color: #000000;" rel="noopener"&gt;Klaus Mäkelä Says Farewell to Oslo and Hello to Ravinia&lt;/a&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-13" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;div style="max-width:598px"&gt;
&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6ceBaq%7C%5Eye3Vqd%7CSrrccqX%5B%7C2ze%7Ej3l" target="_blank"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/u12/mkj/983/CSO20260306_126-600x450.jpg" style="display:block;height:auto;border:0;width:100%" width="598" alt="" title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-14" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td 
class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;The CSO music director-designate Klaus Mäkelä makes his debut at the orchestra's summer home with two programs in August. (Dennis Polkow)&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="divider_block block-15" width="100%" border="0" 
cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:10px;padding-bottom:20px;padding-left:10px;padding-right:10px" align="center"&gt;&lt;table border="0" cellpadding="0" cellspacing="0" role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-16" style="height:21px;line-height:21px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="text_block block-17" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-left:20px;padding-right:20px"&gt;&lt;div style="font-family:Tahoma,Verdana,sans-serif"&gt;&lt;div class 
style="font-size:14px;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;mso-line-height-alt:16.8px;color:#555;line-height:1.2"&gt;&lt;p style="margin:0;font-size:14px;mso-line-height-alt:16.8px"&gt;&lt;span style="word-break: break-word; font-size: 16px; color: #65d68b;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word;"&gt;ART&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-18" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px" align="center"&gt;&lt;h1 style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:24px;font-weight:900;letter-spacing:normal;line-height:1.5;text-align:left;margin-top:0;margin-bottom:0;mso-line-height-alt:36px"&gt;
&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6ceBaq%7C%5Eye3V%5Ed%7CSrrccqX%5B%7C2ze%7Ej3l" target="_blank" style="text-decoration: none; color: #000000;" rel="noopener"&gt;&lt;span class="mce-content-body mce-edit-focus" style="word-break: break-word; position: relative;" id="46cdc489-6e87-4d5b-8bf9-cb475be8c01e" data-position="10-0-17" data-qa="tinyeditor-root-element"&gt;All Things Are Big and Small With Jonathan Latiano&lt;/span&gt;&lt;/a&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-19" width="100%" border="0" cellpadding="0" 
cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;div style="max-width:598px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6ceBaq%7C%5Eye3Vyd%7CSrrccqX%5B%7C2ze%7Ej3l" target="_blank"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/q4f/oua/muv/Latiano-Installation-3-scaled-600x450.jpg" style="display:block;height:auto;border:0;width:100%" width="598" alt="" title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table 
class="text_block block-20" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"Scaling a Pyramid" at Hawthorn Contemporary puts one face to face with size's relativity. (Vera Scekic)&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="divider_block block-21" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:10px;padding-bottom:20px;padding-left:10px;padding-right:10px" align="center"&gt;&lt;table border="0" 
cellpadding="0" cellspacing="0" role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-22" style="height:45px;line-height:45px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="image_block block-23" width="100%" border="0" cellpadding="0" cellspacing="0" 
role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-left:20px;padding-right:20px" align="center"&gt;&lt;div style="max-width:400px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6ceBaq%7C%5Eye3Red%7CSrrccqX%5B%7C2ze%7Ej3l" target="_blank"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/q6i/gpd/eol/Newcity_2026-07-08_Cover%20Footer.jpeg" style="display:block;height:auto;border:0;width:100%" width="400" alt="" title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;&lt;table class="text_block block-24" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:18.2px;color:#000;line-height:1.3"&gt;&lt;p 
style="margin:0;font-size:14px;text-align:center;mso-line-height-alt:26px"&gt;&lt;span style="word-break: break-word; font-size: 20px;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word;"&gt;JULY-AUGUST 2026:&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:14px;text-align:center;mso-line-height-alt:26px"&gt;&lt;span style="word-break: break-word; font-size: 20px;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word;"&gt;AMERICA 250 + ART IN MICHIGAN&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;br&gt;
&lt;span style="word-break: break-word; font-size: 20px;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word;"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6ceBaq%7C%5Eye3R%7Cd%7CSrrccqX%5B%7C2ze%7Ej3l" target="_blank" style="text-decoration: none; color: #19638e;" rel="noopener"&gt;GET THE ISSUE&lt;/a&gt; | &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6ceBaq%7C%5Eye3Rmd%7CSrrccqX%5B%7C2ze%7Ej3l" target="_blank" style="text-decoration: none; color: #19638e;" rel="noopener"&gt;SUBSCRIBE&lt;/a&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div 
class="spacer_block block-25" style="height:40px;line-height:40px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="divider_block block-26" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:10px;padding-bottom:20px;padding-left:10px;padding-right:10px" align="center"&gt;&lt;table border="0" cellpadding="0" cellspacing="0" role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;
&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-27" style="height:21px;line-height:21px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="text_block block-28" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad" 
style="padding-left:20px;padding-right:20px"&gt;&lt;div style="font-family:Tahoma,Verdana,sans-serif"&gt;&lt;div class style="font-size:14px;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;mso-line-height-alt:16.8px;color:#555;line-height:1.2"&gt;&lt;p style="margin:0;font-size:14px;mso-line-height-alt:16.8px"&gt;&lt;span style="word-break: break-word; font-size: 16px; color: #5b7ead;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word;"&gt;FILM&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table 
class="heading_block block-29" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:24px;font-weight:900;letter-spacing:normal;line-height:1.5;text-align:left;margin-top:0;margin-bottom:0;mso-line-height-alt:36px"&gt;
&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6ceBaq%7C%5Eye3V2d%7CSrrccqX%5B%7C2ze%7Ej3l" target="_blank" style="text-decoration: none; color: #000000;" rel="noopener"&gt;&lt;span class="mce-content-body mce-edit-focus" style="word-break: break-word; position: relative;" id="67000232-7fd5-4db0-87f2-233ca3b97390" data-position="10-0-28" data-qa="tinyeditor-root-element"&gt;Talking Screens: Rohmer's "Six Moral Tales" | A Musical Noir City | Sidney Lumet's "Network" at the Davis&lt;/span&gt;&lt;/a&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table 
class="image_block block-30" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;div style="max-width:598px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6ceBaq%7C%5Eye3V6d%7CSrrccqX%5B%7C2ze%7Ej3l" target="_blank"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/93k/si3/3rf/CLAIRES-KNEE_600x450.jpeg" style="display:block;height:auto;border:0;width:100%" width="598" alt="" title="" 
height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-31" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Plus: Whit Stillman's "The Last Days Of Disco," the return of the Cinerama and "Her Private Hell." (Ray Pride)&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="divider_block block-32" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:20px;padding-bottom:20px;padding-left:10px;padding-right:10px" align="center"&gt;&lt;table 
border="0" cellpadding="0" cellspacing="0" role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-33" style="height:21px;line-height:21px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="text_block block-34" width="100%" border="0" cellpadding="0" cellspacing="0" 
role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-left:20px;padding-right:20px"&gt;&lt;div style="font-family:Tahoma,Verdana,sans-serif"&gt;&lt;div class style="font-size:14px;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;mso-line-height-alt:16.8px;color:#555;line-height:1.2"&gt;&lt;p style="margin:0;font-size:14px;mso-line-height-alt:16.8px"&gt;
&lt;span style="word-break: break-word; font-size: 16px; color: #9db8b3;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word;"&gt;LIT&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-35" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:24px;font-weight:900;letter-spacing:normal;line-height:1.5;text-align:left;margin-top:0;margin-bottom:0;mso-line-height-alt:36px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6ceBaq%7C%5Eye3V-d%7CSrrccqX%5B%7C2ze%7Ej3l" target="_blank" style="text-decoration: none; color: #000000;" rel="noopener"&gt;A Poet Grows in Skokie: An Interview with Edward Hirsch on His Memoir, “My Childhood in Pieces”&lt;/a&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table 
class="image_block block-36" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;div style="max-width:598px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6ceBaq%7C%5Eye3VDd%7CSrrccqX%5B%7C2ze%7Ej3l" target="_blank"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/fki/dap/gag/Eddie-in-Office_photoGarrett-Hongo-600x450.jpg" style="display:block;height:auto;border:0;width:100%" width="598" 
alt="" title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-37" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;With ten published books of verse, several poetry anthologies, and numerous scholarly and critical works to his name, Edward Hirsch is a major force both as a maker and popularizer of poetry. “My Childhood in Pieces” takes the Chicago-born Hirsch out of his comfort zone. (Hugh Iglarsh)&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="divider_block block-38" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:20px;padding-bottom:20px;padding-left:10px;padding-right:10px" align="center"&gt;&lt;table border="0" cellpadding="0" cellspacing="0" role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table 
class="image_block block-39" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;div style="max-width:598px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6ceBaq%7C%5Eye3R6d%7CSrrccqX%5B%7C2ze%7Ej3l" target="_blank"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/kcw/yua/mwn/House%20Middle_Lower%20-%20December%202025%20-%20600x500.gif" 
style="display:block;height:auto;border:0;width:100%" width="598" alt="" title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-40" style="height:40px;line-height:40px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="heading_block block-41" width="100%" border="0" cellpadding="5" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:28px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:34px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6ceBaq%7C%5Eye4bed%7CSrrccqX%5B%7C2ze%7Ej3l" target="_blank" style="text-decoration: underline; color: #000000;" rel="noopener"&gt;TODAY IN CULTURE&lt;/a&gt;&lt;br&gt;&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;
&lt;table class="text_block block-42" width="100%" border="0" cellpadding="10" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:sans-serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:16.8px;color:#555;line-height:1.2"&gt;&lt;p style="margin:0;font-size:14px;text-align:center;mso-line-height-alt:16.8px"&gt;
&lt;span style="word-break: break-word; color: #000000;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;By Ray Pride&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-43" style="height:40px;line-height:40px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="heading_block block-44" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" 
style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;ART&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-45" width="100%" border="0" 
cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Jessica Morgan, Former MCA Curator, Named Director Of Tate&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Tate has announced Jessica Morgan as its new director, &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6ceBaq%7C%5Eye4b%7Cd%7CSrra" style="text-decoration: underline; color: #0068A5;"&gt;reports Artforum&lt;/a&gt;. "Morgan arrives to the London institution from New York’s Dia Art Foundation, where she has served as director for over a decade. Morgan will step into her new role in January 2027. As director, she will oversee the Tate Britain and Tate Modern, as well as the institution’s Liverpool and St. Ives branches."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"Morgan joined Dia as director in 2015. While at the foundation, she diversified its collection and increased the representation of women. Earlier, at Tate, she organized the well-regarded 2015 survey 'The World Goes Pop' as well as solo exhibitions of Saloua Raouda Choucair and Gabriel Orozco. Morgan also held curatorial roles at the Museum of Contemporary Art Chicago and the Institute of Contemporary Art, Boston."&lt;/span&gt;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;New Show At M. LeBlanc Features Mapplethorpe Work From The Kinsey Institute&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Opening this weekend at M. LeBlanc gallery, curator Ryan M. Pfeiffer presents "Organgrinder," a group exhibition featuring Ron Athey, Richard Hawkins, Robert Mapplethorpe, Paul McCarthy, Pierre Molinier, Fakir Musafar, Hermann Nitsch and Breyer P-Orridge. &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6ceBaq%7C%5Eye4bmd%7CSrra" style="text-decoration: underline; color: #0068A5;"&gt;Some of the Kinsey Institute's Mapplethorpe work&lt;/a&gt; has never before been on public view. Open through August 29. More &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6ceBaq%7C%5Eye4bqd%7CSrra" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-46" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;DESIGN&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-47" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;MHub Plans A West Side Campus Bigger Than The 78&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p 
style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;A new district named M+ could "mark a new chapter in the Near West Side’s long history as a hub of light industrial businesses," &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6ceBaq%7C%5Eye4b%5Ed%7CSrra" style="text-decoration: underline; color: #0068A5;"&gt;reports Crain's&lt;/a&gt;. MHub is assembling properties "next to its Near West Side advanced manufacturing incubator, hoping to kickstart an ambitious vision for a seventy-two-acre 'ecosystem' for industrial companies just blocks from both Fulton Market and a mixed-use campus taking shape around the United Center. An affiliate of the nonprofit is in advanced talks to acquire a full city block immediately south of its building at 240 North Ashland and a neighboring property at 1640 West Walnut." (&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6ceBaq%7C%5Eye4x6d%7CSrrccqX%5B%7C2ze%7Ej3l" target="_blank" style="text-decoration: underline; color: #0068A5;" rel="noopener"&gt;More&lt;/a&gt;.)&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;The Chicago Daily News Building Landmarked&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;The twenty-six-story Art Deco building at 2 North Riverside has been designated an official Chicago landmark. The building "opened ninety-seven years ago, helping to establish the city as a center for media and architecture," &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6ceBaq%7C%5Eye4byd%7CSrra" style="text-decoration: underline; color: #0068A5;"&gt;reports the Sun-Times&lt;/a&gt;. "The building, designed by Holabird &amp; Root, was completed in 1929. It was the first office structure in the city built above railroad tracks and the first with a public plaza." It's currently undergoing "a nearly $70 million commercial rehabilitation by the owner," who has &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6ceBaq%7C%5Eye4b2d%7CSrrccqX%5B%7C2ze%7Ej3l" style="text-decoration: underline; color: #0068A5;"&gt;plans for a new space&lt;/a&gt; in the public plaza.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;River North's Sound Bar Building Getting Residential Conversion, Two-Story Addition&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;River North's Leahy Building joins the rush to residential conversion, &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6ceBaq%7C%5Eye4b6d%7CSrra" style="text-decoration: underline; color: #0068A5;"&gt;reports the Sun-Times&lt;/a&gt;. "The building at 226 West Ontario will be converted into seventy apartments, complete with rooftop terraces, a gym and a coworking lounge. The building’s occupancy was 'very low' prior to the sale. The nightclub Sound Bar operates on the building’s lower floors." Ten of the apartments will be contained in a "two-story addition atop the building’s existing structure. Those residences will include private outdoor spaces... in addition to rooftop terraces."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;What's Taking The Place Of The Drive-Through Bank On Southport&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Renderings have been revealed for the mixed-use project underway at 3600 North Southport on the Southport Corridor, &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6ceBaq%7C%5Eye4b-d%7CSrra" style="text-decoration: underline; color: #0068A5;"&gt;pictures Chicago YIMBY&lt;/a&gt;. "Located on the northwest corner with West Addison Street, construction on the project is already well underway, with foundations being poured in mid-June." The report notes that the project will bring 6,250 feet of new retail space to the bustling shopping corridor, as well as ten residential units. The design is by local firm Jonathan Splitt Architects.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;First-Time Homebuyers Go Straight To Vacation Homes&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"City dwellers priced out of owning locally look to vacation and weekend homes as a path to home ownership," profiles the New York Times (&lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6ceBaq%7C%5Eye4bDd%7CSrra" style="text-decoration: underline; color: #0068A5;"&gt;&lt;em&gt;gift link&lt;/em&gt;&lt;/a&gt;). "As home prices reach record highs and inventory remains historically tight—especially in cities... a growing group of buyers [are] reshaping the path to homeownership... These buyers rent their primary residence in the city and buy their first homes in second-home markets—often with the hope of making those places their permanent homes one day."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-48" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;DINING &amp;amp; DRINKING&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-49" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:12px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:18px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Chicago Gourmet Returns To Millennium Park&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p 
style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Tickets are on sale for this year's Chicago Gourmet, taking place September 24-27 at Millennium Park. Under the umbrella, "Let Your Tastebuds Dance," events include the Global Stage Dinner, "an ultra-exclusive multi-course dinner paired with live dance performances directly on the Pritzker Pavilion stage;" the Asian Night Market, "a late-night, neon-lit street market experience hosted at Zhou B Art Center in Bridgeport;" chef demos with "masterclasses at the Pritzker Pavilion stage;" and the Dine Around Series, "a September 1-18 overture, featuring special festival dishes across nearly eighty area restaurants."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Featured culinary figures include Kwame Onwuachi (New York City), Lorena Garcia (Miami), Lee Anne Wong (Hawaii), Chris Shepherd (Texas), Cheetie Kumar (North Carolina), Fleetwood Covington (Florida) and Helen Nguyen (New York City). Local chefs featured include Rick Bayless, Stephanie Izard, Sarah Grueneberg, Joe Flamm, Art Smith, Erick Williams, Thai Dang, Beverly Kim and Diana Dávila. More &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6ceBaq%7C%5Eye4ced%7CSrra" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;. Tickets &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6ceBaq%7C%5Eye4c%7Cd%7CSrra" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Lincoln Park's The Dime Bar Shut Down Following Shooting&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;A Sunday shooting in Lincoln Park began with a fight inside Lincoln Avenue's The Dime Bar, Alder Timmy Knudsen says. "Knudsen has spent the past few months pushing for more oversight of the bar following a separate shooting in June that critically wounded a woman nearby,"&amp;nbsp;&lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6ceBaq%7C%5Eye4cmd%7CSrra" style="text-decoration: underline; color: #0068A5;"&gt;reports Block Club&lt;/a&gt;. "Tuesday’s closure followed 'sustained advocacy and pressure' from his office."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;When The Analog Restaurant Is "Bespoke"&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"Some restaurants are leaning into handmade touches, as AI-generated food photos and flyers become commonplace," &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6ceBaq%7C%5Eye4cqd%7CSrra" style="text-decoration: underline; color: #0068A5;"&gt;writes Bettina Makalintal at Eater&lt;/a&gt;. "I wondered, in the earlier days of AI, if its inevitable abundance would eventually lead to a renewed valorization of the analog, the physical and the explicitly human-made, and indeed, that seems to have increasingly become reality. Take the New England grocery store chain Market Basket, which recently released a &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6ceBaq%7C%5Eye4c%5Ed%7CSrra" style="text-decoration: underline; color: #0068A5;"&gt;limited edition of its weekly circular that’s entirely hand-illustrated&lt;/a&gt;&amp;nbsp;by artist&amp;nbsp;Katie Christensen. It’s meant to call back to the store’s earlier days, when circulars were always drawn by a person."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Save A Lot Stores Could Close Across South And West Sides&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;"Seven Save A Lot grocery stores across the South and West sides are at risk of closing Saturday if the company that owns and operates them doesn’t find an alternative investor or new supplier to help keep the locations afloat," &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6ceBaq%7C%5Eye4cyd%7CSrra" style="text-decoration: underline; color: #0068A5;"&gt;reports Block Club&lt;/a&gt;.&lt;/span&gt;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-50" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;FILM &amp;amp; TELEVISION&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-51" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:12px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:18px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;IMAXxed: Why There Are Fewer Than A Hundred 70mm Imax Screens Worldwide&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"Only twenty-five theaters in the U.S. are equipped to project 'The Odyssey' in true Imax 70mm film," &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6ceBaq%7C%5Eye4c2d%7CSrra" style="text-decoration: underline; color: #0068A5;"&gt;measures Variety&lt;/a&gt;. "There's certainly more demand. The problem is they haven't made new Imax film projectors in about fifty years," says Imax CEO Richard Gelfond. "So we retrofit them, rebuild them and part of our strategy is to see how far we can take it." Many of the parts needed to build these projectors "simply no longer exist." The original design files "were created roughly half a century ago, but as Gelfond alludes to, they were never properly maintained. As a result, Imax no longer has a complete manufacturing blueprint—and much like the lost tribal knowledge of the Apollo-era spacecraft, very few engineers working today fully understand the systems."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Hollywood’s Neglected Cinerama Dome Adopted By Sony Drafthouse&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Another major big-screen movie house development in one of the country’s largest cinematic locales: Sony will reopen the Cinerama Dome and the adjacent former Arclight as a fourteen-screen multiplex in 2028 under its Alamo Drafthouse brand, which have been shuttered since the pandemic in 2020. The Cinerama signage will be retained, and it will not be a dine-in outlet, &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6ceBaq%7C%5Eye4c6d%7CSrra" style="text-decoration: underline; color: #0068A5;"&gt;reports Variety&lt;/a&gt;. "The complex will retain 35mm capabilities to showcase archival film prints and house premium format screens, including 70mm auditoriums." (&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6ceBaq%7C%5Eye4x-d%7CSrrccqX%5B%7C2ze%7Ej3l" target="_blank" style="text-decoration: underline; color: #0068A5;" rel="noopener"&gt;More&lt;/a&gt;.)&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Director Jennifer Reeder Talks Craft With Frequent Collaborators&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;The Chicago Film Office's next installment of "Directing The Craft," a discussion series "dedicated to lifting the veil on how directors collaborate with their crews to give life to their ideas," will feature Chicago-based genre filmmaker Jennifer Reeder along with two of her frequent collaborators: cinematographer Christopher Rejano and production designer Adri Siriwatt. "They’ll discuss their roles and working relationship on features such as 'Knives and Skin' and 'Night’s End,' where evocative and often surreal lighting and design create delightfully uncanny and creepy worlds." Chicago Cultural Center, Monday, July 27, 6:30pm. Free with RSVP &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6ceBaq%7C%5Eye4c-d%7CSrra" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Facets Celebrates Playwright Brett Neveu, With Michael Shannon And Jim Sikora&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Facets will present "Brett Neveu x 2," "a celebration of acclaimed Chicago playwright Brett Neveu through two feature film adaptations." The event features screenings of Jim Sikora's "The Earl" (2007) and Michael Shannon’s feature directorial debut "Eric LaRue" (2023), followed by an in-depth conversation with Neveu, Shannon and Sikora, moderated by Michael Phillips. The discussion will explore "the journey from stage to screen, the artists' decades-long creative collaborations and the enduring influence of Chicago’s independent theater and film communities." Saturday, August 29. More &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6ceBaq%7C%5Eye4cDd%7CSrra" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-52" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;LIT&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-53" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:12px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:18px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Judge Approves Anthropic's $1.5 Billion Settlement To Pirated Authors&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"A federal judge has approved a $1.5 billion copyright settlement in which artificial intelligence company Anthropic will pay thousands of authors about $3,000 per book after using pirated copies of their works to train its Claude chatbot," &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6ceBaq%7C%5Eye4ded%7CSrra" style="text-decoration: underline; color: #0068A5;"&gt;reports AP&lt;/a&gt;. "About ninety-one percent of the more than 482,000 books covered by the ruling have been claimed by authors or publishers who are now due payment."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-54" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;MUSIC&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-55" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:12px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:18px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Chicago-Born Russian Circles Prepare New Album&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p 
style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Post-metal band Russian Circles have released a new track titled "Eluvial." It's the second single from their album, "Nine," which will be released on August 28 by Sargent House. The "patiently cataclysmic track" features "the kind of ping-ponging delayed guitar patterns that Brian Eno and The Edge developed for 'The Joshua Tree,' with guitarist Mike Sullivan slowly unfurling a winding, linear melody against the backdrop of drummer Dave Turncrantz’s Latin-rhythm-inspired groove and Brian Cook’s pairing of grinding bass and stuttering electronics." The band teamed up with engineer Kurt Ballou for the record, and basic tracking took place at Electrical Audio in Chicago, where they’ve recorded as far back as their debut album, "Enter" (2006). Watch the video &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6ceBaq%7C%5Eye4d%7Cd%7CSrra" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Lollapalooza Will Erect A Free Ferris Wheel&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Motorola is building a branded "Razr Wheel" at Lollapalooza in the center of Grant Park, &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6ceBaq%7C%5Eye4dmd%7CSrra" style="text-decoration: underline; color: #0068A5;"&gt;writes Time Out Chicago&lt;/a&gt;. "Created in partnership with Live Nation, the Ferris wheel will offer complimentary rides throughout the festival weekend, giving attendees a chance to escape the crowds and take in panoramic views of the Chicago skyline and the festival grounds." The report notes that the attraction is inspired by Motorola's Razr phone.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-56" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;STAGE&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-57" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Nominees Named For Equity Jeffs&amp;nbsp;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p 
style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"With the Goodman Theatre leading the way with twenty-four nominations from six different productions, the Joseph Jefferson Awards committee announced a huge slate of 2026 Equity Jeff Award nominees," reports Chris Jones at the Trib (&lt;em&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6ceBaq%7C%5Eye4dqd%7CSrra" style="text-decoration: underline; color: #0068A5;"&gt;gift link&lt;/a&gt;&lt;/em&gt;). "The number of nominations has proliferated in recent years. Indeed, the all-volunteer committee this year nominated almost everything it judged, in one category or another. Between July 1, 2025, and June 30, 2026, its members reportedly attended eighty-five Equity productions. From these, seventy-two productions became 'Jeff Recommended,' and thus eligible for award nominations."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"Across the 'large' and 'midsized' categories, fifteen plays were nominated for best production. Other hefty lists included the nominations for best new work (eight nominations) and best director of a play (sixteen, including two nods for former Goodman artistic director Robert Falls). Fourteen actors were nominated for best performance in a principal role in a play (the category is gender-neutral). Overall, well over fifty actors will be able to say they were Jeff nominated for their work in the last year."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Puppeteering Free Street Theater Wants Audiences To "Touch Grass"&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Free Street Theater is bringing its interactive show to Chicago parks this month "to inspire people to learn more about trees, and get a hundred more planted in the city," &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6ceBaq%7C%5Eye4d%5Ed%7CSrra" style="text-decoration: underline; color: #0068A5;"&gt;reports Block Club&lt;/a&gt;. "Touch Grass" will transport a twelve-foot puppet and interactive installations to parks around the West and South sides, "inviting visitors to learn more about what trees do in a community." Through July 30.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-58" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;ARTS &amp;amp; CULTURE &amp;amp; ETC.&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-59" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Loop's Arts And Culture Visitors Contribute Almost $400 Million To Economy&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"In the second quarter, the number of weekend pedestrians on State Street was above 2019 levels, but weekday foot traffic remains low and vacancies remain high, according to the Chicago Loop Alliance," &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6ceBaq%7C%5Eye4dyd%7CSrra" style="text-decoration: underline; color: #0068A5;"&gt;accounts the Sun-Times&lt;/a&gt;. Still, "arts and cultural events drew nearly 1.5 million visitors from April through June. They contributed more than $395 million to the local economy, representing a twenty-percent rise compared to the second quarter of last year."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Pivot Arts Announces Artists And Projects&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Pivot Arts has announced artists and projects for its latest season, opening the fiscal year "with a slate that spans photography, poetry-driven performance, new plays, street dance and dance-theater. The season introduces four artists-in-residence developing new work through the Pivot Arts Festival—Kayla Reefer, Mikee Parangalan, Sarah Bock and Jessica Leyva—and marks the return of the Made in Chicago Residency, presenting choreographer Silvita Diaz Brown’s evening-length 'Ellas y Yo: Mexicanas.'" More &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6ceBaq%7C%5Eye4d2d%7CSrra" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;.&lt;/span&gt;
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role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
On the occasion of the first English translation of Éric Rohmer's early, only novel, "Élisabeth," the Music Box and Janus Films bring back the filmmaker's "&lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6ceDaq%7C%5E6e4%5E2d%7C%5BAxa" style="text-decoration: underline; color: #0068A5;"&gt;&lt;strong&gt;Six Moral Tales,&lt;/strong&gt;&lt;/a&gt;" which includes "&lt;strong&gt;Love In The Afternoon&lt;/strong&gt;," "&lt;strong&gt;My Night At Maud's&lt;/strong&gt;" and "&lt;strong&gt;Claire's Knee&lt;/strong&gt;." "Fifteen years before completing his first feature film—and ten before beginning a transformative editorial stint at Cahiers du cinéma that would usher the journal, and French cinema, into a new era—the man who would become known worldwide as Éric Rohmer published a single novel," summarizes the Music Box. "Released by Éditions Gallimard alongside the early works of Claude Simon and Marguérite Duras, 'Élisabeth' was part of the first flowering of what would come to be known as the nouveau roman—and was also the 'matrix,' as Rohmer himself later put it, of the images, ideas and formal concerns of his first sequence of films, 'Six Moral Tales.'" &lt;em&gt;Showtimes and more &lt;/em&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6ceDaq%7C%5E6e4%5E6d%7C%5BAxa" style="text-decoration: underline; color: #0068A5;"&gt;&lt;em&gt;here&lt;/em&gt;&lt;/a&gt;.
&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-10" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;div style="max-width:598px"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/98u/znz/tet/HER-PRIVATE-HELL.webp" style="display:block;height:auto;border:0;width:100%" width="598" alt="" title="" height="auto"&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table 
class="text_block block-11" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;font-size:18px;text-align:center;mso-line-height-alt:18px"&gt;
&lt;span style="word-break: break-word; font-size: 12px;"&gt;"Her Private Hell"&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;After a decade away from feature filmmaking and a &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6ceDaq%7C%5E6e4%5E-d%7C%5BAxa" style="text-decoration: underline; color: #0068A5;"&gt;near-death experience in 2023&lt;/a&gt; that filled his lungs with blood, Danish director Nicholas Winding Refn returns with an eyeful scored by the oft-operatic Pino Donaggio ("Carrie," "Piranha"). A young woman searches for her father in a fog-bound future metropolis marked by serial killers, costume and production design and attractive performers—including Charles Melton ("Warfare"), Sophie Thatcher ("Yellowjackets"), Havana Rose Liu ("Tuner"), Kristine Froseth and Dougray Scott. &lt;em&gt;Trailer &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6ceDaq%7C%5E6e4%5EDd%7C%5BAxa" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;. "Her Private Hell" opens Thursday&lt;/em&gt;.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;The Film Center features, as part of its "&lt;strong&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6ceDaq%7C%5E6e4sed%7C%5BAxa" style="text-decoration: underline; color: #0068A5;"&gt;20th Century Queers&lt;/a&gt;&lt;/strong&gt;" series, the estimable "&lt;strong&gt;Orlando&lt;/strong&gt;" (&lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6ceDaq%7C%5E6e4ved%7C%5BAxa" style="text-decoration: underline; color: #0068A5;"&gt;trailer&lt;/a&gt;), Sally Potter's lush, transfixing 1992 study in androgyny and gender that brought Derek Jarman’s model Tilda Swinton to a larger world, as well as Pedro Almodóvar's&amp;nbsp;rhapsodic "&lt;strong&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6ceDaq%7C%5E6e4v%7Cd%7C%5BAxa" style="text-decoration: underline; color: #0068A5;"&gt;All About My Mother&lt;/a&gt;&lt;/strong&gt;." Plus:&amp;nbsp;Michael Haneke's "&lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6ceDaq%7C%5E6e4vmd%7C%5BAxa" style="text-decoration: underline; color: #0068A5;"&gt;&lt;strong&gt;The Piano Teacher&lt;/strong&gt;&lt;/a&gt;" as part of the "&lt;strong&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6ceDaq%7C%5E6e4vqd%7C%5BAxa" style="text-decoration: underline; color: #0068A5;"&gt;25 For 25&lt;/a&gt;&lt;/strong&gt;" roundup; and another round with "&lt;strong&gt;Amores Perros&lt;/strong&gt;" (&lt;em&gt;our Alejandro G. Iñárritu interview &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6ceDaq%7C%5E6e4v%5Ed%7C%5BAxccqX%5B%7C2ze%7Ej3l" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;&lt;/em&gt;).&lt;/span&gt;
&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-12" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;div style="max-width:598px"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/fde/6px/oj9/Sweet-Smell-of-Success.jpeg" style="display:block;height:auto;border:0;width:100%" width="598" alt="" title="" height="auto"&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;
&lt;table class="text_block block-13" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;font-size:18px;text-align:center;mso-line-height-alt:18px"&gt;
&lt;span style="word-break: break-word; font-size: 12px;"&gt;"The Sweet Smell of Success" at Noir City Chicago 2026&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;The Music Box &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6ceDaq%7C%5E6e4vyd%7C%5BAxa" style="text-decoration: underline; color: #0068A5;"&gt;has announced&lt;/a&gt; a musicalized, terpsichorean season with nineteen noirs of dark doings and musical mayhem for &lt;strong&gt;Noir City Chicago 2026&lt;/strong&gt;. Titles include "The Man With The Golden Arm"; "Sweet Smell of Success"; "Blues In the Night"; "To Have And Have Not"; and DCP offerings including Robert Altman's "Kansas City"; and Jack Webb's "Pete Kelly's Blues"; "Round Midnight"; and "Gilda." September 4-10. &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6ceDaq%7C%5E6e4v2d%7C%5BAxa" style="text-decoration: underline; color: #0068A5;"&gt;Tickets go on sale Friday, July 24&lt;/a&gt;.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;The 113-year-old, three-screen &lt;strong&gt;400 Theater &lt;/strong&gt;(&lt;em&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6ceDaq%7C%5E6e4v6d%7C%5BAxa" style="text-decoration: underline; color: #0068A5;"&gt;Facebook&lt;/a&gt;&lt;/em&gt;) reopens next Friday, July 31. Programming includes Gregg Araki's "&lt;strong&gt;I Want Your Sex&lt;/strong&gt;" and "&lt;strong&gt;Spider-Man: Brand New Day&lt;/strong&gt;." A spunky pre-opening FAQ &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6ceDaq%7C%5E6e4v-d%7C%5BAxa" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;.&amp;nbsp;&lt;/span&gt;
&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="divider_block block-14" width="100%" border="0" cellpadding="10" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" align="center"&gt;&lt;table border="0" cellpadding="0" cellspacing="0" role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;
&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-15" width="100%" border="0" cellpadding="10" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p 
style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;strong&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6ceDaq%7C%5E6e4rmd%7C%5BAxccqX%5B%7C2ze%7Ej3l" target="_blank" style="text-decoration: underline; color: #0068A5;" rel="noopener"&gt;&lt;em&gt;Become a member of Newcity&lt;/em&gt;&lt;/a&gt;&lt;/strong&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="divider_block block-16" width="100%" border="0" cellpadding="10" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" 
align="center"&gt;&lt;table border="0" cellpadding="0" cellspacing="0" role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-17" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td 
class="pad" style="width:100%" align="center"&gt;&lt;div style="max-width:598px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6ceDaq%7C%5E6e4vDd%7C%5BAxa" target="_blank"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/6yl/c8x/u0f/GSFC_072326.jpg" style="display:block;height:auto;border:0;width:100%" width="598" alt="" title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-18" style="height:40px;line-height:40px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table 
class="heading_block block-19" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:24px;font-weight:900;letter-spacing:normal;line-height:1.5;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:36px"&gt;&lt;strong&gt;REPERTORY &amp;amp; REVIVAL&lt;/strong&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-20" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" 
align="center"&gt;&lt;div style="max-width:598px"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/h9h/fte/uls/NETWORK.webp" style="display:block;height:auto;border:0;width:100%" width="598" alt="" title="" height="auto"&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-21" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div 
style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;font-size:18px;text-align:center;mso-line-height-alt:18px"&gt;&lt;span style="word-break: break-word; font-size: 12px;"&gt;"Network"&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Ah, Sidney Lumet. Ah, "&lt;strong&gt;Network&lt;/strong&gt;" and that singular sensation of a screenplay by Paddy Chayefsky: “The world is a business, Mr. Beale. It has been since man crawled out of the slime. And our children will live, Mr. Beale, to see that perfect world in which there’s no war or famine, oppression or brutality, one vast and ecumenical holding company, for whom all men will work to serve a common profit, in which all men will hold a share of stock, all necessities provided, all anxieties tranquilized, all boredom amused… You are an old man who thinks in terms of nations and peoples. There are no nations. There are no peoples. There are no Russians. There are no Arabs. There are no third worlds. There is no West. There is only one holistic system of systems, one vast and immense, interwoven, interacting, multivariate, multinational dominion of dollars. Petro-dollars, electro-dollars, multidollars, Reichsmarks, rins, rubles, pounds and shekels. It is the international system of currency that determines the totality of life on this planet. That is the natural order of things today. That is the atomic and subatomic and galactic structure of things today! And YOU have meddled with the primal forces of nature, and YOU WILL ATONE!” Oscar-winner for best original screenplay. &lt;em&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6ceDaq%7C%5E6e4wed%7C%5BAxa" style="text-decoration: underline; color: #0068A5;"&gt;Davis, Thursday, July 30&lt;/a&gt;&lt;/em&gt;.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;Chicago Film Society presents &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6ceDaq%7C%5E6e4w%7Cd%7C%5BAxa" style="text-decoration: underline; color: #0068A5;"&gt;&lt;strong&gt;two films by Germaine Dulac&lt;/strong&gt;&lt;/a&gt;, Thursday, July 23 at Constellation.&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;
&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;Facets' Anime Club presents "&lt;strong&gt;Perfect Blue&lt;/strong&gt;"; "&lt;strong&gt;Egg&lt;/strong&gt;"; "&lt;strong&gt;Ponyo&lt;/strong&gt;" and "&lt;strong&gt;Pulse&lt;/strong&gt;." &lt;em&gt;Showtimes &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6ceDaq%7C%5E6e4r2d%7C%5BAxa" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;&lt;/em&gt;.&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;The Music Box has a couple of Stephen King car confections, "&lt;strong&gt;Christine&lt;/strong&gt;," directed by John Carpenter, and "&lt;strong&gt;Maximum Overdrive&lt;/strong&gt;," directed by cocaine and Stephen King. It may not be 9am at the Woods or the United Artists in the 1980s, but it's still grindhouse late-night on Southport. &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6ceDaq%7C%5E6e4wmd%7C%5BAxa" style="text-decoration: underline; color: #0068A5;"&gt;&lt;em&gt;More here&lt;/em&gt;&lt;/a&gt;&lt;em&gt;.&lt;/em&gt;&lt;/span&gt;
&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-22" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;div style="max-width:598px"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/iy9/0lv/zel/LAST-DAYS-OF-DISCO_1.jpeg" style="display:block;height:auto;border:0;width:100%" width="598" alt="" title="" height="auto"&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table
 class="text_block block-23" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;font-size:18px;text-align:center;mso-line-height-alt:18px"&gt;
&lt;span style="word-break: break-word; font-size: 12px;"&gt;"The Last Days Of Disco"&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Whit Stillman's serenely stylish "&lt;strong&gt;The Last Days Of Disco&lt;/strong&gt;" (35mm), I wrote on its first release, is as nuanced and layered as a novel. (And very funny.) Stillman's familiar portraits of the young and overly privileged, with their social cruelty, ripples with bursts of extravagant verbal wit, making passive-aggressive poetry out of what seem like prosaic lifestyles. But he had wanted to make a Western!&lt;/span&gt;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Stillman told me before its release, "'Metropolitan' and 'Barcelona' are ideas that originated a long time ago. I meant to go on to some cinematic epic-on-a-low-budget historical films. We joked about that a lot, on the set of 'Barcelona,' Chris Eigeman and I would joke about the Westerns we would do. The game with independent films with talk is to get conversations in one shot so you don't have to go back and forth. The idea was that horses would be riding parallel and people would talk and we would get that in one shot. People would belly up to the bar and we'd get them talking in one shot.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"In the editing of 'Barcelona,' we became infatuated with Tushka Bergen and Mira Sorvino dancing in discothèques. Those scenes were really fun to watch. It reminded me of my period as a failed short-story writer. Something I wanted to write about was that moment when people have their first jobs and settle into a place. It took me about a year-and-a-half to earn enough money to find the worst apartment in New York and move out of home. When I was working at Doubleday publishing—I remember, in those first weeks of having your own apartment, a beautiful day like today in the spring—walking uptown and running into people all over. I thought that kind of new kids in the big city daytime story could mix well with the disco story.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"Sometimes when you go into a period movie, everything that's different is emphasized. It takes me out of the dramatic storyline. We went back to magazines of the period, Vogue and Harper's Bazaar, found all the things we liked, and tried to concentrate with the foreground characters on the clothes we liked from that period that wouldn't be jarring. But there are subtle things that the hair, makeup and wardrobe departments did that people who really know about those things would recognize as period."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;What's your writing process?&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"It's really bad in the sense that I don't feel suited to it at all. I feel much more comfortable editing. It's a tough process to get enough material so I can really get into editing it. There are good moments. Sometimes those stories keep on going and you can't use all of it but the idea that you're generating material that you could use. I think Woody Allen says that he gets these ideas going down the stairs from where he lives or walking and my wife has a picture of me sort of half shaven, typing on my word processor in Barcelona. I started shaving, an idea..." &lt;em&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6ceDaq%7C%5E6e4wqd%7C%5BAxa" style="text-decoration: underline; color: #0068A5;"&gt;Doc Films, Friday, 8pm&lt;/a&gt;&lt;/em&gt;.&lt;/span&gt;
&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-24" style="height:40px;line-height:40px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="heading_block block-25" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:24px;font-weight:900;letter-spacing:normal;line-height:1.5;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:36px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;THE WEEK IN FILM&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-26" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Sony Drafthouse Could Adopt Hollywood's Neglected Cinerama Dome&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Another major big-screen movie house development with one of the country’s largest cinematic locales: Sony will reopen the Cinerama Dome and the adjacent former Arclight as a fourteen-screen multiplex in 2028 under its Alamo Drafthouse brand. The theaters have been shuttered since the pandemic in 2020. &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6ceDaq%7C%5E6e4w%5Ed%7C%5BAxa" style="text-decoration: underline; color: #0068A5;"&gt;Reports Variety&lt;/a&gt;, the Cinerama signage will be retained, and it will not be a dine-in outlet. “The complex will retain 35mm capabilities to showcase archival film prints and house premium format screens, including 70mm auditoriums.”&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;“Hot damn! We’re bringing the Dome back, baby," says Sony motion picture group chairman and CEO Tom Rothman. "We believe in moviegoing down to our soul, and no venue on earth stands more for that than the one-of-a-kind Dome. I am deeply proud that Sony is investing in Hollywood, literally. Our goal is to preserve its legendary history while ensuring it remains vibrant now and far into the future."&lt;/span&gt;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Disney Firings Hit Pixar, National Geographic, ESPN&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Disney is cutting several hundred positions, with Pixar and National Geographic among the divisions most affected, r&lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6ceDaq%7C%5E6e4wyd%7C%5BAxa" style="text-decoration: underline; color: #0068A5;"&gt;eports Deadline&lt;/a&gt;. Pixar cuts are numbered at about a hundred of its 1,100 workers. "The Pixar layoffs come at a time when the studio is back in form on the feature side with original 'Hoppers' and 'Toy Story 5' grossing close to $1.4 billion worldwide (compare this to Lucasfilm, which misfired this summer with 'Star Wars: The Mandalorian and Grogu' tanking with $344 million, the lowest-grossing 'Star Wars' film ever)."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Keeping Ferris Bueller From Becoming “Punchable”&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Matthew Broderick and Alan Ruck gaze back at “Ferris Bueller’s Day Off” &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6ceDaq%7C%5E6e4w2d%7C%5BAxa" style="text-decoration: underline; color: #0068A5;"&gt;at the Guardian&lt;/a&gt;. Says Broderick: “Alan and I have neat hair because we’d both just been in a military play. If we’d had crazy 1980s mullets, it wouldn’t have become a timeless classic... I thought Ferris shouldn’t seem to be trying too hard, that things came easy to him. I wanted to be a little cool and aloof. We didn’t want him to be somebody you wanted to punch in the face. That’s always the danger with guys who get away with everything. After a test screening, one young woman’s feedback was that she didn’t like Ferris because ‘he’d make me do things I don’t want to do,’ so they got rid of a scene where I try to get Sloane not to go back home and keep hanging out having fun.”&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Federal Judge Grants Two-Week Delay In Paramount-Warner Merger&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;“Paramount Skydance’s takeover of Warner Bros. Discovery hit a roadblock Monday after a federal judge temporarily paused the proposed merger, granting a request from a coalition of twelve state attorneys general who sued to thwart the $110 billion deal,” &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6ceDaq%7C%5E6e4w6d%7C%5BAxa" style="text-decoration: underline; color: #0068A5;"&gt;reports NBC News&lt;/a&gt;. “U.S. District Judge Araceli Martínez-Olguín of the Northern District of California issued a temporary restraining order barring Paramount from closing the transaction, a corporate tie-up that would unite two movie studios, two streaming platforms and two news organizations under the control of David Ellison, the son of billionaire technology tycoon Larry Ellison.” &lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;“The delay is intended to give the court time to consider a lawsuit that argues the $111 billion merger violates antitrust laws,” adds the New York Times (&lt;em&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6ceDaq%7C%5E6e4w-d%7C%5BAxa" style="text-decoration: underline; color: #0068A5;"&gt;gift link&lt;/a&gt;&lt;/em&gt;). The preliminary injunction hearing is August 3. The ten-page order is &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6ceDaq%7C%5E6e4wDd%7C%5BAxa" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;George Lucas Says Get In The Rocket Or AI Leaves You Behind&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;George Lucas is out on the circuit talking up the September opening of Los Angeles’ Lucas Museum Of Narrative Art, which had once been proposed for the Chicago Lakefront. In a recent interview at Cannes, Lucas, eighty-two, said that “artificial intelligence means it’s much easier for us to make movies.” Resistance is “very much like sitting here saying: Well, I believe the horse and the buggy is really where it’s at. These cars, they break down, they need gas, there’s all kinds of problems with them and pretty soon they’ll be making them into tanks, and then they’ll be killing people. It’s terrible." Adoption of such tools, continued Lucas, was an inevitability. "There’s nothing you can do about it. That’s progress, it’s the future.”&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6ceDaq%7C%5E6e4xed%7C%5BAxa" style="text-decoration: underline; color: #0068A5;"&gt;More from the exchange at A Rabbit’s Foot&lt;/a&gt;: “When asked whether he is bothered by his later films failing to connect with adults in the way his earlier films did, Lucas returns to fundamentals. ‘Well, it’s a kid’s movie. It’s always been a kid’s movie.'” (Lucas does not mention &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6ceDaq%7C%5E6e4x%7Cd%7C%5BAxa" style="text-decoration: underline; color: #0068A5;"&gt;an insight he offered earlier&lt;/a&gt;, that “Star Wars” is an allegory for the Vietnam War.) Lucas also &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6ceDaq%7C%5E6e4xmd%7C%5BAxa" style="text-decoration: underline; color: #0068A5;"&gt;spoke with Nathan Heller&lt;/a&gt; for Vogue.&amp;nbsp;Tickets to the South Los Angeles complex &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6ceDaq%7C%5E6e4xqd%7C%5BAxa" style="text-decoration: underline; color: #0068A5;"&gt;go on sale July 21&lt;/a&gt;.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="divider_block block-27" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:20px;padding-bottom:20px;padding-left:10px;padding-right:10px" align="center"&gt;&lt;table border="0" cellpadding="0" cellspacing="0" role="presentation" width="100%" 
style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-28" style="height:30px;line-height:30px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="heading_block block-29" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td 
class="pad" style="width:100%;padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px" align="center"&gt;&lt;h1 style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:24px;font-weight:900;letter-spacing:normal;line-height:1.5;text-align:left;margin-top:0;margin-bottom:0;mso-line-height-alt:36px"&gt;
&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6ceDaq%7C%5E6e4x%5Ed%7C%5BAxccqX%5B%7C2ze%7Ej3l" target="_blank" style="text-decoration: none; color: #000000;" rel="noopener"&gt;Movies Are Back! Surmising the Sizzle in This Summer’s Box Office&lt;/a&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-30" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;div style="max-width:598px"&gt;
&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6ceDaq%7C%5E6e4xyd%7C%5BAxccqX%5B%7C2ze%7Ej3l" target="_blank"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/ywv/mel/ewd/The-Odyssey-Trojan-Horse-600x450.jpg" style="display:block;height:auto;border:0;width:100%" width="598" alt="" title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-31" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td
 class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;font-size:18px;text-align:left;mso-line-height-alt:27px"&gt;"People are showing up for original movies again. They're discovering new filmmakers, talking about films with their friends afterward, and turning a night at the movies into an event…" (Ray Pride)&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;
&lt;/tr&gt;&lt;/table&gt;&lt;table class="divider_block block-32" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:20px;padding-bottom:20px;padding-left:10px;padding-right:10px" align="center"&gt;&lt;table border="0" cellpadding="0" cellspacing="0" role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="divider_inner" 
style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-33" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;div style="max-width:598px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6ceDaq%7C%5E6e4x2d%7C%5BAxa" target="_blank"&gt;&lt;img 
src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/6yl/c8x/u0f/GSFC_072326.jpg" style="display:block;height:auto;border:0;width:100%" width="598" alt="" title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="divider_block block-34" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:20px;padding-bottom:20px;padding-left:10px;padding-right:10px" align="center"&gt;&lt;table 
border="0" cellpadding="0" cellspacing="0" role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="icons_block block-35" width="100%" border="0" cellpadding="10" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;text-align:center;line-height:0"&gt;&lt;tr&gt;
&lt;td class="pad" style="vertical-align:middle;color:#000;font-family:inherit;font-size:14px;font-weight:400" align="center"&gt;&lt;table class="icons-outer" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;display:inline-table"&gt;&lt;tr&gt;&lt;td style="vertical-align:middle;text-align:center;padding-top:10px;padding-bottom:10px;padding-left:10px;padding-right:10px"&gt;
&lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6ceDaq%7C%5E6e4t-d%7C%5BAxa" target="_self" title="" style="text-decoration: none;"&gt;&lt;img class="icon" src="https://d15k2d11r6t6rl.cloudfront.net/pub/40qd/br3kliar/3qs/o5m/w8g/unnamed-1.png" alt="" height="auto" width="32" align="center" style="display:block;height:auto;margin:0 auto;border:0"&gt;&lt;/a&gt;&lt;/td&gt;&lt;td style="vertical-align:middle;text-align:center;padding-top:10px;padding-bottom:10px;padding-left:10px;padding-right:10px"&gt;
&lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6ceDaq%7C%5E6e4tDd%7C%5BAxa" target="_self" title="" style="text-decoration: none;"&gt;&lt;img class="icon" src="https://d15k2d11r6t6rl.cloudfront.net/pub/40qd/br3kliar/coi/z2y/qei/unnamed-2.png" alt="" height="auto" width="32" align="center" style="display:block;height:auto;margin:0 auto;border:0"&gt;&lt;/a&gt;&lt;/td&gt;&lt;td style="vertical-align:middle;text-align:center;padding-top:10px;padding-bottom:10px;padding-left:10px;padding-right:10px"&gt;
&lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6ceDaq%7C%5E6e4%5Eed%7C%5BAxa" target="_self" title="" style="text-decoration: none;"&gt;&lt;img class="icon" src="https://d15k2d11r6t6rl.cloudfront.net/pub/40qd/br3kliar/74h/i4d/cse/unnamed-3.png" alt="" height="auto" width="32" align="center" style="display:block;height:auto;margin:0 auto;border:0"&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="divider_block block-36" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" 
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&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-4" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:5px;padding-bottom:5px;padding-left:20px;padding-right:20px" align="center"&gt;&lt;div style="max-width:350px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6ceMaq%7Cvee476dj%7CkjccqX%5B%7C2ze%7Ej3l" target="_blank"&gt;&lt;img 
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&lt;span style="word-break: break-word; font-size: 18px;"&gt;As we reach the finish line for the advertising sales of our make-or-break-the-year September Issue—we're just like Vogue in that way 🙂—questions start surfacing internally about much more than that particular month.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;For not only does this edition of the magazine set the tone for the year economically, but it has a disproportionate weight on how we allocate budgets among sections, between the various places our money gets spent in the next year. We look carefully at this data, along with things like web traffic and various intangibles to force ourselves to rethink everything we do.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;So what should we cover more? Or less? To be determined…&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-7" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" 
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cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px; color: #000000;"&gt;Brian Hieggelke&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px; color: #000000;"&gt;Editor &amp; Publisher&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
Order the summer double issue of the magazine &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6ceMaq%7Cvee4B6dj%7CkjccqX%5B%7C2ze%7Ej3l" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;. Order a subscription &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6ceMaq%7Cvee47-dj%7CkjccqX%5B%7C2ze%7Ej3l" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt; and the September issue will be your first.&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table 
class="divider_block block-9" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:10px;padding-bottom:20px;padding-left:10px;padding-right:10px" align="center"&gt;&lt;table border="0" cellpadding="0" cellspacing="0" role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;
&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-10" style="height:21px;line-height:21px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="text_block block-11" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-left:20px;padding-right:20px"&gt;&lt;div style="font-family:Tahoma,Verdana,sans-serif"&gt;&lt;div class 
style="font-size:14px;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;mso-line-height-alt:16.8px;color:#555;line-height:1.2"&gt;&lt;p style="margin:0;font-size:14px;mso-line-height-alt:16.8px"&gt;&lt;span style="word-break: break-word; font-size: 16px; color: #a82b28;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word;"&gt;STAGE&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-12" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px" align="center"&gt;&lt;h1 style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:24px;font-weight:900;letter-spacing:normal;line-height:1.5;text-align:left;margin-top:0;margin-bottom:0;mso-line-height-alt:36px"&gt;
&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6ceMaq%7Cvee4B-dj%7CkjccqX%5B%7C2ze%7Ej3l" target="_blank" style="text-decoration: none; color: #000000;" rel="noopener"&gt;&lt;span class="mce-content-body mce-edit-focus" style="word-break: break-word; position: relative;" id="e20a20e8-7aec-4494-9c52-22b2ed7bf053" data-position="10-0-11" data-qa="tinyeditor-root-element"&gt;American Players Theatre's Wondrous "As You Like It," Staged in the Woods&lt;/span&gt;&lt;/a&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-13" width="100%" 
border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;div style="max-width:598px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6ceMaq%7Cvee4BDdj%7CkjccqX%5B%7C2ze%7Ej3l" target="_blank"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/i0c/7mc/iv2/ASU2026-600x450.webp" style="display:block;height:auto;border:0;width:100%" width="598" alt="" title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table 
class="text_block block-14" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
In Shakespeare's comedy, the characters go to the forest and become more fully human. The same thing happens when you see theater in the woods at Spring Green, Wisconsin. (Mary Wisniewski)&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="divider_block block-15" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:10px;padding-bottom:20px;padding-left:10px;padding-right:10px" align="center"&gt;
&lt;table border="0" cellpadding="0" cellspacing="0" role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-16" style="height:21px;line-height:21px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="text_block block-17" width="100%" border="0" cellpadding="0" 
cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-left:20px;padding-right:20px"&gt;&lt;div style="font-family:Tahoma,Verdana,sans-serif"&gt;&lt;div class style="font-size:14px;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;mso-line-height-alt:16.8px;color:#555;line-height:1.2"&gt;&lt;p style="margin:0;font-size:14px;mso-line-height-alt:16.8px"&gt;
&lt;span style="word-break: break-word; font-size: 16px; color: #89c0c9;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word;"&gt;DESIGN&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-18" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:24px;font-weight:900;letter-spacing:normal;line-height:1.5;text-align:left;margin-top:0;margin-bottom:0;mso-line-height-alt:36px"&gt;
&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6ceMaq%7Cvee4Cedj%7CkjccqX%5B%7C2ze%7Ej3l" target="_blank" style="text-decoration: none; color: #000000;" rel="noopener"&gt;&lt;span class="mce-content-body mce-edit-focus" style="word-break: break-word; position: relative;" id="7f615607-cdbb-407a-b83a-89403686e41c" data-position="10-0-17" data-qa="tinyeditor-root-element"&gt;Designing a Disability-Forward Future&lt;/span&gt;&lt;/a&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-19" width="100%" border="0" cellpadding="0" 
cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;div style="max-width:598px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6ceMaq%7Cvee4C%7Cdj%7CkjccqX%5B%7C2ze%7Ej3l" target="_blank"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/qdy/ndc/mpp/IMG_7445-600x450.jpeg" style="display:block;height:auto;border:0;width:100%" width="598" alt="" title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-20" 
width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;A Design Museum of Chicago exhibition invites us to rethink access as a force for imagination, community and cultural change. (Vasia Rigou)&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="divider_block block-21" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:10px;padding-bottom:20px;padding-left:10px;padding-right:10px" 
align="center"&gt;&lt;table border="0" cellpadding="0" cellspacing="0" role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-22" style="height:45px;line-height:45px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="image_block block-23" width="100%" border="0" 
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height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-24" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class 
style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:18.2px;color:#000;line-height:1.3"&gt;&lt;p style="margin:0;font-size:14px;text-align:center;mso-line-height-alt:26px"&gt;&lt;span style="word-break: break-word; font-size: 20px;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word;"&gt;JULY-AUGUST 2026:&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:14px;text-align:center;mso-line-height-alt:26px"&gt;
&lt;span style="word-break: break-word; font-size: 20px;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word;"&gt;AMERICA 250 + ART IN MICHIGAN&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;br&gt;
&lt;span style="word-break: break-word; font-size: 20px;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word;"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6ceMaq%7Cvee48%5Edj%7CkjccqX%5B%7C2ze%7Ej3l" target="_blank" style="text-decoration: none; color: #19638e;" rel="noopener"&gt;GET THE ISSUE&lt;/a&gt; | &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6ceMaq%7Cvee48ydj%7CkjccqX%5B%7C2ze%7Ej3l" target="_blank" style="text-decoration: none; color: #19638e;" rel="noopener"&gt;SUBSCRIBE&lt;/a&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div 
class="spacer_block block-25" style="height:40px;line-height:40px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="divider_block block-26" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:10px;padding-bottom:20px;padding-left:10px;padding-right:10px" align="center"&gt;&lt;table border="0" cellpadding="0" cellspacing="0" role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;
&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-27" style="height:21px;line-height:21px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="text_block block-28" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad" 
style="padding-left:20px;padding-right:20px"&gt;&lt;div style="font-family:Tahoma,Verdana,sans-serif"&gt;&lt;div class style="font-size:14px;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;mso-line-height-alt:16.8px;color:#555;line-height:1.2"&gt;&lt;p style="margin:0;font-size:14px;mso-line-height-alt:16.8px"&gt;&lt;span style="word-break: break-word; font-size: 16px; color: #65d68b;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word;"&gt;ART&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table 
class="heading_block block-29" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:24px;font-weight:900;letter-spacing:normal;line-height:1.5;text-align:left;margin-top:0;margin-bottom:0;mso-line-height-alt:36px"&gt;
&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6ceMaq%7Cvee4Cmdj%7CkjccqX%5B%7C2ze%7Ej3l" target="_blank" style="text-decoration: none; color: #000000;" rel="noopener"&gt;&lt;span class="mce-content-body mce-edit-focus" style="word-break: break-word; position: relative;" id="7266b662-6e9a-4e95-861b-db1786b269db" data-position="10-0-28" data-qa="tinyeditor-root-element"&gt;A Peek into America's Wartime Illustrations at the Newberry Library&lt;/span&gt;&lt;/a&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-30" width="100%" border="0" 
cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;div style="max-width:598px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6ceMaq%7Cvee4Cqdj%7CkjccqX%5B%7C2ze%7Ej3l" target="_blank"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/fwr/fsn/v0h/9-CiL_997776998805867_mms_mc_cutcheon_box_11_fl_301-600x450.jpg" style="display:block;height:auto;border:0;width:100%" width="598" alt="" title="" height="auto"&gt;&lt;/a&gt;
&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-31" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"Conceived in Liberty" explores America's relationship to war through our printed history from the War of 1812 to World War I. (Elisa Shoenberger)&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="divider_block block-32" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" 
style="padding-top:20px;padding-bottom:20px;padding-left:10px;padding-right:10px" align="center"&gt;&lt;table border="0" cellpadding="0" cellspacing="0" role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-33" style="height:21px;line-height:21px;font-size:1px"&gt;
&amp;#8202;&lt;/div&gt;&lt;table class="text_block block-34" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-left:20px;padding-right:20px"&gt;&lt;div style="font-family:Tahoma,Verdana,sans-serif"&gt;&lt;div class style="font-size:14px;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;mso-line-height-alt:16.8px;color:#555;line-height:1.2"&gt;&lt;p 
style="margin:0;font-size:14px;mso-line-height-alt:16.8px"&gt;&lt;span style="word-break: break-word; font-size: 16px; color: #429c95;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word;"&gt;BRAZIL&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-35" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" 
style="width:100%;padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px" align="center"&gt;&lt;h1 style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:24px;font-weight:900;letter-spacing:normal;line-height:1.5;text-align:left;margin-top:0;margin-bottom:0;mso-line-height-alt:36px"&gt;
&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6ceMaq%7Cvee4C%5Edj%7CkjccqX%5B%7C2ze%7Ej3l" target="_blank" style="text-decoration: none; color: #000000;" rel="noopener"&gt;José Bento Offers a Helping Hand&lt;/a&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-36" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;div style="max-width:598px"&gt;
&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6ceMaq%7Cvee4Cydj%7CkjccqX%5B%7C2ze%7Ej3l" target="_blank"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/n06/nqj/u1k/Copia-de-260522_gentil_carioca_253-600x450.jpg" style="display:block;height:auto;border:0;width:100%" width="598" alt="" title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-37" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"Mão Amiga" at A Gentil Carioca and Sardenberg is at times didactically indulgent but masterfully crafted, highlighting themes of scarcity and sustainability. (Luiz Armando Bagolin)&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="divider_block block-38" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" 
style="padding-top:20px;padding-bottom:20px;padding-left:10px;padding-right:10px" align="center"&gt;&lt;table border="0" cellpadding="0" cellspacing="0" role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-39" width="100%" border="0" cellpadding="0" cellspacing="0" 
role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;div style="max-width:598px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6ceMaq%7Cvee49edj%7CkjccqX%5B%7C2ze%7Ej3l" target="_blank"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/kcw/yua/mwn/House%20Middle_Lower%20-%20December%202025%20-%20600x500.gif" style="display:block;height:auto;border:0;width:100%" width="598" alt="" title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div 
class="spacer_block block-40" style="height:40px;line-height:40px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="heading_block block-41" width="100%" border="0" cellpadding="5" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:28px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:34px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6ceMaq%7Cvee4C2dj%7CkjccqX%5B%7C2ze%7Ej3l" target="_blank" style="text-decoration: underline; color: #000000;" rel="noopener"&gt;TODAY IN CULTURE&lt;/a&gt;&lt;br&gt;&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;
&lt;table class="text_block block-42" width="100%" border="0" cellpadding="10" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:sans-serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:16.8px;color:#555;line-height:1.2"&gt;&lt;p style="margin:0;font-size:14px;text-align:center;mso-line-height-alt:16.8px"&gt;
&lt;span style="word-break: break-word; color: #000000;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;By Ray Pride&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-43" style="height:40px;line-height:40px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="heading_block block-44" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" 
style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;ART&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-45" width="100%" border="0" 
cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Volume Gallery Announces Representation Of Sung Jang&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Volume Gallery has announced that it now represents “Chicago-based artist Sung Jang (Design 50). Originally from South Korea, Jang has studied art and design around the world and is known as an innovator who masterfully crafts works with a profound understanding of materials. His work in stone and recent paintings with sand speak to humanity's ongoing dynamic with the natural world,” the gallery advises. They are planning a solo exhibition for the artist this November. (&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6ceMaq%7Cvee4E-dj%7CkjccqX%5B%7C2ze%7Ej3l" target="_blank" style="text-decoration: underline; color: #0068A5;" rel="noopener"&gt;More&lt;/a&gt;.)&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Art Institute Sees Backlash To Firing Custodial Staff&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"Union workers are demanding the museum abandon plans to shift twenty-three custodial workers to a private contractor,"&amp;nbsp;&lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6ceMaq%7Cvee4C-dj%7Ckja" style="text-decoration: underline; color: #0068A5;"&gt;reports the Sun-Times&lt;/a&gt;. "The employees’ last day is August 14, but a museum spokesperson said they will have the opportunity to reapply for their positions with the new company, GDI Integrated Facility Services, based in Canada."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Racine Art Museum Awash In Color With New Installation&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;A large-scale art installation, “Zig and Zag,” will overtake the façade of the Racine Art Museum with colorful fabric, &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6ceMaq%7Cvee4CDdj%7Ckja" style="text-decoration: underline; color: #0068A5;"&gt;observes Wisconsin Public Radio&lt;/a&gt;. "Led by New York artist Amanda Browder, volunteer sewers from Racine will use donated materials to bring a community fabric project to life." Says executive director Robb Woulfe, "Amanda’s installation will turn our museum into a giant loom where stories, connection and shared making interlace."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-46" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;DESIGN&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-47" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;A Look At Restoration Projects In Chicago Parks&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p 
style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"This summer, the district resumed its &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6ceMaq%7Cvee4Dedj%7Ckja" style="text-decoration: underline; color: #0068A5;"&gt;restoration of the nearly 130-year-old Garfield Park music bandstand&lt;/a&gt; after a yearlong delay," &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6ceMaq%7Cvee4D%7Cdj%7Ckja" style="text-decoration: underline; color: #0068A5;"&gt;writes Lee Bey at the Sun-Times&lt;/a&gt;. "And it also began the million-dollar &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6ceMaq%7Cvee4Dmdj%7Ckja" style="text-decoration: underline; color: #0068A5;"&gt;anticipated fix-up&lt;/a&gt; of the Gold Lady herself, Jackson Park’s gilded twenty-four-foot tall Statue of the Republic. The work at the Garfield Park bandstand is particularly worthy of attention. With its marble base and copper roof, the structure, located in Garfield Park on Music Court Drive just east of Hamlin Avenue, is as unique and lovely a structure as you’ll see in this town. It’s been undergoing rehab work for more than a year. The original $2.2 million scope of work included restoring the bandstand’s marble base, mosaic panels and electrical system."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Joe Freshgoods Opening A Retail Store In West Town&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"Chicago native Joe Robinson, better known as Joe Freshgoods, is opening his first permanent retail concept, Every Now and Then, on West Chicago after more than fifteen years of building one of the most influential names in sneakers, retail and culture," &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6ceMaq%7Cvee4Dqdj%7Ckja" style="text-decoration: underline; color: #0068A5;"&gt;reports The Source&lt;/a&gt;. "The concept aims to serve as a neighborhood gathering place centered on storytelling, memories and community rather than traditional shopping." Inside the space at 1843 West Chicago is Josephine’s Café, "named after Joe Freshgoods’ grandmother. Inspired by Southern summers with a Chicago take, the café offers another place for visitors to gather, connect and spend time together."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;The Newsstand As A Container For Anything&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"Converted newsstands around the world have been selling everything from vinyl to ice cream, tickets and flowers," &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6ceMaq%7Cvee4D%5Edj%7Ckja" style="text-decoration: underline; color: #0068A5;"&gt;reports Curbed&lt;/a&gt;. "But in New York, thanks to tight regulations limiting what can be sold, the trend is only now starting to take off. It’s different underground, where the MTA has invited public proposals and welcomed quirky art installations, like Rex’s Dino Store at Grand Army Plaza and the &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6ceMaq%7Cvee4Dydj%7Ckja" style="text-decoration: underline; color: #0068A5;"&gt;Data Vandals&lt;/a&gt; space at 51st and Lexington, to take over its vacant newsstands. Aboveground, however, [Italian coffee and sandwich purveyor] Caffé Toscana is a pioneer." A City Reporter editor posts what she suggests could be the world's slimmest, smallest bodega &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6ceMaq%7Cvee4D2dj%7Ckja" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-48" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;DINING &amp;amp; DRINKING&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-49" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:12px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:18px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Beverly Kim and Johnny Clark Reveal What They're Planning In Evanston&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Beverly Kim and Johnny Clark have announced their plans for a restaurant in downtown Evanston, expanding their restaurant group beyond Chicago with a location focused on Midwestern cuisine, &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6ceMaq%7Cvee4D6dj%7Ckja" style="text-decoration: underline; color: #0068A5;"&gt;reports Crain's&lt;/a&gt;. The James Beard Award-winning chefs will open Alleyway Grill in the former Varsity Theater building at 1710 Sherman, serving daily brunch and dinner with an emphasis on seasonal ingredients and live-fire cooking. Construction is underway. "While the menus at Kim and Clark’s earlier restaurants are reflections of their Korean and Ukrainian roots, respectively, Alleyway is meant to celebrate their Midwestern upbringing. The menu will feature vegetables, handmade pastas, seafood, responsibly raised meats prepared on a live-fire grill and Spanish oven, along with modern American desserts."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Team Behind Lemon Plans Newsy Bar In The Bush Temple&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;The team behind West Town's Lemon is planning to open News Bar next spring, &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6ceMaq%7Cvee4D-dj%7Ckja" style="text-decoration: underline; color: #0068A5;"&gt;they alert on Instagram&lt;/a&gt;. They plan to open in &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6ceMaq%7Cvee4DDdj%7Ckja" style="text-decoration: underline; color: #0068A5;"&gt;the Bush Temple&lt;/a&gt; at 806 North Clark, a former piano factory "on the border of River North and the Gold Coast" that was converted to apartments last decade. Cocktails and live music &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6ceMaq%7Cvee4Eedj%7Ckja" style="text-decoration: underline; color: #0068A5;"&gt;are expected&lt;/a&gt;. The team explains the name on &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6ceMaq%7Cvee4E%7Cdj%7Ckja" style="text-decoration: underline; color: #0068A5;"&gt;their site&lt;/a&gt;: "The 'News' in News Bar refers to the role that bars used to play as places to 'pass the news' and a nod to the historical ties between bars and journalists. Aside from the name, the theme will be subtle. Perhaps in the bric-a-brac; a bit of celebration of Chicago’s history as a news town. And there might be a small or vintage TV continuously running C-SPAN in the background."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Pilsen Froyo Shop, Met With Overwhelming Demand, Hits Pause After A Week&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Popup Mikono in Pilsen "opened last week and long lines followed. Now the owners—who still work full-time jobs—have taken a break to speed up the process of opening a permanent storefront," &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6ceMaq%7Cvee4Emdj%7Ckja" style="text-decoration: underline; color: #0068A5;"&gt;serves the Sun-Times&lt;/a&gt;. "Cofounders Nathalie Del Valle and Maya Matta, both of whom work full time in tech sales to fund their froyo pursuit, hope to open a permanent storefront later this year in Lincoln Park."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-50" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;MUSIC&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-51" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:12px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:18px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Reckless Records Joins Vinyl Recycling Pilot&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p 
style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"Reckless Records has joined a new nationwide vinyl take-back program that aims to give broken and unwanted records a second life," &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6ceMaq%7Cvee4Eqdj%7Ckja" style="text-decoration: underline; color: #0068A5;"&gt;reports Axios Chicago&lt;/a&gt;. The Chicago record store brand "is one of twelve independent record shops nationwide participating in the pilot, which launched June 25." Under the new program, "music fans can return damaged or unplayable vinyl records regardless of the artist, label or condition," and "the albums will be collected by Reckless and sent back to Warner Music Group for evaluation." Warner Music Group will evaluate whether to expand the program once the pilot ends in September.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Marvin Tate Releases New Single&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"Controlled Burn" is the second single from Chicago poet and performer Marvin Tate's forthcoming full-length. The album is "avant-garde but approachable, full of charm and memorable grooves," and "built from improvisations" with longtime collaborator LeRoy Bach. The album also features performances from drummer Quin Kirchner and cornetist Ben LaMar Gay. Stream it and preorder on Bandcamp &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6ceMaq%7Cvee4E%5Edj%7Ckja" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-52" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;STAGE&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-53" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Sunday In The Park With Lyric Returns&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p 
style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Sunday in the Park with Lyric returns to Millennium Park's Pritzker Pavilion on August 23, "where thousands of Chicagoans will gather to celebrate the new Chicago cultural season." The free annual concert is hosted by the Lyric Opera to preview its upcoming season, with the Ryan Opera Center's latest ensemble assembled with the Lyric Opera Orchestra, conducted by Lyric’s music director Enrique Mazzola and new Ryan Opera Center conductor Luke Poeppel. "Whether a lifelong opera devotee or seeking the perfect way to cap off a summer weekend in Chicago with family and friends, all are invited to experience the grandeur of Lyric in the open air," the Lyric advises. "Attendees are encouraged to claim their patch of lawn, spread out a picnic and settle in for an evening of operatic favorites and high-drama highlights from Lyric’s upcoming season." Sunday, August 23, 7pm. More &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6ceMaq%7Cvee4Eydj%7Ckja" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-54" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 
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&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Chicago Humanities Names Its New &lt;/strong&gt;&lt;strong&gt;Executive Director&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;The Chicago Humanities Board of Governors has announced that Brittany Pyle has been promoted to the top leadership role of executive director. Pyle is the arts nonprofit's current director of operations and a thirteen-year veteran of the organization. Pyle has most recently served as Chicago Humanities' interim executive director following the departure of Phillip Bahar in November 2025. As executive director, she’ll be responsible for leading a twenty-person staff, partnering with a twenty-nine member board of directors and overseeing a $5 million operating budget and $16 million endowment. More &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6ceMaq%7Cvee4E2dj%7Ckja" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Upgrades To The Skokie Theater In The Works&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Under new ownership, the Skokie Theater will get improvements, including a bar, improved seating and feature restoration, &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6ceMaq%7Cvee4E6dj%7Ckja" style="text-decoration: underline; color: #0068A5;"&gt;reports Skokie Patch&lt;/a&gt;. "The Skokie Theater first opened in 1912 as a movie theater before it was shut down in 2004 for lack of business." The new owners plan "to offer stage plays, comedy showcases, storytelling nights, live music, improv, film and educational classes." Village Board trustees have "approved a Storefront Enhancement Program of $50,000 to help fund major upgrades to the building."&lt;/span&gt;
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width="598" alt="" title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="divider_block block-3" width="100%" border="0" cellpadding="10" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" align="center"&gt;&lt;table border="0" cellpadding="0" cellspacing="0" role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;
&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-4" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:5px;padding-bottom:5px;padding-left:20px;padding-right:20px" align="center"&gt;&lt;div style="max-width:350px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6cfcaq%7Cw%7Ce6t6djxk9ccqX%5B%7C2ze%7Ej3l" target="_blank"&gt;&lt;img 
src="https://d15k2d11r6t6rl.cloudfront.net/pub/40qd/br3kliar/trm/f81/xfb/NewcityLogoEmail.png" style="display:block;height:auto;border:0;width:100%" width="350" alt="" title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="divider_block block-5" width="100%" border="0" cellpadding="10" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" align="center"&gt;&lt;table border="0" cellpadding="0" cellspacing="0" role="presentation" width="100%" 
style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-6" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad" 
style="padding-top:20px;padding-bottom:10px;padding-left:20px;padding-right:20px"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;The eighty-five-year-old painter George Clinton was in town Saturday afternoon for the opening of his first solo exhibition with Mariane Ibrahim Gallery. Dressed like the Godfather of Funk that he is in his other, better-known artistic endeavors, he had no time for milling around, as a line quickly formed with fans wanting him to sign records. But his extraterrestrial paintings and "Mothership" sculpture told us everything we needed to know.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;I first heard Clinton and his band Parliament-Funkadelic on the radio nearly fifty years ago, not long after the release of the seminal "Mothership Connection" album, which gives this exhibition its name and occasion. I take no credit for being an early follower of the funk, as I was awash in the album-oriented rock that dominated the radio play of my mainstream suburban life back then.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;But when it was our friend Dave Koch's turn to drive, the radio on his father's vintage Mustang was always tuned to WJPC, and the soul and R&amp;B music of the time filled the car. I can't remember which Parliament song I heard first—probably "Flash Light"—but it lasted. And in college, Clinton's music was a mainstay on the dance floor.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;A couple decades later, Clinton and his band headlined a short-lived music festival near our family lake cabin in Minnesota, a short drive from Fargo. It was a great-if-strange show in a very strange setting, out in the rural woods at a venue renowned for its annual country music festival.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;But what else would you expect?&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-7" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" 
style="width:100%;padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px" align="left"&gt;&lt;div style="max-width:104px"&gt;&lt;img src="https://d15k2d11r6t6rl.cloudfront.net/pub/40qd/br3kliar/ier/gbh/bha/unnamed-1_1.png" style="display:block;height:auto;border:0;width:100%" width="104" alt="" title="" height="auto"&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-8" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px; color: #000000;"&gt;Brian Hieggelke&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px; color: #000000;"&gt;Editor &amp; Publisher&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;em&gt;Order the summer double issue of the magazine &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6cfcaq%7Cw%7Ce6t-djxk9ccqX%5B%7C2ze%7Ej3l" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;. Order a subscription &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6cfcaq%7Cw%7Ce6tDdjxk9ccqX%5B%7C2ze%7Ej3l" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt; and the September issue will be your first.&amp;nbsp;&lt;/em&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table 
class="divider_block block-9" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:10px;padding-bottom:20px;padding-left:10px;padding-right:10px" align="center"&gt;&lt;table border="0" cellpadding="0" cellspacing="0" role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;
&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-10" style="height:21px;line-height:21px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="text_block block-11" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-left:20px;padding-right:20px"&gt;&lt;div style="font-family:Tahoma,Verdana,sans-serif"&gt;&lt;div class 
style="font-size:14px;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;mso-line-height-alt:16.8px;color:#555;line-height:1.2"&gt;&lt;p style="margin:0;font-size:14px;mso-line-height-alt:16.8px"&gt;&lt;span style="word-break: break-word; font-size: 16px; color: #000000;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word;"&gt;NEWCITY&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-12" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px" align="center"&gt;&lt;h1 style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:24px;font-weight:900;letter-spacing:normal;line-height:1.5;text-align:left;margin-top:0;margin-bottom:0;mso-line-height-alt:36px"&gt;
&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6cfcaq%7Cw%7Ce6y%7Cdjxk9ccqX%5B%7C2ze%7Ej3l" target="_blank" style="text-decoration: none; color: #000000;" rel="noopener"&gt;&lt;span class="mce-content-body mce-edit-focus" style="word-break: break-word; position: relative;" id="fdb0a4d3-62a9-4d5e-baca-f14384a23dae" data-position="10-0-11" data-qa="tinyeditor-root-element"&gt;Time Alone with Abe and Mary: The Abraham Lincoln Museum and Library&lt;/span&gt;&lt;/a&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-13" width="100%" 
border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;div style="max-width:598px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6cfcaq%7Cw%7Ce6ymdjxk9ccqX%5B%7C2ze%7Ej3l" target="_blank"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/zyv/db4/2fi/Gettysburg-Lincoln-7x5-1-600x450.jpg" style="display:block;height:auto;border:0;width:100%" width="598" alt="" title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;&lt;table class="text_block block-14" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
What happens when you go to a museum by yourself? You become more open to the experience. You feel free to weep a little over the death of young Willie, or feel stirrings of patriotism as you read the Gettysburg Address. (Mary Wisniewski)&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="divider_block block-15" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" 
style="padding-top:10px;padding-bottom:20px;padding-left:10px;padding-right:10px" align="center"&gt;&lt;table border="0" cellpadding="0" cellspacing="0" role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-16" style="height:21px;line-height:21px;font-size:1px"&gt;
&amp;#8202;&lt;/div&gt;&lt;table class="text_block block-17" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-left:20px;padding-right:20px"&gt;&lt;div style="font-family:Tahoma,Verdana,sans-serif"&gt;&lt;div class style="font-size:14px;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;mso-line-height-alt:16.8px;color:#555;line-height:1.2"&gt;&lt;p 
style="margin:0;font-size:14px;mso-line-height-alt:16.8px"&gt;&lt;span style="word-break: break-word; font-size: 16px; color: #65d68b;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word;"&gt;ART&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-18" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" 
style="width:100%;padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px" align="center"&gt;&lt;h1 style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:24px;font-weight:900;letter-spacing:normal;line-height:1.5;text-align:left;margin-top:0;margin-bottom:0;mso-line-height-alt:36px"&gt;
&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6cfcaq%7Cw%7Ce6yqdjxk9ccqX%5B%7C2ze%7Ej3l" target="_blank" style="text-decoration: none; color: #000000;" rel="noopener"&gt;&lt;span class="mce-content-body mce-edit-focus" style="word-break: break-word; position: relative;" id="9af0e71d-b307-46a0-b0e1-bf9f43d87a55" data-position="10-0-17" data-qa="tinyeditor-root-element"&gt;A Perfect Storm at the Museum of Contemporary Photography&lt;/span&gt;&lt;/a&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-19" width="100%" border="0" 
cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;div style="max-width:598px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6cfcaq%7Cw%7Ce6y%5Edjxk9ccqX%5B%7C2ze%7Ej3l" target="_blank"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/dpm/v9x/ej1/Alfredo-Jaar-scaled_600x450.jpeg" style="display:block;height:auto;border:0;width:100%" width="598" alt="" title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table 
class="text_block block-20" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;The Prix Pictet comes to Chicago. (Susan Aurinko)&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="divider_block block-21" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:10px;padding-bottom:20px;padding-left:10px;padding-right:10px" align="center"&gt;&lt;table border="0" cellpadding="0" cellspacing="0" role="presentation" 
width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-22" style="height:45px;line-height:45px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="image_block block-23" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;
&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-left:20px;padding-right:20px" align="center"&gt;&lt;div style="max-width:400px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6cfcaq%7Cw%7Ce6%5E%5Edjxk9ccqX%5B%7C2ze%7Ej3l" target="_blank"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/q6i/gpd/eol/Newcity_2026-07-08_Cover%20Footer.jpeg" style="display:block;height:auto;border:0;width:100%" width="400" alt="" title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-24" width="100%" border="0" 
cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:18.2px;color:#000;line-height:1.3"&gt;&lt;p style="margin:0;font-size:14px;text-align:center;mso-line-height-alt:26px"&gt;
&lt;span style="word-break: break-word; font-size: 20px;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word;"&gt;JULY-AUGUST 2026:&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:14px;text-align:center;mso-line-height-alt:26px"&gt;&lt;span style="word-break: break-word; font-size: 20px;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word;"&gt;AMERICA 250 + ART IN MICHIGAN&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;br&gt;
&lt;span style="word-break: break-word; font-size: 20px;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word;"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6cfcaq%7Cw%7Ce6%5Eydjxk9ccqX%5B%7C2ze%7Ej3l" target="_blank" style="text-decoration: none; color: #19638e;" rel="noopener"&gt;GET THE ISSUE&lt;/a&gt; | &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6cfcaq%7Cw%7Ce6%5E2djxk9ccqX%5B%7C2ze%7Ej3l" target="_blank" style="text-decoration: none; color: #19638e;" rel="noopener"&gt;SUBSCRIBE&lt;/a&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div 
class="spacer_block block-25" style="height:40px;line-height:40px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="divider_block block-26" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:10px;padding-bottom:20px;padding-left:10px;padding-right:10px" align="center"&gt;&lt;table border="0" cellpadding="0" cellspacing="0" role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;
&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-27" style="height:21px;line-height:21px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="text_block block-28" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad" 
style="padding-left:20px;padding-right:20px"&gt;&lt;div style="font-family:Tahoma,Verdana,sans-serif"&gt;&lt;div class style="font-size:14px;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;mso-line-height-alt:16.8px;color:#555;line-height:1.2"&gt;&lt;p style="margin:0;font-size:14px;mso-line-height-alt:16.8px"&gt;&lt;span style="word-break: break-word; font-size: 16px; color: #9db8b3;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word;"&gt;LIT&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table 
class="heading_block block-29" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:24px;font-weight:900;letter-spacing:normal;line-height:1.5;text-align:left;margin-top:0;margin-bottom:0;mso-line-height-alt:36px"&gt;
&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6cfcaq%7Cw%7Ce6yydjxk9ccqX%5B%7C2ze%7Ej3l" target="_blank" style="text-decoration: none; color: #000000;" rel="noopener"&gt;&lt;span class="mce-content-body mce-edit-focus" style="word-break: break-word; position: relative;" id="78656008-2864-4a18-9faa-f909a13b7dc3" data-position="10-0-28" data-qa="tinyeditor-root-element"&gt;"Tenderness" Taps Into a Nuptials' Dark Side&lt;/span&gt;&lt;/a&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-30" width="100%" border="0" cellpadding="0" 
cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;div style="max-width:598px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6cfcaq%7Cw%7Ce6y2djxk9ccqX%5B%7C2ze%7Ej3l" target="_blank"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/hog/bgk/d6h/Tenderness-600x450.jpg" style="display:block;height:auto;border:0;width:100%" width="598" alt="" title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-31" 
width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Rowan Beaird knows that if a wedding is to go awry, an isolated island setting at least makes for great literature. (Brendan Tynan Buck)&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="divider_block block-32" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:20px;padding-bottom:20px;padding-left:10px;padding-right:10px" 
align="center"&gt;&lt;table border="0" cellpadding="0" cellspacing="0" role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-33" style="height:21px;line-height:21px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="text_block block-34" width="100%" border="0" cellpadding="0" 
cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-left:20px;padding-right:20px"&gt;&lt;div style="font-family:Tahoma,Verdana,sans-serif"&gt;&lt;div class style="font-size:14px;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;mso-line-height-alt:16.8px;color:#555;line-height:1.2"&gt;&lt;p style="margin:0;font-size:14px;mso-line-height-alt:16.8px"&gt;
&lt;span style="word-break: break-word; font-size: 16px; color: #429c95;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word;"&gt;BRAZIL&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-35" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:24px;font-weight:900;letter-spacing:normal;line-height:1.5;text-align:left;margin-top:0;margin-bottom:0;mso-line-height-alt:36px"&gt;
&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6cfcaq%7Cw%7Ce6y6djxk9ccqX%5B%7C2ze%7Ej3l" target="_blank" style="text-decoration: none; color: #000000;" rel="noopener"&gt;&lt;span class="mce-content-body mce-edit-focus" style="word-break: break-word; position: relative;" id="1b3b4da2-973f-4f79-b630-712571788495" data-position="10-0-34" data-qa="tinyeditor-root-element"&gt;Beatriz Buendia Touches the Sounds of Silence&lt;/span&gt;&lt;/a&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-36" width="100%" border="0" cellpadding="0" 
cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;div style="max-width:598px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6cfcaq%7Cw%7Ce6y-djxk9ccqX%5B%7C2ze%7Ej3l" target="_blank"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/kbi/enj/dpm/Portal-2026-600x450.png" style="display:block;height:auto;border:0;width:100%" width="598" alt="" title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-37" 
width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Gruta Contemporary Art Space in São Paulo presents "First Dive," the Brazilian painter’s first solo show. (José Bento Ferreira)&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="divider_block block-38" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:20px;padding-bottom:20px;padding-left:10px;padding-right:10px" align="center"&gt;
&lt;table border="0" cellpadding="0" cellspacing="0" role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-39" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" 
style="width:100%" align="center"&gt;&lt;div style="max-width:598px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6cfcaq%7Cw%7Ce6v%7Cdjxk9ccqX%5B%7C2ze%7Ej3l" target="_blank"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/kcw/yua/mwn/House%20Middle_Lower%20-%20December%202025%20-%20600x500.gif" style="display:block;height:auto;border:0;width:100%" width="598" alt="" title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-40" style="height:40px;line-height:40px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;
&lt;table class="heading_block block-41" width="100%" border="0" cellpadding="5" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;h1 style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:28px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:34px"&gt;
&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6cfcaq%7Cw%7Ce6yDdjxk9ccqX%5B%7C2ze%7Ej3l" target="_blank" style="text-decoration: underline; color: #000000;" rel="noopener"&gt;TODAY IN CULTURE&lt;/a&gt;&lt;br&gt;&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-42" width="100%" border="0" cellpadding="10" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div 
style="font-family:sans-serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:16.8px;color:#555;line-height:1.2"&gt;&lt;p style="margin:0;font-size:14px;text-align:center;mso-line-height-alt:16.8px"&gt;&lt;span style="word-break: break-word; color: #000000;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;By Ray Pride&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-43" 
style="height:40px;line-height:40px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="heading_block block-44" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;ART&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-45" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Renaissance Society Announces Karimah Ashadu Exhibition&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p 
style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;This fall, the Renaissance Society will present "Tendered," a solo exhibition by Karimah Ashadu. "Through film and sculpture, the exhibition marks the U.S. debut of 'MUSCLE,' a work that examines the conditions under which bodies are rendered legible within contemporary systems of labor and value, especially within the cultural context of Nigeria and its diaspora. 'Tendered' is curated by Myriam Ben Salah and Karsten Lund, and was commissioned in partnership with Fondazione In Between Art Film." September 12-November 1. More &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cfcaq%7Cw%7Ce6zedjxk9a" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;How Would You Reimagine "The Odyssey"?&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;The National Hellenic Museum and CNL Projects invite artists to submit proposals for "'The Odyssey': Reimagined," an exhibition about the lasting relevance of the story. The exhibition invites proposals for new or existing works, including but not limited to painting, sculpture, photography, textiles and digital media that draw inspiration from Homer's epic. Proposals are due by August 16. View more details &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cfcaq%7Cw%7Ce6z%7Cdjxk9a" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-46" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;DESIGN&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-47" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Michigan Ave Is Doing Fine, Now Fix That Great Street&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p 
style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"It has been a very trying three or four years on the Magnificent Mile. But a lot of folks there have worked very hard to turn those retail fortunes around. And they are seeing rewards," postulates the Tribune editorial board (&lt;em&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cfcaq%7Cw%7Ce6zmdjxk9a" style="text-decoration: underline; color: #0068A5;"&gt;gift link&lt;/a&gt;&lt;/em&gt;). Time "to turn our attention to State Street, an iconic Chicago thoroughfare if ever there was one and a corridor that, frankly, looks to be in terrible shape. It’s difficult to remember State Street looking much worse," they write, ranking on the reconstruction of the State and Lake El station.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-48" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;DINING &amp;amp; DRINKING&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-49" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:12px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:18px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Donnie Madia On What "The Bear" Has Done For Chicago Dining&lt;/strong&gt;&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"Even being a small part of 'The Bear' was such an honor. What I love most about the show isn’t just the beautiful shots of food or the storyline; it’s the depiction of the industry that I’ve dedicated my life and career to," writes One Off Hospitality partner Donnie Madia at the Trib (&lt;em&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cfcaq%7Cw%7Ce6zqdjxk9a" style="text-decoration: underline; color: #0068A5;"&gt;gift link&lt;/a&gt;&lt;/em&gt;). "It portrays the heart and soul of hospitality, and by that, I mean the pressure, the pride and the relentless pursuit of what it means to welcome people through our doors to take care of them. When I watch 'The Bear,' I see the people who are the backbone of this industry: It’s the cooks, servers, bartenders, managers, dishwashers, hosts, bakers and chefs, who are represented with honesty and integrity."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Hopewell Brewing Conjures Korean-Style Lagers&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"Korean-style lagers are an emerging craft beer trend that draws inspiration from Korean drinking culture, emphasizing light, malt-forward, food-friendly beers designed for sharing over meals," &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cfcaq%7Cw%7Ce6z%5Edjxk9a" style="text-decoration: underline; color: #0068A5;"&gt;reports Food &amp; Wine&lt;/a&gt;. "Chicago’s Hopewell Brewing has released Pocha, a five-percent ABV Korean-style lager. Pocha is short for 'pojangmacha,' which are Korean street vendors that sell tteokbokki, hotteok, gimbap and dakkochi. 'Pocha feels very much like a natural extension of the beers Hopewell gravitates toward, and always have since we started in 2016,' says Hopewell cofounder Samantha Lee. 'We’ve always strived to make styles that are really approachable and enjoyable and compatible to whatever else you might have going on for the evening, or your meal.'"&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Making Art From The Holiday Club's Sign Sparkles&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;A former Holiday Club patron &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cfcaq%7Cw%7Ce6zydjxk9a" style="text-decoration: underline; color: #0068A5;"&gt;posts a short process video&lt;/a&gt; on a personal project: "We rescued a handful of sparkles from the sign so we’d always have a little piece of it with us. When Holiday Club closed, we were honestly devastated. It was our neighborhood bar, we made so many memories there. So when they left the sign out on the street, we snuck out in the middle of the night with a pry bar and rescued a handful of the [round, disc] sparkles just to keep a piece of it forever. We mounted them to a backing, framed them and now they live in our home forever. Every time the light hits them, they shimmer just like they did outside Holiday Club." (The result is about the size of a standard movie poster.)&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Jefferson Park Shifts Festival Focus To Italian Beef&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"After twenty-five years, Jefferson Park’s namesake festival has rebranded to focus on Italian beef sandwiches," &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cfcaq%7Cw%7Ce6z2djxk9a" style="text-decoration: underline; color: #0068A5;"&gt;reports Block Club&lt;/a&gt;. "We wanted to build on what we already had with Jeff Fest, but also give the festival its own unique Chicago identity,” said Bella Ventresca, executive director of the Jefferson Park Chamber of Commerce, "If Italian beefs can be the thing that brings thousands of people into Jefferson Park, that is a huge win for our local economy and our businesses.” July 31-August 2. More &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cfcaq%7Cw%7Ce6z6djxk9a" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-50" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;FILM AND TELEVISION&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-51" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:12px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:18px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Woodridge: The Midwest Mecca For 70mm IMAX&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p 
style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;With only twenty-five theaters in the United States showing “The Odyssey” in IMAX 70mm, Woodridge "has become an unlikely destination for cinephiles," &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cfcaq%7Cw%7Ce6z-djxk9a" style="text-decoration: underline; color: #0068A5;"&gt;visits the Trib&lt;/a&gt;. "Cinemark always intended to have the Woodridge theater ready in time for 'The Odyssey,' installing the projector just weeks before opening night." The Woodridge site has only a single theater that can show IMAX 70mm, seating 250. There are five showtimes daily, starting at 7:45am, with the last screening of Christopher Nolan's three-hour epic at 2:40am.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Do Audiences Want More Movies That Show Effort?&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"This year's breakouts like 'Project Hail Mary' and 'Obsession' were made by filmmakers who sweated. While CG-stuffed franchise disappointments such as 'Supergirl,' 'Moana' and 'The Mandalorian and Grogu' looked lazy," &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cfcaq%7Cw%7Ce6zDdjxk9a" style="text-decoration: underline; color: #0068A5;"&gt;opines the Hollywood Reporter&lt;/a&gt;. "'The Odyssey' proves it: audiences want movies made the hard way."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Another Documentary On Chicago Violence From The Invisible Institute And Bill Morrison&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"Sawyer Avenue, Sunday Afternoon" is a short documentary that reconstructs the October 12, 2025 detention of a Chicago resident by masked federal immigration agents without presenting a warrant. The documentary, produced in collaboration with the Invisible Institute's Jamie Kalven and María Inés Zamudi, has been published by the New Yorker with an accompanying text. The film uses body-worn camera footage, cellphone video and investigative reporting: "As neighbors emerged from their homes and attempted to stop their vehicle from leaving their block, many documented the encounter on their phones." (&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6cfcaq%7Cw%7Ce67ydjxk9ccqX%5B%7C2ze%7Ej3l" target="_blank" style="text-decoration: underline; color: #0068A5;" rel="noopener"&gt;More&lt;/a&gt;.)&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Lucas Museum Of Narrative Art Putting Film To Loop&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Two state-of-the-art theaters dedicated to "avant garde" and documentary filmmaking will open at the Lucas Museum Of Narrative Art in Los Angeles, &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cfcaq%7Cw%7Ce60%7Cdjxk9a" style="text-decoration: underline; color: #0068A5;"&gt;the institution announces&lt;/a&gt;. Named for documentary pioneer Robert Flaherty and montage maestro Slavko Vorkapich, the rooms will be christened by "curated film selections screened on a non-stop basis throughout the day, offering visitors an open-door, drop-in gallery-like experience." Explains Ryan Linkof, senior curator and head of film programs, "we wanted to offer an alternative to the traditional museum film program and to create a dynamic, open-door experience designed for discovery, allowing audiences to encounter cinema as a living, breathing art form at their own pace." View a trailer on the program &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cfcaq%7Cw%7Ce60mdjxk9a" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Paramount-Warner Merger Delayed For Months&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;text-align:left;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;“Paramount said on Friday that it had agreed to halt its merger with Warner Bros. Discovery until next June at the latest while a judge considers a lawsuit from state attorneys general who sued to block the deal. The delay throws into doubt the future of a deal that would remake Hollywood,” reports the New York Times (&lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cfcaq%7Cw%7Ce60qdjxk9a" style="text-decoration: underline; color: #0068A5;"&gt;gift link&lt;/a&gt;). “In a legal filing, Paramount and the state attorneys general said that they had reached an agreement to &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cfcaq%7Cw%7Ce60%5Edjxk9a" style="text-decoration: underline; color: #0068A5;"&gt;freeze the $111 billion merger&lt;/a&gt; while the case works its way through court, extending a shorter pause imposed by a federal judge in California last week.”&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;text-align:left;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-52" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;LIT&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-53" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:12px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:18px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Homer Translator Sees Los Angeles In Christopher Nolan's Ithaca&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Emily Wilson, "The Odyssey" translator whom filmmaker Christopher Nolan reportedly favors, &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cfcaq%7Cw%7Ce60ydjxk9a" style="text-decoration: underline; color: #0068A5;"&gt;shared some thoughts on the film&lt;/a&gt;: "This is a film about living in L.A., as Nolan, my erstwhile British compatriot and age mate, has done for years. I gather it’s a strange place. Calypso: the very lovely therapist, doles out great psychiatric drugs, and you may stay in treatment for many years. Who knows which memories of your trauma are real? Circe: the plastic surgeon. Gives people the look they were always meant to have. It’s violent and scary, but oh so tempting... So many people in masks. Everyone is obsessed by shame but doesn’t want to talk about it. The A list celebrities are very humble and grateful. Nobody ever has a normal meal, and everyone is focused on looking sexy rather than having sex. But mostly, a journey that should take half an hour ends up taking ten years. Traffic."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;"I'm Obsessed With Camille Bordas"&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"Several months ago, I asked Camille Bordas if I could interview her to mark the release of her debut story collection, 'One Sun Only,'" &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cfcaq%7Cw%7Ce602djxk9a" style="text-decoration: underline; color: #0068A5;"&gt;writes author Catherine Lacey&lt;/a&gt;. "Back when I lived in Chicago, Camille was one of the first and few friends I made there. It was 2016 and she had just finished her first novel in English after having written a few in French and she’d also started, for the first time, to write short stories. Shortly after we met, she published the first short story she’d ever written in The New Yorker. Maybe I don’t have to explain how unlikely and exciting that was and still is." (&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6cfcaq%7Cw%7Ce672djxk9ccqX%5B%7C2ze%7Ej3l" target="_blank" style="text-decoration: underline; color: #0068A5;" rel="noopener"&gt;More&lt;/a&gt;.)&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Dave Eggers And Salman Rushdie Enter Den Of AI&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Promoting his new novel "Contrapposto," Dave Eggers &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cfcaq%7Cw%7Ce606djxk9a" style="text-decoration: underline; color: #0068A5;"&gt;spoke with the Guardian&lt;/a&gt; in a rare extended interview. He's got strong words about AI: "'Only you can think of what you can think of. Only you can tell a story in a particular way. Why would you cede that to a machine?' Eggers’ voice, usually quiet, almost monotone, rises as he warms to his theme. 'Once you have a machine think for you and write for you, you’re cooked as a species. That’s it. That’s the worse dystopian outcome there could ever be,' he says." (&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6cfcaq%7Cw%7Ce676djxk9ccqX%5B%7C2ze%7Ej3l" target="_blank" style="text-decoration: underline; color: #0068A5;" rel="noopener"&gt;More&lt;/a&gt;.)&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-54" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;MEDIA&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-55" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:12px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:18px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;New Indie Mags Bloom In Chicago&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p 
style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Chicago has seen a boom in indie print publications, &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cfcaq%7Cw%7Ce60Ddjxk9a" style="text-decoration: underline; color: #0068A5;"&gt;surveys the Reader&lt;/a&gt;. Some issues are themed: "Queer nightlife magazine The Issue, which has published three times since launching in March 2025, focuses on queer nightlife, while 'part literary mag, part lifestyle' magazine Gab has put out three issues since spring 2024," writing about "break-ups, coming-of-age and illusions. Others curate submissions from local creatives: the pub, a quarterly, print-only publication, commissions a blend of Chicago-based long-form reporting, creative writing and DIY, underground scene-based writing; and self-described archival project Write That Down! releases seasonal, biannual issues with submissions reflecting everyday mementos and anecdotes from Chicago."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-56" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;MUSIC&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-57" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:12px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:18px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;John Prine Mural Painted On The Old Town School Of Folk Music&lt;/strong&gt;&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"For John Prine fans, the massive new mural painted on the Old Town School of Folk Music in Lincoln Square can prompt pedestrians to stop and blink back tears," &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cfcaq%7Cw%7Ce67edjxk9a" style="text-decoration: underline; color: #0068A5;"&gt;pictures the Sun-Times&lt;/a&gt;. "The Maywood native and folk music legend died in 2020 from COVID complications. This month, his friend and fellow musician Jon Langford, who designed the mural, teamed up with Chicago artist Darius Dennis, owner of Big Wall Sign &amp; Mural, to paint a tribute to Prine on the school’s second-story brick wall during its annual Square Roots Festival. Prine once took lessons there in the 1960s and remained a mainstay as his career took off."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Lollapalooza Adds THC Drinks To Its Lineup&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;At Lollapalooza, "anyone twenty-one or older can drink a twelve-ounce Señorita margarita in flavors from locally based Rhythm Beverages," &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cfcaq%7Cw%7Ce67%7Cdjxk9a" style="text-decoration: underline; color: #0068A5;"&gt;reports WGN-TV News&lt;/a&gt;. "The non-alcoholic drinks are already offered at the United Center, Navy Pier and the Windy City Smokeout."&lt;/span&gt;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-58" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;STAGE&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-59" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Jackalope Opens Seventeenth "Living Newspaper"&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p 
style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Jackalope Theatre Company has set its schedule for the seventeenth annual Living Newspaper Festival, inspired by the 1930s Living Newspapers of the Federal Theatre Project that created stories based on recent events. Each night, the festival includes five one-act plays inspired from recent news headlines. Hosted by Jackalope Theatre in the Broadway Armory at 5917 North Broadway, August 20-24. Tickets to the seventy-five-minute production and more &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cfcaq%7Cw%7Ce67mdjxk9a" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;M.A.D.D. Rhythms Celebrates Twenty-Five Years Of Tap&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"M.A.D.D. Rhythms provides low-cost arts education and leadership opportunities for young people, connecting them with elders and other professionals in the field," &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cfcaq%7Cw%7Ce67qdjxk9a" style="text-decoration: underline; color: #0068A5;"&gt;reports South Side Weekly.&lt;/a&gt; "The tap dance institution is celebrating its twenty-fifth anniversary through events while continuing to foster community, mentorship and connection on the South Side. Since its founding, M.A.D.D. Rhythms’ performance company has appeared both nationally and internationally."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;A Lollapalooza For Broadway? A Weekend At The Festival&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p id="mntl-sc-block_2-0" 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"For decades, theater fans have flocked to Broadway hoping to catch their favorite performers onstage. But what if, instead of seeing one show, they could spend an entire weekend surrounded by stage stars—watching concerts under the stars, singing show tunes around a campfire, dancing at a Broadway rave and stumbling upon surprise collaborations that could only happen in one place? That’s the dream behind The Festival, a new three-day event taking over Kingston, New York’s Hutton Brickyards from August 14-16," &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cfcaq%7Cw%7Ce67%5Edjxk9a" style="text-decoration: underline; color: #0068A5;"&gt;reports People&lt;/a&gt;. (&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6cfcaq%7Cw%7Ce67-djxk9ccqX%5B%7C2ze%7Ej3l" target="_blank" style="text-decoration: underline; color: #0068A5;" rel="noopener"&gt;More&lt;/a&gt;.)&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-60" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p 
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&lt;table class="image_block block-2" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;div style="max-width:598px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6cffaq%7Cw%5Ee69mdjBm%5EccqX%5B%7C2ze%7Ej3l" target="_blank"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/ifp/be7/h4k/House%20Top%20-%20December%202025%20600%20x%20250.gif" style="display:block;height:auto;border:0;width:100%" 
width="598" alt="" title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="divider_block block-3" width="100%" border="0" cellpadding="10" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" align="center"&gt;&lt;table border="0" cellpadding="0" cellspacing="0" role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;
&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-4" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:5px;padding-bottom:5px;padding-left:20px;padding-right:20px" align="center"&gt;&lt;div style="max-width:350px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6cffaq%7Cw%5Ee69qdjBm%5EccqX%5B%7C2ze%7Ej3l" target="_blank"&gt;&lt;img 
src="https://d15k2d11r6t6rl.cloudfront.net/pub/40qd/br3kliar/trm/f81/xfb/NewcityLogoEmail.png" style="display:block;height:auto;border:0;width:100%" width="350" alt="" title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="divider_block block-5" width="100%" border="0" cellpadding="10" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" align="center"&gt;&lt;table border="0" cellpadding="0" cellspacing="0" role="presentation" width="100%" 
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style="padding-top:20px;padding-bottom:10px;padding-left:20px;padding-right:20px"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Leaving the White Sox ballpark after the game Sunday, we received a couple of unsolicited offers for the Munetaka Murakami bobbleheads we'd been given in a promotion that day, including one for forty dollars, which was more than the ticket cost that yielded that potential dividend.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;There was a logic to the arbitrage underway. 15,000 fans were given bobbleheads, but I suspect many just came to watch baseball and were happy to offload them to collectors who just wanted the merch without the experience it accompanied.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Secondary markets like this are as old as the human race, probably dating back to the earliest art market, when you might imagine some buyer wanting the cavern real estate without the Lascaux cave paintings that were included.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;But the acceleration of market-making like we're seeing today, accompanied by the spread of casinos and sports betting, as well as the rise in prediction markets like Kalshi and Polymarket, makes me wonder if the future of our species is that we'll soon spend all our time making trades of one kind or another.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;Does anyone want to bet on it?&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-7" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" 
style="width:100%;padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px" align="left"&gt;&lt;div style="max-width:104px"&gt;&lt;img src="https://d15k2d11r6t6rl.cloudfront.net/pub/40qd/br3kliar/ier/gbh/bha/unnamed-1_1.png" style="display:block;height:auto;border:0;width:100%" width="104" alt="" title="" height="auto"&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-8" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px; color: #000000;"&gt;Brian Hieggelke&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px; color: #000000;"&gt;Editor &amp; Publisher&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;em&gt;Order the summer double issue of the magazine &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6cffaq%7Cw%5Ee69%5EdjBm%5EccqX%5B%7C2ze%7Ej3l" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;. Order a subscription &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6cffaq%7Cw%5Ee69ydjBm%5EccqX%5B%7C2ze%7Ej3l" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt; and the September issue will be your first.&amp;nbsp;&lt;/em&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table 
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&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-10" style="height:21px;line-height:21px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="text_block block-11" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-left:20px;padding-right:20px"&gt;&lt;div style="font-family:Tahoma,Verdana,sans-serif"&gt;&lt;div class 
style="font-size:14px;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;mso-line-height-alt:16.8px;color:#555;line-height:1.2"&gt;&lt;p style="margin:0;font-size:14px;mso-line-height-alt:16.8px"&gt;&lt;span style="word-break: break-word; font-size: 16px; color: #65d68b;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word;"&gt;ART&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-12" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px" align="center"&gt;&lt;h1 style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:24px;font-weight:900;letter-spacing:normal;line-height:1.5;text-align:left;margin-top:0;margin-bottom:0;mso-line-height-alt:36px"&gt;
&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6cffaq%7Cw%5Ee6DqdjBm%5EccqX%5B%7C2ze%7Ej3l" target="_blank" style="text-decoration: none; color: #000000;" rel="noopener"&gt;&lt;span class="mce-content-body mce-edit-focus" style="word-break: break-word; position: relative;" id="5275e7e2-6809-46d0-904a-d8a47f283868" data-position="10-0-11" data-qa="tinyeditor-root-element"&gt;Goodnight Supermoon&lt;/span&gt;&lt;/a&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-13" width="100%" border="0" cellpadding="0" cellspacing="0" 
role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;div style="max-width:598px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6cffaq%7Cw%5Ee6D%5EdjBm%5EccqX%5B%7C2ze%7Ej3l" target="_blank"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/l1t/mss/v6j/David-Hockney-600x450.jpeg" style="display:block;height:auto;border:0;width:100%" width="598" alt="" title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-14" width="100%" 
border="0" cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
The late David Hockney's exhibition at Gray captures the elusive magic of the Moon. (Elisa Shoenberger)&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="divider_block block-15" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:10px;padding-bottom:20px;padding-left:10px;padding-right:10px" align="center"&gt;&lt;table border="0" cellpadding="0" cellspacing="0" role="presentation" width="100%" 
style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-16" style="height:21px;line-height:21px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="text_block block-17" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-left:20px;padding-right:20px"&gt;&lt;div style="font-family:Tahoma,Verdana,sans-serif"&gt;&lt;div class style="font-size:14px;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;mso-line-height-alt:16.8px;color:#555;line-height:1.2"&gt;&lt;p style="margin:0;font-size:14px;mso-line-height-alt:16.8px"&gt;
&lt;span style="word-break: break-word; font-size: 16px; color: #5b7ead;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word;"&gt;FILM&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-18" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:24px;font-weight:900;letter-spacing:normal;line-height:1.5;text-align:left;margin-top:0;margin-bottom:0;mso-line-height-alt:36px"&gt;
&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6cffaq%7Cw%5Ee6DydjBm%5EccqX%5B%7C2ze%7Ej3l" target="_blank" style="text-decoration: none; color: #000000;" rel="noopener"&gt;&lt;span class="mce-content-body mce-edit-focus" style="word-break: break-word; position: relative;" id="65bb78d6-53a4-47a0-a923-37462b007c84" data-position="10-0-17" data-qa="tinyeditor-root-element"&gt;Film Top 5: August 2026&lt;/span&gt;&lt;/a&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-19" width="100%" border="0" cellpadding="0" cellspacing="0" 
role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;div style="max-width:598px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6cffaq%7Cw%5Ee6D2djBm%5EccqX%5B%7C2ze%7Ej3l" target="_blank"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/1u5/qq7/a8v/millenniummambo22-600x450.jpeg" style="display:block;height:auto;border:0;width:100%" width="598" alt="" title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-20" 
width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;The Music Box 70mm engagement of "The Odyssey" continues this month, and will be put up against Jean-Luc Godard's masterpiece, a take on Homer and crossing oceans and losing the world's most beautiful woman. (Ray Pride)&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="divider_block block-21" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" 
style="padding-top:10px;padding-bottom:20px;padding-left:10px;padding-right:10px" align="center"&gt;&lt;table border="0" cellpadding="0" cellspacing="0" role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-22" style="height:45px;line-height:45px;font-size:1px"&gt;
&amp;#8202;&lt;/div&gt;&lt;table class="image_block block-23" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-left:20px;padding-right:20px" align="center"&gt;&lt;div style="max-width:400px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6cffaq%7Cw%5Ee6-edjBm%5EccqX%5B%7C2ze%7Ej3l" target="_blank"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/q6i/gpd/eol/Newcity_2026-07-08_Cover%20Footer.jpeg" 
style="display:block;height:auto;border:0;width:100%" width="400" alt="" title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-24" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class 
style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:18.2px;color:#000;line-height:1.3"&gt;&lt;p style="margin:0;font-size:14px;text-align:center;mso-line-height-alt:26px"&gt;&lt;span style="word-break: break-word; font-size: 20px;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word;"&gt;JULY-AUGUST 2026:&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:14px;text-align:center;mso-line-height-alt:26px"&gt;
&lt;span style="word-break: break-word; font-size: 20px;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word;"&gt;AMERICA 250 + ART IN MICHIGAN&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;br&gt;
&lt;span style="word-break: break-word; font-size: 20px;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word;"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6cffaq%7Cw%5Ee6-%7CdjBm%5EccqX%5B%7C2ze%7Ej3l" target="_blank" style="text-decoration: none; color: #19638e;" rel="noopener"&gt;GET THE ISSUE&lt;/a&gt; | &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6cffaq%7Cw%5Ee6-mdjBm%5EccqX%5B%7C2ze%7Ej3l" target="_blank" style="text-decoration: none; color: #19638e;" rel="noopener"&gt;SUBSCRIBE&lt;/a&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div 
class="spacer_block block-25" style="height:40px;line-height:40px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="divider_block block-26" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:10px;padding-bottom:20px;padding-left:10px;padding-right:10px" align="center"&gt;&lt;table border="0" cellpadding="0" cellspacing="0" role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;
&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-27" style="height:21px;line-height:21px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="text_block block-28" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad" 
style="padding-left:20px;padding-right:20px"&gt;&lt;div style="font-family:Tahoma,Verdana,sans-serif"&gt;&lt;div class style="font-size:14px;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;mso-line-height-alt:16.8px;color:#555;line-height:1.2"&gt;&lt;p style="margin:0;font-size:14px;mso-line-height-alt:16.8px"&gt;&lt;span style="word-break: break-word; font-size: 16px; color: #000000;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word;"&gt;NEWCITY&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table 
class="heading_block block-29" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:24px;font-weight:900;letter-spacing:normal;line-height:1.5;text-align:left;margin-top:0;margin-bottom:0;mso-line-height-alt:36px"&gt;
&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6cffaq%7Cw%5Ee6D6djBm%5EccqX%5B%7C2ze%7Ej3l" target="_blank" style="text-decoration: none; color: #000000;" rel="noopener"&gt;&lt;span class="mce-content-body mce-edit-focus" style="word-break: break-word; position: relative;" id="7f33edbf-f0ce-4060-ab13-85d950902346" data-position="10-0-28" data-qa="tinyeditor-root-element"&gt;Free Will Astrology: Week of July 30, 2026&lt;/span&gt;&lt;/a&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-30" width="100%" border="0" cellpadding="0" 
cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;div style="max-width:598px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6cffaq%7Cw%5Ee6D-djBm%5EccqX%5B%7C2ze%7Ej3l" target="_blank"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/qku/iqk/evr/laura-paraschivescu-2h8R4Tt9QP0-unsplash-600x450.jpg" style="display:block;height:auto;border:0;width:100%" width="598" alt="" title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table
 class="text_block block-31" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Imagine performing an action like shooting a basketball or playing piano. (Rob Brezsny)&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="divider_block block-32" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:20px;padding-bottom:20px;padding-left:10px;padding-right:10px" align="center"&gt;&lt;table border="0" cellpadding="0" 
cellspacing="0" role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-33" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;div 
style="max-width:598px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6cffaq%7Cw%5Ee6-6djBm%5EccqX%5B%7C2ze%7Ej3l" target="_blank"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/kcw/yua/mwn/House%20Middle_Lower%20-%20December%202025%20-%20600x500.gif" style="display:block;height:auto;border:0;width:100%" width="598" alt="" title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-34" style="height:40px;line-height:40px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="heading_block block-35" 
width="100%" border="0" cellpadding="5" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;h1 style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:28px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:34px"&gt;
&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6cffaq%7Cw%5Ee6DDdjBm%5EccqX%5B%7C2ze%7Ej3l" target="_blank" style="text-decoration: underline; color: #000000;" rel="noopener"&gt;TODAY IN CULTURE&lt;/a&gt;&lt;br&gt;&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-36" width="100%" border="0" cellpadding="10" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div 
style="font-family:sans-serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:16.8px;color:#555;line-height:1.2"&gt;&lt;p style="margin:0;font-size:14px;text-align:center;mso-line-height-alt:16.8px"&gt;&lt;span style="word-break: break-word; color: #000000;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;By Ray Pride&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-37" 
style="height:40px;line-height:40px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="heading_block block-38" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;ART&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-39" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;George Clinton's Afrofuturist Paintings Make Mothership Of Chicago&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Eighty-five-year-old Parliament-Funkadelic leader George Clinton’s works are on view through September 5 at Mariane Ibrahim Gallery in West Town, &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cffaq%7Cw%5Ee6EedjBm%5Ea" style="text-decoration: underline; color: #0068A5;"&gt;writes the Sun-Times&lt;/a&gt;. Although colorblind, Clinton has created "vibrant motherships using acrylic, spray paint and charcoal. The exhibit even includes a tiny replica of the iconic, $500,000 spaceship (&lt;em&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cffaq%7Cw%5Ee6E%7CdjBm%5Ea" style="text-decoration: underline; color: #0068A5;"&gt;gift link&lt;/a&gt;&lt;/em&gt;) that he debuted on his P-Funk Earth Tour in 1976. Building upon the universe he created as the leader of Parliament-Funkadelic, his visual art underscores his contribution to Afrofuturism, a cultural movement that envisions a future of liberation for Black people. 'He is a pre-internet architect of Afrofuturism vocabulary and imagery,' said Ibrahim, a French-Somali gallerist who also owns spaces in Paris and Mexico City."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Detroit Institute Of Arts Receives Major Gift Of 2,000 Modern And Contemporary Artworks&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"The Detroit Institute of Arts has received one of the largest gifts in its history: more than 2,000 modern and contemporary artworks from the estate of Detroit collectors Gilbert B. and Lila Silverman," &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cffaq%7Cw%5Ee6EmdjBm%5Ea" style="text-decoration: underline; color: #0068A5;"&gt;reports ARTnews&lt;/a&gt;. "The donation, which includes nearly 500 artists, will begin going on public view in November when the museum reopens its newly renovated Modern and Contemporary Art galleries." The couple spent decades assembling one of the country’s leading collections of postwar and contemporary art while maintaining deep ties to the Detroit museum. Gilbert Silverman "recalled watching Diego Rivera paint the museum’s famed 'Detroit Industry' murals as a boy, even shaking the artist’s hand."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Painter-Sculptor Joyce Kozloff Unmasks As Co-Founder Of Guerrilla Girls&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;American painter and sculptor Joyce Kozloff has revealed herself as a co-founder of the Guerrilla Girls in an interview &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cffaq%7Cw%5Ee6EqdjBm%5Ea" style="text-decoration: underline; color: #0068A5;"&gt;at Art Journal Open&lt;/a&gt;. "In 1985, two women artists, a generation younger, invited me to a meeting to start a new kind of feminist project. There were seven at first, and only three of us had been through the 1970s women’s movement. The younger women said that no one was interested in feminism anymore, that we had to change our language and our visual style, which had become a turnoff," says Kozloff. "It was a surprising conversation for me: We decided to call ourselves the Guerrilla Girls, wear fishnet hose and short skirts, call out the worst misogynists in the art world, appear publicly in masks, like avengers. We quickly expanded our ranks. A new member had misunderstood our name, brought a gorilla mask to a meeting, and &lt;em&gt;voila&lt;/em&gt;!"&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-40" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;DESIGN&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-41" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;A Look At Egyptian Design And History Across The City&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p 
style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;At Architectural Digest, &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cffaq%7Cw%5Ee6E%5EdjBm%5Ea" style="text-decoration: underline; color: #0068A5;"&gt;Shalbha Sarda surveys Chicago sites &lt;/a&gt;with ties to ancient Egyptian architecture and history: "Egyptomania is alive and well across the world, and Egyptian Revival architecture remains one of history's most curious design movements, leaving an indelible mark on cities far beyond the Nile. But few places have embraced this fascination quite like Chicago, where pharaohs, hieroglyphs, tombs and papyrus have found a surprising second life. Here we trace the city's surprising love affair with Ancient Egypt."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Driehaus Hosts A Summer Market In The Murphy Auditorium&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;The Driehaus Museum will host a summer market in August, "a lively local shopping experience in our Murphy Auditorium. Browse vintage jewelry, discover local artisans and explore unique finds from our favorite local artists, designers and bakers." August 8, 11am-5pm. View vendors, more details and RSVP &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cffaq%7Cw%5Ee6EydjBm%5Ea" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;.&lt;/span&gt;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-42" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;DINING &amp;amp; DRINKING&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-43" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:12px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:18px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;"Where Have All The Buybacks Gone?"&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p 
style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"They're the four words every regular loves to hear: 'This one’s on me.' Whether it’s an extra pint of Guinness or a free gin &amp; tonic, a buyback—the practice of giving the occasional drink on the house to a well-liked patron on a loosely regulated cadence—has been a time-honored tradition of American bar culture since at least the repeal of Prohibition nearly a century ago," &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cffaq%7Cw%5Ee6E2djBm%5Ea" style="text-decoration: underline; color: #0068A5;"&gt;investigates Punch&lt;/a&gt;. But over the past quarter-century, "the once reliable cultural norm has become a relic of a bygone era. As far back as 1999, news outlets have pondered whether tighter profit margins and declining bar patronage have spelled the end of the friendly freebie."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;"For Matt Grimm, a bartender at the famed Chicago dive bar Rainbo Club, the fastest way to ensure you won’t get a buyback is 'If you ask for one because "It’s my birthday" or "It's my friend's birthday." If I buy drinks for everyone whose birthday it was, we'd be losing money.'"&lt;/span&gt;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Alinea Chef Hosting Residency At Charlie Trotter Space&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"Esmero is a limited-run residency led by Chef Adair Canacasco in exploration of his Mexican identity, family memory and craftmanship. Translating to 'great care and dedication,' esmero embodies the meticulous care and intention present in every dish and detail," writes the Alinea Group. "Born in Mexico City and raised in the Midwest, Chef Canacasco has helped build the Alinea Group’s kitchens for nearly a decade. His cuisine is shaped by memory, rooted in heritage and driven by curiosity." Reservations and more on Tock &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cffaq%7Cw%5Ee6E6djBm%5Ea" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;The Civic Presence Of Four-Star Mushrooms&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Four Star Mushrooms, which "supplies and delivers to a few hundred restaurants across the Chicago area," was one of many local dining institutions featured in "The Bear." Their connection to the series "began through Ever, where a chef working as a culinary consultant for the show recruited some of the restaurant’s longtime vendors for the production," &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cffaq%7Cw%5Ee6E-djBm%5Ea" style="text-decoration: underline; color: #0068A5;"&gt;co-founder Joe Weber tells Block Club&lt;/a&gt; from their 14,000-square-foot West Loop indoor warehouse. “They called us, and they’re like, ‘Hey, we need like twenty cases of mushrooms tomorrow,’” Weber said. “It was pretty cool to see that come onscreen.”&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Bucktown Lines Up For Bad Butter's Monkey Bread&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;The line for monkey bread is still long at Bad Butter, the Bucktown neighborhood storefront from Soho House pastry chef Dan the Baker (aka Dan Koester), &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cffaq%7Cw%5Ee6EDdjBm%5Ea" style="text-decoration: underline; color: #0068A5;"&gt;reports Eater Chicago&lt;/a&gt;. Eater commends "the harissa monkey bread ($7). Deeply charred, orange-tinged oil permeates the bread’s cracks and crevices, and the top receives a fried egg-sized splatter of creamy labneh that’s made richer with a pool of olive oil. Despite the oil, the dough maintained a shocking lightness, the cheese nicely balancing out the harissa heat."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Beerlao Breaks Into The Midwest&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"Stacy Seuamsothabandith, CEO of Laos to Your House, fondly remembers her Lao relatives drinking Beerlao at family gatherings during her childhood in the Quad Cities," &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cffaq%7Cw%5Ee6FedjBm%5Ea" style="text-decoration: underline; color: #0068A5;"&gt;reports the Sun-Times&lt;/a&gt;. "Beerlao, brewed with Lao jasmine rice and European malt, hops and yeast, is considered the national beer of Laos. It was hard to find in the Chicago area until Laos to Your House recently became Beerlao’s importer in some Midwest states.&amp;nbsp;The rice in Beerlao gives it a smooth finish that goes well with southeast Asian cuisine."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Auctioning Off Colonel Sanders' Legacy&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"In the town where Kentucky Fried Chicken grew up, they’ll auction off Colonel Sanders' home, restaurant and maybe even the secret spice mix of a cantankerous innovator," reports the New York Times (&lt;em&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cffaq%7Cw%5Ee6F%7CdjBm%5Ea" style="text-decoration: underline; color: #0068A5;"&gt;gift link&lt;/a&gt;&lt;/em&gt;). "At Blackwood Hall, the nineteenth-century plantation-style house in Shelbyville, Kentucky, where he once taught franchise owners how to pressure-cook chicken while his wife bagged his secret mix of eleven herbs and spices, people still remember the real Colonel Sanders: a generous, cantankerous perfectionist, with a talent for swearing, who regretted selling his company for $2 million in 1964."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-44" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;FILM AND TELEVISION&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-45" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:12px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:18px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Chicago's Historic Loop Critics' Screening Room Will Close With Residential Conversion&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;A seventeen-story, ninety-nine-year-old office building in the Loop at 70 East Lake will be converted into about 170 luxury apartments, which means the forty-eight-seat Lake Street Screening Room in the building will close. &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cffaq%7Cw%5Ee6FmdjBm%5Ea" style="text-decoration: underline; color: #0068A5;"&gt;At the Roger Ebert site&lt;/a&gt;, Richard Roeper writes,&amp;nbsp;"For me and for my fellow critics from the Chicago area (especially the veterans), there was a deeply personal element, because for decades, that gorgeous and weathered Gothic Revival/Art Deco building has been home to one of the most iconic screening rooms in the world."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Painstaking projectionist-proprietor Steve Kraus has worked there for forty or so years—prior owners included Plitt and Cineplex, two defunct theater chains—and owned the space since 2000. Will Kraus open another screening room when 70 East Lake closes? "No. Business is too low. It pays the bills but not much beyond. It’s been a good run. No complaints." Kraus doesn't yet know when it ends—"could be a matter of months or years"—and "there’s even 'a remote chance they wish to keep the space as an amenity.'"&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;The $100 Million Market In Popcorn Buckets&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"Once, a tub of popcorn was just a tub of popcorn. Now, 'collectible concession vessels' could make AMC more than $100 million," reports the New York Times (&lt;em&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cffaq%7Cw%5Ee6FqdjBm%5Ea" style="text-decoration: underline; color: #0068A5;"&gt;gift link&lt;/a&gt;&lt;/em&gt;). "These special-edition snack receptacles are designed for major movies and can sell for as much as $70. All the studios and theater chains want in on them, because for somewhat inexplicable reasons, they have become astonishingly lucrative. AMC Theatres estimates that this year, buckets will generate $100 million in revenue, nearly double the level of 2023. Cinemark Theatres, the country’s third-largest chain, says bucket sales helped its merchandise revenue increase forty percent from 2024 to 2025."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;text-align:left;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-46" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;MEDIA&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-47" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:12px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:18px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;"Dear Abby" Retires After Forty Years&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p 
style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"I am now in my thirty-ninth year of penning the 'Dear Abby' column, which started on January 9, 1956, written by my late mother, Pauline Phillips," &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cffaq%7Cw%5Ee6F%5EdjBm%5Ea" style="text-decoration: underline; color: #0068A5;"&gt;writes Jeanne Phillips at the Sun-Times&lt;/a&gt;, the column's berth. "When I began writing it in 1987, I promised myself that when the time came to retire, I would step aside to live life without a deadline. In the years ahead, my column will continue to serve you. It will be written by a capable editorial staff. Please wish me a happy retirement as I open this new chapter of my life."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;NPR On A Year In Public Media After Federal-Fund Wipeout&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"While NPR was the main target of conservatives' wrath, it had received less than two percent of its annual revenue directly from the federal government," &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cffaq%7Cw%5Ee6FydjBm%5Ea" style="text-decoration: underline; color: #0068A5;"&gt;reports NPR&lt;/a&gt;. But "federal funding made up, on average, eight to ten percent of public radio stations' budgets; for PBS and public television stations, the share was even higher. Rural stations, with the fewest donors, depended the most on government support." The Corporation for Public Broadcasting, "which had been set up in 1967 expressly to funnel federal money to local stations, &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cffaq%7Cw%5Ee6F2djBm%5Ea" target="_blank" rel="noopener" style="text-decoration: underline; color: #0068A5;"&gt;went out of business&lt;/a&gt;." One factor for other funds coming in across the country: "white-hot rage-giving."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-48" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;MUSIC&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-49" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:12px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:18px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Red Line Jazz Festival With Fareed Haque&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p 
style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Mandala South Asian Performing Arts and jazz guitarist Fareed Haque will present the Red Line Jazz Festival this October. The evening of music and dance celebrates "the communities connected by the Red Line corridor," and is curated by Haque, who is also performing at the concert. The lineup includes Luciano Antonio, Butter Chicken Brass Band, Windy City Ramblers and several members of the Chicago Immigrant Orchestra joined by the Association for the Advancement of Creative Musicians (AACM). The multifaceted performance is the capstone concert of the community-building &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cffaq%7Cw%5Ee6F6djBm%5Ea" style="text-decoration: underline; color: #0068A5;"&gt;Red Line Jazz Project&lt;/a&gt;, a five-month public arts initiative that has been stationed at public transit and community spaces with free live music and cultural programming. Harris Theater, Friday, October 16, 7:30pm. Tickets ($20 and up) and more &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cffaq%7Cw%5Ee6F-djBm%5Ea" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-50" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;STAGE&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-51" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Is Nonprofit Theater "Not Coming Back"?&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p 
style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"As the artistic director of New York's Public Theater and one of the art form's most prominent leaders, Oskar Eustis is known to get the art world talking," reports the Los Angeles Times (&lt;em&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cffaq%7Cw%5Ee6FDdjBm%5Ea" style="text-decoration: underline; color: #0068A5;"&gt;free link&lt;/a&gt;&lt;/em&gt;).&amp;nbsp;When Eustis, sixty-seven, announced last week "that he would step down from his role at the Public in 2028—after twenty-three years—he said in a New York Times interview (&lt;em&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cffaq%7Cw%5Ee6MedjBm%5Ea" style="text-decoration: underline; color: #0068A5;"&gt;gift link&lt;/a&gt;&lt;/em&gt;) that 'the American nonprofit theater movement is over.' This has been whispered about and lamented since the pandemic led to temporary theater closures across the country that have since become permanent, but it is rare to hear it expressed so candidly... How does theater move on in the face of obstacles that at times feel as though they are scattered across an increasingly difficult course? In a wide-ranging follow-up interview, Eustis addressed the path forward."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Dance Theatre Of Harlem Returns To Chicago For First Time In A Decade&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;The Auditorium begins its dance season, "North American Dance," with a performance by the American ballet company Dance Theatre of Harlem. The company’s first Chicago show since 2016 will include a trio of works from the company’s extensive repertoire, including the recently revived "Firebird," a reimagining of the traditional ballet based on a Russian folktale set in a lush Caribbean world. Saturday, October 17, 7:30pm. Tickets ($44-$154) &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cffaq%7Cw%5Ee6M%7CdjBm%5Ea" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;What Does "Cats"' Closing Say Of The State Of Broadway?&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"Cats: The Jellicle Ball" "shutting down is sending alarm bells across the Great White Way as producers contend with rising costs and changing audience behaviors," &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cffaq%7Cw%5Ee6MmdjBm%5Ea" style="text-decoration: underline; color: #0068A5;"&gt;writes the Hollywood Reporter&lt;/a&gt;. "The revival, which reimagined the eighties classic as a queer ballroom competition, was critically acclaimed and had been seeing high attendance, with grosses hovering around a million dollars a week pre-Tonys... 'We’re in this environment where I’m watching a lot of shows not quite find the audience that can sustain them at the level that they need to be sustained because the costs have gone up so much,' says Mara Isaacs, lead producer on the Broadway musical 'Hadestown.' 'There have always been more shows that fail than succeed. I think the proportion right now feels distorted, and that’s the thing that feels so bad.'"&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-52" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;&lt;strong&gt;ARTS &amp;amp; CULTURE &amp;amp; ETC.&lt;/strong&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-53" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td 
class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;The Best Seats In Town&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Chicago magazine gives recommendations (&lt;em&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cffaq%7Cw%5Ee6MqdjBm%5Ea" style="text-decoration: underline; color: #0068A5;"&gt;gift link&lt;/a&gt;&lt;/em&gt;) on the best available seat for any number of experiences, from "eavesdropping on a concert from water level" to "hearing (and seeing) a one-man symphony." One example: "Some Friday when you show up at the&amp;nbsp;Green Mill&amp;nbsp;to hear Chris Foreman, instead of scrambling for a table, grab the primo&amp;nbsp;stools at the far end of the semicircular bar. From here, at stage left of the mini stage set up behind the taps, you’ll have a full view of the organ virtuoso working his magic on his Hammond B-3."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Hawthorne Track Closure Ends Chicago-Area Horse Racing&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Hawthorne Race Course's last race after 135 years in operation ran July 19, &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cffaq%7Cw%5Ee6M%5EdjBm%5Ea" style="text-decoration: underline; color: #0068A5;"&gt;reports the Trib&lt;/a&gt;. "As the last remaining commercial course in the Chicago area, Hawthorne’s closure is the end of an era that once saw five tracks running the most popular spectator sport in the country.&amp;nbsp;The Carey family has owned the track for more than a century. Despite years of assurances from owner Tim Carey that he would get financing to open a casino to save the track, that never happened. The facility went bankrupt and is being sold to a company that will end racing there."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-54" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p 
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&lt;table class="image_block block-2" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;div style="max-width:598px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6cfkaq%7CwDe7j-djT7OccqX%5B%7C2ze%7Ej3l" target="_blank"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/ifp/be7/h4k/House%20Top%20-%20December%202025%20600%20x%20250.gif" style="display:block;height:auto;border:0;width:100%" 
width="598" alt="" title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="divider_block block-3" width="100%" border="0" cellpadding="10" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" align="center"&gt;&lt;table border="0" cellpadding="0" cellspacing="0" role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;
&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-4" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:5px;padding-bottom:5px;padding-left:20px;padding-right:20px" align="center"&gt;&lt;div style="max-width:350px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6cfkaq%7CwDe7jDdjT7OccqX%5B%7C2ze%7Ej3l" target="_blank"&gt;&lt;img 
src="https://d15k2d11r6t6rl.cloudfront.net/pub/40qd/br3kliar/trm/f81/xfb/NewcityLogoEmail.png" style="display:block;height:auto;border:0;width:100%" width="350" alt="" title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="divider_block block-5" width="100%" border="0" cellpadding="10" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" align="center"&gt;&lt;table border="0" cellpadding="0" cellspacing="0" role="presentation" width="100%" 
style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-6" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad" 
style="padding-top:20px;padding-bottom:10px;padding-left:20px;padding-right:20px"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;Malört grilled-cheese? Noted.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;
&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;It's been fascinating to watch this spirit go from a dusty dive-bar back-of-the-shelf Chicago thing to a hipster right-of-passage and then, under the fairly recent ownership of CH Distillery, &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cfkaq%7CwDe7%5EydjT7Oa" style="text-decoration: underline; color: #0068A5;"&gt;turn into a bona fide brand&lt;/a&gt;, with almost-national distribution and a four-fold increase in sales. Rather than tweak the formula for the potion everyone loves to hate, CH instead leaned into its displeasurable reactions, and it is obviously working.&amp;nbsp;&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;Meanwhile, those of you in the post-shots-in-a-bar demographic like me, might want to try my favorite way to drink it: over ice in a glass filled with Fresca. Grapefruit soda is its perfect pairing, creating a pleasing blend of sweetness and bitterness that this Negroni lover appreciates. &lt;/span&gt;&lt;br&gt;&lt;br&gt;&lt;/p&gt;&lt;p
 style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;I think I'll have one tonight, in fact.&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-7" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" 
style="width:100%;padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px" align="left"&gt;&lt;div style="max-width:104px"&gt;&lt;img src="https://d15k2d11r6t6rl.cloudfront.net/pub/40qd/br3kliar/ier/gbh/bha/unnamed-1_1.png" style="display:block;height:auto;border:0;width:100%" width="104" alt="" title="" height="auto"&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-8" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px; color: #000000;"&gt;Brian Hieggelke&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px; color: #000000;"&gt;Editor &amp; Publisher&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;em&gt;Order the summer double issue of the magazine &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6cfkaq%7CwDe7kedjT7OccqX%5B%7C2ze%7Ej3l" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;. Order a subscription &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6cfkaq%7CwDe7k%7CdjT7OccqX%5B%7C2ze%7Ej3l" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt; and the September issue will be your first.&amp;nbsp;&lt;/em&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table 
class="divider_block block-9" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:10px;padding-bottom:20px;padding-left:10px;padding-right:10px" align="center"&gt;&lt;table border="0" cellpadding="0" cellspacing="0" role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;
&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-10" style="height:21px;line-height:21px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="text_block block-11" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-left:20px;padding-right:20px"&gt;&lt;div style="font-family:Tahoma,Verdana,sans-serif"&gt;&lt;div class 
style="font-size:14px;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;mso-line-height-alt:16.8px;color:#555;line-height:1.2"&gt;&lt;p style="margin:0;font-size:14px;mso-line-height-alt:16.8px"&gt;&lt;span style="word-break: break-word; font-size: 16px; color: #000000;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word;"&gt;NEWCITY&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-12" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px" align="center"&gt;&lt;h1 style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:24px;font-weight:900;letter-spacing:normal;line-height:1.5;text-align:left;margin-top:0;margin-bottom:0;mso-line-height-alt:36px"&gt;
&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6cfkaq%7CwDe7%5E2djT7OccqX%5B%7C2ze%7Ej3l" target="_blank" style="text-decoration: none; color: #000000;" rel="noopener"&gt;&lt;span class="mce-content-body mce-edit-focus" style="word-break: break-word; position: relative;" id="269fffc7-2407-4822-bbdc-d695977ef72b" data-position="10-0-11" data-qa="tinyeditor-root-element"&gt;Out in an Iowa Cornfield: The Herbert Hoover Presidential Library and Museum&lt;/span&gt;&lt;/a&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-13" width="100%" 
border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;div style="max-width:598px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6cfkaq%7CwDe7%5E6djT7OccqX%5B%7C2ze%7Ej3l" target="_blank"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/mfo/n2y/ojx/1930-a17a_0-600x450.jpg" style="display:block;height:auto;border:0;width:100%" width="598" alt="" title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table 
class="text_block block-14" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
"…communities are part of the exhibit. They are the outdoor museum that shaped this man’s character, values and limitations.” (Dave Hoekstra)&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="divider_block block-15" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:10px;padding-bottom:20px;padding-left:10px;padding-right:10px" align="center"&gt;&lt;table border="0" cellpadding="0" 
cellspacing="0" role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-16" style="height:21px;line-height:21px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="text_block block-17" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-left:20px;padding-right:20px"&gt;&lt;div style="font-family:Tahoma,Verdana,sans-serif"&gt;&lt;div class style="font-size:14px;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;mso-line-height-alt:16.8px;color:#555;line-height:1.2"&gt;&lt;p style="margin:0;font-size:14px;mso-line-height-alt:16.8px"&gt;
&lt;span style="word-break: break-word; font-size: 16px; color: #65d68b;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word;"&gt;ART&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-18" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:24px;font-weight:900;letter-spacing:normal;line-height:1.5;text-align:left;margin-top:0;margin-bottom:0;mso-line-height-alt:36px"&gt;
&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6cfkaq%7CwDe7%5E-djT7OccqX%5B%7C2ze%7Ej3l" target="_blank" style="text-decoration: none; color: #000000;" rel="noopener"&gt;&lt;span class="mce-content-body mce-edit-focus" style="word-break: break-word; position: relative;" id="333f417a-460f-47ae-aa69-6901f7daf73a" data-position="10-0-17" data-qa="tinyeditor-root-element"&gt;Process Is Everything at Filter Photo&lt;/span&gt;&lt;/a&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-19" width="100%" border="0" cellpadding="0" 
cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;div style="max-width:598px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6cfkaq%7CwDe7%5EDdjT7OccqX%5B%7C2ze%7Ej3l" target="_blank"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/zdg/vde/0cu/Hojnacki_D-scaled_600x450.jpeg" style="display:block;height:auto;border:0;width:100%" width="598" alt="" title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table 
class="text_block block-20" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Gelatin silver prints by three artists prompt thoughtful meditation in "Locus of a Gesture." (Susan Aurinko)&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="divider_block block-21" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:10px;padding-bottom:20px;padding-left:10px;padding-right:10px" align="center"&gt;&lt;table border="0" 
cellpadding="0" cellspacing="0" role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-22" style="height:45px;line-height:45px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="image_block block-23" width="100%" border="0" cellpadding="0" cellspacing="0" 
role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-left:20px;padding-right:20px" align="center"&gt;&lt;div style="max-width:400px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6cfkaq%7CwDe7k2djT7OccqX%5B%7C2ze%7Ej3l" target="_blank"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/q6i/gpd/eol/Newcity_2026-07-08_Cover%20Footer.jpeg" style="display:block;height:auto;border:0;width:100%" width="400" alt="" title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;&lt;table class="text_block block-24" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:18.2px;color:#000;line-height:1.3"&gt;&lt;p 
style="margin:0;font-size:14px;text-align:center;mso-line-height-alt:26px"&gt;&lt;span style="word-break: break-word; font-size: 20px;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word;"&gt;JULY-AUGUST 2026:&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:14px;text-align:center;mso-line-height-alt:26px"&gt;&lt;span style="word-break: break-word; font-size: 20px;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word;"&gt;AMERICA 250 + ART IN MICHIGAN&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;br&gt;
&lt;span style="word-break: break-word; font-size: 20px;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word;"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6cfkaq%7CwDe7k6djT7OccqX%5B%7C2ze%7Ej3l" target="_blank" style="text-decoration: none; color: #19638e;" rel="noopener"&gt;GET THE ISSUE&lt;/a&gt; | &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6cfkaq%7CwDe7k-djT7OccqX%5B%7C2ze%7Ej3l" target="_blank" style="text-decoration: none; color: #19638e;" rel="noopener"&gt;SUBSCRIBE&lt;/a&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div 
class="spacer_block block-25" style="height:40px;line-height:40px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="divider_block block-26" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:10px;padding-bottom:20px;padding-left:10px;padding-right:10px" align="center"&gt;&lt;table border="0" cellpadding="0" cellspacing="0" role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;
&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-27" style="height:21px;line-height:21px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="text_block block-28" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad" 
style="padding-left:20px;padding-right:20px"&gt;&lt;div style="font-family:Tahoma,Verdana,sans-serif"&gt;&lt;div class style="font-size:14px;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;mso-line-height-alt:16.8px;color:#555;line-height:1.2"&gt;&lt;p style="margin:0;font-size:14px;mso-line-height-alt:16.8px"&gt;&lt;span style="word-break: break-word; font-size: 16px; color: #a82b28;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word;"&gt;STAGE&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table 
class="heading_block block-29" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:24px;font-weight:900;letter-spacing:normal;line-height:1.5;text-align:left;margin-top:0;margin-bottom:0;mso-line-height-alt:36px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6cfkaq%7CwDe7vedjT7OccqX%5B%7C2ze%7Ej3l" target="_blank" style="text-decoration: none; color: #000000;" rel="noopener"&gt;“The American Project” Translates Hard-Won Truth into Heartfelt Beauty&lt;/a&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table 
class="image_block block-30" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;div style="max-width:598px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6cfkaq%7CwDe7v%7CdjT7OccqX%5B%7C2ze%7Ej3l" target="_blank"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/67t/n9b/f00/TheAmericanProjectIIWide_Selects_HiRes_1F4A2209-1-600x450.jpg" 
style="display:block;height:auto;border:0;width:100%" width="598" alt="" title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-31" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class 
style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;Presented by the youth and community-focused Albany Park Theater Project, the production is completely sold out for good reason: this is drama that glows red hot with passion and authenticity. (Hugh Iglarsh)&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table 
class="divider_block block-32" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:20px;padding-bottom:20px;padding-left:10px;padding-right:10px" align="center"&gt;&lt;table border="0" cellpadding="0" cellspacing="0" role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;
&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-33" style="height:21px;line-height:21px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="text_block block-34" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-left:20px;padding-right:20px"&gt;&lt;div style="font-family:Tahoma,Verdana,sans-serif"&gt;&lt;div class 
style="font-size:14px;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;mso-line-height-alt:16.8px;color:#555;line-height:1.2"&gt;&lt;p style="margin:0;font-size:14px;mso-line-height-alt:16.8px"&gt;&lt;span style="word-break: break-word; font-size: 16px; color: #429c95;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word;"&gt;BRAZIL&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-35" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px" align="center"&gt;&lt;h1 style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:24px;font-weight:900;letter-spacing:normal;line-height:1.5;text-align:left;margin-top:0;margin-bottom:0;mso-line-height-alt:36px"&gt;
&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6cfkaq%7CwDe7vmdjT7OccqX%5B%7C2ze%7Ej3l" target="_blank" style="text-decoration: none; color: #000000;" rel="noopener"&gt;&lt;span class="mce-content-body mce-edit-focus" style="word-break: break-word; position: relative;" id="c0fc82d8-effc-4e56-94be-2886143717df" data-position="10-0-34" data-qa="tinyeditor-root-element"&gt;Inhotim Institute Founder Bernardo Paz Creates a R$1 Billion Museum&lt;/span&gt;&lt;/a&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-36" width="100%" border="0" 
cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;div style="max-width:598px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6cfkaq%7CwDe7vqdjT7OccqX%5B%7C2ze%7Ej3l" target="_blank"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/hd6/kxr/yfk/2024_27_Edificio-Pietro-Maria-Bardi_fachada-lateral_foto_-Leonardo-Finotti-600x450.jpg" style="display:block;height:auto;border:0;width:100%" width="598" alt="" 
title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-37" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Plus MASP President Heitor Martins reflects on twelve years of leadership + more. (Daniela Cantu)&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="divider_block block-38" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:20px;padding-bottom:20px;padding-left:10px;padding-right:10px" align="center"&gt;&lt;table border="0" 
cellpadding="0" cellspacing="0" role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-39" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" 
align="center"&gt;&lt;div style="max-width:598px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6cfkaq%7CwDe7r%7CdjT7OccqX%5B%7C2ze%7Ej3l" target="_blank"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/kcw/yua/mwn/House%20Middle_Lower%20-%20December%202025%20-%20600x500.gif" style="display:block;height:auto;border:0;width:100%" width="598" alt="" title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-40" style="height:40px;line-height:40px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table 
class="heading_block block-41" width="100%" border="0" cellpadding="5" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;h1 style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:28px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:34px"&gt;
&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6cfkaq%7CwDe7v%5EdjT7OccqX%5B%7C2ze%7Ej3l" target="_blank" style="text-decoration: underline; color: #000000;" rel="noopener"&gt;TODAY IN CULTURE&lt;/a&gt;&lt;br&gt;&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-42" width="100%" border="0" cellpadding="10" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div 
style="font-family:sans-serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:16.8px;color:#555;line-height:1.2"&gt;&lt;p style="margin:0;font-size:14px;text-align:center;mso-line-height-alt:16.8px"&gt;&lt;span style="word-break: break-word; color: #000000;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;By Ray Pride&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-43" 
style="height:40px;line-height:40px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="heading_block block-44" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;ART&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-45" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Betye Saar Would Have Been One Hundred On Thursday&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p 
style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"Betye Saar, a Los Angeles artist who transformed collections of bigoted bric-a-brac—Sambo dolls, ceramic mammies and crude renderings of pickaninnies—into potent works of assemblage that mined the searing history of race in the United States, and whose works would influence generations of artists," was ninety-nine, &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cfkaq%7CwDe7vydjT7Oa" style="text-decoration: underline; color: #0068A5;"&gt;chronicles the Los Angeles Times&lt;/a&gt;. "A central figure of the 1960s Black Art Movement, Saar pioneered assemblage boxes, or sculptures made of found objects, and reclaimed Jim Crow-era memorabilia as powerful totems of Black liberation," &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cfkaq%7CwDe7v2djT7Oa" style="text-decoration: underline; color: #0068A5;"&gt;adds the Associated Press&lt;/a&gt;. Saar's current Los Angeles exhibition, "Let’s Get It On—The Wearable Art of Betye Saar,” originated last year at the Neubauer Collegium. Newcity's review is &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6cfkaq%7CwDe7v6djT7OccqX%5B%7C2ze%7Ej3l" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Tufts Presents "Arnold J. Kemp: Not One Thing"&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Tufts University Art Galleries will present "Arnold J. Kemp: Not One Thing," the first institutional survey of work by the Chicago-based artist. The exhibition "focuses on Kemp’s performative and material tendencies of masking, traced through his sculpture, painting, printmaking, photography and plays from the last decade. Since the late 1990s, Kemp has created art objects that reference dualisms and multiplicities in the psyche, relating often to Blackness and the profound influence of West African aesthetics on modernism. Building upon his use of masks, doppelgängers and surrogates, the artist makes many Arnold Kemps emerge with equally poignant emphases on beauty, horror and play." Tufts University, Medford, Massachusetts. July 28–December 6. More &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cfkaq%7CwDe7v-djT7Oa" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;. Kemp talked about his work with Newcity last year &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6cfkaq%7CwDe7vDdjT7OccqX%5B%7C2ze%7Ej3l" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Ellsworth Kelly Award Goes To The Ren's Pan Daijing Exhibition&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;The Renaissance Society is the 2026 recipient of the Ellsworth Kelly Award, a $45,000 grant from the Foundation for Contemporary Arts given to support a solo exhibition for a contemporary artist. The award will support the 2027 exhibition of the work of Berlin-based multidisciplinary artist Pan Daijing, which will incorporate moving image, sound and other interventions that take their cues directly from the institution’s architectural space. This project is organized by Karsten Lund, senior curator at the Renaissance Society. More &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cfkaq%7CwDe7wedjT7Oa" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Ten Portraits By Anthony Olusina Schleicher At Harper Court&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;A public art installation celebrating ten of Chicago’s most influential figures will officially open in Hyde Park on August 6. Created by Chicago artist Anthony Olusina Schleicher, the collection features ten large-scale expressive oil and pastel portraits installed in the ground-level Harper Court Breezeway. The installation "honors individuals whose lives and legacies have left an indelible mark on Hyde Park, Kenwood, Chicago and the world across art, civil rights, journalism, music, business, sports and public service." The opening reception and unveiling is at Harper Court on Thursday, August 6 from 5pm-6pm.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Buffalo AKG Art Museum Names New Leadership&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"The Buffalo AKG Art Museum has announced a new leadership team for the museum of historic modern and contemporary art," &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cfkaq%7CwDe7w%7CdjT7Oa" style="text-decoration: underline; color: #0068A5;"&gt;reports WIVB&lt;/a&gt;. "Chief curator Cathleen Chaffee has been named artistic director, and deputy director Jillian Jones has been named executive director."&lt;/span&gt;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-46" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;DESIGN&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-47" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;The 606 Looks East&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p 
style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"More than a decade after The 606 opened, a proposed $201.6 million TIF package for Foundry Park could finally help extend the trail across the Chicago River," &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cfkaq%7CwDe7wmdjT7Oa" style="text-decoration: underline; color: #0068A5;"&gt;reports Axios Chicago&lt;/a&gt;. "Proposed subsidies would help fund public infrastructure for the megadevelopment, including roads, parks, riverwalk improvements and a long-planned extension of the trail across the Chicago River." The extension would create a car-free route between the West Side and Lincoln Park. "Foundry Park is a proposed $3 billion mixed-use development on the former Finkl Steel site that would bring more than 3,700 homes, offices, retail, hotels and parks to thirty-one acres along the North Branch of the Chicago River."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;New Mid-Rises Proposed For Lincoln Square And Lakeview&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Plans have been revealed for a residential development at 4949 North Western in Lincoln Square, &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cfkaq%7CwDe7wqdjT7Oa" style="text-decoration: underline; color: #0068A5;"&gt;maps Chicago YIMBY&lt;/a&gt;. The building, designed by Hanna Architects, will contain forty two-bedroom and four three-bedroom units, and will "replace an existing two-story commercial building not far from the neighborhood’s main shopping strip to the south." &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cfkaq%7CwDe7w%5EdjT7Oa" style="text-decoration: underline; color: #0068A5;"&gt;In Lakeview,&lt;/a&gt; "details have been revealed for an upcoming mixed-use proposal at 1429 West Irving Park" designed by local architect Michael Maresso. The thirty-six-unit development "will replace a large surface parking lot near Graceland Cemetery."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;National Grant Preserves Milwaukee Landmark By Pioneering Black Architect&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Pushback from preservationists, family members and residents saved a&amp;nbsp;Milwaukee building designed by&amp;nbsp;Wisconsin’s first Black licensed architect, &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cfkaq%7CwDe7wydjT7Oa" style="text-decoration: underline; color: #0068A5;"&gt;reports the Milwaukee Journal Sentinel&lt;/a&gt;, also securing "the designation of all three buildings designed by Alonzo Robinson as city historic landmarks. The buildings are rare examples of New Formalism, a style of mid-century modern architecture popular in the 1960s and 1970s. And, it was the city's first Black-owned shopping mall developed by a Black man and designed by a Black man."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;New York City Halts Construction At Another Office-To-Residential Conversion&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Inspectors issued a stop-work order at a planned thirty-story apartment tower in lower Manhattan at 222 Broadway, "carrying out safety sweeps after the former Pfizer building buckled," &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cfkaq%7CwDe7w2djT7Oa" style="text-decoration: underline; color: #0068A5;"&gt;reports the Wall Street Journal&lt;/a&gt;. It is "the second time such a project was shut down this month over structural concerns."&lt;/span&gt;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Palmer House's State Street Retail Space Heads To Auction&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;"The State Street retail space at the base of the Palmer House Hilton hotel is hitting the auction block next week," &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cfkaq%7CwDe7w6djT7Oa" style="text-decoration: underline; color: #0068A5;"&gt;reports Crain's&lt;/a&gt;.&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table 
class="heading_block block-48" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;DINING &amp;amp; DRINKING&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-49" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:12px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:18px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;A Look At Gilda, Chicago's New Pintxos Purveyor&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p 
style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"In this world of perfectly curated restaurants primed for Instagram and the influencers who love them, Gilda stands apart," &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cfkaq%7CwDe7w-djT7Oa" style="text-decoration: underline; color: #0068A5;"&gt;writes Lisa Shames at The Hunger&lt;/a&gt;. "A goal is for the chefs to have fun with the pintxos. [Chef-partner Rafael] Esparza references a Jeppson’s Malört grilled cheese sandwich that became a favorite at FaFo. 'When you put something off-putting in a manner like that, people learn to trust you with stuff that seems a little bit more straightforward and normal,' he says, adding that pintxos at Gilda will sometimes lean into the weird category. 'But it has to be good first with weird just a beautiful byproduct of it.' Adds [chef-partner Jeremy] Leven, 'I think the reason people are going to come to Gilda is our willingness to take risks.'" Chelsea Ross &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cfkaq%7CwDe7wDdjT7Oa" style="text-decoration: underline; color: #0068A5;"&gt;flickers the flavors&lt;/a&gt; at Eater Chicago.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Three Dots And A Dash Hosts A Cocktail Cruise&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Cocktail bar Three Dots and a Dash is partnering with Shoreline Sightseeing for a one-night-only cocktail cruise departing from Navy Pier. Three Dots and a Dash will bring its signature rum-forward drinks to Lake Michigan for a ninety-minute evening cruise with curated cocktail tastings, light bites, music and skyline views within sunset on the water. Thursday, August 27, 7:30pm. Tickets ($62) and more &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cfkaq%7CwDe7xedjT7Oa" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Oscar Mayer Wienermobile Birthday Cake Coming To Milk Bar&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Oscar Mayer will celebrate the ninetieth anniversary of the Wienermobile with a limited-edition birthday cake from dessert chain Milk Bar, &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cfkaq%7CwDe7x%7CdjT7Oa" style="text-decoration: underline; color: #0068A5;"&gt;reports Marketing Dive&lt;/a&gt;. "The Wiener Cake will be available at Milk Bar locations in New York, Los Angeles and Chicago July 31-August 2, while supplies last." Plus, "fans who are turning ninety during July and August will have the chance to receive a visit from the Wienermobile by visiting &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cfkaq%7CwDe7xmdjT7Oa" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-50" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;FILM AND TELEVISION&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-51" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:12px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:18px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Rogers Park's 400 Theater Reopens Friday&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p 
style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"Jordan Stancil, the new owner of Chicago’s 400 Theater, was raised in the movie business," &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cfkaq%7CwDe7xqdjT7Oa" style="text-decoration: underline; color: #0068A5;"&gt;tickets the Sun-Times&lt;/a&gt;. "His great-grandfather started a small empire of theaters in northern Michigan. As a teenager growing up in Grayling, Michigan, Stancil made popcorn and took tickets at The Rialto, which was then the last surviving cinema in the family’s portfolio."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"Now, the fifty-two-year-old former foreign service officer and one-time Democratic candidate for the Michigan House is going all in and expanding the business once again. Next up: reopening the beloved 400 Theater this Friday, marking a new chapter for the historic cinema, which closed in 2023 after more than a century of continuous operation under various names and owners."&lt;/span&gt;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Lena Waithe's Farewell To "The Chi"&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;“The Chi” "concluded on Friday after eight seasons, making it the longest-running Black drama on cable television," chronicles the New York Times (&lt;em&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cfkaq%7CwDe7x%5EdjT7Oa" style="text-decoration: underline; color: #0068A5;"&gt;gift link&lt;/a&gt;&lt;/em&gt;). Lena Waithe, who grew up in and around Chicago, talks at length about the show: "Coming up on Aaron Sorkin, or 'A Different World,' 'School Daze,' 'Boyz N The Hood' or 'Menace to Society'—these are shows with many characters coming from different perspectives. All those things influenced 'The Chi,' where you’d have one person who’s from the street, another person who wants to just do the right thing. You have a woman who is more promiscuous, a woman who’s more buttoned up. It was always supposed to be an ensemble piece."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;FCC Targets Disney-Owned Local Stations, Including ABC7&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"Trump’s FCC is moving to shut down local TV stations in blue cities around the country,"&amp;nbsp;&lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cfkaq%7CwDe7xydjT7Oa" style="text-decoration: underline; color: #0068A5;"&gt;writes former Chicago TV exec Jennifer Schulze&lt;/a&gt;. "ABC owns and operates eight local stations in the blue cities of New York, Los Angeles, San Francisco, Houston, Raleigh, Fresno, Philadelphia and Chicago. If Trump succeeds in revoking their licenses, all these stations would be shut down. That means some twenty-eight million Americans would be without an important news source in their communities."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;British Stars Join Chorus On Paramount-Warner Merger&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"As actors and public figures who have spent our careers in the arts in Britain–working with British crews, on British stages and sets–we have a responsibility to the public who support, enjoy and consume the art we make," &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cfkaq%7CwDe7x2djT7Oa" style="text-decoration: underline; color: #0068A5;"&gt;write Benedict Cumberbatch, Alan Cumming and Benedict Wong at the Guardian&lt;/a&gt;. "The UK is being threatened by a media merger that would harm our workers, our culture and the public–but we can stop it." (&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6cfkaq%7CwDe7PmdjT7OccqX%5B%7C2ze%7Ej3l" target="_blank" style="text-decoration: underline; color: #0068A5;" rel="noopener"&gt;More&lt;/a&gt;.)&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;text-align:left;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-52" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;LIT&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-53" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:12px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:18px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Booker Prize Names Longlist&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p 
style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"The Booker, a distinguished British literary award, is given out each year to a title originally written in English and published in Britain or Ireland," shelves the New York Times (&lt;em&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cfkaq%7CwDe7x-djT7Oa" style="text-decoration: underline; color: #0068A5;"&gt;gift link&lt;/a&gt;&lt;/em&gt;). Among the thirteen nominees, novels by Marlon James, Elizabeth Strout, Douglas Stuart, Gwendoline Riley and Emma Cline. A six-title shortlist will be announced September 22, followed by an announcement for the recipient of the 50,000 pound prize on November 9.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-54" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;MUSIC&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-55" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:12px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:18px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;It's Pumpkinpalooza, Too&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p 
style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;The Smashing Pumpkins headline Lollapalooza on Friday night in their first appearance at the event since 1994, &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cfkaq%7CwDe7xDdjT7Oa" style="text-decoration: underline; color: #0068A5;"&gt;records Blabbermouth&lt;/a&gt;. Piggybacking on that thirty-two-year anniversary, the band's Chicago activities include a sold-out performance preview at the Riviera tonight and a pop-up merch store at 900 South Wabash, which will be open July 29-31 from 10am-6pm daily. &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cfkaq%7CwDe7yedjT7Oa" style="text-decoration: underline; color: #0068A5;"&gt;Adds Billboard&lt;/a&gt;, "Madame Zuzu’s Celestial Lounge, a roving version of the Highland Park teahouse owned and operated by Billy Corgan and wife Chloé Mendel, will offer matcha, vinyl, exclusive merchandise and other specials, while Chicago cocktail lounge the Aviary will be serving the limited-edition Infinite Mellons specialty cocktail, made up of shochu, litchi blossom, honeydew melon and cantaloupe."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Apollo's Fire Announces Sixth Season In Chicago Area&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;The upcoming season of the baroque orchestra Apollo’s Fire, which performs on period instruments, includes Handel’s Messiah and the music of Rameau and Purcell. Concerts take place in Ohio and Chicago, with five programs planned for the Chicago area in its sixth season here. "The crown jewel of Apollo's Fire's 2026-27 season is a bold new program curated by [artistic director Jeannette] Sorrell, titled 'Echoes Across the Atlantic' [and] featuring legendary Trinidadian soprano Jeanine De Bique. The program explores the connections and cross-influences between eighteenth-century baroque music and the songs and poetry from the Caribbean colonial plantations in the same period. The program will be performed in Cleveland and Chicago before heading out on an international tour." Subscriptions and more &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cfkaq%7CwDe7y%7CdjT7Oa" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-56" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;STAGE&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-57" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Chicago Shakes Hosts Open House To Celebrate Fortieth Anniversary&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Chicago Shakespeare Theater, which held its first performance on the rooftop of the Red Lion Pub in Lincoln Park on August 3, 1986, will celebrate its fortieth anniversary with a free event across its campus, including all three performance spaces. Anniversary activities include backstage tours and theatrical design displays, a verse reading session with artistic director Edward Hall, a silent auction featuring books signed by Sir Ian McKellen, photo opportunities on the Courtyard Stage and birthday cake. The evening will cap off at 7pm in the Yard with a first look at the productions in their fortieth anniversary season. Monday, August 3, 4:30pm-8:30pm. More &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cfkaq%7CwDe7ymdjT7Oa" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;"Purple Rain" Heads From Minneapolis To Broadway&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"Purple Rain," a musical adaptation of the Prince film, will head to Broadway next year, reports the Minnesota Star Tribune (&lt;em&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cfkaq%7CwDe7yqdjT7Oa" style="text-decoration: underline; color: #0068A5;"&gt;gift link&lt;/a&gt;&lt;/em&gt;). "Previews begin March 12 ahead of an official April 12 opening. The musical premiered last fall at Minneapolis’ State Theatre, produced by Orin Wolf with an acclaimed creative team. But Broadway audiences will see a substantially reworked production following major creative changes. Tony and Pulitzer Prize winner Branden Jacobs-Jenkins, who wrote the original book, has been replaced by Peter Duchan ('Dogfight'). Tony nominee Saheem Ali ('Fat Ham,' 'Buena Vista Social Club') has taken over directing duties from Lileana Blain-Cruz, a fellow Tony nominee."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-58" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;ARTS &amp;amp; CULTURE &amp;amp; ETC.&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-59" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Meta Specs Get Wide Side-Eye&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p 
style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Comic-Con banned Meta glasses for furtive filming, &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cfkaq%7CwDe7y%5EdjT7Oa" style="text-decoration: underline; color: #0068A5;"&gt;reports the BBC&lt;/a&gt;. "After a consultation period we can no longer permit the wearing of any recording device at our events," posted Monopoly Events. "The vast majority of the talent and agents at our events felt that these were a violation of their privacy and were damaging and spoiling the interactions at the tables. Several expressed concerns that they might not continue to attend in-person events if they were being recorded in secret." (&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6cfkaq%7CwDe7PqdjT7OccqX%5B%7C2ze%7Ej3l" target="_blank" style="text-decoration: underline; color: #0068A5;" rel="noopener"&gt;More&lt;/a&gt;.)&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-60" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p 
style="margin:0;font-size:18px;text-align:center;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Send culture news and tips to&amp;nbsp;&lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cfkaq%7CwDe7t-djT7Oa" target="_blank" style="text-decoration: underline; color: #0068A5;" rel="noopener"&gt;today@newcity.com&lt;/a&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="divider_block block-61" width="100%" border="0" cellpadding="0" cellspacing="0" 
role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:20px;padding-bottom:20px;padding-left:10px;padding-right:10px" align="center"&gt;&lt;table border="0" cellpadding="0" cellspacing="0" role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table
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&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-4" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:5px;padding-bottom:5px;padding-left:20px;padding-right:20px" align="center"&gt;&lt;div style="max-width:350px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6cfwaq%7Cxye7R%7Cdks%5EBccqX%5B%7C2ze%7Ej3l" target="_blank"&gt;&lt;img 
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style="padding-top:20px;padding-bottom:10px;padding-left:20px;padding-right:20px"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;Lollapalooza starts today, to which you say, "Duh," or "Oh, really?"&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;One of the great things about a city the size of Chicago is how we can absorb a major festival like this and most of the city doesn't even notice. Unless you're attending, need a hotel room in the Loop right now, or live or drive around downtown, it's a non-event. In a smaller city, something like this would dominate the lives of all its citizens, with an infrastructure straining to accommodate it, and a populace either loving or hating it. (SXSW in Austin comes to mind. Or Sundance, especially when it was in Park City.)&amp;nbsp;&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;But here in Chicago? Remember how your life was changed by the Democratic National Convention in 2020? Exactly.&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-7" width="100%" border="0" cellpadding="0" 
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border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px; color: #000000;"&gt;Brian Hieggelke&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px; color: #000000;"&gt;Editor &amp; Publisher&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;em&gt;Order the summer double issue of the magazine &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6cfwaq%7Cxye7Rqdks%5EBccqX%5B%7C2ze%7Ej3l" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;. Order a subscription &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6cfwaq%7Cxye7R%5Edks%5EBccqX%5B%7C2ze%7Ej3l" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt; and the September issue will be your first.&amp;nbsp;&lt;/em&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table 
class="divider_block block-9" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:10px;padding-bottom:20px;padding-left:10px;padding-right:10px" align="center"&gt;&lt;table border="0" cellpadding="0" cellspacing="0" role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;
&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-10" style="height:21px;line-height:21px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="text_block block-11" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-left:20px;padding-right:20px"&gt;&lt;div style="font-family:Tahoma,Verdana,sans-serif"&gt;&lt;div class 
style="font-size:14px;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;mso-line-height-alt:16.8px;color:#555;line-height:1.2"&gt;&lt;p style="margin:0;font-size:14px;mso-line-height-alt:16.8px"&gt;&lt;span style="word-break: break-word; font-size: 16px; color: #5b7ead;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word;"&gt;FILM&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-12" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px" align="center"&gt;&lt;h1 style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:24px;font-weight:900;letter-spacing:normal;line-height:1.5;text-align:left;margin-top:0;margin-bottom:0;mso-line-height-alt:36px"&gt;
&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6cfwaq%7Cxye8b2dks%5EBccqX%5B%7C2ze%7Ej3l" target="_blank" style="text-decoration: none; color: #000000;" rel="noopener"&gt;&lt;span class="mce-content-body mce-edit-focus" style="word-break: break-word; position: relative;" id="0e30fff1-28df-4cd2-a492-69110cace5af" data-position="10-0-11" data-qa="tinyeditor-root-element"&gt;Talking Screens: Gregg Araki's "I Want Your Sex" | Fever Dreams "Gun Crazy" and &amp;nbsp;"I Am Cuba" | "The Odyssey" Translator Reacts&lt;/span&gt;&lt;/a&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;&lt;table class="image_block block-13" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;div style="max-width:598px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6cfwaq%7Cxye8b6dks%5EBccqX%5B%7C2ze%7Ej3l" target="_blank"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/trx/68u/xmg/I-WANT-YOUR-SEX-600x450.jpeg" style="display:block;height:auto;border:0;width:100%" width="598" 
alt="" title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-14" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;Plus: "Spider-Man" swings back, and the 400 reopens while the Lake Street screening room closes. (Ray Pride)&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="divider_block block-15" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:10px;padding-bottom:20px;padding-left:10px;padding-right:10px" align="center"&gt;&lt;table border="0" 
cellpadding="0" cellspacing="0" role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-16" style="height:21px;line-height:21px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="text_block block-17" width="100%" border="0" cellpadding="0" cellspacing="0" 
role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-left:20px;padding-right:20px"&gt;&lt;div style="font-family:Tahoma,Verdana,sans-serif"&gt;&lt;div class style="font-size:14px;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;mso-line-height-alt:16.8px;color:#555;line-height:1.2"&gt;&lt;p style="margin:0;font-size:14px;mso-line-height-alt:16.8px"&gt;
&lt;span style="word-break: break-word; font-size: 16px; color: #65d68b;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word;"&gt;ART&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-18" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:24px;font-weight:900;letter-spacing:normal;line-height:1.5;text-align:left;margin-top:0;margin-bottom:0;mso-line-height-alt:36px"&gt;
&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6cfwaq%7Cxye8b-dks%5EBccqX%5B%7C2ze%7Ej3l" target="_blank" style="text-decoration: none; color: #000000;" rel="noopener"&gt;&lt;span class="mce-content-body mce-edit-focus" style="word-break: break-word; position: relative;" id="3533a3a8-5ded-4027-aaf8-676a73c07c7c" data-position="10-0-17" data-qa="tinyeditor-root-element"&gt;Turning Insides Out in This Corporeal Exhibition&lt;/span&gt;&lt;/a&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-19" width="100%" border="0" cellpadding="0" 
cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;div style="max-width:598px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6cfwaq%7Cxye8bDdks%5EBccqX%5B%7C2ze%7Ej3l" target="_blank"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/lv0/hhf/xg7/20260721_Organ_0013-scaled-600x450.jpg" style="display:block;height:auto;border:0;width:100%" width="598" alt="" title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table 
class="text_block block-20" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"Organgrinder" makes your organs do just that, prompting reflection on the nature of the body alongside energetic works. (Ally Fouts)&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="divider_block block-21" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:10px;padding-bottom:20px;padding-left:10px;padding-right:10px" 
align="center"&gt;&lt;table border="0" cellpadding="0" cellspacing="0" role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-22" style="height:45px;line-height:45px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="image_block block-23" width="100%" border="0" 
cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-left:20px;padding-right:20px" align="center"&gt;&lt;div style="max-width:400px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6cfwaq%7Cxye7RDdks%5EBccqX%5B%7C2ze%7Ej3l" target="_blank"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/q6i/gpd/eol/Newcity_2026-07-08_Cover%20Footer.jpeg" style="display:block;height:auto;border:0;width:100%" width="400" alt="" title="" 
height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-24" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class 
style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:18.2px;color:#000;line-height:1.3"&gt;&lt;p style="margin:0;font-size:14px;text-align:center;mso-line-height-alt:26px"&gt;&lt;span style="word-break: break-word; font-size: 20px;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word;"&gt;JULY-AUGUST 2026:&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:14px;text-align:center;mso-line-height-alt:26px"&gt;
&lt;span style="word-break: break-word; font-size: 20px;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word;"&gt;AMERICA 250 + ART IN MICHIGAN&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;br&gt;
&lt;span style="word-break: break-word; font-size: 20px;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word;"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6cfwaq%7Cxye7Sedks%5EBccqX%5B%7C2ze%7Ej3l" target="_blank" style="text-decoration: none; color: #19638e;" rel="noopener"&gt;GET THE ISSUE&lt;/a&gt; | &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6cfwaq%7Cxye7S%7Cdks%5EBccqX%5B%7C2ze%7Ej3l" target="_blank" style="text-decoration: none; color: #19638e;" rel="noopener"&gt;SUBSCRIBE&lt;/a&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div 
class="spacer_block block-25" style="height:40px;line-height:40px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="divider_block block-26" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:10px;padding-bottom:20px;padding-left:10px;padding-right:10px" align="center"&gt;&lt;table border="0" cellpadding="0" cellspacing="0" role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;
&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-27" style="height:21px;line-height:21px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="text_block block-28" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad" 
style="padding-left:20px;padding-right:20px"&gt;&lt;div style="font-family:Tahoma,Verdana,sans-serif"&gt;&lt;div class style="font-size:14px;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;mso-line-height-alt:16.8px;color:#555;line-height:1.2"&gt;&lt;p style="margin:0;font-size:14px;mso-line-height-alt:16.8px"&gt;&lt;span style="word-break: break-word; font-size: 16px; color: #a82b28;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word;"&gt;STAGE&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table 
class="heading_block block-29" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:24px;font-weight:900;letter-spacing:normal;line-height:1.5;text-align:left;margin-top:0;margin-bottom:0;mso-line-height-alt:36px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6cfwaq%7Cxye8cedks%5EBccqX%5B%7C2ze%7Ej3l" target="_blank" style="text-decoration: none; color: #000000;" rel="noopener"&gt;“Laura Benanti: Nobody Cares,” A Show Starring One of Broadway’s Favorite Leading Ladies&lt;/a&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table 
class="image_block block-30" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;div style="max-width:598px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6cfwaq%7Cxye8c%7Cdks%5EBccqX%5B%7C2ze%7Ej3l" target="_blank"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/qe4/5va/ko6/Laura-Benanti-5.-Photo-by-Avery-Brunkus-600x450.jpg" style="display:block;height:auto;border:0;width:100%" 
width="598" alt="" title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-31" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p 
style="margin:0;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;Benanti bridges the gap between Broadway and stand-up in this playful one-woman show. (Christine Trevino)&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="divider_block block-32" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" 
style="padding-top:20px;padding-bottom:20px;padding-left:10px;padding-right:10px" align="center"&gt;&lt;table border="0" cellpadding="0" cellspacing="0" role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-33" style="height:21px;line-height:21px;font-size:1px"&gt;
&amp;#8202;&lt;/div&gt;&lt;table class="text_block block-34" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-left:20px;padding-right:20px"&gt;&lt;div style="font-family:Tahoma,Verdana,sans-serif"&gt;&lt;div class style="font-size:14px;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;mso-line-height-alt:16.8px;color:#555;line-height:1.2"&gt;&lt;p 
style="margin:0;font-size:14px;mso-line-height-alt:16.8px"&gt;&lt;span style="word-break: break-word; font-size: 16px; color: #429c95;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word;"&gt;LIT&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-35" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" 
style="width:100%;padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px" align="center"&gt;&lt;h1 style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:24px;font-weight:900;letter-spacing:normal;line-height:1.5;text-align:left;margin-top:0;margin-bottom:0;mso-line-height-alt:36px"&gt;
&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6cfwaq%7Cxye8cmdks%5EBccqX%5B%7C2ze%7Ej3l" target="_blank" style="text-decoration: none; color: #000000;" rel="noopener"&gt;&lt;span class="mce-content-body mce-edit-focus" style="word-break: break-word; position: relative;" id="a442a32a-0456-4154-b82f-b186baf8f9c0" data-position="10-0-34" data-qa="tinyeditor-root-element"&gt;Nathaniel Rich's Data Center Heist Illuminates the Tech Industry's Shadow Autocracy&lt;/span&gt;&lt;/a&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-36" 
width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;div style="max-width:598px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6cfwaq%7Cxye8cqdks%5EBccqX%5B%7C2ze%7Ej3l" target="_blank"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/uig/j9c/xof/CloudthiefNathanielRich-600x450.jpg" style="display:block;height:auto;border:0;width:100%" width="598" alt="" title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;
&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-37" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;With wry precision, "Cloudthief" descends into the abyss and shines light on the American zeitgeist. (Amanda Norton)&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="divider_block block-38" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:20px;padding-bottom:20px;padding-left:10px;padding-right:10px" align="center"&gt;&lt;table 
border="0" cellpadding="0" cellspacing="0" role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-39" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" 
style="width:100%" align="center"&gt;&lt;div style="max-width:598px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6cfwaq%7Cxye7S2dks%5EBccqX%5B%7C2ze%7Ej3l" target="_blank"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/kcw/yua/mwn/House%20Middle_Lower%20-%20December%202025%20-%20600x500.gif" style="display:block;height:auto;border:0;width:100%" width="598" alt="" title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-40" style="height:40px;line-height:40px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;
&lt;table class="heading_block block-41" width="100%" border="0" cellpadding="5" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;h1 style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:28px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:34px"&gt;
&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6cfwaq%7Cxye8wDdks%5EBccqX%5B%7C2ze%7Ej3l" target="_blank" style="text-decoration: underline; color: #000000;" rel="noopener"&gt;TODAY IN CULTURE&lt;/a&gt;&lt;br&gt;&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-42" width="100%" border="0" cellpadding="10" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div 
style="font-family:sans-serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:16.8px;color:#555;line-height:1.2"&gt;&lt;p style="margin:0;font-size:14px;text-align:center;mso-line-height-alt:16.8px"&gt;&lt;span style="word-break: break-word; color: #000000;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;By Ray Pride&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-43" 
style="height:40px;line-height:40px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="heading_block block-44" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;ART&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-45" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;New Leadership At Threewalls&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p 
style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
Wisdom Baty has been named Threewalls' program director. Baty is the founder and creative director of "Wild Yams: Black Mothers Artist Residency," an initiative dedicated to creating the time, space and resources artists need to sustain their creative lives, and a graduate of the University of Illinois at Chicago and the School of the Art Institute of Chicago. Francisco Borja joins Threewalls as operations director, with experience in arts management, organizational leadership and labor advocacy. (&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6cfwaq%7Cxye8xedks%5EBccqX%5B%7C2ze%7Ej3l" target="_blank" style="text-decoration: underline; color: #0068A5;" rel="noopener"&gt;More&lt;/a&gt;.)
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-46" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;DESIGN&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-47" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;font-size:18px;text-align:center;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;The Gordie Howe Bridge Is Open Between Canada And U.S.&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"A bridge with towers informed by a hockey slapshot has opened to public traffic between the United States and Canada after more than seven years of construction, decades of planning and a contentious back-and-forth with the federal government," &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cfwaq%7Cxye8vedks%5EBa" style="text-decoration: underline; color: #0068A5;"&gt;reports Dezeen&lt;/a&gt;. "Named after Canadian-born Detroit Red Wings hockey player Gordie Howe, the bridge stretches over the Detroit River between the city of Detroit and Windsor, Canada.&amp;nbsp;It is 'the first new crossing between Ontario and Michigan in over sixty years,'" according to the&amp;nbsp;Windsor-Detroit Bridge Authority.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;text-align:center;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Third Manhattan High-Rise Residential Conversion Halted&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"The Department of Buildings ordered work to stop on certain floors at 750 Third Avenue. It’s the third conversion project to have work halted since one became dangerously unstable earlier this month," reports the New York Times (&lt;em&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cfwaq%7Cxye8%5EDdks%5EBa" style="text-decoration: underline; color: #0068A5;"&gt;gift link&lt;/a&gt;&lt;/em&gt;).&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;
&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-48" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;DINING &amp;amp; DRINKING&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-49" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:12px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:18px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;font-size:18px;text-align:center;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;A Look At Ann Sather's New Wicker Park Location&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"Ann Sather, the historic Swedish restaurant in Chicago best known for its beloved cinnamon rolls, just opened a new flagship" in Wicker Park, reports Louisa Kung Liu Chu at the Tribune (&lt;em&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cfwaq%7Cxye8vmdks%5EBa" style="text-decoration: underline; color: #0068A5;"&gt;gift link&lt;/a&gt;&lt;/em&gt;).&amp;nbsp;Owner, operator and former Alder Tom Tunney closed the last Belmont Avenue location after eighty-one years in Lakeview on June 28, including a $10 million sale of the property. "I didn’t need to worry about working anymore,” said Tunney. “But I decided for the brand and the employees and the attractiveness of this particular location on Division that this would be a really good retrofit of the Belmont atmosphere.”&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;text-align:center;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Visiting Musicians Share Their Favorite Restaurants&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"Musicians from around the world travel to Chicago during the summer to play Lollapalooza, Riot Fest and North Coast, and between sets, sound checks and after-parties, they find some time to enjoy some great meals," tallies the Trib (&lt;em&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cfwaq%7Cxye8v%5Edks%5EBa" style="text-decoration: underline; color: #0068A5;"&gt;gift link&lt;/a&gt;&lt;/em&gt;). The extensive list includes Dan Hodsdon of The Callous Daoboys at Handlebar;&amp;nbsp; Marlon Funaki at Chicago’s Dog House; Austin Tackett of Chat Pile at Pequod's; Will Gorin of Slothrust at Armitage Alehouse; Ben Stocker of Snacktime at Sip &amp; Dip; and Destin Conrad at Uncle Remus.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;text-align:center;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Asian Homecook Serves Halal Malaysian Food&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"Toyuba Amir Ali would prepare large meals for family and friends in her West Ridge home, with dishes like &lt;em&gt;mee goreng mamak ayam, &lt;/em&gt;a stir-fried noodle dish tossed in a sweet and spicy sambal chile-based sauce and protein and &lt;em&gt;nasi goreng kampung&lt;/em&gt;, a salty and spicy dish made of day-old rice, anchovies, shrimp paste and topped with a fried egg," &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cfwaq%7Cxye8v6dks%5EBa" style="text-decoration: underline; color: #0068A5;"&gt;reports the Sun-Times&lt;/a&gt;. "Asian Homecook, a forty-five-seat restaurant&lt;strong&gt; &lt;/strong&gt;serving halal Malaysian food, opened in March on Devon Street in the heart of Little India... Word of the meals she prepared at her West Ridge home for family and friends spread and eventually she began to receive paying customers—serving about fifty people a week."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;text-align:center;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Why Are Berries Everywhere Now?&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;California giant Driscoll's "has helped turn a local, seasonal treat into a worldwide refrigerator staple and marketing juggernaut," reports the New York Times (&lt;em&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cfwaq%7Cxye8v-dks%5EBa" style="text-decoration: underline; color: #0068A5;"&gt;gift link&lt;/a&gt;&lt;/em&gt;). "Driscoll’s, a $7 billion California company that began as a multifamily farm in 1904, patented its first strain of strawberries in 1958 and is still controlled by family members. In 1989, its board made what the company calls the Meadowood Declaration, a resolution that seemed preposterous at the time: to make all four berries available, in every season, in every part of the world."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;text-align:center;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;The Ten Buzziest Chicago Restos Right Now&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;All Well tops the ten buzziest restaurants in the city right now, lists Chicago magazine (&lt;em&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cfwaq%7Cxye8vqdks%5EBa" style="text-decoration: underline; color: #0068A5;"&gt;gift link&lt;/a&gt;&lt;/em&gt;): "Oriole’s Noah Sandoval and Larry Feldmeier introduce this more relaxed spot, with prix fixe and à la carte menus. We’ll eat anywhere these two are cooking." Bad Butter lands next: "The pastry pop-up lands a brick-and-mortar café. You may know Dan Koester, the baker behind Bad Butter, for such viral treats as the Chicago croissant dog."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-50" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;FILM AND TELEVISION&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-51" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:12px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:18px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;font-size:18px;text-align:center;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Is "The Odyssey" Fashioning An "IMAX Trap"?&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"‘The Odyssey’ is sold out through August—and theaters fear an IMAX trap," &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cfwaq%7Cxye8vDdks%5EBa" style="text-decoration: underline; color: #0068A5;"&gt;posits The Ankler&lt;/a&gt;. "The premium-format boom is minting money—and convincing audiences that regular screens aren’t worth the trip... That’s the tension underneath exhibition’s best story in years. Premium large format is the fastest-growing slice of the box office and IMAX is the most powerful brand in the theater business—powerful enough to hand its entire North American footprint to a three-hour Homer adaptation. But a growing number of exhibitors are worried that the industry has spent this summer teaching audiences a lesson it can’t take back: that a regular screen isn’t worth leaving the house for."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-52" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;LIT&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-53" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:12px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:18px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Daniel Kraus On The Job Of Writing&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Evanston resident Daniel Kraus approaches writing like a factory job, &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cfwaq%7Cxye8wedks%5EBa" style="text-decoration: underline; color: #0068A5;"&gt;reports New York magazine&lt;/a&gt;. "I've had a whole bunch of crap jobs in my life, and you don't get to decide if you feel like working. I don’t have another job, so I work long writing hours. I purposely approach it almost like a factory job. I’ve never wanted to treat it like some sort of delicate art. I’m going to show up, and unless I’m really sick, I’ve got to go to work. So I write good eight-hour days six days a week—used to work seven, but under protest I now work six." (&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6cfwaq%7Cxye8x%7Cdks%5EBccqX%5B%7C2ze%7Ej3l" target="_blank" style="text-decoration: underline; color: #0068A5;" rel="noopener"&gt;More&lt;/a&gt;.)&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-54" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;MUSIC&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-55" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:12px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:18px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;font-size:18px;text-align:center;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Chicago Favorite Glen Hansard Was Fifty-Six&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Motorcycle, Dublin, early morning: Chicago fan favorite, Irish musician Glen Hansard died on Wednesday, &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cfwaq%7Cxye8w%7Cdks%5EBa" style="text-decoration: underline; color: #0068A5;"&gt;chronicles the Hollywood Reporter&lt;/a&gt;. "Hansard was best known as the frontman for the rock band the Frames, though he had successful solo albums with 2012’s 'Rhythm and Repose' and 2015’s 'Didn’t He Ramble.' The latter earned a Grammy Award nomination for best folk album. He also wrote music for film, appearing in the BAFTA-winning 'The Commitments' (1991) and Irish music drama 'Once' (2007), in which he and co-star Markéta Irglová played a dramatized version of their real-life musical pairing, folk rock duo The Swell Season. It won them the Academy Award for best original song the following year, for the title track 'Falling Slowly.'"&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;The Irish Times' Donald Clarke &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cfwaq%7Cxye8wmdks%5EBa" style="text-decoration: underline; color: #0068A5;"&gt;writes&lt;/a&gt; about Hansard's role in Irish film. &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cfwaq%7Cxye8wqdks%5EBa" style="text-decoration: underline; color: #0068A5;"&gt;Posts WXRT on Facebook&lt;/a&gt;: "A great talent with loads of heart and soul who was always embraced here as a Chicagoan. Our condolences to his large Irish family and to everyone who loved him." Among many other shows, Hansard played the Hideout on October 6, 2002; Aadam Jacobs' recording is &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cfwaq%7Cxye8w%5Edks%5EBa" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;text-align:center;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Vinyl Releases Begin From Aadam Jacobs Collection&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Newly launched label Laughing Bee Music is setting vinyl and digital releases on September 18 of archival live performances from &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cfwaq%7Cxye8wydks%5EBa" target="_blank" rel="noopener" style="text-decoration: underline; color: #0068A5;"&gt;the Aadam Jacobs Collection&lt;/a&gt;: Naked Raygun’s "This Place Used to Be a Strip Joint (Live)" and Eleventh Dream Day’s "By The Time They Got To Lounge Ax (Live)." Documenting nearly forty years of the Chicago music scene, Jacobs' collection is an internet treasure trove. Ahead of each album will be a single release, Naked Raygun’s “Home of the Brave (Live in Chicago, November 2, 1985)” and Eleventh Dream Day’s “Testify (Live in Chicago, August 2, 1991).”&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;text-align:center;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;The Life Of Cover Bands&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"It's like getting paid to party," a local musician &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cfwaq%7Cxye8w2dks%5EBa" style="text-decoration: underline; color: #0068A5;"&gt;tells WBEZ&lt;/a&gt;. "When summer hits, local cover bands are busy working Chicago’s street festivals. It’s not a national tour, but it’s still a lot of work... Cover and tribute bands are street fest staples. The musicians aren’t performing their own original pieces but music that a general crowd will bop along to because it’s familiar."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-56" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;ARTS &amp;amp; CULTURE &amp;amp; ETC.&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-57" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;font-size:18px;text-align:center;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Chicago History Museum's New President&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Michael J. Anderson has been chosen as the president and CEO of the Chicago History Museum. Anderson, previously vice president of external affairs and development, was named interim president after his predecessor, Donald Lassere, resigned in January. Anderson joined Chicago’s oldest cultural institution in 2014 and has worked with senior management and trustees to build and solidify relationships with major donors. (&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6cfwaq%7Cxye8xmdks%5EBccqX%5B%7C2ze%7Ej3l" target="_blank" style="text-decoration: underline; color: #0068A5;" rel="noopener"&gt;More&lt;/a&gt;.)&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;text-align:center;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;3Arts Awards Celebrated At Harris Theater&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;3Arts announces its annual 3Arts Awards Celebration, "a festive evening of dynamic performances by Chicago artists and the announcement of the recipients of unrestricted grants to artists working in the performing, teaching and visual arts." The awards will take place at the Harris Theater on Monday, October 26 at 5:30pm. Tickets ($50 and up) include a welcome reception, the awards program and an afterparty, and will be available in early September &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cfwaq%7Cxye8w6dks%5EBa" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;text-align:center;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;NASCAR Return Stalls Over State Subsidy&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"Plans to return NASCAR’s Chicago Street Race to the downtown Lakefront next spring have stalled, as the auto racing group hits a stumbling block over the size of a state subsidy it’s seeking to defray some of its costs," &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cfwaq%7Cxye8w-dks%5EBa" style="text-decoration: underline; color: #0068A5;"&gt;reports Crain's&lt;/a&gt;.&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;
&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-58" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;font-size:18px;text-align:center;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Send culture news and tips to&amp;nbsp;&lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cfwaq%7Cxye7VDdks%5EBa" target="_blank" style="text-decoration: underline; color: #0068A5;" rel="noopener"&gt;today@newcity.com&lt;/a&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="divider_block block-59" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" 
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&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-63" width="100%" border="0" cellpadding="10" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:16.8px;color:#555;line-height:1.2"&gt;&lt;p 
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title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-3" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:5px;padding-bottom:5px" align="center"&gt;&lt;div style="max-width:598px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6cfyaq%7Cx6e8%7C%7Cdk%5EDFccqX%5B%7C2ze%7Ej3l" target="_blank"&gt;&lt;img 
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&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6cfyaq%7Cx6e8s%5Edk%5EDFccqX%5B%7C2ze%7Ej3l" target="_blank"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/1t6/klc/ofe/I-WANT-YOUR-SEX.jpeg" style="display:block;height:auto;border:0;width:100%" width="598" alt="" title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-5" style="height:21px;line-height:21px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="heading_block block-6" width="100%" border="0" cellpadding="0" cellspacing="0" 
role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px" align="center"&gt;&lt;h1 style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:24px;font-weight:900;letter-spacing:normal;line-height:1.5;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:36px"&gt;
&lt;strong&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6cfyaq%7Cx6e8sydk%5EDFccqX%5B%7C2ze%7Ej3l" target="_blank" style="text-decoration: none; color: #000000;" rel="noopener"&gt;Talking Screens: A Week In Chicago Film&lt;br&gt;July 31-August 6, 2026&lt;/a&gt;&lt;/strong&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="divider_block block-7" width="100%" border="0" cellpadding="10" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" align="center"&gt;&lt;table border="0" cellpadding="0" cellspacing="0" 
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style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;font-size:18px;text-align:center;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;by Ray Pride&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-9" width="100%" border="0" cellpadding="20" cellspacing="0" 
role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;While "&lt;strong&gt;Spider-Man: Brand New Day&lt;/strong&gt;" opens widest this week, smaller entries reviewed include Gregg Araki's first big-screen outing in ages and an AI parable, "&lt;strong&gt;Sheep In The Box&lt;/strong&gt;," from Japan's Hirokazu Kore-Eda.&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Gregg Araki’s twelfth feature, "&lt;strong&gt;I Want Your Sex&lt;/strong&gt;," a ninety-minute counterculture canapé, finds the gender-fluid provocateur back in fevered shape, cocky and confident. The recent restoration of his mournful masterpiece, "Mysterious Skin," made one hopeful that his kickier, campier side would also again be in broad daylight. This 2026 Sundance entry—"I Want Your Sex" is a righteous Araki title up there with "The Doom Generation" and "Totally F***ed Up"—exceeds expectations. In the full-frontal telling by Karley Sciortino and Araki, twenty-something Elliot (Cooper Hoffman, "Licorice Pizza") is eager to explore his BDSM leanings and finds himself in thrall to a mistress—his employer!—artist Erika Tracy (Olivia Wilde, "The Invite") as well as a careening crime caper.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Culture clash and generational misunderstanding/understanding ensue in stylish surroundings and folds of vinyl. Pleasingly profane one-liners and garish decor elicit welcome laugher—"It's strictly a sex thing, you understand that, right?" It's strictly a sex comedy thing. The charismatic, bedraggled Hoffman projects rare eager optimism and Wilde, firm, stern, personifies an effective director of both desire and scenarios. With Chase Sui Wonders ("The Studio"), Margaret Cho, Roxane Mesquida, Charli XCX, Daveed Diggs and Johnny Knoxville as "Detective Zero." &lt;em&gt;Trailer &lt;/em&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cfyaq%7Cx6e8s2dk%5EDFa" style="text-decoration: underline; color: #0068A5;"&gt;&lt;em&gt;here&lt;/em&gt;&lt;/a&gt;. &lt;em&gt;"I Want Your Sex" opens Thursday at River East and Roosevelt Collection and &lt;/em&gt;&lt;em&gt;Friday, July 31 at the Film Center, Music Box and The 400.&lt;/em&gt;&lt;/span&gt;
&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-10" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;div style="max-width:598px"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/zv2/bo2/a32/Sheep-In-A-Box.jpg" style="display:block;height:auto;border:0;width:100%" width="598" alt="" title="" height="auto"&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table 
class="text_block block-11" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;font-size:18px;text-align:center;mso-line-height-alt:18px"&gt;
&lt;span style="word-break: break-word; font-size: 12px;"&gt;"Sheep In The Box"&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
Hirokazu Kore-eda has devoted the mass of his career to the mysteries of childhood, to the mind of the child. In "&lt;strong&gt;Sheep in the Box&lt;/strong&gt;," the Japanese master, moves to the future and to the miseries of grief—gifting a couple with a child-not-a-child, who has been crafted to match their lost offspring. But this muted AI is an ain't: Kore-eda understates his story into insignificance. Despite tender moments, his humanism requires, it seems, humans, to engage his curiosity.&lt;em&gt;"Sheep In The Box" opens Thursday at River East and Friday at the Music Box&lt;/em&gt;.
&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-12" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;div style="max-width:598px"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/wyf/32e/7mn/SPIDERMAN-BRAND-NEW-DAY-scaled.jpg" style="display:block;height:auto;border:0;width:100%" width="598" alt="" title="" height="auto"&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;&lt;table class="text_block block-13" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;font-size:18px;text-align:center;mso-line-height-alt:18px"&gt;
&lt;span style="word-break: break-word; font-size: 12px;"&gt;"Spider-Man: Brand New Day"&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;The latest entry in a quarter-century series of a dozen or so, "&lt;strong&gt;Spider-Man: Brand New Day&lt;/strong&gt;," directed by Destin Daniel Cretton, stars couple Tom Holland and Zendaya—as well as Sadie Sink, Jacob Batalon, Jon Bernthal, Tramell Tillman, Michael Mando and Mark Ruffalo. We follow Peter Parker finding a life of crime-fighting not so satisfying when all of his friends from teen time have moved along. &lt;em&gt;Opens Thursday&lt;/em&gt;.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;The 4K restoration of Jane Campion's "&lt;strong&gt;The Piano&lt;/strong&gt;" &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cfyaq%7Cx6e8s6dk%5EDFa" style="text-decoration: underline; color: #0068A5;"&gt;opens Friday, July 31 at the Music Box&lt;/a&gt;. "&lt;strong&gt;The Odyssey&lt;/strong&gt;" continues on the 70mm screen, with a &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cfyaq%7Cx6e8s-dk%5EDFa" style="text-decoration: underline; color: #0068A5;"&gt;Saturday 3pm post-film literary discussion&lt;/a&gt; presented by the National Hellenic Museum.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;This week's cornucopia of Repertory &amp; Revival includes "&lt;strong&gt;I Am Cuba&lt;/strong&gt;"; "&lt;strong&gt;Tokyo Story&lt;/strong&gt;"; "&lt;strong&gt;Gun Crazy&lt;/strong&gt;"; "&lt;strong&gt;M&lt;/strong&gt;" and "&lt;strong&gt;Bullitt&lt;/strong&gt;."&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Lebanon's submission to the Academy Awards, Cyril Aris’ "&lt;strong&gt;A Sad And Beautiful World&lt;/strong&gt;," "is a sweeping love story spanning three decades of passion, loss and hope. Nino and Yasmina are bound by a magnetic relationship. Torn between love and survival, they must decide whether to build a family and seek happiness in Lebanon or leave their home amid the country’s unfolding tragedies." &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cfyaq%7Cx6e8sDdk%5EDFa" target="_blank" style="text-decoration: underline; color: #0068A5;" rel="noopener"&gt;&lt;em&gt;Uprising Theater, Friday, July 3&lt;/em&gt;1&lt;/a&gt;.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Rogers Park's 113-year-old &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cfyaq%7Cx6e8tedk%5EDFa" style="text-decoration: underline; color: #0068A5;"&gt;400 Theater&lt;/a&gt; reopens Friday&lt;/strong&gt; under ambitious new ownership; more below under Chicago Seen. The theater, with $11 ducats in the evening, posted a pre-opening FAQ on Facebook &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cfyaq%7Cx6e8t%7Cdk%5EDFa" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;. The 400's opening attractions include "Spider-Man: Brand New Day" and Gregg Araki's "I Want Your Sex." Also seen: Bill Morrison's second short Chicago-set doc, "&lt;strong&gt;Sawyer Avenue, Sunday Afternoon&lt;/strong&gt;," which "reconstructs the October 12, 2025 detention of a Chicago resident by masked federal immigration agents without presenting a warrant."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;Also below, under Benedictions, Richard Roeper's farewell to the quietly legendary &lt;strong&gt;Lake Street Screening Room&lt;/strong&gt; from the Roger Ebert site.&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Plus, Emily Wilson, translator of "&lt;strong&gt;The Odyssey&lt;/strong&gt;," has thoughts on Christopher Nolan's adaptation. And &lt;strong&gt;Manohla Dargis at the Times&lt;/strong&gt; takes up the box office youthquake of the moment.&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="divider_block block-14" width="100%" border="0" cellpadding="10" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" align="center"&gt;&lt;table border="0" cellpadding="0" cellspacing="0" role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-15" width="100%" border="0" cellpadding="10" cellspacing="0" 
role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;strong&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6cfyaq%7Cx6e8j-dk%5EDFccqX%5B%7C2ze%7Ej3l" target="_blank" style="text-decoration: underline; color: #0068A5;" rel="noopener"&gt;&lt;em&gt;Become a member of Newcity&lt;/em&gt;&lt;/a&gt;&lt;/strong&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="divider_block block-16" width="100%" border="0" cellpadding="10" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" align="center"&gt;&lt;table border="0" cellpadding="0" cellspacing="0" 
role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-17" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;div 
style="max-width:598px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cfyaq%7Cx6e8tmdk%5EDFa" target="_blank"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/ydl/543/jzu/Chicago%20Filmmakers%20%281%29.png" style="display:block;height:auto;border:0;width:100%" width="598" alt="" title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-18" style="height:40px;line-height:40px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="heading_block block-19" width="100%" border="0" 
cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px" align="center"&gt;&lt;h1 style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:24px;font-weight:900;letter-spacing:normal;line-height:1.5;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:36px"&gt;
&lt;strong&gt;REPERTORY &amp;amp; REVIVAL&lt;/strong&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-20" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p 
style="margin:0;font-size:18px;text-align:left;mso-line-height-alt:27px"&gt;Double disco &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cfyaq%7Cx6e8tqdk%5EDFa" style="text-decoration: underline; color: #0068A5;"&gt;at Doc,&lt;/a&gt; with a Friday showing of J. Robert Wagoner's 1979 "&lt;strong&gt;Disco Godfather.&lt;/strong&gt;" On Thursday, Robert Klane's 1978 "&lt;strong&gt;Thank God It's Friday&lt;/strong&gt;" (35mm).&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-21" width="100%" border="0" cellpadding="0" 
cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;div style="max-width:598px"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/hd1/fjh/mto/MIKEY-NICKY.jpeg" style="display:block;height:auto;border:0;width:100%" width="598" alt="" title="" height="auto"&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-22" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;font-size:18px;text-align:center;mso-line-height-alt:18px"&gt;&lt;span style="word-break: break-word; font-size: 12px;"&gt;"Mikey &amp; Nicky"&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;
&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;The &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cfyaq%7Cx6e8t%5Edk%5EDFa" style="text-decoration: underline; color: #0068A5;"&gt;Davis Theater presents&lt;/a&gt; Ringo Lam's splendid 1992 Hong Kong heyday actioner, "&lt;strong&gt;Full Contact&lt;/strong&gt;," Saturday, August 1; and on Tuesday, August 4, Elaine May's men-into-masterpiece, "&lt;strong&gt;Mikey And Nicky&lt;/strong&gt;." At a 2024 screening at Manhattan's Metrograph, along with her long-suffering editors, the now-ninety-four-year-old Miss May said in light of the film's legendary protracted post-production, "I tried to make it as interesting as I could."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;At the Film Center, a preview of "&lt;strong&gt;Wild Inside,&lt;/strong&gt;" Penny Lane's doc on the examined life of Manhattan owl Flaco, which opens next week; four showings of Fritz Lang's "&lt;strong&gt;M&lt;/strong&gt;" from the "&lt;strong&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cfyaq%7Cx6e8jmdk%5EDFa" style="text-decoration: underline; color: #0068A5;"&gt;25 for 25&lt;/a&gt;&lt;/strong&gt;" series; and from the "&lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cfyaq%7Cx6e8%7Cedk%5EDFa" style="text-decoration: underline; color: #0068A5;"&gt;&lt;strong&gt;Vroom, Screech&lt;/strong&gt;&lt;/a&gt;" series, four showings of Peter Yates' 1968 "&lt;strong&gt;Bullitt&lt;/strong&gt;," a car chase classic that was nearly remade by Steven Spielberg with Bradley Cooper a few years back before Cooper's move into directing.&lt;/span&gt;
&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-23" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;div style="max-width:598px"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/29o/ujc/oq5/GUN-CRAZY-1950%20%281%29.jpg" style="display:block;height:auto;border:0;width:100%" width="598" alt="" title="" height="auto"&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;
&lt;table class="text_block block-24" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;font-size:18px;text-align:center;mso-line-height-alt:18px"&gt;
&lt;span style="word-break: break-word; font-size: 12px;"&gt;"Gun Crazy"&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;text-align:center;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Also at the Film Center: The marvels of Joseph H. Lewis’ filmography are not limited to the astonishing “&lt;strong&gt;Gun Crazy&lt;/strong&gt;” (1950). While this master of film noir is best known and most commonly discovered and rediscovered from his orgasmic proto-gangster-couple chase picture, Lewis’ entire run of work embodies elevated attention to characters moving within space. His blocking is as psychologically indicative as the vital performances he elicits. (The ever-fresh “Gun Crazy” informed the French new wave and “Bonnie &amp; Clyde,” among many other filmic sallies.)&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"When I was right out of college, there was a major retrospective of Lewis’ work, which I all but camped out for. I was young and he was near the end of his life. A very, very long life. (He lived to be ninety-three and discuss his work with other makers including Martin Scorsese, even if he only gave a single extended interview to Peter Bogdanovich.) There were stacks of his work off to the side of the entrance to the Film Center’s Columbus Drive black box theater. A modest jumble awaiting history and a hand truck. A creative life. From archives all over the place. A couple of cardboard 16mm cartons; mostly, bent tins of 35mm wheels. I wrote him a letter…” The rest of that remembrance of a meeting with the director when I was very young is &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6cfyaq%7Cx6e8tydk%5EDFccqX%5B%7C2ze%7Ej3l" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;.)&lt;em&gt; &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cfyaq%7Cx6e8t2dk%5EDFa" style="text-decoration: underline; color: #0068A5;"&gt;Film Center, August 1-2, 5-6&lt;/a&gt;.&amp;nbsp;&lt;/em&gt;&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;At Facets, Yasujiro Ozu’s "&lt;strong&gt;Tokyo Story&lt;/strong&gt;" &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cfyaq%7Cx6e8t6dk%5EDFa" style="text-decoration: underline; color: #0068A5;"&gt;shows on Wednesday, August 5&lt;/a&gt;, free to members as an "essential."&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;
&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Speaking of essential, The Chicago Film Society presents the gorgeous, Goliath folly of "&lt;strong&gt;I Am Cuba&lt;/strong&gt;" (35mm), which the Reader's then-critic Jonathan Rosenbaum summed as “amazingly poetic and terminally wrongheaded." Filmmakers like Coppola and Scorsese have long thrilled to its Soviet-financed excess, and Paul Thomas Anderson purloined a prime sequence shot with a camera diving from on high into a swimming pool for "Boogie Nights." &lt;em&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cfyaq%7Cx6e8t-dk%5EDFa" style="text-decoration: underline; color: #0068A5;"&gt;Film Center, Sunday, August 2, 5pm&lt;/a&gt;&lt;/em&gt;.&lt;/span&gt;
&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-25" style="height:40px;line-height:40px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="heading_block block-26" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:24px;font-weight:900;letter-spacing:normal;line-height:1.5;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:36px"&gt;&lt;strong&gt;CHICAGO SEEN&lt;/strong&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-27" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div 
style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;text-align:left;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;A Second Doc On Chicago Violence From The Invisible Institute And Bill Morrison&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p 
style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"Sawyer Avenue, Sunday Afternoon," directed by Bill Morrison, is a short documentary that reconstructs the October 12, 2025 detention of a Chicago resident by masked federal immigration agents without presenting a warrant. The documentary, produced in collaboration with the Invisible Institute's Jamie Kalven and María Inés Zamudio, has been published by the New Yorker with an accompanying text. The film uses body-worn camera footage, cellphone video and investigative reporting: "As neighbors emerged from their homes and attempted to stop their vehicle from leaving their block, many documented the encounter on their phones. Working from those recordings alongside body-worn camera footage released through federal litigation, Morrison reconstructs the incident from multiple perspectives, adding credibility to the public record." The eighteen-minute documentary can be viewed &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cfyaq%7Cx6e8tDdk%5EDFa" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;.&lt;/span&gt;
&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-28" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;div style="max-width:598px"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/lrl/0gg/4js/400-Theater-Facebook-page%20%281%29.jpg" style="display:block;height:auto;border:0;width:100%" width="598" alt="" title="" height="auto"&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;&lt;table class="text_block block-29" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;font-size:18px;text-align:center;mso-line-height-alt:18px"&gt;
&lt;span style="word-break: break-word; font-size: 12px;"&gt;Preparing Auditorium 2/Photo: 400 Theater Facebook page&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:left;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Rogers Park’s 400 Theater Reopens Friday&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;Excellent timing for the area with the AMC Evanston screens closed for months of renovations.&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;“Jordan Stancil, the new owner of Chicago’s 400 Theater, was raised in the movie business,” &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cfyaq%7Cx6e8%5Eedk%5EDFa" style="text-decoration: underline; color: #0068A5;"&gt;tickets the Sun-Times&lt;/a&gt;. “His great-grandfather started a small empire of theaters in northern Michigan. As a teenager growing up in Grayling, Michigan, Stancil made popcorn and took tickets at The Rialto, which was then the last surviving cinema in the family’s portfolio.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;“Now, the fifty-two-year-old former foreign service officer and one-time Democratic candidate for the Michigan House is going all in and expanding the business once again. Next up: reopening the beloved 400 Theater this Friday, marking a new chapter for the historic cinema, which closed in 2023 after more than a century of continuous operation under various names and owners.”&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div 
class="spacer_block block-30" style="height:40px;line-height:40px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="heading_block block-31" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:24px;font-weight:900;letter-spacing:normal;line-height:1.5;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:36px"&gt;&lt;strong&gt;BENEDICTIONS&lt;/strong&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-32" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;div
 style="max-width:598px"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/7gl/zra/p0w/Lake-Street-Screenign-Room-2013-Ray-Pride.jpg" style="display:block;height:auto;border:0;width:100%" width="598" alt="" title="" height="auto"&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-33" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div 
style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;font-size:18px;text-align:center;mso-line-height-alt:18px"&gt;&lt;span style="word-break: break-word; font-size: 12px;"&gt;Lake Street Screening Room, 2013/Photo: Ray Pride&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;text-align:center;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Chicago’s Historic Loop Critics’ Screening Room Will Close With Residential Conversion&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;A seventeen-story, ninety-nine-year-old office building in the Loop at 70 East Lake will be converted into about 170 luxury apartments, which means the forty-eight-seat Lake Street Screening Room in the building will close. &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cfyaq%7Cx6e8%5E%7Cdk%5EDFa" style="text-decoration: underline; color: #0068A5;"&gt;At the Roger Ebert site&lt;/a&gt;, Richard Roeper writes,&amp;nbsp;“For me and for my fellow critics from the Chicago area (especially the veterans), there was a deeply personal element, because for decades, that gorgeous and weathered Gothic Revival/Art Deco building has been home to one of the most iconic screening rooms in the world.”&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Painstaking projectionist-proprietor Steve Kraus has worked there for forty or so years—prior owners included Plitt and Cineplex, two defunct theater chains—and owned the space since 2000. Will Kraus open another screening room when 70 East Lake closes? “No. Business is too low. It pays the bills but not much beyond. It’s been a good run. No complaints.” Kraus doesn’t yet know when it ends—"could be a matter of months or years”—and “there’s even ‘a remote chance they wish to keep the space as an amenity.'”&lt;/span&gt;
&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-34" style="height:40px;line-height:40px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="heading_block block-35" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:24px;font-weight:900;letter-spacing:normal;line-height:1.5;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:36px"&gt;&lt;strong&gt;HARD COPY&lt;/strong&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-36" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;div 
style="max-width:598px"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/smt/b6d/78y/The-Odyssey-Trojan-Horse.jpg" style="display:block;height:auto;border:0;width:100%" width="598" alt="" title="" height="auto"&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-37" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div 
style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;font-size:18px;text-align:center;mso-line-height-alt:18px"&gt;&lt;span style="word-break: break-word; font-size: 12px;"&gt;"The Odyssey"&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;text-align:center;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Lots of give-and-take over "The Odyssey,"&lt;/strong&gt; including, most contentiously, from best-selling translator Emily Wilson &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cfyaq%7Cx6e8%5Emdk%5EDFa" style="text-decoration: underline; color: #0068A5;"&gt;in the London Review of Books&lt;/a&gt;. A summary of points Wilson summarized from her 4,200-word unburdening at Bluesky: "It's a fun action movie. This Odyssey; is not a rich, satisfying Homeric banquet, but sometimes in the heat, an ice-cold Philly water ice is all you want—even if it's mostly sugar and food coloring, and makes no nutritional sense. Adaptations can do whatever the creators want with the source material, and in many cases, the more they diverge from or push back against the original, the better. It's also totally fine to use American actors and a diverse cast. The costumes/ armor/boats are a mess, but who cares? Homer is also a mishmash. It's less fine to waste your expensive diverse cast by terrible screenwriting, giving them zero convincing characterization or attempt to make us care about the relationships, and tokenism.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"Nolan tries to pack a lot of Incidents and Big Ideas into this film, but they do not seem to me to hang together coherently on the level of his own plot and the movie's constructed system of values. Instead, it's foisting a didactic point about Our Times onto the plot without integrating it. The film centers Odysseus' guilt over his war crimes, but never shows us the POV of his victims, and instead glorifies the perpetrator for feeling bad about himself.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"I wish I liked this film more. I tried very hard to like it.&amp;nbsp;By far my favorite thing in the film is Robert Pattinson's hilarious and sexy Antinous. If anyone ever wants to make a spin-off TV series with Antinous risen from the dead to mess with other mythical households, I would be so there for it.&amp;nbsp;Whatever one thinks of the film as a work of art, it's doing some good in the world, by generating big conversations, bringing new audiences to the cinema, and new readers to ancient literature. I hope it helps save the humanities."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Rebecca Solnit&lt;/strong&gt; has some worthwhile thoughts &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cfyaq%7Cx6e8%5Eqdk%5EDFa" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;.&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;At the New York Times, &lt;strong&gt;Manohla Dargis considers the wave of young ticket buyers at the movies&lt;/strong&gt; (&lt;em&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cfyaq%7Cx6e8%5E%5Edk%5EDFa" style="text-decoration: underline; color: #0068A5;"&gt;gift link&lt;/a&gt;&lt;/em&gt;). "There’s an unfortunate tendency, including among members of the media, to make grand pronouncements. We’re coming off the pandemic, and it took a while for things to start to resettle. Movie theaters shutting down was a big thing—they didn’t even shut down in 1918 during the flu pandemic. It just takes a long time for things to get back to normal.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;"It’s not a surprise to me that audiences, and particularly younger audiences, would be eager to go to the movies. It’s fun hanging out with your friends, screaming and laughing in the dark together. You have to give people something to watch, though.&lt;/span&gt;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"I think it’s overstated to say that we’re seeing a new Hollywood. The success of 'Backrooms' and 'Obsession' is great, but that’s two movies. Two movies are not a trend. One of the things we know about the movie industry is that it has always resuscitated itself. It’s like a vampire, always seeking new blood."&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-38" style="height:40px;line-height:40px;font-size:1px"&gt;
&amp;#8202;&lt;/div&gt;&lt;table class="heading_block block-39" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:24px;font-weight:900;letter-spacing:normal;line-height:1.5;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:36px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;THE WEEK IN FILM&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-40" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;font-size:18px;text-align:center;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;The $100 Million Market In Popcorn Buckets&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;“Once, a tub of popcorn was just a tub of popcorn. Now, ‘collectible concession vessels’ could make AMC more than $100 million,” reports the New York Times (&lt;em&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cfyaq%7Cx6e8%5Eydk%5EDFa" style="text-decoration: underline; color: #0068A5;"&gt;gift link&lt;/a&gt;&lt;/em&gt;). “These special-edition snack receptacles are designed for major movies and can sell for as much as $70. All the studios and theater chains want in on them, because for somewhat inexplicable reasons, they have become astonishingly lucrative. AMC Theatres estimates that this year, buckets will generate $100 million in revenue, nearly double the level of 2023. Cinemark Theatres, the country’s third-largest chain, says bucket sales helped its merchandise revenue increase forty percent from 2024 to 2025.”&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="divider_block block-41" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:20px;padding-bottom:20px;padding-left:10px;padding-right:10px" align="center"&gt;&lt;table border="0" cellpadding="0" cellspacing="0" role="presentation" width="100%" 
style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-42" style="height:30px;line-height:30px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="heading_block block-43" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td 
class="pad" style="width:100%;padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px" align="center"&gt;&lt;h1 style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:24px;font-weight:900;letter-spacing:normal;line-height:1.5;text-align:left;margin-top:0;margin-bottom:0;mso-line-height-alt:36px"&gt;
&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6cfyaq%7Cx6e8%5E2dk%5EDFccqX%5B%7C2ze%7Ej3l" target="_blank" style="text-decoration: none; color: #000000;" rel="noopener"&gt;&lt;span class="mce-content-body mce-edit-focus" style="word-break: break-word; position: relative;" id="bca3833c-b171-44fe-a50f-35a331ea5f14" data-position="10-0-42" data-qa="tinyeditor-root-element"&gt;Film Top 5: August 2026&lt;/span&gt;&lt;/a&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-44" width="100%" border="0" cellpadding="0" cellspacing="0" 
role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;div style="max-width:598px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6cfyaq%7Cx6e8%5E6dk%5EDFccqX%5B%7C2ze%7Ej3l" target="_blank"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/1u5/qq7/a8v/millenniummambo22-600x450.jpeg" style="display:block;height:auto;border:0;width:100%" width="598" alt="" title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-45" 
width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;font-size:18px;text-align:left;mso-line-height-alt:27px"&gt;
The Music Box 70mm engagement of "The Odyssey" continues this month, and will be put up against Jean-Luc Godard's masterpiece, a take on Homer and crossing oceans and losing the world's most beautiful woman. (Ray Pride)&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="divider_block block-46" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" 
style="padding-top:20px;padding-bottom:20px;padding-left:10px;padding-right:10px" align="center"&gt;&lt;table border="0" cellpadding="0" cellspacing="0" role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-47" width="100%" border="0" cellpadding="0" cellspacing="0" 
role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;div style="max-width:598px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cfyaq%7Cx6e8%5E-dk%5EDFa" target="_blank"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/ydl/543/jzu/Chicago%20Filmmakers%20%281%29.png" style="display:block;height:auto;border:0;width:100%" width="598" alt="" title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="divider_block block-48" 
width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:20px;padding-bottom:20px;padding-left:10px;padding-right:10px" align="center"&gt;&lt;table border="0" cellpadding="0" cellspacing="0" role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;
&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="icons_block block-49" width="100%" border="0" cellpadding="10" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;text-align:center;line-height:0"&gt;&lt;tr&gt;&lt;td class="pad" style="vertical-align:middle;color:#000;font-family:inherit;font-size:14px;font-weight:400" align="center"&gt;&lt;table class="icons-outer" cellpadding="0" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;display:inline-table"&gt;&lt;tr&gt;&lt;td style="vertical-align:middle;text-align:center;padding-top:10px;padding-bottom:10px;padding-left:10px;padding-right:10px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cfyaq%7Cx6e8r-dk%5EDFa" target="_self" title="" style="text-decoration: none;"&gt;&lt;img class="icon" src="https://d15k2d11r6t6rl.cloudfront.net/pub/40qd/br3kliar/3qs/o5m/w8g/unnamed-1.png" alt="" height="auto" width="32" align="center" 
style="display:block;height:auto;margin:0 auto;border:0"&gt;&lt;/a&gt;&lt;/td&gt;&lt;td style="vertical-align:middle;text-align:center;padding-top:10px;padding-bottom:10px;padding-left:10px;padding-right:10px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cfyaq%7Cx6e8rDdk%5EDFa" target="_self" title="" style="text-decoration: none;"&gt;&lt;img class="icon" src="https://d15k2d11r6t6rl.cloudfront.net/pub/40qd/br3kliar/coi/z2y/qei/unnamed-2.png" alt="" height="auto" width="32" align="center" 
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width="598" alt="" title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="divider_block block-3" width="100%" border="0" cellpadding="10" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" align="center"&gt;&lt;table border="0" cellpadding="0" cellspacing="0" role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;
&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-4" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:5px;padding-bottom:5px;padding-left:20px;padding-right:20px" align="center"&gt;&lt;div style="max-width:350px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6cf9aq%7Cyme88-dk9o-ccqX%5B%7C2ze%7Ej3l" target="_blank"&gt;&lt;img 
src="https://d15k2d11r6t6rl.cloudfront.net/pub/40qd/br3kliar/trm/f81/xfb/NewcityLogoEmail.png" style="display:block;height:auto;border:0;width:100%" width="350" alt="" title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="divider_block block-5" width="100%" border="0" cellpadding="10" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" align="center"&gt;&lt;table border="0" cellpadding="0" cellspacing="0" role="presentation" width="100%" 
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style="padding-top:20px;padding-bottom:10px;padding-left:20px;padding-right:20px"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;We spent the day at the Art Institute Wednesday, not looking at art but doing a photo shoot for our September issue.&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;For part of the day, we worked in the Greek and Roman Sculpture Gallery, a room I've previously spent little time in. I was amazed to see how many visitors came through to look at ancient sculptures, my perspective colored by my own preference for modern and contemporary art.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;We easily forget how deep and wide the collection of the museum runs. I could happily spend every day for a year within its walls and not run out of things to see.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;And no, we did not break anything. Those statues were already missing their arms.&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-7" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" 
style="width:100%;padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px" align="left"&gt;&lt;div style="max-width:104px"&gt;&lt;img src="https://d15k2d11r6t6rl.cloudfront.net/pub/40qd/br3kliar/ier/gbh/bha/unnamed-1_1.png" style="display:block;height:auto;border:0;width:100%" width="104" alt="" title="" height="auto"&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-8" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px; color: #000000;"&gt;Brian Hieggelke&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px; color: #000000;"&gt;Editor &amp; Publisher&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;em&gt;Order the summer double issue of the magazine &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6cf9aq%7Cyme88Ddk9o-ccqX%5B%7C2ze%7Ej3l" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;. Order a subscription &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6cf9aq%7Cyme89edk9o-ccqX%5B%7C2ze%7Ej3l" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt; and the September issue will be your first.&amp;nbsp;&lt;/em&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table 
class="divider_block block-9" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:10px;padding-bottom:20px;padding-left:10px;padding-right:10px" align="center"&gt;&lt;table border="0" cellpadding="0" cellspacing="0" role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;
&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-10" style="height:21px;line-height:21px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="text_block block-11" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-left:20px;padding-right:20px"&gt;&lt;div style="font-family:Tahoma,Verdana,sans-serif"&gt;&lt;div class 
style="font-size:14px;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;mso-line-height-alt:16.8px;color:#555;line-height:1.2"&gt;&lt;p style="margin:0;font-size:14px;mso-line-height-alt:16.8px"&gt;&lt;span style="word-break: break-word; font-size: 16px; color: #000000;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word;"&gt;NEWCITY&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-12" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px" align="center"&gt;&lt;h1 style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:24px;font-weight:900;letter-spacing:normal;line-height:1.5;text-align:left;margin-top:0;margin-bottom:0;mso-line-height-alt:36px"&gt;
&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6cf9aq%7Cyme8C%7Cdk9o-ccqX%5B%7C2ze%7Ej3l" target="_blank" style="text-decoration: none; color: #000000;" rel="noopener"&gt;&lt;span class="mce-content-body mce-edit-focus" style="word-break: break-word; position: relative;" id="83b88087-0a58-4a1d-8a99-3f39151cf4af" data-position="10-0-11" data-qa="tinyeditor-root-element"&gt;Where the Buck Stopped: The Harry S Truman Library and Museum&lt;/span&gt;&lt;/a&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-13" width="100%" border="0" 
cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;div style="max-width:598px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6cf9aq%7Cyme8Cmdk9o-ccqX%5B%7C2ze%7Ej3l" target="_blank"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/r21/y8q/5fj/26-48-Truman-Library-Sunrise-Exteriors-Statue-Courtyard-Feb-16-1-600x450.jpg" style="display:block;height:auto;border:0;width:100%" width="598" alt="" title="" 
height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-14" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
When Truman retired, he returned to his home in Independence, Missouri. When the library was built, he established an office here, and he came to work almost every day for another decade. (Cynthia Clampitt)&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="divider_block block-15" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" 
style="padding-top:10px;padding-bottom:20px;padding-left:10px;padding-right:10px" align="center"&gt;&lt;table border="0" cellpadding="0" cellspacing="0" role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-16" style="height:21px;line-height:21px;font-size:1px"&gt;
&amp;#8202;&lt;/div&gt;&lt;table class="text_block block-17" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-left:20px;padding-right:20px"&gt;&lt;div style="font-family:Tahoma,Verdana,sans-serif"&gt;&lt;div class style="font-size:14px;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;mso-line-height-alt:16.8px;color:#555;line-height:1.2"&gt;&lt;p 
style="margin:0;font-size:14px;mso-line-height-alt:16.8px"&gt;&lt;span style="word-break: break-word; font-size: 16px; color: #89c0c9;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word;"&gt;DESIGN&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-18" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" 
style="width:100%;padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px" align="center"&gt;&lt;h1 style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:24px;font-weight:900;letter-spacing:normal;line-height:1.5;text-align:left;margin-top:0;margin-bottom:0;mso-line-height-alt:36px"&gt;
&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6cf9aq%7Cyme8Cqdk9o-ccqX%5B%7C2ze%7Ej3l" target="_blank" style="text-decoration: none; color: #000000;" rel="noopener"&gt;Making Room for Chicago’s Creative Community&lt;/a&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-19" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;div style="max-width:598px"&gt;
&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6cf9aq%7Cyme8C%5Edk9o-ccqX%5B%7C2ze%7Ej3l" target="_blank"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/ldq/bsz/lvi/400-Lake-Shore-Building-Facade-Related-Midwest-scaled-600x450.jpg" style="display:block;height:auto;border:0;width:100%" width="598" alt="" title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-20" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;A new housing program gives Chicago creatives priority at 400 Lake Shore Drive. (Vasia Rigou)&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;
&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="divider_block block-21" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:10px;padding-bottom:20px;padding-left:10px;padding-right:10px" align="center"&gt;&lt;table border="0" cellpadding="0" cellspacing="0" role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="divider_inner" 
style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-22" style="height:45px;line-height:45px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="image_block block-23" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-left:20px;padding-right:20px" align="center"&gt;
&lt;div style="max-width:400px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6cf9aq%7Cyme89ydk9o-ccqX%5B%7C2ze%7Ej3l" target="_blank"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/q6i/gpd/eol/Newcity_2026-07-08_Cover%20Footer.jpeg" style="display:block;height:auto;border:0;width:100%" width="400" alt="" title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-24" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:18.2px;color:#000;line-height:1.3"&gt;&lt;p style="margin:0;font-size:14px;text-align:center;mso-line-height-alt:26px"&gt;
&lt;span style="word-break: break-word; font-size: 20px;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word;"&gt;JULY-AUGUST 2026:&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:14px;text-align:center;mso-line-height-alt:26px"&gt;&lt;span style="word-break: break-word; font-size: 20px;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word;"&gt;AMERICA 250 + ART IN MICHIGAN&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;br&gt;
&lt;span style="word-break: break-word; font-size: 20px;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word;"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6cf9aq%7Cyme892dk9o-ccqX%5B%7C2ze%7Ej3l" target="_blank" style="text-decoration: none; color: #19638e;" rel="noopener"&gt;GET THE ISSUE&lt;/a&gt; | &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6cf9aq%7Cyme896dk9o-ccqX%5B%7C2ze%7Ej3l" target="_blank" style="text-decoration: none; color: #19638e;" rel="noopener"&gt;SUBSCRIBE&lt;/a&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div 
class="spacer_block block-25" style="height:40px;line-height:40px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="divider_block block-26" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:10px;padding-bottom:20px;padding-left:10px;padding-right:10px" align="center"&gt;&lt;table border="0" cellpadding="0" cellspacing="0" role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;
&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-27" style="height:21px;line-height:21px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="text_block block-28" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad" 
style="padding-left:20px;padding-right:20px"&gt;&lt;div style="font-family:Tahoma,Verdana,sans-serif"&gt;&lt;div class style="font-size:14px;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;mso-line-height-alt:16.8px;color:#555;line-height:1.2"&gt;&lt;p style="margin:0;font-size:14px;mso-line-height-alt:16.8px"&gt;&lt;span style="word-break: break-word; font-size: 16px; color: #65d68b;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word;"&gt;ART&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table 
class="heading_block block-29" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:24px;font-weight:900;letter-spacing:normal;line-height:1.5;text-align:left;margin-top:0;margin-bottom:0;mso-line-height-alt:36px"&gt;
&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6cf9aq%7Cyme8Cydk9o-ccqX%5B%7C2ze%7Ej3l" target="_blank" style="text-decoration: none; color: #000000;" rel="noopener"&gt;&lt;span class="mce-content-body mce-edit-focus" style="word-break: break-word; position: relative;" id="99c92e89-5442-400c-bf21-a167b1ea913d" data-position="10-0-28" data-qa="tinyeditor-root-element"&gt;Wandering in Collin van der Sluijs' "Wanderland"&lt;/span&gt;&lt;/a&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-30" width="100%" border="0" cellpadding="0" 
cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;div style="max-width:598px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6cf9aq%7Cyme8C2dk9o-ccqX%5B%7C2ze%7Ej3l" target="_blank"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/fx9/m83/bcd/Studio-Party-600x450.jpg" style="display:block;height:auto;border:0;width:100%" width="598" alt="" title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table 
class="text_block block-31" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Dutch artist Collin van der Sluijs brings birds, cats in party hats and his artistic mastery to Joy Machine and Vertical Gallery. (Elisa Shoenberger)&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="divider_block block-32" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" 
style="padding-top:20px;padding-bottom:20px;padding-left:10px;padding-right:10px" align="center"&gt;&lt;table border="0" cellpadding="0" cellspacing="0" role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-33" style="height:21px;line-height:21px;font-size:1px"&gt;
&amp;#8202;&lt;/div&gt;&lt;table class="text_block block-34" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-left:20px;padding-right:20px"&gt;&lt;div style="font-family:Tahoma,Verdana,sans-serif"&gt;&lt;div class style="font-size:14px;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;mso-line-height-alt:16.8px;color:#555;line-height:1.2"&gt;&lt;p 
style="margin:0;font-size:14px;mso-line-height-alt:16.8px"&gt;&lt;span style="word-break: break-word; font-size: 16px; color: #429c95;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word;"&gt;BRAZIL&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-35" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" 
style="width:100%;padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px" align="center"&gt;&lt;h1 style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:24px;font-weight:900;letter-spacing:normal;line-height:1.5;text-align:left;margin-top:0;margin-bottom:0;mso-line-height-alt:36px"&gt;
&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6cf9aq%7Cyme8C6dk9o-ccqX%5B%7C2ze%7Ej3l" target="_blank" style="text-decoration: none; color: #000000;" rel="noopener"&gt;&lt;span class="mce-content-body mce-edit-focus" style="word-break: break-word; position: relative;" id="7a0a8148-bccf-4036-9751-b0d36bbfb5a1" data-position="10-0-34" data-qa="tinyeditor-root-element"&gt;Carlos Zilio and the Beautiful Fault of Painting&lt;/span&gt;&lt;/a&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-36" width="100%" border="0" cellpadding="0" 
cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;div style="max-width:598px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6cf9aq%7Cyme8C-dk9o-ccqX%5B%7C2ze%7Ej3l" target="_blank"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/74y/m8w/3es/18011_tango-600x450.jpg" style="display:block;height:auto;border:0;width:100%" width="598" alt="" title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-37" 
width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Zilio's exhibition at Galeria Raquel Arnaud presents itself as an intimate, abstract series of self-portraits. (Luiz Armando Bagolin)&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="divider_block block-38" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:20px;padding-bottom:20px;padding-left:10px;padding-right:10px" 
align="center"&gt;&lt;table border="0" cellpadding="0" cellspacing="0" role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-39" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td 
class="pad" style="width:100%" align="center"&gt;&lt;div style="max-width:598px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6cf9aq%7Cyme8-mdk9o-ccqX%5B%7C2ze%7Ej3l" target="_blank"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/kcw/yua/mwn/House%20Middle_Lower%20-%20December%202025%20-%20600x500.gif" style="display:block;height:auto;border:0;width:100%" width="598" alt="" title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-40" style="height:40px;line-height:40px;font-size:1px"&gt;
&amp;#8202;&lt;/div&gt;&lt;table class="heading_block block-41" width="100%" border="0" cellpadding="5" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;h1 style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:28px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:34px"&gt;
&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6cf9aq%7Cyme8CDdk9o-ccqX%5B%7C2ze%7Ej3l" target="_blank" style="text-decoration: underline; color: #000000;" rel="noopener"&gt;TODAY IN CULTURE&lt;/a&gt;&lt;br&gt;&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-42" width="100%" border="0" cellpadding="10" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div 
style="font-family:sans-serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:16.8px;color:#555;line-height:1.2"&gt;&lt;p style="margin:0;font-size:14px;text-align:center;mso-line-height-alt:16.8px"&gt;&lt;span style="word-break: break-word; color: #000000;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;By Ray Pride&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-43" 
style="height:40px;line-height:40px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="heading_block block-44" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;ART&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-45" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;MCA Announces Its Fall Exhibitions, Including A Rashid Johnson Survey&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;The Museum of Contemporary Art Chicago's fall schedule includes the opening of the major exhibition "Rashid Johnson: A Poem for Deep Thinkers." The exhibition, which opens November 7, is "a major survey covering nearly thirty years" of the Chicago native's practice with over sixty artworks featured. The exhibition was previously presented at the Guggenheim Museum in New York and the Modern Art Museum of Fort Worth. It is Johnson's third solo exhibition at the MCA, which hosted his first institutional exhibition in 2002. Other highlights of the schedule include the performance-centered exhibition "Slow Dance," the fifth annual "Chicago Performs" festival and a new season of Family Day. Full programming and more &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cf9aq%7Cyme8Dedk9o-a" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Chicago Exhibition Week Announces Participants And Programs&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;More than seventy participating institutions, galleries and programming partners will be part of Gertie's fourth Chicago Exhibition Week, which is being held September 14-20. See the list of participants &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cf9aq%7Cyme8D%7Cdk9o-a" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;. Gertie will also host its first CXW Launch Party in partnership with the MCA, headlined by Vic Mensa, as well as a series of collector-hosted cocktail parties as a prelude to the Annual CXW Dinner. More &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cf9aq%7Cyme8Dmdk9o-a" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Rago/Wright Names Fine Art Associate Director&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Rago/Wright has announced that Lilly Dawson, who will be based in the firm's Los Angeles office, will join as associate director of Fine Art. "This appointment strengthens the firm's West Coast presence with a seasoned specialist whose career spans more than three decades at leading auction houses, galleries and private advisory, and whose expertise encompasses American, Impressionist, Modern and Contemporary art," the auction house writes. "Dawson joins Rago/Wright from her own practice, Gray Dawson Art Advisory which she has run since 2023 advising clients across London, Los Angeles and New York on Impressionist, Modern and Contemporary art. She brings more than three decades of experience spanning both the auction and gallery worlds."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Light Of Day Art Fair Returns To Bridgeport&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;For one weekend, more than thirty established Chicago and Midwest artists will offer original artwork at half-off during the second annual Light of Day Art Fair. "Created by Curators Gone Rogue, the fair was born from a simple idea: artists have incredible work sitting in storage, collectors are looking for affordable opportunities to buy original art and traditional gallery opportunities continue to evolve. The result is a vibrant, artist-driven event where collectors can meet the artists, hear the stories behind the work and purchase museum-quality pieces at half their original price." September 18–19 in the Bridgeport Arts District. More &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cf9aq%7Cyme8Dqdk9o-a" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-46" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;DESIGN&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-47" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Logan Square's New Pedestrian Plaza Boosts Local Businesses&lt;/strong&gt;&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;The La Placita plaza, "part of the massive remodel of the Logan Square traffic circle, is driving foot traffic to shops and restaurants near Kedzie and Milwaukee," &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cf9aq%7Cyme8D%5Edk9o-a" style="text-decoration: underline; color: #0068A5;"&gt;maps Block Club&lt;/a&gt;. "Business owners who now have bigger patios that face La Placita say the added pedestrian space has been a boon for business, which officials had hoped would be the intended outcome."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;5o0 North Michigan's Residential Conversion Gets Underway&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"A vacant Michigan Avenue office building is being transformed into more than 300 apartments, the latest major conversion aimed at bringing residents and investment Downtown," &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cf9aq%7Cyme8Dydk9o-a" style="text-decoration: underline; color: #0068A5;"&gt;tallies Block Club&lt;/a&gt;. "Connecticut-based Commonwealth Development broke ground Wednesday on the conversion of 500 North Michigan, an office building. Construction is expected to take about eighteen months, with the developer aiming to open the building to tenants in early 2027."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Sorry, Sewer Geysers And Exploding Manholes Are Not Playing Riot Fest&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"Are Sewer Geysers The New Norm In Chicago? Exploding Manholes Raise Alarm," &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cf9aq%7Cyme8D2dk9o-a" style="text-decoration: underline; color: #0068A5;"&gt;headlines Block Club&lt;/a&gt;. "Chicagoans reported seeing water gushing from the city’s sewers after heavy rains Monday. The phenomenon has become increasingly common as heavier rainfall due to climate change stresses aging infrastructure."&lt;/span&gt;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-48" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;DINING &amp;amp; DRINKING&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-49" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:12px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:18px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Kumiko’s Julia Momosé Designs Cocktails For New F1 Arcade&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;The F1 Arcade food and entertainment complex will boast sixty-one racing simulators as well as drinks concocted by Kumiko’s Julia Momosé, &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cf9aq%7Cyme8D6dk9o-a" style="text-decoration: underline; color: #0068A5;"&gt;sips Eater Chicago&lt;/a&gt;. "Located in the former Rock Bottom Restaurant &amp; Brewery, which closed in January 2023, the massive 16,000-square-foot space spans three floors and seats 424 people." A sampling of Momosé's cocktails includes the Paddock Spritz, which combines Haku vodka, Koval cranberry gin liqueur, clover honey, Moët &amp; Chandon Champagne and lime. The Wolf Point is a blend of Suntory Toki whisky, yuzu junmai sake, Green Chartreuse, banana, lemon and Angostura bitters.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-50" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;FILM AND TELEVISION&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-51" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:12px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:18px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;The Latino Cultural Center Announces Film Promotions&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p 
style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Mateo Mulcahy, the new executive director of the International Latino Cultural Center of Chicago, has announced expanded roles and titles for key members of the Chicago Latino Film Festival team. Sandra Bernal A. is now artistic and operations director, while Alejandro A. Riera, who for close to fifteen years has been the festival’s and ILCC’s media relations and communications manager, will take the role of publicity and programming manager. He will be deeply involved in the feature film selection process and work alongside Bernal in the scheduling of the selected films. (&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6cf9aq%7Cyme8Fydk9o-ccqX%5B%7C2ze%7Ej3l" target="_blank" style="text-decoration: underline; color: #0068A5;" rel="noopener"&gt;More&lt;/a&gt;.)&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;"Chicago Fire"'s Joe Miñoso Leaves After Fifteen Seasons&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Joe Miñoso is leaving NBC's “Chicago Fire," &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cf9aq%7Cyme8D-dk9o-a" style="text-decoration: underline; color: #0068A5;"&gt;reports Variety&lt;/a&gt;. He has played a firefighter in the series since the first season, and "will appear in a handful of episodes in the show’s upcoming fifteenth season to wrap up his character arc." Miñoso appeared in the pilot and recurred in the first season "before he was promoted to series regular in the second season. He is one of four original cast members remaining, alongside Taylor Kinney, David Eigenberg and Christian Stolte."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;"Joker" Producer Accused Of Including Illinois Investors In $100 Million Ponzi Scheme&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Producer Jason Cloth of Beverly Hills has been charged with seven counts of wire fraud in a $100 million Ponzi scheme that included "Ghostbusters: Afterlife," &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cf9aq%7Cyme8DDdk9o-a" style="text-decoration: underline; color: #0068A5;"&gt;accounts the Sun-Times&lt;/a&gt;. "Cloth operated Canada-based Creative Wealth Media Finance Corp. and, for the past seven years, solicited clients, including an investment adviser in Illinois, to invest in film and entertainment projects, prosecutors say. Cloth got more than $100 million from the Illinois investment adviser, the adviser’s clients and other investors based on false representations. Prosecutors say he actually used the money for a real estate project in Canada and other personal purposes."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Disney Pitches Counteroffensive To FCC Attacks On ABC&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"ABC is mounting an aggressive legal counteroffensive after the FCC launched a rare early review of licenses for eight ABC stations, including Chicago's WLS-TV, jeopardizing network broadcasts," &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cf9aq%7Cyme8Eedk9o-a" style="text-decoration: underline; color: #0068A5;"&gt;reports the Los Angeles Times&lt;/a&gt;. "The company portrays the proceedings as political retribution for ABC programming, while FCC leaders cite probes of Disney’s diversity policies and ABC’s 'The View' as justification. More than 153,000 public comments poured in, about ninety-six percent backing local ABC stations... &amp;nbsp;ABC accused the agency of waging a thinly veiled 'intimidation' and 'retribution' campaign in service to President Trump."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Another Historic Los Angeles Theater, The Bruin, To Reopen&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;The movies are back, and they're bringing the exhibitors with them: as The 400 reopens in Chicago and the Skokie Theater makes plans, the Bruin Theater in Los Angeles’ Westwood Village is set to reopen in October, &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cf9aq%7Cyme8E%7Cdk9o-a" style="text-decoration: underline; color: #0068A5;"&gt;reports Variety&lt;/a&gt;. "Just last week, Sony Pictures announced it will take over operation of the Cinerama Dome with Alamo Drafthouse running the former ArcLight theaters multiplex."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-52" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;LIT&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-53" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:12px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:18px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Chicago Literary Hall Of Fame Inducts Eleanor Taylor Bland, Stanley Elkin And Ronald L. Fair&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;The Chicago Literary Hall of Fame will induct Eleanor Taylor Bland, Stanley Elkin and Ronald L. Fair into the Chicago Literary Hall of Fame on Saturday, August 1 at 2pm. The ceremony will be held at the Carter G. Woodson Library in Washington Heights. More &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cf9aq%7Cyme8Emdk9o-a" target="_blank" rel="noopener noreferrer" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;.&lt;/span&gt;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-54" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;MUSIC&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-55" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:12px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:18px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Chris Holmes' Journey From UChicago To Paul McCartney's DJ&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Chris Holmes has been Paul McCartney’s preshow act for more than a decade,&amp;nbsp;&lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cf9aq%7Cyme8Eqdk9o-a" style="text-decoration: underline; color: #0068A5;"&gt;Hugh Hart profiles at UChicago magazine&lt;/a&gt;. The piece traces Holmes’ "twisty-turny career path. Armed with encyclopedic musical knowledge and a gift for collaboration, Holmes has forged a fame-adjacent body of work as songwriter, bandleader, record producer, filmmaker, augmented reality artist, DJ for the stars and multimedia showman. 'Basically, my brain is always at, like, eleven. My life has been a series of hyperfocused events and projects that have all kind of accumulated and led to where I’m at now.' Raised in Lake Forest, Holmes started playing guitar and synthesizers in seventh grade. By high school, his fascination with Philip Glass pointed him to Hyde Park." (&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6cf9aq%7Cyme8F2dk9o-ccqX%5B%7C2ze%7Ej3l" target="_blank" style="text-decoration: underline; color: #0068A5;" rel="noopener"&gt;More&lt;/a&gt;.)&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Local Note Jazz Club Opens In Evanston&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Local Note, a forty-five-capacity jazz club, listening room and cocktail lounge, opens this weekend in downtown Evanston. "Local Note spotlights the finest local and regional jazz talent along with a thoughtful selection of our expertly crafted signature cocktails and drinks." 1716 Sherman, Evanston. Upcoming shows and more &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cf9aq%7Cyme8Eydk9o-a" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;West Town's Classick Studios Sees Growth&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"Classick Studios’ three-story black brick building easily blends into the landscape on Chicago Avenue," &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cf9aq%7Cyme8E2dk9o-a" style="text-decoration: underline; color: #0068A5;"&gt;sounds Block Club&lt;/a&gt;. "But behind the unassuming wooden front door of the building, 2510 West Chicago, lies a studio that’s responsible for producing, mixing, managing and recording some of the industry’s biggest rap, hip-hop and R&amp;B tracks in the past two decades. With two massive recording studios and space for artists to create and hang out, Chris 'Classick' Inumerable has spent twenty years curating the studio and audio engineers that have brought listeners tracks from albums like 'Ctrl' by Sza, 'Acid Rap' by Chatham native Chance the Rapper and 'Telefone' by Englewood-born Noname."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;DJ Jesse De La Peña Celebrates Forty Tuneful Years&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;On Saturday, August 1, "Jesse De La Peña celebrates forty years in music with a big gathering at Lincoln Park venue Bookclub," &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cf9aq%7Cyme8E6dk9o-a" style="text-decoration: underline; color: #0068A5;"&gt;writes the Reader&lt;/a&gt;. "That building used to house Elbo Room, where in 1994 De La Peña launched the weekly hip-hop series Blue Groove Lounge. It wasn’t the first regular hip-hop series in Chicago, but it outlasted the others—Blue Groove Lounge ran till 2003, helping to bring together emerging MCs, DJs, producers, dancers and graffiti artists from across the city and attracting outstanding national acts such as Cypress Hill and Missy Elliott."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-56" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;STAGE&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-57" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Northlight's New Home Opens In Evanston&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p 
style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;At the Trib (&lt;em&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cf9aq%7Cyme8E-dk9o-a" style="text-decoration: underline; color: #0068A5;"&gt;gift link&lt;/a&gt;&lt;/em&gt;), Chris Jones offers an account of the winding travels of Northlight Theater to its new home. This week "Northlight cut the ribbon on its $33 million theater, built from the ground up in downtown Evanston, the near-Chicago suburb with a university whose graduates have shaped much of Chicago’s theater history. Aptly enough, Evanston Theatre Company was the name first picked in 1974 by the theater company’s founders—Gregory Kandel, Mike Nussbaum and Frank Galati, all now deceased. The first production, Galati’s staging of Tom Stoppard’s 'Jumpers,' took place in the auditorium of Kingsley Elementary School in Evanston, Kandel having just finished graduate school at Northwestern University."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Ruth Page Center Flooded&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"The Ruth Page Center for the Arts, one of only a few remaining small dance venues, is accepting donations as it awaits a full assessment of damage to its hundred-year-old building," &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cf9aq%7Cyme8EDdk9o-a" style="text-decoration: underline; color: #0068A5;"&gt;reports the Sun-Times&lt;/a&gt;. "The Near North Side dance organization at 1016 North Dearborn experienced flooding in lower-level areas of its venue, including dance studios, costume storage, utility closets and sewing rooms. While waiting on a full assessment of repairs from the insurance company, the nonprofit is accepting donations on its websites to help purchase equipment, including extra wet/dry vacuum cleaners and industrial fans."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;National Tour Of "Oh Mary!" Finds Its Chicago Mary Todd Lincoln&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Broadway In Chicago has announced that Tony Award winner J. Harrison Ghee will play Mary Todd Lincoln when "Oh, Mary!" comes to Chicago. The strictly limited engagement runs January 19-February 7, 2027 at Broadway in Chicago’s CIBC Theatre. Additional casting will be announced in the coming months. Tickets and more &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cf9aq%7Cyme8Fedk9o-a" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-58" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;ARTS &amp;amp; CULTURE &amp;amp; ETC.&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-59" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;USArtists International Announces Grants&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p 
style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Mid Atlantic Arts has announce forty-two USArtists International grantees. These ensemble and solo performers will represent the United States at seventy-one festivals and engagements across the globe, including one engagement in Africa, four in Asia, fifty in Europe, nine in North America, six in Oceania and one in South America. Grantees are a mix of emerging and established artists and companies showcasing a diversity of styles within the artistic disciplines of music, dance, theater and interdisciplinary or solo performances. A total of $331,500 will be awarded. Of the forty-two grantees, nineteen are receiving their first USAI grant. Included: &lt;a title="" href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cf9aq%7Cyme8F%7Cdk9o-a" target="_blank" rel="noopener" style="text-decoration: underline; color: #0068A5;"&gt;Third Coast Percussion&lt;/a&gt;; &lt;a title="" href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cf9aq%7Cyme8Fmdk9o-a" target="_blank" rel="noopener" style="text-decoration: underline; color: #0068A5;"&gt;Beyond This Point Performing Arts Association NFP&lt;/a&gt;; and &lt;a title="" href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cf9aq%7Cyme8Fqdk9o-a" target="_blank" rel="noopener" style="text-decoration: underline; color: #0068A5;"&gt;Black Diamond&lt;/a&gt;. See the complete list &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cf9aq%7Cyme8F%5Edk9o-a" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-60" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p 
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&lt;span style="word-break: break-word; font-size: 18px;"&gt;When we were working on our &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6cfPaq%7Czqe-%5E2dmsrBccqX%5B%7C2ze%7Ej3l" style="text-decoration: underline; color: #0068A5;"&gt;summer print issue&lt;/a&gt;, the idea of visiting presidential libraries around the Midwest—either literally or figuratively, through reading about them—was a form of catharsis, a way of thinking about our horrific political moment in a larger context, with the lens of history offering a vision of hope for our future.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Dave Hoekstra's story about Gerald Ford was especially eye-opening for me. He was president in my junior high school years, and my memories of him were of the collective disgust about his pardon of Richard Nixon, the attempted assassination by the Manson Family's Squeaky Fromme and as the bumbling dunderhead portrayed by Chevy Chase in "Saturday Night Live"'s earliest iteration.&lt;/span&gt;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;Read the story, available online today, and you'll come away with a much more nuanced portrait. You might not align with him politically, but you'll likely respect him for his values, what he considered his greatest accomplishments, and the consummate "everyman" he proudly epitomized.&lt;/span&gt;&lt;/p&gt;&lt;p 
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src="https://d15k2d11r6t6rl.cloudfront.net/pub/40qd/br3kliar/ier/gbh/bha/unnamed-1_1.png" style="display:block;height:auto;border:0;width:100%" width="104" alt="" title="" height="auto"&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-8" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px"&gt;&lt;div 
style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px; color: #000000;"&gt;Brian Hieggelke&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px; color: #000000;"&gt;Editor &amp; Publisher&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;em&gt;Order the summer double issue of the magazine &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6cfPaq%7Czqe-z%5EdmsrBccqX%5B%7C2ze%7Ej3l" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;. Order a subscription &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6cfPaq%7Czqe-%5E6dmsrBccqX%5B%7C2ze%7Ej3l" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt; and the September issue will be your first.&amp;nbsp;&lt;/em&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table 
class="divider_block block-9" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:10px;padding-bottom:20px;padding-left:10px;padding-right:10px" align="center"&gt;&lt;table border="0" cellpadding="0" cellspacing="0" role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;
&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-10" style="height:21px;line-height:21px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="text_block block-11" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-left:20px;padding-right:20px"&gt;&lt;div style="font-family:Tahoma,Verdana,sans-serif"&gt;&lt;div class 
style="font-size:14px;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;mso-line-height-alt:16.8px;color:#555;line-height:1.2"&gt;&lt;p style="margin:0;font-size:14px;mso-line-height-alt:16.8px"&gt;&lt;span style="word-break: break-word; font-size: 16px; color: #000000;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word;"&gt;NEWCITY&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-12" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px" align="center"&gt;&lt;h1 style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:24px;font-weight:900;letter-spacing:normal;line-height:1.5;text-align:left;margin-top:0;margin-bottom:0;mso-line-height-alt:36px"&gt;
&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6cfPaq%7Czqe-zydmsrBccqX%5B%7C2ze%7Ej3l" target="_blank" style="text-decoration: none; color: #000000;" rel="noopener"&gt;&lt;span class="mce-content-body mce-edit-focus" style="word-break: break-word; position: relative;" id="eac29dbf-30ea-441b-9f24-b8417798cf9f" data-position="10-0-11" data-qa="tinyeditor-root-element"&gt;An Ordinary Man in Extraordinary Times: The Gerald R. Ford Presidential Museum&lt;/span&gt;&lt;/a&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-13" width="100%" 
border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;div style="max-width:598px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6cfPaq%7Czqe-z2dmsrBccqX%5B%7C2ze%7Ej3l" target="_blank"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/bkn/ogf/1of/FORD_MUSEUM.jpg" style="display:block;height:auto;border:0;width:100%" width="598" alt="" title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table 
class="text_block block-14" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
The museum presents a humble and balanced look at America’s only unelected president and vice president. (Dave Hoekstra)&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="divider_block block-15" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:10px;padding-bottom:20px;padding-left:10px;padding-right:10px" align="center"&gt;&lt;table border="0" cellpadding="0" cellspacing="0" 
role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-16" style="height:21px;line-height:21px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="text_block block-17" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-left:20px;padding-right:20px"&gt;&lt;div style="font-family:Tahoma,Verdana,sans-serif"&gt;&lt;div class style="font-size:14px;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;mso-line-height-alt:16.8px;color:#555;line-height:1.2"&gt;&lt;p style="margin:0;font-size:14px;mso-line-height-alt:16.8px"&gt;
&lt;span style="word-break: break-word; font-size: 16px; color: #65d68b;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word;"&gt;ART&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-18" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:24px;font-weight:900;letter-spacing:normal;line-height:1.5;text-align:left;margin-top:0;margin-bottom:0;mso-line-height-alt:36px"&gt;
&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6cfPaq%7Czqe-z6dmsrBccqX%5B%7C2ze%7Ej3l" target="_blank" style="text-decoration: none; color: #000000;" rel="noopener"&gt;&lt;span class="mce-content-body mce-edit-focus" style="word-break: break-word; position: relative;" id="28b726bd-d12c-414b-8310-cd6bfcdd88b9" data-position="10-0-17" data-qa="tinyeditor-root-element"&gt;A Treasure Trove of Artistry at the Art Institute's "Embroidered Traditions from Morocco to Afghanistan"&lt;/span&gt;&lt;/a&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table 
class="image_block block-19" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;div style="max-width:598px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6cfPaq%7Czqe-z-dmsrBccqX%5B%7C2ze%7Ej3l" target="_blank"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/07y/w33/fqf/Treasure-Necklace-scaled-600x450.jpg" style="display:block;height:auto;border:0;width:100%" width="598" alt="" 
title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-20" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Exploring the textile traditions of Southwest Asia and North Africa, known as SWANA, with a dazzling display of over seventy textiles from the eighteenth through twentieth centuries. (Elisa Shoenberger)&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="divider_block block-21" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" 
style="padding-top:10px;padding-bottom:20px;padding-left:10px;padding-right:10px" align="center"&gt;&lt;table border="0" cellpadding="0" cellspacing="0" role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-22" style="height:45px;line-height:45px;font-size:1px"&gt;
&amp;#8202;&lt;/div&gt;&lt;table class="image_block block-23" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-left:20px;padding-right:20px" align="center"&gt;&lt;div style="max-width:400px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6cfPaq%7Czqe-vmdmsrBccqX%5B%7C2ze%7Ej3l" target="_blank"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/q6i/gpd/eol/Newcity_2026-07-08_Cover%20Footer.jpeg" 
style="display:block;height:auto;border:0;width:100%" width="400" alt="" title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-24" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class 
style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:18.2px;color:#000;line-height:1.3"&gt;&lt;p style="margin:0;font-size:14px;text-align:center;mso-line-height-alt:26px"&gt;&lt;span style="word-break: break-word; font-size: 20px;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word;"&gt;JULY-AUGUST 2026:&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:14px;text-align:center;mso-line-height-alt:26px"&gt;
&lt;span style="word-break: break-word; font-size: 20px;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word;"&gt;AMERICA 250 + ART IN MICHIGAN&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;br&gt;
&lt;span style="word-break: break-word; font-size: 20px;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word;"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6cfPaq%7Czqe-vqdmsrBccqX%5B%7C2ze%7Ej3l" target="_blank" style="text-decoration: none; color: #19638e;" rel="noopener"&gt;GET THE ISSUE&lt;/a&gt; | &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6cfPaq%7Czqe-v%5EdmsrBccqX%5B%7C2ze%7Ej3l" target="_blank" style="text-decoration: none; color: #19638e;" rel="noopener"&gt;SUBSCRIBE&lt;/a&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div 
class="spacer_block block-25" style="height:40px;line-height:40px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="divider_block block-26" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:10px;padding-bottom:20px;padding-left:10px;padding-right:10px" align="center"&gt;&lt;table border="0" cellpadding="0" cellspacing="0" role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;
&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-27" style="height:21px;line-height:21px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="text_block block-28" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad" 
style="padding-left:20px;padding-right:20px"&gt;&lt;div style="font-family:Tahoma,Verdana,sans-serif"&gt;&lt;div class style="font-size:14px;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;mso-line-height-alt:16.8px;color:#555;line-height:1.2"&gt;&lt;p style="margin:0;font-size:14px;mso-line-height-alt:16.8px"&gt;&lt;span style="word-break: break-word; font-size: 16px; color: #9db8b3;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word;"&gt;LIT&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table 
class="heading_block block-29" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:24px;font-weight:900;letter-spacing:normal;line-height:1.5;text-align:left;margin-top:0;margin-bottom:0;mso-line-height-alt:36px"&gt;
&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6cfPaq%7Czqe-zDdmsrBccqX%5B%7C2ze%7Ej3l" target="_blank" style="text-decoration: none; color: #000000;" rel="noopener"&gt;&lt;span class="mce-content-body mce-edit-focus" style="word-break: break-word; position: relative;" id="f193ef35-6f92-4f6a-a260-987461406d04" data-position="10-0-28" data-qa="tinyeditor-root-element"&gt;"Majestic Hills" Paints a Haunting Suburban Portrait&lt;/span&gt;&lt;/a&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-30" width="100%" border="0" 
cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;div style="max-width:598px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6cfPaq%7Czqe-0edmsrBccqX%5B%7C2ze%7Ej3l" target="_blank"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/o4y/as6/atx/majestic-hills-9781668049310_hr-1-scaled_1-600x450.jpg" style="display:block;height:auto;border:0;width:100%" width="598" alt="" title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;
&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-31" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Dawn Turner's tale of a Black couple moving to suburban Chicago is inspired by a period early in her own marriage. &lt;span style="word-break: break-word;"&gt;(Emily McClanathan)&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="divider_block block-32" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" 
style="padding-top:20px;padding-bottom:20px;padding-left:10px;padding-right:10px" align="center"&gt;&lt;table border="0" cellpadding="0" cellspacing="0" role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-33" style="height:21px;line-height:21px;font-size:1px"&gt;
&amp;#8202;&lt;/div&gt;&lt;table class="text_block block-34" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-left:20px;padding-right:20px"&gt;&lt;div style="font-family:Tahoma,Verdana,sans-serif"&gt;&lt;div class style="font-size:14px;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;mso-line-height-alt:16.8px;color:#555;line-height:1.2"&gt;&lt;p 
style="margin:0;font-size:14px;mso-line-height-alt:16.8px"&gt;&lt;span style="word-break: break-word; font-size: 16px; color: #a82b28;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word;"&gt;STAGE&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-35" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" 
style="width:100%;padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px" align="center"&gt;&lt;h1 style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:24px;font-weight:900;letter-spacing:normal;line-height:1.5;text-align:left;margin-top:0;margin-bottom:0;mso-line-height-alt:36px"&gt;
&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6cfPaq%7Czqe-0%7CdmsrBccqX%5B%7C2ze%7Ej3l" target="_blank" style="text-decoration: none; color: #000000;" rel="noopener"&gt;&lt;span class="mce-content-body mce-edit-focus" style="word-break: break-word; position: relative;" id="fb448c63-4ada-4a93-8b17-18865bfce8fa" data-position="10-0-34" data-qa="tinyeditor-root-element"&gt;Stand-Up Won't Let Go of Dwayne Kennedy&lt;/span&gt;&lt;/a&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-36" width="100%" border="0" cellpadding="0" 
cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;div style="max-width:598px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6cfPaq%7Czqe-0mdmsrBccqX%5B%7C2ze%7Ej3l" target="_blank"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/lb4/woj/3ui/zanies_kennedy-600x450.jpg" style="display:block;height:auto;border:0;width:100%" width="598" alt="" title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table 
class="text_block block-37" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;The Chicago comedy legend on winning an Emmy and growing up in the city's stand-up scene.&lt;/span&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&amp;nbsp;(Carl Kozlowski)&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="divider_block block-38" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" 
style="padding-top:20px;padding-bottom:20px;padding-left:10px;padding-right:10px" align="center"&gt;&lt;table border="0" cellpadding="0" cellspacing="0" role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-39" width="100%" border="0" cellpadding="0" cellspacing="0" 
role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;div style="max-width:598px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6cfPaq%7Czqe-vDdmsrBccqX%5B%7C2ze%7Ej3l" target="_blank"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/kcw/yua/mwn/House%20Middle_Lower%20-%20December%202025%20-%20600x500.gif" style="display:block;height:auto;border:0;width:100%" width="598" alt="" title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div 
class="spacer_block block-40" style="height:40px;line-height:40px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="heading_block block-41" width="100%" border="0" cellpadding="5" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:28px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:34px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6cfPaq%7Czqe-0qdmsrBccqX%5B%7C2ze%7Ej3l" target="_blank" style="text-decoration: underline; color: #000000;" rel="noopener"&gt;TODAY IN CULTURE&lt;/a&gt;&lt;br&gt;&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;
&lt;table class="text_block block-42" width="100%" border="0" cellpadding="10" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:sans-serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:16.8px;color:#555;line-height:1.2"&gt;&lt;p style="margin:0;font-size:14px;text-align:center;mso-line-height-alt:16.8px"&gt;
&lt;span style="word-break: break-word; color: #000000;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;By Ray Pride&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-43" style="height:40px;line-height:40px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="heading_block block-44" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" 
style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;ART&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-45" width="100%" border="0" 
cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Detroit Institute Of Arts Opens "Georgia O'Keeffe: Architecture"&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"Georgia O'Keeffe: Architecture," opening this fall at the Detroit Institute of Arts, is "a first-of-its-kind exhibition devoted to one of the most overlooked chapters of a legendary career: O'Keeffe’s lifelong fascination with the built world." The paintings on view "will highlight three distinct artistic viewpoints in her works made over several decades: the urban landscapes of New York City; rural farm buildings; and the adobe structures of her New Mexico home. Among the works is 'Stables' (1932), a painting owned by the DIA and a prime example of her distinct explorations of geometry, lines and color." DIA, September 11-January 3. Tickets on sale August 11. More &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cfPaq%7Czqe-0%5EdmsrBa" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Rago/Wright Grows Through Expanded Focus On Fine Art&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"Last year marked the highest sales in Rago/Wright's history, and the first half of 2026 saw $83 million in revenue—a twenty-four-percent increase in sales over the same timespan in 2025, led by growth in Fine Art." The auction house just hired Lilly Dawson to help lead the division. "Our results show an impressive sell-through rate of ninety-two percent, with forty-two percent of purchases made by first-time buyers," reports the auction house. "Rago/Wright's sales in Fine Art have had a twenty-five-percent boost in lots sold above $100,000. In May, Maria Martins’ 1946 sculpture 'Impossible' sold for $3,170,000, shattering the previous world record held by Sotheby’s." More &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cfPaq%7Czqe-0ydmsrBa" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-46" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;DESIGN&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-47" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;What's Next For Medinah Temple After The Gambling Goes?&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p 
style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"For more than a century, historic Medinah Temple has stood as Chicago’s exotic monument to adaptive reuse," &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cfPaq%7Czqe-02dmsrBa" style="text-decoration: underline; color: #0068A5;"&gt;reports the Trib&lt;/a&gt;. "The Moorish-style amphitheater topped by two massive copper onion domes has hosted the annual Shrine Circus, recording sessions for the Chicago Symphony Orchestra and, after flirting with demolition at the dawn of the new millennium, a furniture store. Operating as a temporary casino since September 2023, the ornate 132,600-square-foot building on Wabash will need to reinvent itself again after Bally’s moves into its permanent facility next year. 'I’m completely open-minded,' said Albert Friedman, seventy-seven, who is on his second run as owner of the landmarked Medinah Temple. 'I want to come up with the highest and best use for the future of the property.'"&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Concrete: Planet Killer, Planet Savior&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"Concrete makes up half of all human-made stuff on our planet. And its use will double, in part to battle climate threats created by the production of concrete itself," writes Ted C. Fishman in a 12,000-word report at Bloomberg (&lt;em&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cfPaq%7Czqe-06dmsrBa" style="text-decoration: underline; color: #0068A5;"&gt;gift link&lt;/a&gt;&lt;/em&gt;). "Industry can deliver cleaner versions, but how soon?" Says Donald Mikulic, retired senior paleontologist, University of Illinois at Urbana-Champaign, “People just don’t realize we’re still in the Stone Age. Or that humans will always live in the Stone Age."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Studio Gang Receives Award For Project On San Francisco Waterfront&amp;nbsp;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Mission Rock Phase One in San Francisco has been selected for a 2026 Urban Land Institute Americas Award for Excellence, &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cfPaq%7Czqe-0-dmsrBa" style="text-decoration: underline; color: #0068A5;"&gt;Studio Gang announces&lt;/a&gt;. Since the phase's completion in 2024, the project "has transformed twenty-eight acres of underutilized waterfront into a vibrant mixed-use neighborhood offering unprecedented public access to the San Francisco Bay and introducing more than 500 new homes." More &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cfPaq%7Czqe-0DdmsrBa" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Guggenheim Abu Dhabi, One Of Last Gehry Buildings, Sets Opening&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;The Guggenheim Abu Dhabi, a "Frank Gehry-designed behemoth," is finally opening on December 11, "two decades after it was announced," &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cfPaq%7Czqe-7edmsrBa" style="text-decoration: underline; color: #0068A5;"&gt;reports Artnet&lt;/a&gt;. "The late starchitect devised a dynamic, layered exterior composed of nine metallic cones that feels like a worthy successor to his celebrated Guggenheim Bilbao, unveiled in 1997. The futuristic facade has a practical side, providing natural ventilation as a form of ecologically conscious climate control in a desert landscape. Overall, the outdoor exhibition spaces reach up to around 250,000 square feet."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-48" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;DINING &amp;amp; DRINKING&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-49" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:12px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:18px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Wisconsin Brewery Loses Alcohol Permit After Controversial Promotion&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p id="mntl-sc-block_2-0" style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"Wisconsin state officials confirmed on Wednesday, July 29, that a small-town brewery with plans to celebrate President Donald Trump’s death will soon lose its alcohol permit," &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cfPaq%7Czqe-7%7CdmsrBa" style="text-decoration: underline; color: #0068A5;"&gt;reports People magazine&lt;/a&gt;. "Minocqua Brewing Company, owned by outspoken progressive activist Kirk Bangstad, is scheduled to have its license revoked on August 4. The revocation comes months after Bangstad vowed to host a Free Beer Day for customers whenever Trump dies."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;What's In Circe's Stew In "The Odyssey"?&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"In Christopher Nolan’s 'The Odyssey,' this one scene had moviegoers gagging," &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cfPaq%7Czqe-7mdmsrBa" style="text-decoration: underline; color: #0068A5;"&gt;pokes Bon Appétit&lt;/a&gt;. "The crew ask her for food and Circe obliges, serving them—at least in this movie version—some kind of fucked-up stew... It looks protein-heavy, like strips of perhaps intestine or long slices of meat." According to food historian Cathy Kaufman, "ancient island-dwelling Greeks probably weren’t eating entrail stew with any regularity. Instead, she says, they’d be roasting goat and sheep, and eating a lot of fish, all of which would be accompanied by a dense barley-based bread."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;All-Day Cafe Gimme Opens In Bucktown&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Courtney and Joe Gryzik have launched Cafe Gimme on Damen Avenue, &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cfPaq%7Czqe-7qdmsrBa" style="text-decoration: underline; color: #0068A5;"&gt;reports Block Club&lt;/a&gt;. The menu includes açai bowls and Spanish-style toast, plus wines and cocktails. It’s the second business for the husband-and-wife team, "who have run a smoothie and juice shop in Lake Forest [which] they’ve rebranded as Cafe Gimme, too." 2115 North Damen.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Cooking With Bobby K&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Health and Human Services Secretary Robert F. Kennedy Jr. has launched a YouTube cooking show, &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cfPaq%7Czqe-7%5EdmsrBa" style="text-decoration: underline; color: #0068A5;"&gt;reports USA Today&lt;/a&gt;. "Eat Real Food" is the show's slogan, where Kennedy will be advocating for fermented vegetables, yogurt and protein at every meal. "I'll eat anything," the tanning enthusiast says, "I don't have a gag reflex." Each meal prepared, Kennedy says, will cost less than $5 a serving. "Americans have forgotten how to cook. It's becoming a lost art," says Kennedy. Food &amp; Wine summarizes the federal P.R. &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cfPaq%7Czqe-7ydmsrBa" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-50" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;FILM AND TELEVISION&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-51" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:12px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:18px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;AI Bubble Could Cause Oracle Rubble&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p 
style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;In a major investigation, the New York Times scans eighty-one-year-old billionaire Larry Ellison’s "risky, debt-fueled scramble to transform his data empire into an AI juggernaut" (&lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cfPaq%7Czqe-72dmsrBa" style="text-decoration: underline; color: #0068A5;"&gt;&lt;em&gt;gift link&lt;/em&gt;&lt;/a&gt;). Since 2022, Ellison "moved quickly and aggressively—some might even say recklessly—to turn Oracle into a 'hyperscaler,' one of the handful of companies providing the critical infrastructure that would power the AI boom." Roughly $40 billion of Ellison's fortune, mostly in Oracle stock, is being used as a financial backstop to his son David Ellison's planned acquisition of Warner Bros. Discovery.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-52" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;LIT&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-53" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:12px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:18px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Printers Row Lit Fest Announces The Lineup For Its Forty-First Fest&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"More than 200 nationally and locally acclaimed authors, journalists, poets, screenwriters, booksellers and storytellers" will unite for Printers Row Lit Fest this September. "This year's Printers Row Lit Fest brings together one of the most accomplished and wide-ranging lineups in the festival's history,” says Amy Danzer, program director. “From Pulitzer Prize winners and bestselling authors to journalists, historians, poets and emerging voices, there's something for every reader. Across genres and perspectives, these writers challenge, inspire and remind us of the power of stories to connect us and help us better understand the world—and one another.”&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Featured writers and programs include Scott Turow in conversation with Jane Hamilton; Viet Thanh Nguyen; Eve L. Ewing; Heather Ann Thompson; Tribune Pulitzer winners Gregory Royal Pratt, Andrew Carter, Laura Rodriguez Presa and Erika Slife; Omar El Akkad; John West; Scott Simon; Michael Gebert; and Pulitzer winner Daniel Kraus. September 12-13, 10am-6pm.&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;AI Corporations Actively Buying Up Old Books And Destroying Them&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;AI companies have been buying rare books at scale, using their content to train models and then destroying them, reports 404 Media &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cfPaq%7Czqe-76dmsrBa" style="text-decoration: underline; color: #0068A5;"&gt;via Futurism&lt;/a&gt;. "According to a settled lawsuit, Anthropic used a hydraulic powered cutting machine to neatly remove the pages from the books it procured from book resellers and then scanned them using industrial-grade imaging equipment. In other words, it was literally ripping off authors’ books to train its AI. This process took advantage of a legal concept known as first-sale doctrine, which allows a buyer to do what they want with a purchase without the original copyright holder’s say-so."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;The Man Who Stabbed Salman Rushdie Found Guilty&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"The man who stabbed and partially blinded author Salman Rushdie at a speaking engagement in 2022 was found guilty on Wednesday of federal terrorism charges for the attack, which prosecutors said was incited by death threats over Rushdie's novel 'The Satanic Verses,'" &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cfPaq%7Czqe-7-dmsrBa" style="text-decoration: underline; color: #0068A5;"&gt;reports Reuters&lt;/a&gt;. "Hadi Matar, twenty-eight, already serving a twenty-five-year prison term on state charges of attempted murder for the knife assault, now faces a maximum penalty of life behind bars when he is sentenced on his federal conviction, scheduled for November 3."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-54" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;MUSIC&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-55" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:12px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:18px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Patti Smith To Fellow Chicagoan Pope Leo: "Hi!"&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p 
style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Patti Smith met with Pope Leo XIV and "was giddy and almost at a loss for words when she greeted her fellow Chicagoan," &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cfPaq%7Czqe-7DdmsrBa" style="text-decoration: underline; color: #0068A5;"&gt;posts WLS-TV&lt;/a&gt;. "Wearing a crucifix necklace and hair in her trademark braids, Smith has become an increasingly visible presence at the Vatican thanks to her friendship with the Reverend Antonio Spadaro, undersecretary in the Vatican's culture ministry. She has said that while she is not Catholic, she was drawn in particular to Pope Francis and his 'gentle, open and steadfast sense of humanity.'"&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;MCA Closes Out Summer On The Terrace&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;The closing acts of the MCA's annual summertime series, Tuesdays on the Terrace, are Finom on August 4, Akenya on August 11, Human Bloom on August 18 and Billy Branch on August 25. Each performance is hosted in the museum's Anne and John Kern Terrace Garden and is free to attend. More &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cfPaq%7Czqe-8edmsrBa" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;.&lt;/span&gt;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Is "LP4" American Football's Best Album Yet?&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"Discord ripples through 'American Football (LP 4)' like the rumbling of distant thunder," &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cfPaq%7Czqe-8%7CdmsrBa" style="text-decoration: underline; color: #0068A5;"&gt;writes Leor Galil at the Reader&lt;/a&gt;. "The fourth full-length from Illinois emo forebears American Football is their third since reuniting a dozen years ago. Beloved from their brief run during the twilight of emo’s second wave in the late nineties, American Football have had a second, significantly longer life that’s cemented their status as pioneers... American Football have always been impossible to imitate, and if anything they’ve grown even more distinctive as their aesthetic gets more lived-in."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-56" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;ARTS &amp;amp; CULTURE &amp;amp; ETC.&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-57" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Illinois Tech Lays Off Faculty And Staff In Restructuring&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"The Illinois Institute of Technology will lay off 160 faculty and staff members as part of a sweeping financial and academic restructuring, a move that reportedly prompted a faculty senate vote of no confidence in the school’s top leadership," &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cfPaq%7Czqe-8mdmsrBa" style="text-decoration: underline; color: #0068A5;"&gt;reports Crain's&lt;/a&gt;.&lt;/span&gt;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;ChiArts High's Funding Vote Postponed, As CPS Board Juggles Budget&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"The Chicago Board of Education has postponed a vote that would have provided extra funding for the school formerly known as the Chicago High School for the Arts, putting its vaunted professional arts training program in limbo a few weeks before the start of the school year," &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cfPaq%7Czqe-8qdmsrBa" style="text-decoration: underline; color: #0068A5;"&gt;reports WBEZ&lt;/a&gt;. "The resolution was meant to be the culmination of months of advocacy by the ChiArts community after the leaders of the privately run but publicly funded school voted against renewing their contract with Chicago Public Schools because of financial deficits."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;The Shedd Sends Shark Eggs To Indonesia&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;The Shedd Aquarium has sent four zebra shark eggs to Indonesia, marking the first delivery from the aquarium that will bolster endangered shark populations in the wild. "The zebra shark eggs were laid in the Wild Reef exhibit at Shedd, carefully collected by divers and assessed for health, viability and genetic diversity through a process called candling," the Shedd relays. "This is when animal caretakers shine a light against the egg to see inside the casing and monitor the development of the baby shark. The eggs are in Indonesia under the care of 'shark nannies' at a facility designed for hatching and raising shark pups before they are released in the ocean, supporting the recovery of declining zebra shark (also known as Indo-Pacific leopard shark) populations through ReShark’s StAR Project." More &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cfPaq%7Czqe-8%5EdmsrBa" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;.&lt;/span&gt;
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&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-4" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:5px;padding-bottom:5px;padding-left:20px;padding-right:20px" align="center"&gt;&lt;div style="max-width:350px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6cfSaq%7Cz2e-9Ddm7vsccqX%5B%7C2ze%7Ej3l" target="_blank"&gt;&lt;img 
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style="padding-top:20px;padding-bottom:10px;padding-left:20px;padding-right:20px"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Our Lollapalooza experience was a bit truncated this year due to family and the lousy weather, but a few highlights:&lt;/span&gt;&lt;/p&gt;&lt;ul style="list-style-type:square;line-height:1.5;mso-line-height-alt:27px"&gt;&lt;li aria-level="1"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Digging into Kidzapalooza for the first time. Anthony Moseley and his Collaboraction team elevate the performance experience in ways unexpected from a children's event.&amp;nbsp;&lt;br&gt;&lt;br&gt;&lt;/span&gt;&lt;/li&gt;&lt;li aria-level="1"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Meeting &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cfSaq%7Cz2e-D%5Edm7vsa" style="text-decoration: underline; color: #0068A5;"&gt;Juan Carlos Garcia&lt;/a&gt; from the leading newspaper Reforma, based in Mexico City, in the press lounge. In addition to covering Lolla (and having a brief-but-aborted ICE encounter at TJ Maxx: "They backed away when they saw my Lollapalooza wristband"), Juan Carlos went to Woodridge &lt;em&gt;twice&lt;/em&gt; to see "The Odyssey" in 70mm IMAX, at hours when most of us sleep.&amp;nbsp;
&lt;br&gt;&lt;br&gt;&lt;/span&gt;&lt;/li&gt;&lt;li aria-level="1"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Having no particular agenda on Sunday, which meant we saw parts of five shows in just over an hour: Brooklyn-by-way-of-Chicago experimental rockers Water From Your Eyes (shades of Sonic Youth); nineteen-year-old rural Arkansas country-music wunderkind Waylon Wyatt; Chicago alt-country indie rockers Case Oats; The Strokes-meets-Arctic Monkeys Baton Rouge garage rockers The Bends; and DJ Dombresky, aka Disco Dom. (We also took in bits of DJ Duke Dumont's and British pop artist Jade's sets later, on our way out.)
&lt;br&gt;&lt;br&gt;&lt;/span&gt;&lt;/li&gt;&lt;li aria-level="1"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;Experiencing the continuing ascent of Malort, which was included in the featured drink, The Skunk (Malort, Gin, Elderflower syrup, Lemon, Simple Syrup), in Skunk's Lounge. It was very Malort-forward, in case you were wondering.&lt;/span&gt;&lt;/li&gt;&lt;/ul&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-7" width="100%" border="0" 
cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px" align="left"&gt;&lt;div style="max-width:104px"&gt;&lt;img src="https://d15k2d11r6t6rl.cloudfront.net/pub/40qd/br3kliar/ier/gbh/bha/unnamed-1_1.png" style="display:block;height:auto;border:0;width:100%" width="104" alt="" title="" height="auto"&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table 
class="text_block block-8" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px; color: #000000;"&gt;Brian Hieggelke&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px; color: #000000;"&gt;Editor &amp; Publisher&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;em&gt;Order the summer double issue of the magazine &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6cfSaq%7Cz2e--edm7vsccqX%5B%7C2ze%7Ej3l" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;. Order a subscription &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6cfSaq%7Cz2e--mdm7vsccqX%5B%7C2ze%7Ej3l" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt; and the September issue will be your first.&amp;nbsp;&lt;/em&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table 
class="divider_block block-9" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:10px;padding-bottom:20px;padding-left:10px;padding-right:10px" align="center"&gt;&lt;table border="0" cellpadding="0" cellspacing="0" role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;
&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-10" style="height:21px;line-height:21px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="text_block block-11" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-left:20px;padding-right:20px"&gt;&lt;div style="font-family:Tahoma,Verdana,sans-serif"&gt;&lt;div class 
style="font-size:14px;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;mso-line-height-alt:16.8px;color:#555;line-height:1.2"&gt;&lt;p style="margin:0;font-size:14px;mso-line-height-alt:16.8px"&gt;&lt;span style="word-break: break-word; font-size: 16px; color: #a82b28;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word;"&gt;STAGE&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-12" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px" align="center"&gt;&lt;h1 style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:24px;font-weight:900;letter-spacing:normal;line-height:1.5;text-align:left;margin-top:0;margin-bottom:0;mso-line-height-alt:36px"&gt;
&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6cfSaq%7Cz2e-Dydm7vsccqX%5B%7C2ze%7Ej3l" target="_blank" style="text-decoration: none; color: #000000;" rel="noopener"&gt;&lt;span class="mce-content-body mce-edit-focus" style="word-break: break-word; position: relative;" id="14ab735d-a09f-4b3f-8fef-c3ddafff872b" data-position="10-0-11" data-qa="tinyeditor-root-element"&gt;The Long and Lively Life of "Dance For Life," Where Dancers Help Dancers&lt;/span&gt;&lt;/a&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-13" width="100%" 
border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;div style="max-width:598px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6cfSaq%7Cz2e-D2dm7vsccqX%5B%7C2ze%7Ej3l" target="_blank"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/9ul/3zv/w1c/DF26_Nyemah-Stuart-by-Todd-Rosenberg-600x450.jpg" style="display:block;height:auto;border:0;width:100%" width="598" alt="" title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;
&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-14" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
The annual benefit to alleviate the cost of medical care for folks in Chicago’s dance community, now in its thirty-fifth year, was born during the height of the AIDS epidemic. (Sharon Hoyer)&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="divider_block block-15" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:10px;padding-bottom:20px;padding-left:10px;padding-right:10px" 
align="center"&gt;&lt;table border="0" cellpadding="0" cellspacing="0" role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-16" style="height:21px;line-height:21px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="text_block block-17" width="100%" border="0" cellpadding="0" 
cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-left:20px;padding-right:20px"&gt;&lt;div style="font-family:Tahoma,Verdana,sans-serif"&gt;&lt;div class style="font-size:14px;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;mso-line-height-alt:16.8px;color:#555;line-height:1.2"&gt;&lt;p style="margin:0;font-size:14px;mso-line-height-alt:16.8px"&gt;
&lt;span style="word-break: break-word; font-size: 16px; color: #65d68b;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word;"&gt;ART&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-18" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:24px;font-weight:900;letter-spacing:normal;line-height:1.5;text-align:left;margin-top:0;margin-bottom:0;mso-line-height-alt:36px"&gt;
&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6cfSaq%7Cz2e-D6dm7vsccqX%5B%7C2ze%7Ej3l" target="_blank" style="text-decoration: none; color: #000000;" rel="noopener"&gt;&lt;span class="mce-content-body mce-edit-focus" style="word-break: break-word; position: relative;" id="2d82bb79-0146-42a5-b634-dbcd50dcd7b0" data-position="10-0-17" data-qa="tinyeditor-root-element"&gt;The Construction of Time&lt;/span&gt;&lt;/a&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-19" width="100%" border="0" cellpadding="0" cellspacing="0" 
role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;div style="max-width:598px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6cfSaq%7Cz2e-D-dm7vsccqX%5B%7C2ze%7Ej3l" target="_blank"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/hpc/g0b/rnq/Gray-Gallery-600x450.jpg" style="display:block;height:auto;border:0;width:100%" width="598" alt="" title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-20" width="100%" 
border="0" cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;A new exhibition at Gray starts pulling threads, unraveling ideas of time and productivity. (Mario Rodriguez)&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="divider_block block-21" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:10px;padding-bottom:20px;padding-left:10px;padding-right:10px" align="center"&gt;&lt;table border="0" 
cellpadding="0" cellspacing="0" role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-22" style="height:21px;line-height:21px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="text_block block-23" width="100%" border="0" cellpadding="0" cellspacing="0" 
role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-left:20px;padding-right:20px"&gt;&lt;div style="font-family:Tahoma,Verdana,sans-serif"&gt;&lt;div class style="font-size:14px;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;mso-line-height-alt:16.8px;color:#555;line-height:1.2"&gt;&lt;p style="margin:0;font-size:14px;mso-line-height-alt:16.8px"&gt;
&lt;span style="word-break: break-word; font-size: 16px; color: #d3877d;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word;"&gt;MUSIC&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-24" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:24px;font-weight:900;letter-spacing:normal;line-height:1.5;text-align:left;margin-top:0;margin-bottom:0;mso-line-height-alt:36px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6cfSaq%7Cz2e-DDdm7vsccqX%5B%7C2ze%7Ej3l" target="_blank" style="text-decoration: none; color: #000000;" rel="noopener"&gt;Neptune’s Core Expands Their Universe With “Pivot”&lt;/a&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-25" width="100%" 
border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;div style="max-width:598px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6cfSaq%7Cz2e-Eedm7vsccqX%5B%7C2ze%7Ej3l" target="_blank"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/wv3/nwk/g21/MILESKALCHIKCAR-scaled-600x450.jpg" style="display:block;height:auto;border:0;width:100%" width="598" alt="" title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;&lt;table class="text_block block-26" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;The Chicago band on creating their debut full-length album, how their sound has evolved from earlier releases and why they almost changed the name of the band. (Craig Bechtel)&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="divider_block block-27" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" 
style="padding-top:10px;padding-bottom:20px;padding-left:10px;padding-right:10px" align="center"&gt;&lt;table border="0" cellpadding="0" cellspacing="0" role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-28" style="height:45px;line-height:45px;font-size:1px"&gt;
&amp;#8202;&lt;/div&gt;&lt;table class="image_block block-29" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-left:20px;padding-right:20px" align="center"&gt;&lt;div style="max-width:400px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6cfSaq%7Cz2e--6dm7vsccqX%5B%7C2ze%7Ej3l" target="_blank"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/q6i/gpd/eol/Newcity_2026-07-08_Cover%20Footer.jpeg" 
style="display:block;height:auto;border:0;width:100%" width="400" alt="" title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-30" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class 
style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:18.2px;color:#000;line-height:1.3"&gt;&lt;p style="margin:0;font-size:14px;text-align:center;mso-line-height-alt:26px"&gt;&lt;span style="word-break: break-word; font-size: 20px;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word;"&gt;JULY-AUGUST 2026:&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:14px;text-align:center;mso-line-height-alt:26px"&gt;
&lt;span style="word-break: break-word; font-size: 20px;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word;"&gt;AMERICA 250 + ART IN MICHIGAN&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;br&gt;
&lt;span style="word-break: break-word; font-size: 20px;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word;"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6cfSaq%7Cz2e---dm7vsccqX%5B%7C2ze%7Ej3l" target="_blank" style="text-decoration: none; color: #19638e;" rel="noopener"&gt;GET THE ISSUE&lt;/a&gt; | &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6cfSaq%7Cz2e--Ddm7vsccqX%5B%7C2ze%7Ej3l" target="_blank" style="text-decoration: none; color: #19638e;" rel="noopener"&gt;SUBSCRIBE&lt;/a&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div 
class="spacer_block block-31" style="height:40px;line-height:40px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="divider_block block-32" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:10px;padding-bottom:20px;padding-left:10px;padding-right:10px" align="center"&gt;&lt;table border="0" cellpadding="0" cellspacing="0" role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;
&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-33" style="height:21px;line-height:21px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="text_block block-34" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad" 
style="padding-left:20px;padding-right:20px"&gt;&lt;div style="font-family:Tahoma,Verdana,sans-serif"&gt;&lt;div class style="font-size:14px;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;mso-line-height-alt:16.8px;color:#555;line-height:1.2"&gt;&lt;p style="margin:0;font-size:14px;mso-line-height-alt:16.8px"&gt;&lt;span style="word-break: break-word; font-size: 16px; color: #429c95;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word;"&gt;BRAZIL&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table 
class="heading_block block-35" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:24px;font-weight:900;letter-spacing:normal;line-height:1.5;text-align:left;margin-top:0;margin-bottom:0;mso-line-height-alt:36px"&gt;
&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6cfSaq%7Cz2e-E%7Cdm7vsccqX%5B%7C2ze%7Ej3l" target="_blank" style="text-decoration: none; color: #000000;" rel="noopener"&gt;&lt;span class="mce-content-body mce-edit-focus" style="word-break: break-word; position: relative;" id="5bd6b1f1-2b9d-40ea-935e-3d314f1c154c" data-position="10-0-34" data-qa="tinyeditor-root-element"&gt;A Forest of Sculptures at Sandra Anselmi's "Woven Nature, We Are a Single Thread"&lt;/span&gt;&lt;/a&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-36" 
width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;div style="max-width:598px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6cfSaq%7Cz2e-Emdm7vsccqX%5B%7C2ze%7Ej3l" target="_blank"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/r5z/noe/7zh/Textile-artist-designer-and-wool-handweaver-Sandra-Anselmi.-Cpurtesy-of-the-artist-scaled-600x450.jpg" 
style="display:block;height:auto;border:0;width:100%" width="598" alt="" title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-37" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class 
style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;Anselmi is a refreshingly modern textile pioneer.&amp;nbsp;(Cynthia Garcia)&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="divider_block block-38" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;
&lt;tr&gt;&lt;td class="pad" style="padding-top:20px;padding-bottom:20px;padding-left:10px;padding-right:10px" align="center"&gt;&lt;table border="0" cellpadding="0" cellspacing="0" role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-39" 
style="height:21px;line-height:21px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="text_block block-40" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-left:20px;padding-right:20px"&gt;&lt;div style="font-family:Tahoma,Verdana,sans-serif"&gt;&lt;div class style="font-size:14px;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;mso-line-height-alt:16.8px;color:#555;line-height:1.2"&gt;&lt;p 
style="margin:0;font-size:14px;mso-line-height-alt:16.8px"&gt;&lt;span style="word-break: break-word; font-size: 16px; color: #000000;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word;"&gt;NEWCITY&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-41" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" 
style="width:100%;padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px" align="center"&gt;&lt;h1 style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:24px;font-weight:900;letter-spacing:normal;line-height:1.5;text-align:left;margin-top:0;margin-bottom:0;mso-line-height-alt:36px"&gt;
&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6cfSaq%7Cz2e-Eqdm7vsccqX%5B%7C2ze%7Ej3l" target="_blank" style="text-decoration: none; color: #000000;" rel="noopener"&gt;&lt;span class="mce-content-body mce-edit-focus" style="word-break: break-word; position: relative;" id="9296e210-0816-4082-a37a-52489bd90857" data-position="10-0-40" data-qa="tinyeditor-root-element"&gt;Free Will Astrology: Week of August 6, 2026&lt;/span&gt;&lt;/a&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-42" width="100%" border="0" cellpadding="0" 
cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;div style="max-width:598px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6cfSaq%7Cz2e-E%5Edm7vsccqX%5B%7C2ze%7Ej3l" target="_blank"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/4qs/ol8/m8x/vincentiu-solomon-ln5drpv_ImI-unsplash-600x450.jpg" style="display:block;height:auto;border:0;width:100%" width="598" alt="" title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table 
class="text_block block-43" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;You might be operating a metaphorical star factory in the coming weeks. (Rob Brezsny)&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="divider_block block-44" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:20px;padding-bottom:20px;padding-left:10px;padding-right:10px" align="center"&gt;&lt;table border="0" cellpadding="0" 
cellspacing="0" role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-45" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;div 
style="max-width:598px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6cfSaq%7Cz2e-A%5Edm7vsccqX%5B%7C2ze%7Ej3l" target="_blank"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/kcw/yua/mwn/House%20Middle_Lower%20-%20December%202025%20-%20600x500.gif" style="display:block;height:auto;border:0;width:100%" width="598" alt="" title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-46" style="height:40px;line-height:40px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="heading_block block-47" 
width="100%" border="0" cellpadding="5" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;h1 style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:28px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:34px"&gt;
&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6cfSaq%7Cz2e-Eydm7vsccqX%5B%7C2ze%7Ej3l" target="_blank" style="text-decoration: underline; color: #000000;" rel="noopener"&gt;TODAY IN CULTURE&lt;/a&gt;&lt;br&gt;&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-48" width="100%" border="0" cellpadding="10" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div 
style="font-family:sans-serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:16.8px;color:#555;line-height:1.2"&gt;&lt;p style="margin:0;font-size:14px;text-align:center;mso-line-height-alt:16.8px"&gt;&lt;span style="word-break: break-word; color: #000000;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;By Ray Pride&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-49" 
style="height:40px;line-height:40px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="heading_block block-50" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;ART&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-51" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Michelle Grabner Donates Over 2,000 Works To Kohler Arts Center&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"Michelle Grabner has donated 2,000-plus works and her teaching materials to the Kohler Arts Center, now the largest repository of her art," &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cfSaq%7Cz2e-E2dm7vsa" style="text-decoration: underline; color: #0068A5;"&gt;reports ARTnews&lt;/a&gt;. "Comprising 700 paintings, 200 sculptures and 1,200 prints, Grabner’s gift spans the arc of her career, so far, with pieces made in the early 1990s to ones made in the past few years. Her gift also includes 300 works from her personal art collection, amassed via a combination of trades, gifts and purchases, as well as her teaching materials and syllabi from her three-decade tenure at the School of the Art Institute of Chicago."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-52" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;DESIGN&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-53" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Met Gala To Honor Disgraced Designer John Galliano&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p 
style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;British designer John Galliano's work will be the focus of the next major exhibition at the Met's Costume Institute, the opening of which will be celebrated at next spring's Met Gala, the New York Times reports (&lt;em&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cfSaq%7Cz2e-E6dm7vsa" style="text-decoration: underline; color: #0068A5;"&gt;gift link&lt;/a&gt;&lt;/em&gt;). "Galliano would be one of only three living designers ever to receive the honor," the report notes. He "is considered by many in the fashion world to be one of the most important contemporary designers, whose work as head designer of Dior, a job he held from 1996 to 2011, went beyond mere fashion to enter the realm of fantasy. But he became a household name after a video of him making antisemitic comments became international news in 2011. He subsequently lost his job at Dior, was convicted of a hate crime in a Paris court and embarked on a period of rehabilitation; he returned to fashion as creative director of Maison Margiela in 2014." From BBC, an account of Galliano's hate-crime conviction &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cfSaq%7Cz2e-E-dm7vsa" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-54" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;DINING &amp;amp; DRINKING&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-55" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:12px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:18px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Adieu, Wishbone&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p 
style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;After thirty-six years, West Loop brunch mainstay Wishbone is closing, &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cfSaq%7Cz2e-EDdm7vsa" style="text-decoration: underline; color: #0068A5;"&gt;reports Crain's&lt;/a&gt;. "The restaurant moved near Oprah's Harpo Studios long before the neighborhood became the hot spot it is today." &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cfSaq%7Cz2e-Fedm7vsa" style="text-decoration: underline; color: #0068A5;"&gt;Adds Block Club&lt;/a&gt;, "Co-owners Joel Nickson and Julie Nickson announced the closing on social media and the restaurant’s website. 'There is no easy way to say goodbye to something that has been such a large part of our lives for so long. To our many loyal customers and to the generations of staff members who helped make Wishbone what it became, thank you.'” Wishbone does not have a closing date, "but hopes to stay open through the end of the month." View the announcement &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cfSaq%7Cz2e-F%7Cdm7vsa" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;How Jack Link's Became A Wisconsin Snack Empire&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;A new &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cfSaq%7Cz2e-Fmdm7vsa" style="text-decoration: underline; color: #0068A5;"&gt;feature at CNBC&lt;/a&gt; examines "how a forty-year-old father launched a $1.6 billion-a-year meat snacks empire from a bankrupt Wisconsin business." Snacks like beef sticks and steak strips "form the core of Link Snacks’ multibillion-dollar global portfolio, spanning eight flagship brands including Jack Link’s, Lorissa’s Organic Snacks and Country Fresh Meats. The company is one of the world’s biggest players in a meat snacks market that’s thriving amid a modern-day protein craze: The industry saw more than $5 billion in brick-and-mortar U.S. sales in 2025." The company is based in Minong, Wisconsin.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-56" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;FILM AND TELEVISION&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-57" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:12px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:18px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;DePaul Named A Top Ten Film School&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p 
style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;The Hollywood Reporter &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cfSaq%7Cz2e-Fqdm7vsa" style="text-decoration: underline; color: #0068A5;"&gt;has named DePaul&lt;/a&gt; a top ten film school for 2026, noting that "DePaul has launched full-tuition scholarships for incoming MFA students across directing, creative producing, screenwriting and animation, in addition to expanding the number of merit-based scholarships it will hand out to students pursuing graduate degrees in the arts. The school also has launched a postgraduate fund with $100,000 in cash and production resources for alumni looking to produce proof-of-concept pieces for larger projects." The list also includes Columbia College Chicago, which is ranked just below the top ten. The full list of twenty-five film schools is &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cfSaq%7Cz2e-F%5Edm7vsa" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-58" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;LIT&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-59" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:12px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:18px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Audrey Niffenegger Goes Back To The Future&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p 
style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Audrey Niffenegger began writing her continuation of "The Time Traveler's Wife," "Life Out of Order," in 2012, and "composed it in fits and starts over the next decade," &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cfSaq%7Cz2e-Fydm7vsa" style="text-decoration: underline; color: #0068A5;"&gt;reports Publishers Weekly&lt;/a&gt; of the forthcoming novel. “'It was always running in my head,' she says. The longer she worked on the story, the more it mirrored current events—lockdowns, civil and political unrest in the U.S., the climate crisis. 'This book evolved farther away from anything that might be considered a romance novel. I hope the readers who were taken with Henry and Clare’s love story will not be too annoyed at me.'" (&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6cfSaq%7Cz2eA%7Cqdm7vsccqX%5B%7C2ze%7Ej3l" target="_blank" style="text-decoration: underline; color: #0068A5;" rel="noopener"&gt;More&lt;/a&gt;.)&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Looking At The State Of Literary Enclaves: Key West And Syracuse&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"Ernest Hemingway, Judy Blume and other literary luminaries have long called Key West home. As housing costs increase, many locals are taking steps to preserve and perpetuate this legacy," reports the New York Times (&lt;em&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cfSaq%7Cz2e-F2dm7vsa" style="text-decoration: underline; color: #0068A5;"&gt;gift link&lt;/a&gt;&lt;/em&gt;). Once known as “a drinking town with a writing problem,” the island has struggled to remain a literary center in recent years. "Within a few months in 2011, three bookstores on the island shut down. In 2024, the literary community faced another setback, when Governor DeSantis eliminated all $32 million of arts funding for Florida, forcing arts organizations to lean more heavily on private donations. And there’s the feeling among many that, unlike in Wallace Stevens’ time, Key West is no longer a place where writers can afford to buy property."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;On to Syracuse (&lt;em&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cfSaq%7Cz2e-F6dm7vsa" style="text-decoration: underline; color: #0068A5;"&gt;gift link&lt;/a&gt;&lt;/em&gt;): "In the frozen shadows of shuttered factories, icons like Toni Morrison, Raymond Carver and David Foster Wallace created some of their greatest work. The upstate city has been fertile ground for a parade of American literary giants over the decades. Toni Morrison penned much of her first novel, 'The Bluest Eye,' while working there. David Foster Wallace worked on 'Infinite Jest,' his 1996 opus, in a tiny apartment near Syracuse University. F. Scott Fitzgerald lived there as a child, as did the new journalism pioneer Lillian Ross. Raymond Carver and Tobias Wolff have taught at Syracuse University, where George Saunders is a professor."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Susan Orlean Joins The Homeric Fray&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"Adaptation" subject Susan Orlean has called "The Odyssey" translator Emily Wilson “a bit of a jerk," &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cfSaq%7Cz2e-F-dm7vsa" style="text-decoration: underline; color: #0068A5;"&gt;reports the Los Angeles Times&lt;/a&gt;. "Wilson’s &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cfSaq%7Cz2e-FDdm7vsa" style="text-decoration: underline; color: #0068A5;"&gt;4,200-word takedown&lt;/a&gt; brands Nolan’s epic a shallow blockbuster for effects-hungry audiences, even as his early praise for her translation sends its audiobook sales skyrocketing." Susan Orlean &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cfSaq%7Cz2e-Medm7vsa" target="_blank" rel="noopener" style="text-decoration: underline; color: #0068A5;"&gt;posted&lt;/a&gt; on Threads last week, "I loved 'The Odyssey' (saw it twice) and love any piece of art that gets people talking and reading and thinking." But "Emily Wilson is being a bit of a jerk."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-60" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;MEDIA&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-61" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:12px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:18px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Former ABC 7 Anchor Mark Giangreco "Turned Loose"&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p 
style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"The legendary Chicago sports anchor" who was fired by ABC 7 in 2021 "didn’t hold back in [a recent] YouTube appearance on 'Waddle &amp; Silvy,'" &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cfSaq%7Cz2e-M%7Cdm7vsa" style="text-decoration: underline; color: #0068A5;"&gt;reports the Sun-Times&lt;/a&gt;. Mark Giangreco "was in his element, talking candidly about, well, everything. 'There wasn’t even a dump button,' he said. 'It was so raw and a lot of vulgarity. It was like I was turned loose after forty-five years.'" On NFL insiders: “You talk about suck-ups.” On LeBron James: “Great career. Just get out. We’re tired of you, you flopping, whiny …” And on ABC 7 news anchor Cheryl Burton, who took offense to a joke by Giangreco on the air and complained to management, thus putting the plank in place: "It’s been more than five years that I was run out by a hyper-sensitive, super-insecure, untouchable diva and enabled by a cowardice news director and general manager—but I’m way over it."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;What If CBS News Disappeared?&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"A hypothetical scenario: An America where journalism becomes too expensive, too risky and too political for corporations to sustain," &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cfSaq%7Cz2e-Mmdm7vsa" style="text-decoration: underline; color: #0068A5;"&gt;posts Los Angeles broadcaster Rob Archer&lt;/a&gt;. "Maybe CBS decides that its news division isn’t worth it anymore. Maybe they shut it down like they shut down CBS News Radio.&amp;nbsp;If one network concludes it’s better off without a news division, the others will eventually ask the same question.&amp;nbsp;So here’s my hypothetical scenario: Here’s what happens if mainstream news media goes the way of Blockbuster Video. If the big broadcasting and cable companies decide that no one’s getting their news from them anyway, why waste the money?"&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-62" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;MUSIC&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-63" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:12px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:18px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Chicago Stadium's Former Pipe Organ Makes Its Way To Arizona&lt;/strong&gt;&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"A piece of Chicago history has quietly made its way to North Phoenix’s Musical Instrument Museum," &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cfSaq%7Cz2e-Mqdm7vsa" style="text-decoration: underline; color: #0068A5;"&gt;reports AZ Big Media&lt;/a&gt;. "The massive red-and-gold console of the Chicago Stadium pipe organ now sits in the museum with six manuals and 800 stop tabs. Musicians sit at the console. Installed at Chicago Stadium in 1929, the organ was the first of its kind in a sports venue. The instrument, which provided the soundtrack for many opening faceoffs and tips, was the largest built by the Maxcy-Barton Organ Co. The behemoth cost $250,000 in 1929 dollars, nearly $5 million today. After the stadium was demolished in 1995, the organ’s pipes were scattered, damaged and lost. Collector Phillip F. Maloof, who lived in Las Vegas, acquired the pipe organ. He died in 2020, and the Maloof Foundation gifted the console in memory of Phillip." More from the museum &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cfSaq%7Cz2e-M%5Edm7vsa" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Mike Reed Shares An Update On The Pitchfork Lawsuit&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"I want to thank the many people who have shown support over the last few weeks," &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cfSaq%7Cz2e-Mydm7vsa" style="text-decoration: underline; color: #0068A5;"&gt;writes Mike Reed&lt;/a&gt;. "I'm happy to say that both parties have decided to settle our issues amicably. We can now put these issues in the past and move forward." The post refers to a &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cfSaq%7Cz2e-M2dm7vsa" style="text-decoration: underline; color: #0068A5;"&gt;federal lawsuit filed last month&lt;/a&gt; by Condé Nast against the Pitchfork Music Festival co-founder.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;What Chicago Stage Do You Want To Perform On?&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cfSaq%7Cz2e-M6dm7vsa" style="text-decoration: underline; color: #0068A5;"&gt;The Sun-Times&lt;/a&gt; asked readers "to tell us which stage in Chicago they’d perform on if they could pick any one." "Pritzker Pavilion," said one reader. "I watched it being built while learning to be a ‘musician.’ Many great performances I’ve witnessed on that stage." Another: "The Hideout, just to get one of those epic introductions."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-64" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;STAGE&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-65" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Goodman Breaks Records With “Iceboy!”&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p 
style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Goodman Theatre marked a milestone in its hundredth anniversary season, as the concluding production, "Iceboy! or The Completely Untrue Story Of How Eugene O’Neill Came To Write 'The Iceman Cometh,'" has become the theater’s all-time best-selling production. Running at ninety-nine-percent capacity, "Iceboy!" "has welcomed more than 53,000 audience members from across the nation and twenty-three countries—breaking previous top attendance records held by 'War Paint' (52,851 in 2016) and 'The Who’s Tommy' (50,980 in 2023)—with two weeks remaining in its three-time extended run." Tickets and more &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cfSaq%7Cz2e-M-dm7vsa" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Tickets On Sale For Joffrey's Next Season&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Single tickets are available for the Joffrey Ballet’s 2026–2027 season at the Lyric. The season features four productions, including the North American premiere of Christopher Wheeldon’s "The Sleeping Beauty," set to Tchaikovsky’s score, and the Chicago premiere of John Neumeier’s narrative ballet "Liliom." Wheeldon’s holiday classic "The Nutcracker" returns, and a mixed repertoire program, "Notes on Love" features a world premiere by Winning Works alumnus Houston Thomas alongside acclaimed works by Liam Scarlett and Nicolas Blanc. Single tickets ($47 and up) are &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cfSaq%7Cz2e-MDdm7vsa" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-66" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;ARTS &amp;amp; CULTURE &amp;amp; ETC.&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-67" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;American Cities That Increased Cultural Funding During Pandemic Rebounded More Quickly&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"While municipal funding covered a modest share of organizations’ expenses, it had an outsized impact in cities that increased their cultural support, a new study shows," &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cfSaq%7Cz2e-Nedm7vsa" style="text-decoration: underline; color: #0068A5;"&gt;reports The Art Newspaper&lt;/a&gt;.&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Kalamazoo Institute Of Arts Launches Creative Commons Transformation&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;As the Kalamazoo Institute of Arts grows, an expansion project will add to "opportunities for people of all ages to gather, create, learn and connect through the arts. From improved air quality to flexible community spaces and a revitalized courtyard, every improvement has been designed to better serve students, artists, educators, families and visitors," &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cfSaq%7Cz2e-N%7Cdm7vsa" style="text-decoration: underline; color: #0068A5;"&gt;relays the institution&lt;/a&gt;. “The Creative Commons transformation is about much more than adding or improving physical space,” said Michelle Hargrave, executive director of the Kalamazoo Institute of Arts. “It is an investment in how people experience this space and in what will be possible here in the future for our community for decades to come. As we think about the KIA’s next century, we are asking how our campus can better support the people who use it every day.”&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Report Reveals Decades Of Sexual Misconduct At Interlochen Center&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;An investigative report of the Michigan-based Interlochen Arts Academy "spells out some seventy instances of sexual misconduct by multiple former faculty and staff spanning seven decades,"&lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cfSaq%7Cz2e-Nmdm7vsa" style="text-decoration: underline; color: #0068A5;"&gt; reports Interlochen Public Radio&lt;/a&gt;. "None of the forty-seven people accused in the report is currently employed by Interlochen. And owing to the amount of time that has passed, about a third of those accused are now dead." Opines the Tribune editorial board (&lt;em&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cfSaq%7Cz2e-Nqdm7vsa" style="text-decoration: underline; color: #0068A5;"&gt;gift link&lt;/a&gt;&lt;/em&gt;), the "report commissioned by the prestigious Michigan arts camp makes for shocking reading."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Before &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cfSaq%7Cz2e-N%5Edm7vsa" style="text-decoration: underline; color: #0068A5;"&gt;this report&lt;/a&gt; was commissioned, Interlochen had faced scrutiny over its past dealings with the late sex offender Jeffrey Epstein and his accomplice Ghislaine Maxwell. "Epstein attended camp at Interlochen in the 1960s and was a donor from 1990 to 2003. A lodge was built in his name that he was free to stay in for a couple weeks a year," which was later renamed then torn down in June.&lt;/span&gt;
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&lt;table class="image_block block-2" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;div style="max-width:598px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6cgcaq%7C0%7CeAj6dmPfEccqX%5B%7C2ze%7Ej3l" target="_blank"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/ifp/be7/h4k/House%20Top%20-%20December%202025%20600%20x%20250.gif" style="display:block;height:auto;border:0;width:100%" 
width="598" alt="" title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="divider_block block-3" width="100%" border="0" cellpadding="10" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" align="center"&gt;&lt;table border="0" cellpadding="0" cellspacing="0" role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;
&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-4" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:5px;padding-bottom:5px;padding-left:20px;padding-right:20px" align="center"&gt;&lt;div style="max-width:350px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6cgcaq%7C0%7CeAj-dmPfEccqX%5B%7C2ze%7Ej3l" target="_blank"&gt;&lt;img 
src="https://d15k2d11r6t6rl.cloudfront.net/pub/40qd/br3kliar/trm/f81/xfb/NewcityLogoEmail.png" style="display:block;height:auto;border:0;width:100%" width="350" alt="" title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="divider_block block-5" width="100%" border="0" cellpadding="10" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" align="center"&gt;&lt;table border="0" cellpadding="0" cellspacing="0" role="presentation" width="100%" 
style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-6" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad" 
style="padding-top:20px;padding-bottom:10px;padding-left:20px;padding-right:20px"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Back in 1993, we organized seven celebrations, across various arts genres, in one month to celebrate Newcity's seventh anniversary. In February. In Chicago. (I know. We were young and ambitious. Now, with our fortieth anniversary, it's like, "Anyone want to throw us a party?")&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;One of those seven events was a world-premiere production of David Marshall Grant's "Snakebit," by Remains Theatre, then one of the city's two most-talked-about ensembles (the other being Steppenwolf). The show featured ensemble member D.W. Moffett who, like the theater's co-founders William Peterson, Amy Morton and Gary Cole, was already a TV and movie star. It was an electric night.&lt;/span&gt;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;This came to mind when I saw today's Cultural News story about the 1800 North Clybourn building, which then housed the theater in a very edgy-design, of-the-moment space. By the end of the year, Remains had trouble paying the rent, and left the space. Within a couple of years, they ceased to exist entirely.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;But that night, any troubles were invisible, beyond the horizon, and the excitement of Chicago's still-nascent ensemble-driven theater scene was on full display.&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-7" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px" align="left"&gt;&lt;div style="max-width:104px"&gt;&lt;img src="https://d15k2d11r6t6rl.cloudfront.net/pub/40qd/br3kliar/ier/gbh/bha/unnamed-1_1.png" style="display:block;height:auto;border:0;width:100%" width="104" alt="" title="" height="auto"&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-8" width="100%" border="0" cellpadding="0" 
cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px; color: #000000;"&gt;Brian Hieggelke&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px; color: #000000;"&gt;Editor &amp; Publisher&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;em&gt;Order the summer double issue of the magazine &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6cgcaq%7C0%7CeAkedmPfEccqX%5B%7C2ze%7Ej3l" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;. Order a subscription &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6cgcaq%7C0%7CeAk%7CdmPfEccqX%5B%7C2ze%7Ej3l" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt; and the September issue will be your first.&amp;nbsp;&lt;/em&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table 
class="divider_block block-9" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:10px;padding-bottom:20px;padding-left:10px;padding-right:10px" align="center"&gt;&lt;table border="0" cellpadding="0" cellspacing="0" role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;
&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-10" style="height:21px;line-height:21px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="text_block block-11" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-left:20px;padding-right:20px"&gt;&lt;div style="font-family:Tahoma,Verdana,sans-serif"&gt;&lt;div class 
style="font-size:14px;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;mso-line-height-alt:16.8px;color:#555;line-height:1.2"&gt;&lt;p style="margin:0;font-size:14px;mso-line-height-alt:16.8px"&gt;&lt;span style="word-break: break-word; font-size: 16px; color: #000000;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word;"&gt;NEWCITY&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-12" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px" align="center"&gt;&lt;h1 style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:24px;font-weight:900;letter-spacing:normal;line-height:1.5;text-align:left;margin-top:0;margin-bottom:0;mso-line-height-alt:36px"&gt;
&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6cgcaq%7C0%7CeAv%5EdmPfEccqX%5B%7C2ze%7Ej3l" target="_blank" style="text-decoration: none; color: #000000;" rel="noopener"&gt;&lt;span class="mce-content-body mce-edit-focus" style="word-break: break-word; position: relative;" id="3acd0a01-7b04-43d8-9ef4-2df82ea73c67" data-position="10-0-11" data-qa="tinyeditor-root-element"&gt;At Home with the Harrisons in Indianapolis: The Benjamin Harrison Presidential Site&lt;/span&gt;&lt;/a&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-13" 
width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;div style="max-width:598px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6cgcaq%7C0%7CeAvydmPfEccqX%5B%7C2ze%7Ej3l" target="_blank"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/ww4/w1t/0cv/Hall-Clock-600x450.jpg" style="display:block;height:auto;border:0;width:100%" width="598" alt="" title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;&lt;table class="text_block block-14" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
The Hoosier president was an interesting guy and deserves to be better remembered. The twenty-third president had just one term, but reforms he initiated were carried forward by other presidents. (Mary Wisniewski)&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="divider_block block-15" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" 
style="padding-top:10px;padding-bottom:20px;padding-left:10px;padding-right:10px" align="center"&gt;&lt;table border="0" cellpadding="0" cellspacing="0" role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-16" style="height:21px;line-height:21px;font-size:1px"&gt;
&amp;#8202;&lt;/div&gt;&lt;table class="text_block block-17" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-left:20px;padding-right:20px"&gt;&lt;div style="font-family:Tahoma,Verdana,sans-serif"&gt;&lt;div class style="font-size:14px;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;mso-line-height-alt:16.8px;color:#555;line-height:1.2"&gt;&lt;p 
style="margin:0;font-size:14px;mso-line-height-alt:16.8px"&gt;&lt;span style="word-break: break-word; font-size: 16px; color: #89c0c9;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word;"&gt;DESIGN&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-18" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" 
style="width:100%;padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px" align="center"&gt;&lt;h1 style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:24px;font-weight:900;letter-spacing:normal;line-height:1.5;text-align:left;margin-top:0;margin-bottom:0;mso-line-height-alt:36px"&gt;
&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6cgcaq%7C0%7CeAOydmPfEccqX%5B%7C2ze%7Ej3l" target="_blank" style="text-decoration: none; color: #000000;" rel="noopener"&gt;&lt;span class="mce-content-body mce-edit-focus" style="word-break: break-word; position: relative;" id="69a3c804-9594-486a-a0ce-2701e81e9392" data-position="10-0-17" data-qa="tinyeditor-root-element"&gt;Mood: Outdoor&lt;/span&gt;&lt;/a&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-19" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;div style="max-width:598px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6cgcaq%7C0%7CeAO2dmPfEccqX%5B%7C2ze%7Ej3l" target="_blank"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/kvb/0z5/nfk/Who-Modern-2-600x450.jpeg" style="display:block;height:auto;border:0;width:100%" width="598" alt="" title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-20" width="100%" border="0" 
cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Outdoor furniture from Chicago's design world. (Vasia Rigou)&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="divider_block block-21" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:10px;padding-bottom:20px;padding-left:10px;padding-right:10px" align="center"&gt;&lt;table border="0" cellpadding="0" cellspacing="0" 
role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-22" style="height:21px;line-height:21px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="text_block block-23" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-left:20px;padding-right:20px"&gt;&lt;div style="font-family:Tahoma,Verdana,sans-serif"&gt;&lt;div class style="font-size:14px;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;mso-line-height-alt:16.8px;color:#555;line-height:1.2"&gt;&lt;p style="margin:0;font-size:14px;mso-line-height-alt:16.8px"&gt;
&lt;span style="word-break: break-word; font-size: 16px; color: #a82b28;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word;"&gt;STAGE&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-24" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:24px;font-weight:900;letter-spacing:normal;line-height:1.5;text-align:left;margin-top:0;margin-bottom:0;mso-line-height-alt:36px"&gt;
&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6cgcaq%7C0%7CeAv-dmPfEccqX%5B%7C2ze%7Ej3l" target="_blank" style="text-decoration: none; color: #000000;" rel="noopener"&gt;&lt;span class="mce-content-body mce-edit-focus" style="word-break: break-word; position: relative;" id="e0597c2c-8830-438f-af2c-95df8fe6bfa6" data-position="10-0-23" data-qa="tinyeditor-root-element"&gt;The Windy City Comedy Fest Is a Lollapalooza for Laughs&lt;/span&gt;&lt;/a&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-25" width="100%" border="0" 
cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;div style="max-width:598px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6cgcaq%7C0%7CeAvDdmPfEccqX%5B%7C2ze%7Ej3l" target="_blank"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/l76/qo3/nc2/IMG_2455-600x450.jpeg" style="display:block;height:auto;border:0;width:100%" width="598" alt="" title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table 
class="text_block block-26" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Comedy-lovers will revel in this four-day festival founded by Ariel Julie, featuring more than twenty shows across nine of the city’s most iconic comedy venues. (Carl Kozlowski)&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="divider_block block-27" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" 
style="padding-top:10px;padding-bottom:20px;padding-left:10px;padding-right:10px" align="center"&gt;&lt;table border="0" cellpadding="0" cellspacing="0" role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-28" style="height:45px;line-height:45px;font-size:1px"&gt;
&amp;#8202;&lt;/div&gt;&lt;table class="image_block block-29" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-left:20px;padding-right:20px" align="center"&gt;&lt;div style="max-width:400px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6cgcaq%7C0%7CeAk-dmPfEccqX%5B%7C2ze%7Ej3l" target="_blank"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/q6i/gpd/eol/Newcity_2026-07-08_Cover%20Footer.jpeg" 
style="display:block;height:auto;border:0;width:100%" width="400" alt="" title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-30" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class 
style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:18.2px;color:#000;line-height:1.3"&gt;&lt;p style="margin:0;font-size:14px;text-align:center;mso-line-height-alt:26px"&gt;&lt;span style="word-break: break-word; font-size: 20px;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word;"&gt;JULY-AUGUST 2026:&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:14px;text-align:center;mso-line-height-alt:26px"&gt;
&lt;span style="word-break: break-word; font-size: 20px;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word;"&gt;AMERICA 250 + ART IN MICHIGAN&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;br&gt;
&lt;span style="word-break: break-word; font-size: 20px;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word;"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6cgcaq%7C0%7CeAkDdmPfEccqX%5B%7C2ze%7Ej3l" target="_blank" style="text-decoration: none; color: #19638e;" rel="noopener"&gt;GET THE ISSUE&lt;/a&gt; | &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6cgcaq%7C0%7CeAredmPfEccqX%5B%7C2ze%7Ej3l" target="_blank" style="text-decoration: none; color: #19638e;" rel="noopener"&gt;SUBSCRIBE&lt;/a&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div 
class="spacer_block block-31" style="height:40px;line-height:40px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="divider_block block-32" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:10px;padding-bottom:20px;padding-left:10px;padding-right:10px" align="center"&gt;&lt;table border="0" cellpadding="0" cellspacing="0" role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;
&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-33" style="height:21px;line-height:21px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="text_block block-34" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad" 
style="padding-left:20px;padding-right:20px"&gt;&lt;div style="font-family:Tahoma,Verdana,sans-serif"&gt;&lt;div class style="font-size:14px;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;mso-line-height-alt:16.8px;color:#555;line-height:1.2"&gt;&lt;p style="margin:0;font-size:14px;mso-line-height-alt:16.8px"&gt;&lt;span style="word-break: break-word; font-size: 16px; color: #65d68b;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word;"&gt;ART&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table 
class="heading_block block-35" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:24px;font-weight:900;letter-spacing:normal;line-height:1.5;text-align:left;margin-top:0;margin-bottom:0;mso-line-height-alt:36px"&gt;
&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6cgcaq%7C0%7CeAwedmPfEccqX%5B%7C2ze%7Ej3l" target="_blank" style="text-decoration: none; color: #000000;" rel="noopener"&gt;&lt;span class="mce-content-body mce-edit-focus" style="word-break: break-word; position: relative;" id="b78cbdec-6601-468b-a183-6e8b5f722796" data-position="10-0-34" data-qa="tinyeditor-root-element"&gt;Polar Opposites Meet at Stephen Daiter Gallery&lt;/span&gt;&lt;/a&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-36" width="100%" border="0" cellpadding="0" 
cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;div style="max-width:598px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6cgcaq%7C0%7CeAw%7CdmPfEccqX%5B%7C2ze%7Ej3l" target="_blank"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/hss/57l/ase/Cohen-Recording-Studio-1989-scaled-600x450.jpg" style="display:block;height:auto;border:0;width:100%" width="598" alt="" title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table 
class="text_block block-37" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;There is beauty in contrast and beauty in these sometimes perplexing but entrancing photos. (Susan Aurinko)&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="divider_block block-38" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:20px;padding-bottom:20px;padding-left:10px;padding-right:10px" align="center"&gt;&lt;table border="0" 
cellpadding="0" cellspacing="0" role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-39" style="height:21px;line-height:21px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="text_block block-40" width="100%" border="0" cellpadding="0" cellspacing="0" 
role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-left:20px;padding-right:20px"&gt;&lt;div style="font-family:Tahoma,Verdana,sans-serif"&gt;&lt;div class style="font-size:14px;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;mso-line-height-alt:16.8px;color:#555;line-height:1.2"&gt;&lt;p style="margin:0;font-size:14px;mso-line-height-alt:16.8px"&gt;
&lt;span style="word-break: break-word; font-size: 16px; color: #429c95;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word;"&gt;BRAZIL&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-41" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:24px;font-weight:900;letter-spacing:normal;line-height:1.5;text-align:left;margin-top:0;margin-bottom:0;mso-line-height-alt:36px"&gt;
&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6cgcaq%7C0%7CeAwmdmPfEccqX%5B%7C2ze%7Ej3l" target="_blank" style="text-decoration: none; color: #000000;" rel="noopener"&gt;&lt;span class="mce-content-body mce-edit-focus" style="word-break: break-word; position: relative;" id="9db6090a-13b5-4ff0-8008-4604c27ad615" data-position="10-0-40" data-qa="tinyeditor-root-element"&gt;ArPa Expands to Argentina with a Satellite Edition&lt;/span&gt;&lt;/a&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-42" width="100%" border="0" cellpadding="0" 
cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;div style="max-width:598px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6cgcaq%7C0%7CeAwqdmPfEccqX%5B%7C2ze%7Ej3l" target="_blank"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/526/wp6/2jq/av50w52a530r618d360qfyhw8nad-600x450.jpeg" style="display:block;height:auto;border:0;width:100%" width="598" alt="" title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table 
class="text_block block-43" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Plus Luiza Gottschalk joins Casa Triângulo, Jacopo Crivelli Visconti essays contemporary Indigenous art, and more (Daniela Cantu)&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="divider_block block-44" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:20px;padding-bottom:20px;padding-left:10px;padding-right:10px" 
align="center"&gt;&lt;table border="0" cellpadding="0" cellspacing="0" role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-45" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td 
class="pad" style="width:100%" align="center"&gt;&lt;div style="max-width:598px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6cgcaq%7C0%7CeArydmPfEccqX%5B%7C2ze%7Ej3l" target="_blank"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/kcw/yua/mwn/House%20Middle_Lower%20-%20December%202025%20-%20600x500.gif" style="display:block;height:auto;border:0;width:100%" width="598" alt="" title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-46" style="height:40px;line-height:40px;font-size:1px"&gt;
&amp;#8202;&lt;/div&gt;&lt;table class="heading_block block-47" width="100%" border="0" cellpadding="5" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;h1 style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:28px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:34px"&gt;
&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6cgcaq%7C0%7CeAw%5EdmPfEccqX%5B%7C2ze%7Ej3l" target="_blank" style="text-decoration: underline; color: #000000;" rel="noopener"&gt;TODAY IN CULTURE&lt;/a&gt;&lt;br&gt;&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-48" width="100%" border="0" cellpadding="10" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div 
style="font-family:sans-serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:16.8px;color:#555;line-height:1.2"&gt;&lt;p style="margin:0;font-size:14px;text-align:center;mso-line-height-alt:16.8px"&gt;&lt;span style="word-break: break-word; color: #000000;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;By Ray Pride&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-49" 
style="height:40px;line-height:40px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="heading_block block-50" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;ART&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-51" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;The Block Museum Acquires Work By Antonius-Tín Bui&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p 
style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Monique Meloche &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cgcaq%7C0%7CeAwydmPfEa" style="text-decoration: underline; color: #0068A5;"&gt;has announced the acquisition&lt;/a&gt; of Antonius-Tín Bui’s “and you, all future tense, leak through” (2023) into the collection of The Block Museum of Art at Northwestern University. This is the first artwork by Bui in The Block’s collection. "Selected by the 2025–2026 cohort of Block Museum Student Associates (BMSAs), the work joins the museum’s collection as part of an ongoing initiative that invites undergraduate students into the process of researching and recommending the acquisition of an artwork to the museum’s collection." The work will be featured in an upcoming exhibition, "The Block Collects," which will be on view from September 9 through December 6. More &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cgcaq%7C0%7CeAw2dmPfEa" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-52" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;DESIGN&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-53" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;NBC Tower Joins Apartment Conversion Wave&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p 
style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;NBC Tower, the Adrian Smith-designed building known for its similarity to 30 Rockefeller Plaza, is the latest downtown building slated for partial conversion to apartments. While the building is still home to offices, including NBC 5's local studios, "the owner of NBC Tower wants to convert part of the Streeterville skyscraper into hundreds of apartments," &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cgcaq%7C0%7CeAw6dmPfEa" style="text-decoration: underline; color: #0068A5;"&gt;reports Crain's&lt;/a&gt;.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;More Lakefront Divvy Stations Open&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Divvy bike-share stations have been added at busy locations along the Lakefront,&amp;nbsp;&lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cgcaq%7C0%7CeAw-dmPfEa" style="text-decoration: underline; color: #0068A5;"&gt;reports the Trib&lt;/a&gt;. "The five new Divvy stations are located downtown or along Chicago’s north lakefront. Two new stations are located in Grant Park at DuSable Lake Shore and Jackson, and at DuSable Lake Shore and Balbo. Two stations were added at North Avenue Beach, including one at the pedestrian bridge there. The fifth new station is at the Lincoln Park Zoo."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;1800 Clybourn As A Microcosm Of The Corridor's Development&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"In July 2026, the property at 1800 North Clybourn in Clybourn Corridor was a demolition site—again," &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cgcaq%7C0%7CeAwDdmPfEa" style="text-decoration: underline; color: #0068A5;"&gt;reports CBS News Chicago&lt;/a&gt;. "Most people under the age of thirty-five have never known the site as anything other than a nineties-era shopping center grafted onto parts of an old industrial complex, anchored by a Bed Bath &amp; Beyond and the original location of the Goose Island Brewery.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"But back in 1994, 1800 North Clybourn was also a demolition site as the rest of that old industrial complex—which had housed a festive indoor mall with a high-end restaurant and an off-Loop stage theater—was leveled to make way for the more recent shopping center," their history continues. "Unto themselves, the changing developments at 1800 North Clybourn represent a microcosm of forty years of changing development priorities on the Clybourn Corridor as a whole, and in Chicago and beyond in general."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Baggu Banks Lincoln Park&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;California-based bag and accessories brand Baggu will open its eighth U. S. location in Lincoln Park at 2118 North Halsted, following the 2024 opening of its first Midwest outpost in Wicker Park, &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cgcaq%7C0%7CeAxedmPfEa" style="text-decoration: underline; color: #0068A5;"&gt;slings the Sun-Times&lt;/a&gt;. The store will open on August 14.&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;
&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-54" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;DINING &amp;amp; DRINKING&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-55" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:12px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:18px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;In The Kitchen With All Well&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p 
style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"All Well, the new sister restaurant to two-starred Michelin restaurant Oriole, opened this past spring in Chicago's West Loop after months of anticipation. We follow executive chef Larry Feldmeier and his team through a full night of service," &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cgcaq%7C0%7CeAx%7CdmPfEa" style="text-decoration: underline; color: #0068A5;"&gt;writes Eater Chicago, introducing a ten-minute video&lt;/a&gt;. "All Well trades white-tablecloth convention for loud music, vibrant artwork and a five-course menu built on familiar comfort flavors, strawberry syrup waffles, stuffed pasta and bold local ingredients sourced from the Midwest. The restaurant also runs a late-night menu, anchored by a short rib sandwich served until midnight."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-56" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;FILM AND TELEVISION&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-57" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:12px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:18px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;New Screens Debut At Siskel Film Center After Twenty-Five Years&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Siskel Film Center executive director Emily Long has announced the theaters' new microperf screen in both Theater 1 and Theater 2. "The Gene Siskel Film Center has always been committed to presenting films the way filmmakers intended them to be seen," Long tells us. "These new screens are an investment in that mission, ensuring audiences experience every film with exceptional clarity, brightness and fidelity. We are especially grateful that this upgrade was made possible through a generous gift from the family of Robert J. 'Bob' Puricelli, honoring his lifelong love of film. As we celebrate twenty-five years in our State Street home, this gift will enhance the moviegoing experience for every audience member who visits the Siskel for years to come."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;The Music Box Announces Final 70mm "Odyssey" Showings&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;This will be the final weekend "to see 'The Odyssey' on 70mm at the Music Box! The last 70mm screenings will be Tuesday, August 11," the Music Box &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cgcaq%7C0%7CeAxmdmPfEa" style="text-decoration: underline; color: #0068A5;"&gt;posts in a video&lt;/a&gt; that also features a look at how outsized 70mm reels are mounted.&lt;/span&gt;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;John Carpenter Will Appear At Fan Expo To Sign New Graphic Novel&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Legendary filmmaker John Carpenter has just released "Cathedral," his first graphic novel. The graphic novel is accompanied by “Revenge,” a Carpenter-composed single which appears on the book’s corresponding album, which drops on Friday. Carpenter will appear at this month's Fan Expo, hosted at the Donald E. Stephens Convention Center in Rosemont, where he'll sign copies of the book and vinyl. August 14-16. More &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cgcaq%7C0%7CeAxqdmPfEa" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;The Warner Bros. Discovery Deal Is Okay Since We Don't Know David Ellison's Politics&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"I believe that anyone who oversees a news organization—I am chief executive of Paramount, which owns CBS—shouldn’t put a finger on the scale, especially on matters involving his own company. So when California’s attorney general, eleven other state attorneys general and the Writers Guild of America sued to stop the deal, I stayed quiet. I quickly learned such restraint has costs. While I was silent, others were happy to write my story for me. No more," goes a piece signed by multibillionaire Paramount Skydance CEO David Ellison in the New York Times (&lt;em&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cgcaq%7C0%7CeAx%5EdmPfEa" style="text-decoration: underline; color: #0068A5;"&gt;gift link&lt;/a&gt;&lt;/em&gt;). (&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6cgcaq%7C0%7CeAO6dmPfEccqX%5B%7C2ze%7Ej3l" target="_blank" style="text-decoration: underline; color: #0068A5;" rel="noopener"&gt;More&lt;/a&gt;.)&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-58" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;MUSIC&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-59" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:12px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:18px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;The Lolla Acts Who May Play Bigger Stages Someday&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p 
style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;The Sun-Times &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cgcaq%7C0%7CeAx6dmPfEa" style="text-decoration: underline; color: #0068A5;"&gt;picks eight&lt;/a&gt; up-and-coming acts they liked at this year's festival. The report highlights Barrington-based band The Braymores: "The thing you gotta love about Chicago music fans is we’ll always show up for our own, whether it’s Lincoln Hall or Lollapalooza. The Braymores can now claim both after christening the BMI Stage Thursday for a larger-than-expected crowd, a few people appropriately wearing Cheap Trick and Smashing Pumpkins shirts."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;The Post-Lolla Million-Dollar Mop-Up&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Lollapalooza "left the city with a familiar tally: ten arrests, zero tickets issued and sixty-seven trips to the hospital, figures roughly in line with recent years," &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cgcaq%7C0%7CeAx-dmPfEa" style="text-decoration: underline; color: #0068A5;"&gt;sounds the Trib&lt;/a&gt;. An estimate of 400,000 customers trod the grass: "Lollapalooza’s promoter, C3 Presents, is now on the hook for the cleanup, including what could be a costly restoration of Grant Park’s grass, which had disappeared under the crowds by the festival’s third day." Said Mayor Johnson, "Is it worth 400,000 people coming into our city over the course of four days, as a complement to having more visitors come to our city than any other time in the history of Chicago? And those young people that are here, they’re just providing the prelude of what’s to come. The top destination for college graduates is the city of Chicago. So we might as well get used to it, you all."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-60" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;STAGE&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-61" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;"Adirondack Chair Circle" Makes Its World Premiere At Steppenwolf&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Steppenwolf Theatre Company's fifty-first season includes the world premiere of Chicago playwright Stephanie Alison Walker’s biting satire "Adirondack Chair Circle" this fall. The production, directed by Tony Award winner Pam MacKinnon and starring Caroline Neff, follows "a gaggle of suburban moms" "ready to take on the school board in the fight of their lives: attempting to ban the controversial books available to their kids in the school library." On stage from October 22-December 6 in Steppenwolf’s Ensemble Theater. Single tickets and more &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cgcaq%7C0%7CeAxDdmPfEa" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Chicago Children's Theatre Names Associate Artistic Director&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;Chicago Children's Theatre has announced the appointment of Jamal Howard as the company's associate artistic director, and the promotion of Catherine Councell to director of education, &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cgcaq%7C0%7CeAyedmPfEa" style="text-decoration: underline; color: #0068A5;"&gt;reports Broadway World Chicago&lt;/a&gt;.&lt;/span&gt;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Polyphonic Ensemble Coming To Chicago Storefront Theaters&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;A new company, Polyphonic Ensemble, has been founded by Justin Broom and Michael Morales to bring new forms of theater and opera to Chicago. "Polyphonic Ensemble’s mission seeks to create mold-breaking, thought-provoking and evocative pieces of theater and opera through deep collaboration with diverse artists across multiple disciplines to present works both classic and new through a unified artistic vision." They're raising money to support a planned launch in fall of 2027 &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cgcaq%7C0%7CeAy%7CdmPfEa" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-62" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 
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&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Alliance Française's Executive Director Receives Major French Honor&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Mary Ellen Connellan, longtime Alliance Française de Chicago executive director, has received the insignia of Chevalier de l’Ordre national du Mérite, one of France’s highest national honors, for her decades of service to French language, cultural and international exchange in Chicago. The distinction was presented by Consul General of France, Charlotte Montel, during the Alliance’s biennial gala, which supports Étoile Scholars, a two-year French-language scholarship program serving students from underserved Chicago Public Schools. More Alliance Française &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cgcaq%7C0%7CeAymdmPfEa" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;.&lt;/span&gt;
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&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-4" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:5px;padding-bottom:5px;padding-left:20px;padding-right:20px" align="center"&gt;&lt;div style="max-width:350px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6cgtaq%7C7meB0mdnC4AccqX%5B%7C2ze%7Ej3l" target="_blank"&gt;&lt;img 
src="https://d15k2d11r6t6rl.cloudfront.net/pub/40qd/br3kliar/trm/f81/xfb/NewcityLogoEmail.png" style="display:block;height:auto;border:0;width:100%" width="350" alt="" title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="divider_block block-5" width="100%" border="0" cellpadding="10" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" align="center"&gt;&lt;table border="0" cellpadding="0" cellspacing="0" role="presentation" width="100%" 
style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-6" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad" 
style="padding-top:20px;padding-bottom:10px;padding-left:20px;padding-right:20px"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;We were back to the Art Institute for a photo shoot on Wednesday, and ended up at the Morton Staircase, next to the galleries of Medieval Art, Arms and Armor.&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;For most of my life, the armor collection was displayed in the long Gunsaulus Hall that bridged over the railroad tracks. Over the years, I paid little attention to them as I moved between the museum's east and west wings, even as I passed by them dozens if not hundreds of times.&amp;nbsp;&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;They were all moved to a new location as part of a renovation project about a decade or so ago, and I'd forgotten about them till yesterday. And though the demands of the photo shoot precluded a proper tour, I did get a chance for a brisk walk-through, culminating in a dramatic display of fully armored knights on horses.&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;It is a thrilling sight that conjured up "Night at the Museum" vibes for me, enough so that I'll make a special visit to spend time in the exhibition now. But I think I'll stick to the daytime.&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-7" width="100%" border="0" cellpadding="0" 
cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px" align="left"&gt;&lt;div style="max-width:104px"&gt;&lt;img src="https://d15k2d11r6t6rl.cloudfront.net/pub/40qd/br3kliar/ier/gbh/bha/unnamed-1_1.png" style="display:block;height:auto;border:0;width:100%" width="104" alt="" title="" height="auto"&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-8" width="100%" 
border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px; color: #000000;"&gt;Brian Hieggelke&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px; color: #000000;"&gt;Editor &amp; Publisher&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;em&gt;Order the summer double issue of the magazine &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6cgtaq%7C7meB0ydnC4AccqX%5B%7C2ze%7Ej3l" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;. Order a subscription &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6cgtaq%7C7meB02dnC4AccqX%5B%7C2ze%7Ej3l" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt; and the September issue will be your first.&amp;nbsp;&lt;/em&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table 
class="divider_block block-9" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:10px;padding-bottom:20px;padding-left:10px;padding-right:10px" align="center"&gt;&lt;table border="0" cellpadding="0" cellspacing="0" role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;
&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-10" style="height:21px;line-height:21px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="text_block block-11" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-left:20px;padding-right:20px"&gt;&lt;div style="font-family:Tahoma,Verdana,sans-serif"&gt;&lt;div class 
style="font-size:14px;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;mso-line-height-alt:16.8px;color:#555;line-height:1.2"&gt;&lt;p style="margin:0;font-size:14px;mso-line-height-alt:16.8px"&gt;&lt;span style="word-break: break-word; font-size: 16px; color: #89c0c9;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word;"&gt;DESIGN&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-12" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px" align="center"&gt;&lt;h1 style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:24px;font-weight:900;letter-spacing:normal;line-height:1.5;text-align:left;margin-top:0;margin-bottom:0;mso-line-height-alt:36px"&gt;
&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6cgtaq%7C7meBAqdnC4AccqX%5B%7C2ze%7Ej3l" target="_blank" style="text-decoration: none; color: #000000;" rel="noopener"&gt;&lt;span class="mce-content-body mce-edit-focus" style="word-break: break-word; position: relative;" id="6607526e-037f-48ea-95c6-2f378ecea935" data-position="10-0-11" data-qa="tinyeditor-root-element"&gt;Designing a Better Chicago, From the Ground Up&lt;/span&gt;&lt;/a&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-13" width="100%" border="0" cellpadding="0" 
cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;div style="max-width:598px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6cgtaq%7C7meBA%5EdnC4AccqX%5B%7C2ze%7Ej3l" target="_blank"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/gxa/ivr/gee/image-asset2-600x450.jpeg" style="display:block;height:auto;border:0;width:100%" width="598" alt="" title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table 
class="text_block block-14" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
A look at the 2026 Designing a Better Chicago grantees and the grassroots projects using design to respond to real community needs across the city. (Yetta Starr)&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="divider_block block-15" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:10px;padding-bottom:20px;padding-left:10px;padding-right:10px" align="center"&gt;&lt;table border="0" 
cellpadding="0" cellspacing="0" role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-16" style="height:21px;line-height:21px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="text_block block-17" width="100%" border="0" cellpadding="0" cellspacing="0" 
role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-left:20px;padding-right:20px"&gt;&lt;div style="font-family:Tahoma,Verdana,sans-serif"&gt;&lt;div class style="font-size:14px;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;mso-line-height-alt:16.8px;color:#555;line-height:1.2"&gt;&lt;p style="margin:0;font-size:14px;mso-line-height-alt:16.8px"&gt;
&lt;span style="word-break: break-word; font-size: 16px; color: #a82b28;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word;"&gt;STAGE&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-18" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:24px;font-weight:900;letter-spacing:normal;line-height:1.5;text-align:left;margin-top:0;margin-bottom:0;mso-line-height-alt:36px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6cgtaq%7C7meBAydnC4AccqX%5B%7C2ze%7Ej3l" target="_blank" style="text-decoration: none; color: #000000;" rel="noopener"&gt;Gift Theatre’s “Marble” Starts Strong Before Going Cold and Hard&lt;/a&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-19" 
width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;div style="max-width:598px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6cgtaq%7C7meBA2dnC4AccqX%5B%7C2ze%7Ej3l" target="_blank"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/ag2/5lt/85a/John-Gawlik.-Brittany-Burch-Paul-Daddario-Cyd-Blakewell-rear-scaled-600x450.jpg" style="display:block;height:auto;border:0;width:100%" 
width="598" alt="" title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-20" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p 
style="margin:0;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;Endings are never easy, but rarely does a play that begins so well move so decisively in the wrong direction as does Marina Carr’s 2009 work, an Irish dramedy that’s almost salvaged by a quartet of powerful performances. (Hugh Iglarsh)&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="divider_block block-21" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:10px;padding-bottom:20px;padding-left:10px;padding-right:10px" align="center"&gt;&lt;table border="0" cellpadding="0" cellspacing="0" role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div 
class="spacer_block block-22" style="height:45px;line-height:45px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="image_block block-23" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-left:20px;padding-right:20px" align="center"&gt;&lt;div style="max-width:400px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6cgtaq%7C7meB7%7CdnC4AccqX%5B%7C2ze%7Ej3l" target="_blank"&gt;&lt;img 
src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/q6i/gpd/eol/Newcity_2026-07-08_Cover%20Footer.jpeg" style="display:block;height:auto;border:0;width:100%" width="400" alt="" title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-24" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad" 
style="padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:18.2px;color:#000;line-height:1.3"&gt;&lt;p style="margin:0;font-size:14px;text-align:center;mso-line-height-alt:26px"&gt;&lt;span style="word-break: break-word; font-size: 20px;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word;"&gt;JULY-AUGUST 2026:&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style="margin:0;font-size:14px;text-align:center;mso-line-height-alt:26px"&gt;&lt;span style="word-break: break-word; font-size: 20px;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word;"&gt;AMERICA 250 + ART IN MICHIGAN&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;br&gt;
&lt;span style="word-break: break-word; font-size: 20px;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word;"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6cgtaq%7C7meB7mdnC4AccqX%5B%7C2ze%7Ej3l" target="_blank" style="text-decoration: none; color: #19638e;" rel="noopener"&gt;GET THE ISSUE&lt;/a&gt; | &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6cgtaq%7C7meB7qdnC4AccqX%5B%7C2ze%7Ej3l" target="_blank" style="text-decoration: none; color: #19638e;" rel="noopener"&gt;SUBSCRIBE&lt;/a&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div 
class="spacer_block block-25" style="height:40px;line-height:40px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="divider_block block-26" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:10px;padding-bottom:20px;padding-left:10px;padding-right:10px" align="center"&gt;&lt;table border="0" cellpadding="0" cellspacing="0" role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;
&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-27" style="height:21px;line-height:21px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="text_block block-28" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad" 
style="padding-left:20px;padding-right:20px"&gt;&lt;div style="font-family:Tahoma,Verdana,sans-serif"&gt;&lt;div class style="font-size:14px;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;mso-line-height-alt:16.8px;color:#555;line-height:1.2"&gt;&lt;p style="margin:0;font-size:14px;mso-line-height-alt:16.8px"&gt;&lt;span style="word-break: break-word; font-size: 16px; color: #65d68b;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word;"&gt;ART&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table 
class="heading_block block-29" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:24px;font-weight:900;letter-spacing:normal;line-height:1.5;text-align:left;margin-top:0;margin-bottom:0;mso-line-height-alt:36px"&gt;
&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6cgtaq%7C7meBA6dnC4AccqX%5B%7C2ze%7Ej3l" target="_blank" style="text-decoration: none; color: #000000;" rel="noopener"&gt;&lt;span class="mce-content-body mce-edit-focus" style="word-break: break-word; position: relative;" id="9b803c65-4a58-4920-9bf1-38caf8836619" data-position="10-0-28" data-qa="tinyeditor-root-element"&gt;A Modern Fable at Filter Photo&lt;/span&gt;&lt;/a&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-30" width="100%" border="0" cellpadding="0" cellspacing="0" 
role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;div style="max-width:598px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6cgtaq%7C7meBA-dnC4AccqX%5B%7C2ze%7Ej3l" target="_blank"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/zyq/gqx/raw/Rager_really-good_2025-scaled_600x450.jpg" style="display:block;height:auto;border:0;width:100%" width="598" alt="" title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table 
class="text_block block-31" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;The uncanny lurks just around the corner in this exhibition by duo Rager. (Susan Aurinko)&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="divider_block block-32" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:20px;padding-bottom:20px;padding-left:10px;padding-right:10px" align="center"&gt;&lt;table border="0" cellpadding="0" 
cellspacing="0" role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-33" style="height:21px;line-height:21px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="text_block block-34" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-left:20px;padding-right:20px"&gt;&lt;div style="font-family:Tahoma,Verdana,sans-serif"&gt;&lt;div class style="font-size:14px;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;mso-line-height-alt:16.8px;color:#555;line-height:1.2"&gt;&lt;p style="margin:0;font-size:14px;mso-line-height-alt:16.8px"&gt;
&lt;span style="word-break: break-word; font-size: 16px; color: #429c95;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word;"&gt;BRAZIL&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-35" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:24px;font-weight:900;letter-spacing:normal;line-height:1.5;text-align:left;margin-top:0;margin-bottom:0;mso-line-height-alt:36px"&gt;
&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6cgtaq%7C7meBADdnC4AccqX%5B%7C2ze%7Ej3l" target="_blank" style="text-decoration: none; color: #000000;" rel="noopener"&gt;&lt;span class="mce-content-body mce-edit-focus" style="word-break: break-word; position: relative;" id="41119088-38d5-4b22-9fb8-378c13a379ec" data-position="10-0-34" data-qa="tinyeditor-root-element"&gt;Luiz Zerbini Reads from the Forest's Script&lt;/span&gt;&lt;/a&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-36" width="100%" border="0" cellpadding="0" 
cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;div style="max-width:598px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6cgtaq%7C7meBBednC4AccqX%5B%7C2ze%7Ej3l" target="_blank"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/1mf/don/jrr/Luiz-Zerbini-image-4-scaled-600x450.webp" style="display:block;height:auto;border:0;width:100%" width="598" alt="" title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table 
class="text_block block-37" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"Estrelas escolhidas" turns printmaking into narrative in 230 of Zerbini's works chronicling the natural world. (Luiz Armando Bagolin)&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="divider_block block-38" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:20px;padding-bottom:20px;padding-left:10px;padding-right:10px" 
align="center"&gt;&lt;table border="0" cellpadding="0" cellspacing="0" role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-39" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td 
class="pad" style="width:100%" align="center"&gt;&lt;div style="max-width:598px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6cgtaq%7C7meB7-dnC4AccqX%5B%7C2ze%7Ej3l" target="_blank"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/kcw/yua/mwn/House%20Middle_Lower%20-%20December%202025%20-%20600x500.gif" style="display:block;height:auto;border:0;width:100%" width="598" alt="" title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-40" style="height:40px;line-height:40px;font-size:1px"&gt;
&amp;#8202;&lt;/div&gt;&lt;table class="heading_block block-41" width="100%" border="0" cellpadding="5" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;h1 style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:28px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:34px"&gt;
&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6cgtaq%7C7meBB%7CdnC4AccqX%5B%7C2ze%7Ej3l" target="_blank" style="text-decoration: underline; color: #000000;" rel="noopener"&gt;TODAY IN CULTURE&lt;/a&gt;&lt;br&gt;&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-42" width="100%" border="0" cellpadding="10" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div 
style="font-family:sans-serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:16.8px;color:#555;line-height:1.2"&gt;&lt;p style="margin:0;font-size:14px;text-align:center;mso-line-height-alt:16.8px"&gt;&lt;span style="word-break: break-word; color: #000000;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;By Ray Pride&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-43" 
style="height:40px;line-height:40px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="heading_block block-44" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;ART&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-45" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Wisconsin-Umbrian Exhibition Program Launches With Kay Rosen&lt;/strong&gt;&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Little Wolf, Wisconsin-based The Poor Farm, run by artist-couple Michelle Grabner and Brad Killam, has teamed up with BB Trust House to launch a biennial exhibition program in the Italian hill town of Monte Castello di Vibio in Umbria, Italy. The first exhibition, "We Have a Synching Feeling," features work by artist Kay Rosen. "Rosen’s exhibition expands on her decades-long investigation into the structure, sound and social dimensions of language. Installed throughout several domicile dwellings in the medieval hill town, Rosen’s exhibition will be in a regional conversation with the work and the environments initiated by Sol LeWitt, Brian O’Doherty, Mel Bochner and Richard Tuttle, conceptualists who developed artistic practices and visual vocabularies in response to Umbrian cultural history and its physical environment." Rosen taught at the School of the Art Institute of Chicago for twenty-four years, and currently lives and works in New York City and Gary, Indiana. More &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cgtaq%7C7meBBmdnC4Aa" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Reinstatement Pressed For SAIC Professor Savneet Talwar&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;SAIC graduate art therapy professor Savneet Talwar "was placed on leave last semester after she assigned her class a case study that mentioned violence against Palestinians," &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cgtaq%7C7meBBqdnC4Aa" style="text-decoration: underline; color: #0068A5;"&gt;reports Hyperallergic&lt;/a&gt;. "With less than three weeks until the start of the fall semester, over 400 members of the SAIC community have resumed their &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cgtaq%7C7meBB%5EdnC4Aa" rel="noreferrer" style="text-decoration: underline; color: #0068A5;"&gt;calls for her reinstatement&lt;/a&gt;."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Mimmo Paladino Makes His Midwest Debut At Raclin Murphy&amp;nbsp;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;The Raclin Murphy Museum of Art at the University of Notre Dame has announced the first Midwest exhibition of Italian artist Mimmo Paladino, a leading figure of the Italian avant-garde. "Paladino’s paintings, sculptures, installations, films, prints and illustrations are held in public and private collections worldwide, including at the Metropolitan Museum of Art, Tate Modern and the Vatican Museums. He is also known for his site-specific commissions, which include the mosaic, stained-glass and wall drawings of the 'Mary, Queen of Families Chapel' at the Raclin Murphy Museum of Art." September 1-December 13. More &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cgtaq%7C7meBBydnC4Aa" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Museums Increasingly Team Up To Buy Art&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"The Metropolitan Museum of Art bought a cache of eighteenth-century prints last year. A routine purchase, save for one detail: The New York institution went in on it with the Cleveland Museum of Art," &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cgtaq%7C7meBB2dnC4Aa" style="text-decoration: underline; color: #0068A5;"&gt;reports Artnet&lt;/a&gt;. There's been a growing number of joint acquisitions by museums in recent years. "Pooling resources now reflects a broader shift away from the competitive collection building of the nineteenth and twentieth centuries. Increasing financial pressure plays an undeniable role, but so does a growing appetite for deeper institutional ties and shared expertise."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-46" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;DESIGN&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-47" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;The Shops At North Bridge Mall Getting Major Overhaul&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p 
style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"The lender that took over the Shops at North Bridge almost two years ago is pouring $40 million into revamping it, adding to a wave of investment in properties on Michigan Avenue as landlords bet on the recovering shopping corridor," &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cgtaq%7C7meBB6dnC4Aa" style="text-decoration: underline; color: #0068A5;"&gt;reports Crain's&lt;/a&gt;. The renovation for the Michigan Avenue mall, anchored by Nordstrom, "will modernize the property’s glass facade, digital displays at all three of its entrances and install a sculptural attraction in the building’s central atrium," &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cgtaq%7C7meBB-dnC4Aa" style="text-decoration: underline; color: #0068A5;"&gt;reports the Real Deal&lt;/a&gt;. "A bar and lounge will also be coming to the Mag Mile fixture."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;AIA Chicago Honors Lamar Johnson Collaborative With Lifetime Achievement&amp;nbsp;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;This fall, AIA Chicago will honor Lamar A. Johnson, co-founding partner of the Lamar Johnson Collaborative, alongside his wife and business partner, Lisa, with the 2026 &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cgtaq%7C7meBBDdnC4Aa" style="text-decoration: underline; color: #0068A5;"&gt;AIA Chicago Lifetime Achievement Award&lt;/a&gt;. Johnson will be honored at Designight 2026, AIA Chicago’s signature awards program, which honors Chicago architects’ global design achievements. The event will be held at the Harris Theater on October 1. More Designight &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cgtaq%7C7meBCednC4Aa" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;The Obama Center As An Echo Of Brancusi's Endless Column&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Constantin Brancusi "once envisioned a colossal column projected to stand 1,665 feet on the shores of Chicago’s Lakefront. The towering structure, based on his iconic 1918 'Endless Column,' was never realized," &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cgtaq%7C7meBC%7CdnC4Aa" style="text-decoration: underline; color: #0068A5;"&gt;writes Susan Snodgrass at Artforum&lt;/a&gt;. "This speculative work is echoed, nonetheless, within the city’s contemporary skyline, most notably in the elegant undulating spires of Jeanne Gang’s St. Regis building, located at the intersection of Lake Michigan and the Chicago River—and, more symbolically, in the muscular geometry of the newly opened Obama Presidential Center Museum in Jackson Park, a 225-foot obelisk designed by Tod Williams Billie Tsien Architects."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-48" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;DINING &amp;amp; DRINKING&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-49" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:12px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:18px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;A Lakeview Bakery Recreated Charli XCX's Stage As A Birthday Cake&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"After four days of designing, baking and decorating, the team from Jennivee’s Bakery &amp; Cafe delivered a custom birthday cake to the pop star’s Chicago hotel" last weekend, &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cgtaq%7C7meBCmdnC4Aa" style="text-decoration: underline; color: #0068A5;"&gt;reports Block Club&lt;/a&gt;. "The cake, secretly ordered by Charli’s team for a surprise party, was a miniature replica of the towering black stage Charli would perform on just hours later before tens of thousands of fans in Grant Park. The sleek, all-black cake recreated the geometric design of the Lollapalooza set, with stacked rectangular platforms, a tall center tower and the message, 'Happy Headliner Birthday Charli,' written in blue icing across the top. Inside, it was vanilla cake layered with raspberry filling, two of Charli’s favorite flavors."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Portillo's Cuts Corporate Staff&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"Hot dog chain Portillo’s cut eighteen-percent of its corporate staff as it continues a strategic reset amid lower sales across restaurants," &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cgtaq%7C7meBCqdnC4Aa" style="text-decoration: underline; color: #0068A5;"&gt;reports the Sun-Times&lt;/a&gt;. The Oak Brook headquarters counts roughly 140 employees. "Layoffs didn’t affect restaurant workers at its 109 fast casual locations nationwide."&lt;/span&gt;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-50" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;FILM AND TELEVISION&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-51" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:12px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:18px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;What We Lost With The Video Store&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p 
style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"Decades before recommendation algorithms, video stores served as social hubs where conversation and camaraderie became a form of tastemaking," &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cgtaq%7C7meBC%5EdnC4Aa" style="text-decoration: underline; color: #0068A5;"&gt;posts MIT Press Reader&lt;/a&gt;. "The persona and expertise of retailers and clerks structured the consumer experience of home video as much as the shelves on the wall. The people behind the counter, and in many cases those in front of it, were not merely moving through the consumption junction but were, in fact, integral parts of it. Consider the English pub, the French café, the German beer garden or the American tavern: These are places where patrons can buy food or drink. But an analysis that focuses only on the producer/consumer exchange would overlook the vital role these and other spaces play in establishing and maintaining broader social relationships."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;FCC Ends Cap On Local Ownership Of TV Stations&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;The Federal Communications Commission has voted 2–1 "to eliminate the National Television Ownership Rule, claiming authority to repeal a limit that was set by Congress over twenty years ago," &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cgtaq%7C7meBCydnC4Aa" style="text-decoration: underline; color: #0068A5;"&gt;wraps up Ars Technica&lt;/a&gt;. "The rule prohibits any single broadcast station owner from reaching more than thirty-nine percent of all TV households in the U.S. Under Chairman Brendan Carr, the FCC is replacing the rule with a 'case-by-case review' of each proposed merger." (&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6cgtaq%7C7meBE%7CdnC4AccqX%5B%7C2ze%7Ej3l" target="_blank" style="text-decoration: underline; color: #0068A5;" rel="noopener"&gt;More&lt;/a&gt;.)&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-52" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;LIT&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-53" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:12px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:18px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Poetry Foundation Announces 2026 Ruth Lilly and Dorothy Sargent Rosenberg Poetry Fellows&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;The 2026 Ruth Lilly and Dorothy Sargent Rosenberg Poetry Fellows are Xochi Quetzali Cartland, Fatima Jafar, Noel Munguia-Moreno, Shaina Phenix and Tariq Thompson. "Among the largest awards offered to young poets in the country, the &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cgtaq%7C7meBC2dnC4Aa" style="text-decoration: underline; color: #0068A5;"&gt;Fellowship program&lt;/a&gt; recognizes and provides monetary support to five exceptional poets between ages twenty-one and thirty-one." Each fellow receives $27,000, an invitation to submit work to Poetry magazine and a subscription to the magazine. More &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cgtaq%7C7meBC6dnC4Aa" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;American Writers Museum's OnWord Benefit Honors Jesmyn Ward&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;The American Writers Museum will host its annual OnWord benefit in September, which raises funds to support the museum’s mission and programming, including its youth education programs. The Founder’s Inspiring Writer Award will be presented to two-time National Book Award winner Jesmyn Ward, author of "Salvage the Bones," who will be interviewed by presenter Peter Sagal. The Inspiration Award will be presented by author Celeste Ng to Karen Kucich Thailing, a teacher who inspired her as a writer. Each year, the museum selects an established writer to nominate a former teacher who inspired them to receive this award, which includes a $10,000 prize. The OnWord benefit takes place on September 29. More &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cgtaq%7C7meBC-dnC4Aa" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Thousands Of Books Pile Up In Short-Staffed Chicago Libraries&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;A backlog "has librarians scrambling to find space and keep track of books in the system," &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cgtaq%7C7meBCDdnC4Aa" style="text-decoration: underline; color: #0068A5;"&gt;reports Block Club&lt;/a&gt;. "Library staff say the unshelved stacks of books were among the byproducts of a shortage of delivery drivers this spring—and a window into ongoing staffing struggles within the Chicago Public Library system."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Russia Targets Ukraine's Literary Output, Destroying Ten Million Books&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"Russian strikes have destroyed or damaged nearly ten million books in Ukraine between May and August 2026, severely disrupting the country's publishing industry," &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cgtaq%7C7meBDednC4Aa" style="text-decoration: underline; color: #0068A5;"&gt;reports United 24 Media&lt;/a&gt;. "At least fifteen Russian attacks targeted bookstores, printing houses, publishing warehouses and publishing offices during the four-month period."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-54" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;MEDIA&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-55" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:12px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:18px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Lin Brehmer Inducted Into Radio Hall Of Fame&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p 
style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;The Radio Hall of Fame has named nine posthumous "Legends" inductees, "honoring broadcasters and executives whose contributions helped shape the radio industry," &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cgtaq%7C7meBD%7CdnC4Aa" style="text-decoration: underline; color: #0068A5;"&gt;charts Inside Radio&lt;/a&gt;. The 2026 class to be inducted in October includes Lin Brehmer, Vivian Carter, Dale Dorman, Gary Krantz, Wink Martindale, B. Mitchell Reed, Pierre Robert, Polito Vega and D.E. "Duke" Wright. Brehmer was a longtime host at Chicago's WXRT station before his passing in 2023. He was known to listeners as "your best friend in the whole world."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-56" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;MUSIC&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-57" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:12px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:18px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Geraldine De Haas, "The First Lady Of Chicago Jazz," Was Ninety-One&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"She was a woman former Tribune critic Howard Reich called 'the first lady of Chicago jazz,' and for decades Geraldine de Haas delighted in that role. She earned it too, through stunning performances and as a passionate promoter and producer of jazz programs and events that changed the cultural face of the city," chronicles Rick Kogan at the Trib (&lt;em&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cgtaq%7C7meBDmdnC4Aa" style="text-decoration: underline; color: #0068A5;"&gt;gift link&lt;/a&gt;&lt;/em&gt;). "Following the 1974 death of Duke Ellington, she joined with other musicians to plan a tribute concert. She argued that the planned event take place not in the South Side’s Washington Park, as city officials suggested, but at the centrally located Grant Park, saying, 'His music was so universal that the concert should be for the whole city.' ... The August 1974 concert, the first city-sponsored music festival in Chicago,&amp;nbsp;was so successful that it would be the foundation and catalyst for all the city festivals."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Chicago DJ Tunjo Swept Away By ICE&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Omar David Panqueva Rojas, known as DJ Tunjo, and his husband, Santiago Paez, "arrived at Midway on their way to host unofficial afterparties for Colombian superstar Karol G’s U.S. tour," &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cgtaq%7C7meBDqdnC4Aa" style="text-decoration: underline; color: #0068A5;"&gt;reports Block Club&lt;/a&gt;. "They were arrested Sunday by immigration authorities when arriving at Midway Airport." The first stop was to have been Washington, D.C., "where they’d bring the kind of celebration of music and culture they are known for in Chicago. As of Thursday morning, they remained detained in a detention center in Indiana, where they are being held apart from each other."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Live Nation Subsidiary Wipes Out Publications Including BrooklynVegan, Alternative Press&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"Music publications BrooklynVegan, Alternative Press, Revolver and Goldmine have been gutted by parent company Veeps,"&amp;nbsp;&lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cgtaq%7C7meBD%5EdnC4Aa" style="text-decoration: underline; color: #0068A5;"&gt;reports Pitchfork&lt;/a&gt;. "Nearly all staff at each publication appear to have been laid off." Veeps, part of Live Nation, "seems to have owned the publications since 2024 or 2025. Veeps was founded by Good Charlotte’s Benji and Joel Madden and has operated for many years as a ticketed livestream platform. Each publication has a storied history and a more or less unwavering mission that has endured for decades."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-58" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;STAGE&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-59" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Anna Shapiro, Former Steppenwolf Artistic Director, Will Serve As Juilliard Dean&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"Former Steppenwolf artistic director Anna D. Shapiro has been named dean and director of the drama division of the Juilliard School with an appointment effective next summer," &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cgtaq%7C7meBDydnC4Aa" style="text-decoration: underline; color: #0068A5;"&gt;reports Chris Jones&lt;/a&gt;. "An ensemble member and former artistic director of Steppenwolf Theatre Company, Shapiro has built an extraordinary career directing acclaimed productions on Broadway, Off Broadway and at leading regional theaters across the country," writes the Juilliard in the announcement. More &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cgtaq%7C7meBD2dnC4Aa" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;A Hundred Years Of Black Theater With Court Theatre&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;This month, Court Theatre will host the Spotlight Series, which "highlights classic plays from lesser-known Black playwrights while also introducing audiences to up-and-coming actors and directors," &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cgtaq%7C7meBD6dnC4Aa" style="text-decoration: underline; color: #0068A5;"&gt;reports the Sun-Times&lt;/a&gt;. "It was a combination of introducing new artists, but also marketing for the theater," says Court Theatre resident director Ron "OJ" Parson of the event's origins. "I was trying to introduce the theater to other neighborhoods in the city, so that the people would say, ‘Oh, they’re doing something different. Let’s buy a ticket.’ Because we would then offer them discounts."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Chicago Comedians Missing Health Insurance&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"The Health Alliance for Chicago Comedians surveyed local stand-up comics," &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cgtaq%7C7meBD-dnC4Aa" style="text-decoration: underline; color: #0068A5;"&gt;reports the Sun-Times&lt;/a&gt;. "The group is in the process of creating a pilot program to subsidize health insurance for this population." &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cgtaq%7C7meBDDdnC4Aa" style="text-decoration: underline; color: #0068A5;"&gt;The report&lt;/a&gt; from the Chicago-based group surveyed 110 comedians, finding that nearly sixteen percent are uninsured.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;West End Thrives As Broadway Wilts&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"Long a testing ground for shows that go on to excel in New York, the West End is capitalizing on lower production costs, cheaper ticket prices and government tax relief to drive attendance to new heights," reports the Wall Street Journal (&lt;em&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cgtaq%7C7meBEednC4Aa" style="text-decoration: underline; color: #0068A5;"&gt;free link&lt;/a&gt;&lt;/em&gt;). "A record 17.64 million tickets were sold for West End shows last year, nearly three million more than Broadway. Revenue rose about four percent to the equivalent of roughly $1.35 billion. West End attendances are now fifteen percent above pre-pandemic levels, while Broadway’s total audience has ticked down slightly."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-60" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p 
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&lt;tr&gt;&lt;td class="column column-1" width="100%" style="mso-table-lspace:0;mso-table-rspace:0;font-weight:400;text-align:left;vertical-align:top"&gt;&lt;table width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="col-pad" style="padding-bottom:5px;padding-top:5px"&gt;&lt;table class="text_block block-1" width="100%" border="0" cellpadding="15" cellspacing="0" role="presentation" 
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&lt;table class="image_block block-2" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;div style="max-width:598px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6cgkaq%7C0DeBkednkq0ccqX%5B%7C2ze%7Ej3l" target="_blank"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/ifp/be7/h4k/House%20Top%20-%20December%202025%20600%20x%20250.gif" style="display:block;height:auto;border:0;width:100%" 
width="598" alt="" title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-3" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:5px;padding-bottom:5px" align="center"&gt;&lt;div style="max-width:598px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6cgkaq%7C0DeBj%7Cdnkq0ccqX%5B%7C2ze%7Ej3l" target="_blank"&gt;&lt;img 
src="https://d15k2d11r6t6rl.cloudfront.net/pub/40qd/br3kliar/klo/rvp/y5j/Film%20Email%20Header.png" style="display:block;height:auto;border:0;width:100%" width="598" alt="" title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-4" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;div style="max-width:598px"&gt;
&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6cgkaq%7C0DeBsydnkq0ccqX%5B%7C2ze%7Ej3l" target="_blank"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/up2/zg6/q4u/mepris-01.jpeg" style="display:block;height:auto;border:0;width:100%" width="598" alt="" title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-5" style="height:21px;line-height:21px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="heading_block block-6" width="100%" border="0" cellpadding="0" cellspacing="0" 
role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px" align="center"&gt;&lt;h1 style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:24px;font-weight:900;letter-spacing:normal;line-height:1.5;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:36px"&gt;
&lt;strong&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6cgkaq%7C0DeBs2dnkq0ccqX%5B%7C2ze%7Ej3l" target="_blank" style="text-decoration: none; color: #000000;" rel="noopener"&gt;Talking Screens: A Week In Chicago Film&lt;br&gt;August 7-13, 2026&lt;/a&gt;&lt;/strong&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="divider_block block-7" width="100%" border="0" cellpadding="10" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" align="center"&gt;&lt;table border="0" cellpadding="0" cellspacing="0" 
role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-8" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div 
style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;font-size:18px;text-align:center;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;by Ray Pride&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-9" width="100%" border="0" cellpadding="20" cellspacing="0" 
role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;New reviews this week: "&lt;strong&gt;Wild Inside&lt;/strong&gt;"; "&lt;strong&gt;Cookie Queens&lt;/strong&gt;"; and "&lt;strong&gt;The Samurai and the Prisoner&lt;/strong&gt;."&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Also opening Friday: "&lt;strong&gt;Super Troopers 3,&lt;/strong&gt;" from Jay Chandrasekhar, auteur of cop hijinks comedies "Super Troopers" and "Super Troopers 2," opens Friday, as does "&lt;strong&gt;One Night Only&lt;/strong&gt;," from comedy stalwart, Will Gluck ("Lucky A"), a Manhattan romcom in a time that sex is legal only on a single night—"The Urge"?—with the crunchy cast of Monica Barbaro; Callum Turner; Maya Hawke; King Princess; Ben Marshall; Ziwe; Molly Ringwald; Levar Burton; and Julia Fox.&lt;/span&gt;
&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-10" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;div style="max-width:598px"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/97c/jm1/3un/Flaco-Stars-In-WIld-Inside.jpg" style="display:block;height:auto;border:0;width:100%" width="598" alt="" title="" height="auto"&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;
&lt;table class="text_block block-11" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;font-size:18px;text-align:center;mso-line-height-alt:18px"&gt;
&lt;span style="word-break: break-word; font-size: 12px;"&gt;Flaco stars In "Wild Inside"&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"&lt;strong&gt;Wild Inside&lt;/strong&gt;," the delicious, delirious, moving feature on the examined life of Manhattan owl Flaco, is a serious delight (like director Penny Lane's prior pictures). Sandbox Films' brisk synopsis: "On February 2, 2023, Flaco—a male Eurasian eagle-owl, the largest species of owl in the world—was discovered missing from his cage at the Central Park Zoo in Manhattan. What follows when Flaco, who had lived his entire life in captivity, was released in New York City is a surprising story revealing the delight, concern, and fascination of millions in the city and beyond."&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;The archive of imagery from New Yorkers is like panopticon&amp;nbsp;vérité: Flaco was observed, greedily, from all directions. Flaco is stunning, "Wild Inside" is great. More than just a canny fairytale of New York, it's also a paean to freedom and a punch-punch parable of the costs of incarceration. Batman, a barred owl, lived.&lt;em&gt;&amp;nbsp;Both&amp;nbsp;screenings will be introduced by representatives from the Chicago Bird Alliance. Trailer &lt;/em&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cgkaq%7C0DeBs6dnkq0a" style="text-decoration: underline; color: #0068A5;"&gt;&lt;em&gt;here&lt;/em&gt;&lt;/a&gt;. &lt;em&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cgkaq%7C0DeBs-dnkq0a" style="text-decoration: underline; color: #0068A5;"&gt;August 8, 13 at Siskel&lt;/a&gt;&lt;/em&gt;.&lt;/span&gt;
&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-12" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;div style="max-width:598px"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/nx1/nr2/e4l/Samurai-and-the-Prisoner.jpg" style="display:block;height:auto;border:0;width:100%" width="598" alt="" title="" height="auto"&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;
&lt;table class="text_block block-13" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;font-size:18px;text-align:center;mso-line-height-alt:18px"&gt;
&lt;span style="word-break: break-word; font-size: 12px;"&gt;"The Samurai and the Prisoner"&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
Kiyoshi Kurosawa crafts a crackerjack Agatha Christie-style whodunit in the period "&lt;strong&gt;The Samurai and The Prisoner&lt;/strong&gt;." Kurosawa can be framed as one of the most twenty-first century directors with his range of horror and science fiction. Even back in the twentieth century! Think of taut gems like "Cure," "Tokyo Sonata," "Charisma," "Pulse" and his previous release, the delightfully nasty, unforgiving "Cloud." He could have applied the title of another of his films, "Foreboding," pretty much anywhere in his filmography. His centuries-ago is his right-now: there's nothing about the perplexes and puzzles about freedom and duty posed by two men of different stations. The story satisfies as the elegance soothes: Kurosawa is a modern master even way back when.&amp;nbsp;&lt;em&gt;Trailer &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cgkaq%7C0DeBsDdnkq0a" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;. Opens Friday, August 7 at &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cgkaq%7C0DeBtednkq0a" style="text-decoration: underline; color: #0068A5;"&gt;Siskel,&lt;/a&gt; Drafthouse, River East and &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cgkaq%7C0DeBt%7Cdnkq0a" style="text-decoration: underline; color: #0068A5;"&gt;the Davis&lt;/a&gt;.&lt;/em&gt;
&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-14" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;div style="max-width:598px"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/lre/40f/rwg/Cookie_Queens-Still_1.jpg" style="display:block;height:auto;border:0;width:100%" width="598" alt="" title="" height="auto"&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table
 class="text_block block-15" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;font-size:18px;text-align:center;mso-line-height-alt:18px"&gt;
&lt;span style="word-break: break-word; font-size: 12px;"&gt;"Cookie Queens"&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Sundance 2026 selection "&lt;strong&gt;Cookie Queens&lt;/strong&gt;" rips the curtain off the sweet secrets of ambitious Girl Scouts nationwide! Not really; Alysa Nahmias' doc is actually a celebratory charmer, a vivid and fascinating look at the annual American enterprise told through the work of four girls. Brisk pacing and apt, compact portraiture resonate within a larger, more complex telling.&amp;nbsp; &lt;em&gt;Trailer &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cgkaq%7C0DeBtmdnkq0a" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;. "Cookie Queens" &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cgkaq%7C0DeBtqdnkq0a" style="text-decoration: underline; color: #0068A5;"&gt;opens Friday at the Music Box&lt;/a&gt;&lt;/em&gt;.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;The Chicago Film Society's annual &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cgkaq%7C0DeBt%5Ednkq0a" style="text-decoration: underline; color: #0068A5;"&gt;&lt;strong&gt;Technicolor Weekend&lt;/strong&gt;&lt;/a&gt; features some doozies, high and low—Coppola's "&lt;strong&gt;Godfather Part II&lt;/strong&gt;"! Howard Hawks' "&lt;strong&gt;Hatari!&lt;/strong&gt;" Robert Stevenson's "&lt;strong&gt;That Darn Cat!&lt;/strong&gt;"—detailed below with remarks from programmer Kyle Westphal in Repertory &amp; Revival. And Siskel Film Center's Emily Long tells us about &lt;strong&gt;new screens in both State Street theaters&lt;/strong&gt;.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Reeling&lt;/strong&gt; has announced dates for its forty-fourth edition of the world's second-longest-running LGBTQ+ film festival, as &amp;nbsp;September 17-27 for a lineup of more than seventy-five queer films, including narratives, documentaries and shorts. The schedule will be announced soon, but passes are available today &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cgkaq%7C0DeBtydnkq0a" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;While waiting to open their nearby Southport storefront, &lt;strong&gt;Steingold's of Chicago has their food truck parked outside the Music Box&lt;/strong&gt; for the &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cgkaq%7C0DeBt2dnkq0a" style="text-decoration: underline; color: #0068A5;"&gt;next couple of weeks&lt;/a&gt;. Inside the Music Box, the little-seen "&lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cgkaq%7C0DeBt6dnkq0a" style="text-decoration: underline; color: #0068A5;"&gt;&lt;strong&gt;WTO/99&lt;/strong&gt;"&lt;/a&gt; on Tuesday. "An immersive archival documentary that depicts the four-day clash between the then-emerging World Trade Organization (WTO) and the 40,000+ people who took to the streets of Seattle in 1999 to protest the WTO Conference and the WTO’s impact on human rights, labor, and the future effects of continued globalization." Director-producer Ian Bell and editor-producer Alex Megaro will discuss.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Plus, in The Week In Film, &lt;strong&gt;DePaul and Columbia both land on the Hollywood Reporter's listing of America's twenty-five best film schools&lt;/strong&gt;. And&amp;nbsp;Paramount Skydance CEO &lt;strong&gt;David Ellison says it's okay&lt;/strong&gt; to approve a merger with Warner Bros. Discover, trust him, but "Unfortunately, I can’t give anyone a view into my heart and mind." Plus, in Benedictions, &lt;strong&gt;Glen Hansard, Oscar-winner for the song "Falling Slowly" from "Once,"&lt;/strong&gt; died in a motorcycle crash outside Dublin.&lt;/span&gt;
&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="divider_block block-16" width="100%" border="0" cellpadding="10" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" align="center"&gt;&lt;table border="0" cellpadding="0" cellspacing="0" role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;
&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-17" width="100%" border="0" cellpadding="10" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p 
style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;strong&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6cgkaq%7C0DeBt-dnkq0ccqX%5B%7C2ze%7Ej3l" target="_blank" style="text-decoration: underline; color: #0068A5;" rel="noopener"&gt;&lt;em&gt;Become a member of Newcity&lt;/em&gt;&lt;/a&gt;&lt;/strong&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="divider_block block-18" width="100%" border="0" cellpadding="10" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" 
align="center"&gt;&lt;table border="0" cellpadding="0" cellspacing="0" role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-19" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td 
class="pad" style="width:100%" align="center"&gt;&lt;div style="max-width:598px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6cgkaq%7C0DeBtDdnkq0ccqX%5B%7C2ze%7Ej3l" target="_blank"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/kcw/yua/mwn/House%20Middle_Lower%20-%20December%202025%20-%20600x500.gif" style="display:block;height:auto;border:0;width:100%" width="598" alt="" title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-20" style="height:40px;line-height:40px;font-size:1px"&gt;
&amp;#8202;&lt;/div&gt;&lt;table class="heading_block block-21" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:24px;font-weight:900;letter-spacing:normal;line-height:1.5;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:36px"&gt;&lt;strong&gt;REPERTORY &amp;amp; REVIVAL&lt;/strong&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-22" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" 
align="center"&gt;&lt;div style="max-width:598px"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/h2i/za4/6f0/THAT-DARN-CAT.jpeg" style="display:block;height:auto;border:0;width:100%" width="598" alt="" title="" height="auto"&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-23" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div 
style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;font-size:18px;text-align:center;mso-line-height-alt:18px"&gt;&lt;span style="word-break: break-word; font-size: 12px;"&gt;"That Darn Cat!"&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;text-align:left;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cgkaq%7C0DeB%5Eednkq0a" style="text-decoration: underline; color: #0068A5;"&gt;&lt;strong&gt;Technicolor Weekend&lt;/strong&gt;&lt;/a&gt; "is what Chicago Film Society is all about. Many people have lost count of how many times they've seen 'Singin' In The Rain' or 'The Godfather Part II,' but every version we can watch at home—even on Blu-ray or 4K UHD—is a modern interpretation that's trying to approximate the color values of the original &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cgkaq%7C0DeB%5E%7Cdnkq0a" style="text-decoration: underline; color: #0068A5;"&gt;IB Technicolor exhibition prints&lt;/a&gt;.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"We want to be able to share the genuine article, and appreciate the texture, the patina of these vintage prints. This will be our fourth edition of Technicolor Weekend, but it's the first time we've shown a 16mm print in the lineup. If there are any 35mm copies of 'Meet Me At The Fair' out there (Technicolor or otherwise), we haven't been able to find them. Universal, the studio that produced the film, doesn't have a loanable 35mm print or DCP. This terrific musical by Douglas Sirk has never been on DVD or Blu-ray, and it doesn't pop up on TCM, either. It can only be viewed in 16mm, and thankfully those vintage 16mm prints are IB Tech, so the color hasn't faded.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"We delight in being able to balance classics and obscurities in Technicolor Weekend—it's a set-up that allows us to show something like 'The Busy Body,' a William Castle comedy that might otherwise struggle to attract an audience. We consider it a gangland appetizer before sitting down with the Corleones for the main course. When people are watching for the color, rather than story, we can really get creative." &lt;em&gt;Siskel, August 7-9. Full details &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cgkaq%7C0DeB%5Emdnkq0a" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;&lt;/em&gt;.&lt;/span&gt;
&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-24" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;div style="max-width:598px"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/s1h/qln/v91/Contempt-le-mepris-statues-scaled.jpeg" style="display:block;height:auto;border:0;width:100%" width="598" alt="" title="" height="auto"&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;&lt;table class="text_block block-25" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;font-size:18px;text-align:center;mso-line-height-alt:18px"&gt;
&lt;span style="word-break: break-word; font-size: 12px;"&gt;"Contempt"&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;“&lt;strong&gt;Contempt&lt;/strong&gt;” (Le mépris, 1963) is always a revelation, a shockingly accessible masterpiece amid Godard’s dense, discursive canon. Michel Piccoli plays Paul Javal, a playwright who needs money, and producer Prokosch is embodied by Jack Palance, that heavy among heavies, waving a packet of cash in Paul’s direction to doctor a script of “The Odyssey” as it is directed by Fritz Lang. “I like gods,” Palance purrs, “I like them very much.”&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Paul has a beautiful young wife, Camille, played with momentous petulance by Brigitte Bardot. Paul asks whether he should write the script. Camille tells him it’s fine. Later she feels he hasn’t shown enough concern when Prokosch has been forward with her. No matter what Paul does, it will not be enough. Camille seizes on excuses, any excuses, to dismiss Paul’s adoration. She remembers the love she once thought they had: “Everything used to happen instinctively, in complicitous ecstasy.”&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;For a good third of the movie, the couple bicker, contradict, snip and cut at each other in their brightly colored, unfinished apartment. The world is reduced to Paul and Camille. Man and Woman. The furniture is as bold, as blunt as sculpture. A cerulean chair, a sunflower-colored throw, a red couch. Statues. Bardot. Her body rebukes the viewer, Paul. “Do you love my breasts, my eyes, my knees?” she asks, as the camera, transfixed, goes beyond objectification into blunt fetish. “I love you totally, terribly, tragically,” is all Paul, smitten, ever-equivocating, can tell her.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;At the end, the camera looks out onto the ocean, the horizon. Limitless possibility or infinite distance? The space between you and I, the space between a man, a woman. The sparkling azure of the sea is the crashing gulf between them. It is unfathomably huge. &lt;em&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cgkaq%7C0DeB%5Eqdnkq0a" style="text-decoration: underline; color: #0068A5;"&gt;Music Box, Saturday-Sunday, August 8-9, 11:30am&lt;/a&gt;&lt;/em&gt;.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Facets' "&lt;strong&gt;Must-See Indies&lt;/strong&gt;" continues with carnal clockwork comedy "&lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cgkaq%7C0DeB%5E%5Ednkq0a" style="text-decoration: underline; color: #0068A5;"&gt;&lt;strong&gt;The Invite&lt;/strong&gt;&lt;/a&gt;," &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cgkaq%7C0DeB%5Eydnkq0a" style="text-decoration: underline; color: #0068A5;"&gt;starting August 8&lt;/a&gt;; and the little-seen azure-drenched "&lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cgkaq%7C0DeB%5E2dnkq0a" style="text-decoration: underline; color: #0068A5;"&gt;&lt;strong&gt;Blue Film&lt;/strong&gt;&lt;/a&gt;," "shot on a shoestring budget over two weeks&amp;nbsp; in a rented house in Los Angeles&lt;em&gt;.&lt;/em&gt; 'Blue Film' follows a single night in the life of dom camboy Aaron Eagle (Kieron Moore), who accepts $50,000 to spend the night with one of his fans, Hank (Reed Birney), only to realize the two have a shared past." Also: a fresh 4K restoration of Guy Maddin’s otherworldly 1992 Alpine majesty, “&lt;strong&gt;Careful&lt;/strong&gt;." Plus, Facets hosts Alterotics for&lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cgkaq%7C0DeB%5E6dnkq0a" style="text-decoration: underline; color: #0068A5;"&gt; &lt;strong&gt;two films by Annie Sprinkle&lt;/strong&gt;&lt;/a&gt;: "&lt;strong&gt;Linda/Les &amp; Annie&lt;/strong&gt;" (1989) and "&lt;strong&gt;Sluts &amp; Goddesses Video Workshop&lt;/strong&gt;" (1992).&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;It's still the seventies: on Friday, &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cgkaq%7C0DeBkmdnkq0a" style="text-decoration: underline; color: #0068A5;"&gt;Doc Films&lt;/a&gt; features&amp;nbsp;Robert Klane’s Giorgio Moroder-scored, The Commodores and Donna Summer-starring 1978 “&lt;strong&gt;Thank God It’s Friday&lt;/strong&gt;” (35mm).&amp;nbsp;And the extended firecracker of "&lt;strong&gt;Boogie Nights&lt;/strong&gt;" plays on 35mm on Thursday.&lt;/span&gt;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;The 400 salutes the late Sam Neill with the first in a series, John Carpenter's writer's apocalypse, "&lt;strong&gt;In The Mouth Of Madness.&lt;/strong&gt;" And for a screenwriter's apocalypse, "&lt;strong&gt;Sunset Boulevard&lt;/strong&gt;" comes to Rogers Park on Friday. &lt;em&gt;More &lt;/em&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cgkaq%7C0DeB%5E-dnkq0a" style="text-decoration: underline; color: #0068A5;"&gt;&lt;em&gt;here&lt;/em&gt;&lt;/a&gt;.&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table 
class="image_block block-26" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;div style="max-width:598px"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/1we/wlo/slt/FRD-19618r.jpg" style="display:block;height:auto;border:0;width:100%" width="598" alt="" title="" height="auto"&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-27" width="100%" 
border="0" cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;font-size:18px;text-align:center;mso-line-height-alt:18px"&gt;
&lt;span style="word-break: break-word; font-size: 12px;"&gt;"Mad Max: Fury Road"&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;text-align:center;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Jean Luc-Godard's "&lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cgkaq%7C0DeB%5EDdnkq0a" style="text-decoration: underline; color: #0068A5;"&gt;&lt;strong&gt;Weekend&lt;/strong&gt;&lt;/a&gt;" has four showings this week as part of the Siskel's "&lt;strong&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cgkaq%7C0DeBkydnkq0a" style="text-decoration: underline; color: #0068A5;"&gt;Vroom, Screech&lt;/a&gt;&lt;/strong&gt;" series. Dr. George Miller, of course, also shows up in the series with four outings for "&lt;strong&gt;Mad Max: Fury Road,&lt;/strong&gt;" as well as an Open Captions showing.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;“At night we ride through the mansions of glory in suicide machines”: Bruce Springsteen’s lyric from the “Born To Run” album is but one of so, so many cultural touchstones readily cross-referenced and layered upon the layer-upon-layer construction of “Mad Max: Fury Road.” So there’s sound, percussive, restless and singular fury, but does it signify an expressionist masterpiece? Possibly. Pretty much. Okay. Okay. &lt;em&gt;Yes&lt;/em&gt;. How sleek yet rude, near-mute yet politically assertive can a movie be? But first, the mayhem: “We don’t defy the laws of physics: There are no flying men or cars in this movie,” then-seventy-year-old co-writer-co-producer director George Miller says of his brilliant challenge to other makers of contemporary cinema, his first live-action film in over a decade, built from 3,500 storyboards and 2,700 cuts in just shy of two hours. (1981’s “Road Warrior” held a bucolic 1,200.)&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Since seeing this immaculately detailed, onrushing go-for-baroque manifesto, waves of orgiastic praise have washed over it from all corners. The most terse: J. G. Ballard notoriously dubbed “The Road Warrior” “punk’s Sistine Chapel”; invaluable Vulture critic Bilge Ebiri nodded to the novelist in tweeting out “Fury Road” as “the Sistine Chapel of action filmmaking.” To which I add: headlong, berserk, bonkers, batshit, boisterous, bountiful and big-hearted. The monumental valleys of the Namib Desert passing for the Australian outback, a backdrop of bold screaming color, its teeming denizens all seem sickened by radiation poisoning to one degree or another. But beyond the masterful motion, the linear but so-dense canvas, the near-faultless spatial acuity of each action setpiece, the frenetic and terrible beauty of the maniacally precise physical detailing, Miller’s politics also shout.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;There are kinds of chattel in the world and the future we have prepped for ourselves: water, oil (or “guzzolene,” as it’s called here) and chattel. Mad Max’s forward propulsion—not to call it a journey—is in the service of the escape of Imperator Furiosa (Charlize Theron, skull cropped, cheekbones often streaked with black oil, equipped with a prosthetic arm) with a procession of fertile women she’s caravanning beyond the wasteland to the green landscape of her youth. Max joins a revolution in the service of woman, and of the future they might build from the ashes of a masculine Inferno. “Look at them,” a character admires, “So shiny. So &lt;em&gt;chrome&lt;/em&gt;.”&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;The likenesses you could (and should) impose on this floodstream! The detritus of our civilization, of many civilizations, of Civilization: Details upon details, from each costume to every jammed-together vehicle fashioned from objects that all reek of totem and icon and fetish. John Ford, Terry Gilliam, Budd Boetticher, Buster Keaton, Jean-Pierre Jeunet, Peter Weir’s “The Cars That Ate Paris,” “Saló,” “Grand Theft Auto,” “Cannonball Run,” Chuck Jones, H. B. Halicki’s original “Gone in 60 Seconds,” Fritz Lang, Humphrey Bogart, Keaton, Pieter Bruegel, Hieronymus Bosch, punk, steampunk and on and on and furiously on.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Madness is violence and violence is life and life is madness and the cycle does not abate until death. “Fury Road” is not so much pessimistic but cheerily brutal, as, you have to admit, “Babe: Pig in the City” and “Happy Feet 2” are for the messages they leave the kiddies of generations. George Miller in three sentences: We’re doomed. Keep moving. Be kind. Plus: Armageddon out of here!&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div 
class="spacer_block block-28" style="height:40px;line-height:40px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="heading_block block-29" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:24px;font-weight:900;letter-spacing:normal;line-height:1.5;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:36px"&gt;&lt;strong&gt;CHICAGO SEEN&lt;/strong&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-30" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;div
 style="max-width:598px"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/hcb/1vw/zwl/James-Bond-Takes-Down-Siskel-Screen-2-scaled%20%281%29.jpeg" style="display:block;height:auto;border:0;width:100%" width="598" alt="" title="" height="auto"&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-31" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div 
style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;font-size:18px;text-align:center;mso-line-height-alt:18px"&gt;&lt;span style="word-break: break-word; font-size: 12px;"&gt;James Bond of Full Aperture Systems taking down the old screen &lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;text-align:center;mso-line-height-alt:18px"&gt;
&lt;span style="word-break: break-word; font-size: 12px;"&gt;in Siskel Film Center Theater 2/Photo: Michael Wawzenek&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:left;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;text-align:center;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;New Screens At Film Center After Twenty-Five Years On State&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Siskel Film Center executive director Emily Long &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cgkaq%7C0DeBvednkq0a" style="text-decoration: underline; color: #0068A5;"&gt;posts a photo&lt;/a&gt; of the "new microperf screen being installed in Theater 1 for your enjoyment (And yes, Theater 2 has a fresh screen as well.)" "The Gene Siskel Film Center has always been committed to presenting films the way filmmakers intended them to be seen," Long tells us. "These new screens are an investment in that mission, ensuring audiences experience every film with exceptional clarity, brightness, and fidelity. We are especially grateful that this upgrade was made possible through a generous gift from the family of Robert J. 'Bob' Puricelli, honoring his lifelong love of film. As we celebrate twenty-five years in our State Street home, this gift will enhance the moviegoing experience for every audience member who visits the Siskel for years to come."&lt;/span&gt;
&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-32" style="height:40px;line-height:40px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="heading_block block-33" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:24px;font-weight:900;letter-spacing:normal;line-height:1.5;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:36px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;THE WEEK IN FILM&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-34" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;DePaul Named A Top Ten Film School&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;The Hollywood Reporter &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cgkaq%7C0DeBv%7Cdnkq0a" style="text-decoration: underline; color: #0068A5;"&gt;has named DePaul&lt;/a&gt; a top ten film school for 2026, noting that “DePaul has launched full-tuition scholarships for incoming MFA students across directing, creative producing, screenwriting and animation, in addition to expanding the number of merit-based scholarships it will hand out to students pursuing graduate degrees in the arts. The school also has launched a postgraduate fund with $100,000 in cash and production resources for alumni looking to produce proof-of-concept pieces for larger projects.” The list also includes Columbia College Chicago, which is ranked just below the top ten. The full list of twenty-five film schools is &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cgkaq%7C0DeBvmdnkq0a" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;AI Bubble Could Cause Oracle Rubble&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;In a major investigation, the New York Times scans eighty-one-year-old billionaire Larry Ellison’s “risky, debt-fueled scramble to transform his data empire into an AI juggernaut” (&lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cgkaq%7C0DeBvqdnkq0a" style="text-decoration: underline; color: #0068A5;"&gt;&lt;em&gt;gift link&lt;/em&gt;&lt;/a&gt;). Since 2022, Ellison “moved quickly and aggressively—some might even say recklessly—to turn Oracle into a ‘hyperscaler,’ one of the handful of companies providing the critical infrastructure that would power the AI boom.” Roughly $40 billion of Ellison’s fortune, mostly in Oracle stock, is being used as a financial backstop to his son David Ellison’s planned acquisition of Warner Bros. Discovery. On Tuesday, The New York Times provided the multibillionaire David Ellison a platform to argue his case for the merger, which boils down to: you don't know my heart (&lt;em&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cgkaq%7C0DeBv%5Ednkq0a" style="text-decoration: underline; color: #0068A5;"&gt;gift link&lt;/a&gt;&lt;/em&gt;).&lt;/span&gt;
&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-35" style="height:40px;line-height:40px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="heading_block block-36" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:24px;font-weight:900;letter-spacing:normal;line-height:1.5;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:36px"&gt;&lt;strong&gt;STREAM LIFE&lt;/strong&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-37" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;div 
style="max-width:598px"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/zir/pz8/0g5/Trust-stoplights%20%281%29.jpg" style="display:block;height:auto;border:0;width:100%" width="598" alt="" title="" height="auto"&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-38" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div 
style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:18px"&gt;&lt;span style="word-break: break-word; font-size: 12px;"&gt;"Trust," by Hal Hartley&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;text-align:center;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Hal Hartley Calls "The End Of Physical Products"&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;"The time has come for me to cease the manufacture and sale of physical products," New York filmmaker Hal Hartley announced this week. "The box sets of my films are already half-price from &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cgkaq%7C0DeBvydnkq0a" style="text-decoration: underline; color: #0068A5;"&gt;halhartley.com &lt;/a&gt;and will remain that way until we close this part of our operation at the end of the day on September 18." Adds Hartley, "I’m not going away, just lightening the cargo a little bit." But his movies and music are available&amp;nbsp;for streaming from &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cgkaq%7C0DeBv2dnkq0a" target="_blank" rel="nofollow noopener noreferrer" style="text-decoration: underline; color: #0068A5;"&gt;halhartley.com&lt;/a&gt; and his Vimeo OTT channel. (The most recent, the wonderful "Where To Land" can be rented &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cgkaq%7C0DeBv6dnkq0a" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;.) Notably, he writes, "the excellent Chicago Film Society is now the distributor for most of my films for public screenings including theatrical and festival engagements, worldwide." Hartley and I &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6cgkaq%7C0DeBv-dnkq0ccqX%5B%7C2ze%7Ej3l" style="text-decoration: underline; color: #0068A5;"&gt;spoke for Newcity&lt;/a&gt; when Chicago Film Society's print of "Trust" was shown.&lt;/span&gt;
&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-39" style="height:40px;line-height:40px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="heading_block block-40" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:24px;font-weight:900;letter-spacing:normal;line-height:1.5;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:36px"&gt;&lt;strong&gt;BENEDICTIONS&lt;/strong&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-41" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;div
 style="max-width:598px"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/1xh/nyz/gp0/Glen-Hansard-Photo-By-Ray-Pride.jpeg" style="display:block;height:auto;border:0;width:100%" width="598" alt="" title="" height="auto"&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-42" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div 
style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:18px"&gt;&lt;span style="word-break: break-word; font-size: 12px;"&gt;Glen Hansard, 2007/Photo: Ray Pride&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;text-align:center;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Chicago Favorite Glen Hansard Was Fifty-Six&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Motorcycle, Dublin, early morning: Chicago fan favorite, Irish musician Glen Hansard died on Wednesday, &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cgkaq%7C0DeBvDdnkq0a" style="text-decoration: underline; color: #0068A5;"&gt;chronicles the Hollywood Reporter&lt;/a&gt;. “Hansard was best known as the frontman for the rock band the Frames, though he had successful solo albums with 2012’s ‘Rhythm and Repose’ and 2015’s ‘Didn’t He Ramble.’ The latter earned a Grammy Award nomination for best folk album. He also wrote music for film, appearing in the BAFTA-winning ‘The Commitments’ (1991) and Irish music drama ‘Once’ (2007), in which he and co-star Markéta Irglová played a dramatized version of their real-life musical pairing, folk rock duo The Swell Season. It won them the Academy Award for best original song the following year, for the title track ‘Falling Slowly.'” Among many other shows, Hansard played the Hideout on October 6, 2002; Aadam Jacobs’ recording is &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cgkaq%7C0DeBwednkq0a" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="divider_block block-43" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:20px;padding-bottom:20px;padding-left:10px;padding-right:10px" align="center"&gt;&lt;table border="0" cellpadding="0" cellspacing="0" role="presentation" width="100%" 
style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-44" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;div style="max-width:598px"&gt;
&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6cgkaq%7C0DeBw%7Cdnkq0ccqX%5B%7C2ze%7Ej3l" target="_blank"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/kcw/yua/mwn/House%20Middle_Lower%20-%20December%202025%20-%20600x500.gif" style="display:block;height:auto;border:0;width:100%" width="598" alt="" title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="divider_block block-45" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;
&lt;tr&gt;&lt;td class="pad" style="padding-top:20px;padding-bottom:20px;padding-left:10px;padding-right:10px" align="center"&gt;&lt;table border="0" cellpadding="0" cellspacing="0" role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="icons_block block-46" width="100%" border="0" 
cellpadding="10" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;text-align:center;line-height:0"&gt;&lt;tr&gt;&lt;td class="pad" style="vertical-align:middle;color:#000;font-family:inherit;font-size:14px;font-weight:400" align="center"&gt;&lt;table class="icons-outer" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;display:inline-table"&gt;&lt;tr&gt;&lt;td 
style="vertical-align:middle;text-align:center;padding-top:10px;padding-bottom:10px;padding-left:10px;padding-right:10px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cgkaq%7C0DeBsednkq0a" target="_self" title="" style="text-decoration: none;"&gt;&lt;img class="icon" src="https://d15k2d11r6t6rl.cloudfront.net/pub/40qd/br3kliar/3qs/o5m/w8g/unnamed-1.png" alt="" height="auto" width="32" align="center" style="display:block;height:auto;margin:0 auto;border:0"&gt;&lt;/a&gt;&lt;/td&gt;&lt;td 
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&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-4" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:5px;padding-bottom:5px;padding-left:20px;padding-right:20px" align="center"&gt;&lt;div style="max-width:350px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6cg%7Caq%7C06eAQmdnh8bccqX%5B%7C2ze%7Ej3l" target="_blank"&gt;&lt;img 
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style="padding-top:20px;padding-bottom:10px;padding-left:20px;padding-right:20px"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;There was a time when Americans were obsessed with building the tallest buildings in the world. For most of the twentieth century, the Empire State Building in New York reigned supreme, overtaken in 1972 by the Sears Tower in Chicago, which held the honors until 1998, when it was eclipsed by Petronas Towers in Malaysia. Now it's only the third-tallest in the United States—New York has reclaimed the country's crown, &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cg%7Caq%7C06eA%5B%5Ednh8ba" style="text-decoration: underline; color: #0068A5;"&gt;if not by ceiling height&lt;/a&gt;—and only the twenty-sixth-tallest in the world. And soon to be knocked down another notch, based on the plans for the Jeddah Tower, as described in today's Cultural News.&amp;nbsp;&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;Other than the Burj Khalifa perhaps, most of us would be hard-pressed to name many or any of the world's tallest buildings these days. The obsession with height has mostly shifted to Asia and the Middle East.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;But while Chicago's crown is a faded relic in this particular race, its connection to the creation of these structures is not. For what will soon be the two tallest in the world, along with several others on the top-thirty list, were designed right here in town, by Adrian Smith, along with his partner Gordon Gill.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;You may have read about them in our &lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cg%7Caq%7C06eA%5Bydnh8ba" style="text-decoration: underline; color: #0068A5;"&gt;Design 50.&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-7" 
width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px" align="left"&gt;&lt;div style="max-width:104px"&gt;&lt;img src="https://d15k2d11r6t6rl.cloudfront.net/pub/40qd/br3kliar/ier/gbh/bha/unnamed-1_1.png" style="display:block;height:auto;border:0;width:100%" width="104" alt="" title="" height="auto"&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table 
class="text_block block-8" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px; color: #000000;"&gt;Brian Hieggelke&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px; color: #000000;"&gt;Editor &amp; Publisher&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;em&gt;Order the summer double issue of the magazine &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6cg%7Caq%7C06eAQqdnh8bccqX%5B%7C2ze%7Ej3l" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;. Order a subscription &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6cg%7Caq%7C06eAQ%5Ednh8bccqX%5B%7C2ze%7Ej3l" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt; and the September issue will be your first.&amp;nbsp;&lt;/em&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table 
class="divider_block block-9" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:10px;padding-bottom:20px;padding-left:10px;padding-right:10px" align="center"&gt;&lt;table border="0" cellpadding="0" cellspacing="0" role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;
&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-10" style="height:21px;line-height:21px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="text_block block-11" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-left:20px;padding-right:20px"&gt;&lt;div style="font-family:Tahoma,Verdana,sans-serif"&gt;&lt;div class 
style="font-size:14px;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;mso-line-height-alt:16.8px;color:#555;line-height:1.2"&gt;&lt;p style="margin:0;font-size:14px;mso-line-height-alt:16.8px"&gt;&lt;span style="word-break: break-word; font-size: 16px; color: #5b7ead;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word;"&gt;FILM&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-12" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px" align="center"&gt;&lt;h1 style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:24px;font-weight:900;letter-spacing:normal;line-height:1.5;text-align:left;margin-top:0;margin-bottom:0;mso-line-height-alt:36px"&gt;
&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6cg%7Caq%7C06eA%5B2dnh8bccqX%5B%7C2ze%7Ej3l" target="_blank" style="text-decoration: none; color: #000000;" rel="noopener"&gt;Talking Screens: Godard's “Contempt” | Chicago Film Society's Technicolor Weekend | New Screens At Film Center&lt;/a&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-13" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;div 
style="max-width:598px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6cg%7Caq%7C06eA%5B6dnh8bccqX%5B%7C2ze%7Ej3l" target="_blank"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/nak/kls/yli/mepris-01-600x450.jpeg" style="display:block;height:auto;border:0;width:100%" width="598" alt="" title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-14" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;Plus: "The Samurai and The Prisoner" opens, "Mad Max: Fury Road" screens in the Siskel's "Vroom, Screech" series and much more. (Ray Pride)&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;
&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="divider_block block-15" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:10px;padding-bottom:20px;padding-left:10px;padding-right:10px" align="center"&gt;&lt;table border="0" cellpadding="0" cellspacing="0" role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="divider_inner" 
style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-16" style="height:21px;line-height:21px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="text_block block-17" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-left:20px;padding-right:20px"&gt;&lt;div 
style="font-family:Tahoma,Verdana,sans-serif"&gt;&lt;div class style="font-size:14px;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;mso-line-height-alt:16.8px;color:#555;line-height:1.2"&gt;&lt;p style="margin:0;font-size:14px;mso-line-height-alt:16.8px"&gt;&lt;span style="word-break: break-word; font-size: 16px; color: #d3877d;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word;"&gt;MUSIC&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-18" width="100%" border="0" 
cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px" align="center"&gt;&lt;h1 style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:24px;font-weight:900;letter-spacing:normal;line-height:1.5;text-align:left;margin-top:0;margin-bottom:0;mso-line-height-alt:36px"&gt;
&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6cg%7Caq%7C06eA%5B-dnh8bccqX%5B%7C2ze%7Ej3l" target="_blank" style="text-decoration: none; color: #000000;" rel="noopener"&gt;“Music for 8” Opens Guarneri Hall’s Ninth Season with Two New Pieces&lt;/a&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-19" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;div style="max-width:598px"&gt;
&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6cg%7Caq%7C06eA%5BDdnh8bccqX%5B%7C2ze%7Ej3l" target="_blank"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/dyh/zai/e7h/Octet-600x450.jpeg" style="display:block;height:auto;border:0;width:100%" width="598" alt="" title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-20" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div 
style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;Artistic director Stefan Hersh gives the lay of the land for Guarneri Hall's 2026-2027 season. (Dennis Polkow)&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="divider_block block-21" width="100%" 
border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:10px;padding-bottom:20px;padding-left:10px;padding-right:10px" align="center"&gt;&lt;table border="0" cellpadding="0" cellspacing="0" role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;
&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-22" style="height:45px;line-height:45px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="image_block block-23" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-left:20px;padding-right:20px" align="center"&gt;&lt;div style="max-width:400px"&gt;
&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6cg%7Caq%7C06eAR%7Cdnh8bccqX%5B%7C2ze%7Ej3l" target="_blank"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/q6i/gpd/eol/Newcity_2026-07-08_Cover%20Footer.jpeg" style="display:block;height:auto;border:0;width:100%" width="400" alt="" title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-24" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;
&lt;td class="pad" style="padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:18.2px;color:#000;line-height:1.3"&gt;&lt;p style="margin:0;font-size:14px;text-align:center;mso-line-height-alt:26px"&gt;
&lt;span style="word-break: break-word; font-size: 20px;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word;"&gt;JULY-AUGUST 2026:&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:14px;text-align:center;mso-line-height-alt:26px"&gt;&lt;span style="word-break: break-word; font-size: 20px;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word;"&gt;AMERICA 250 + ART IN MICHIGAN&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;br&gt;
&lt;span style="word-break: break-word; font-size: 20px;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word;"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6cg%7Caq%7C06eARmdnh8bccqX%5B%7C2ze%7Ej3l" target="_blank" style="text-decoration: none; color: #19638e;" rel="noopener"&gt;GET THE ISSUE&lt;/a&gt; | &lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6cg%7Caq%7C06eARqdnh8bccqX%5B%7C2ze%7Ej3l" target="_blank" style="text-decoration: none; color: #19638e;" rel="noopener"&gt;SUBSCRIBE&lt;/a&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div 
class="spacer_block block-25" style="height:40px;line-height:40px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="divider_block block-26" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:10px;padding-bottom:20px;padding-left:10px;padding-right:10px" align="center"&gt;&lt;table border="0" cellpadding="0" cellspacing="0" role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;
&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-27" style="height:21px;line-height:21px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="text_block block-28" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad" 
style="padding-left:20px;padding-right:20px"&gt;&lt;div style="font-family:Tahoma,Verdana,sans-serif"&gt;&lt;div class style="font-size:14px;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;mso-line-height-alt:16.8px;color:#555;line-height:1.2"&gt;&lt;p style="margin:0;font-size:14px;mso-line-height-alt:16.8px"&gt;&lt;span style="word-break: break-word; font-size: 16px; color: #65d68b;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word;"&gt;ART&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table 
class="heading_block block-29" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:24px;font-weight:900;letter-spacing:normal;line-height:1.5;text-align:left;margin-top:0;margin-bottom:0;mso-line-height-alt:36px"&gt;
&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6cg%7Caq%7C06eAVednh8bccqX%5B%7C2ze%7Ej3l" target="_blank" style="text-decoration: none; color: #000000;" rel="noopener"&gt;&lt;span class="mce-content-body mce-edit-focus" style="word-break: break-word; position: relative;" id="93f06989-e91d-4d4e-8581-12dfc4de89a9" data-position="10-0-28" data-qa="tinyeditor-root-element"&gt;Ephemera and History at Perspective Gallery&lt;/span&gt;&lt;/a&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-30" width="100%" border="0" cellpadding="0" 
cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;div style="max-width:598px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6cg%7Caq%7C06eAV%7Cdnh8bccqX%5B%7C2ze%7Ej3l" target="_blank"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/amm/c5g/5gt/Jane-Feely_On-Reflection-600x450.jpg" style="display:block;height:auto;border:0;width:100%" width="598" alt="" title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table 
class="text_block block-31" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Leaves and architecture are the focal points of this two-artist color photography exhibition. (Susan Aurinko)&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="divider_block block-32" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-top:20px;padding-bottom:20px;padding-left:10px;padding-right:10px" align="center"&gt;&lt;table border="0" 
cellpadding="0" cellspacing="0" role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-33" style="height:21px;line-height:21px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="text_block block-34" width="100%" border="0" cellpadding="0" cellspacing="0" 
role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad" style="padding-left:20px;padding-right:20px"&gt;&lt;div style="font-family:Tahoma,Verdana,sans-serif"&gt;&lt;div class style="font-size:14px;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;mso-line-height-alt:16.8px;color:#555;line-height:1.2"&gt;&lt;p style="margin:0;font-size:14px;mso-line-height-alt:16.8px"&gt;
&lt;span style="word-break: break-word; font-size: 16px; color: #a82b28;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word;"&gt;STAGE&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-35" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:10px;padding-bottom:10px;padding-left:20px;padding-right:20px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:24px;font-weight:900;letter-spacing:normal;line-height:1.5;text-align:left;margin-top:0;margin-bottom:0;mso-line-height-alt:36px"&gt;
&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6cg%7Caq%7C06eAVmdnh8bccqX%5B%7C2ze%7Ej3l" target="_blank" style="text-decoration: none; color: #000000;" rel="noopener"&gt;&lt;span class="mce-content-body mce-edit-focus" style="word-break: break-word; position: relative;" id="84785ceb-c8b3-49c1-a1de-079c221e5ab6" data-position="10-0-34" data-qa="tinyeditor-root-element"&gt;"yo ho." Is a Queer Love Story Set on the High Seas&lt;/span&gt;&lt;/a&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-36" width="100%" border="0" cellpadding="0" 
cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;div style="max-width:598px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6cg%7Caq%7C06eAVqdnh8bccqX%5B%7C2ze%7Ej3l" target="_blank"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/hsl/yxb/vli/BabesWithBlades_yoho_7-scaled-600x450.jpg" style="display:block;height:auto;border:0;width:100%" width="598" alt="" title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table 
class="text_block block-37" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;The world premiere from Babes With Blades Theatre Company is a comic twist on the fabled romance between the noted pirates Mary Read and Anne Bonny. (Rob Silverman Ascher)&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="divider_block block-38" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" 
style="padding-top:20px;padding-bottom:20px;padding-left:10px;padding-right:10px" align="center"&gt;&lt;table border="0" cellpadding="0" cellspacing="0" role="presentation" width="100%" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="divider_inner" style="font-size:1px;line-height:1px;border-top:1px solid #bbb"&gt;&lt;span style="word-break: break-word;"&gt;&amp;#8202;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="image_block block-39" width="100%" border="0" cellpadding="0" cellspacing="0" 
role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;div style="max-width:598px"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6cg%7Caq%7C06eAR-dnh8bccqX%5B%7C2ze%7Ej3l" target="_blank"&gt;&lt;img src="https://c2e64618e9.sdkmedia.net/pub/40qd/br3kliar/kcw/yua/mwn/House%20Middle_Lower%20-%20December%202025%20-%20600x500.gif" style="display:block;height:auto;border:0;width:100%" width="598" alt="" title="" height="auto"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div 
class="spacer_block block-40" style="height:40px;line-height:40px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="heading_block block-41" width="100%" border="0" cellpadding="5" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:28px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:34px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/uc%5EcnP6cg%7Caq%7C06eBwmdnh8bccqX%5B%7C2ze%7Ej3l" target="_blank" style="text-decoration: underline; color: #000000;" rel="noopener"&gt;TODAY IN CULTURE&lt;/a&gt;&lt;br&gt;&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;
&lt;table class="text_block block-42" width="100%" border="0" cellpadding="10" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:sans-serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:16.8px;color:#555;line-height:1.2"&gt;&lt;p style="margin:0;font-size:14px;text-align:center;mso-line-height-alt:16.8px"&gt;
&lt;span style="word-break: break-word; color: #000000;"&gt;&lt;strong&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;By Ray Pride&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;div class="spacer_block block-43" style="height:40px;line-height:40px;font-size:1px"&gt;&amp;#8202;&lt;/div&gt;&lt;table class="heading_block block-44" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" 
style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;ART&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-45" width="100%" border="0" 
cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;MCA Hosts Panel With Bad Bunny Collaborators, Including Director Kacho López Mari&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;To celebrate the exhibition “&lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cg%7Caq%7C06eAVydnh8ba" style="text-decoration: underline; color: #0068A5;"&gt;Dancing the Revolution: From Dancehall to Reggaetón&lt;/a&gt;,” the Museum of Contemporary Art will host a panel inspired by the book “P FKN R: How Bad Bunny Became the Global Voice of Puerto Rican Resistance.” Panelists include authors Vanessa Díaz and Petra Rivera-Rideau, as well as Bad Bunny music video director Kacho López Mari. The speakers will explore Bad Bunny’s collaborative process, political activism around Puerto Rico and cultural impact. Saturday, August 8, 2pm. More&amp;nbsp;&lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cg%7Caq%7C06eAV2dnh8ba" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;text-align:center;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;text-align:center;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;text-align:center;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Picking Just Thirty Out Of America’s 35,000 Museums&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;text-align:center;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;“There are more than 35,000 active museums in the United States,” ARTnews&amp;nbsp;&lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cg%7Caq%7C06eAV6dnh8ba" style="text-decoration: underline; color: #0068A5;"&gt;offers with a squint&lt;/a&gt;. “Add to that the growing number of so-called private museums founded by major collectors and the landscape becomes even more crowded.” ARTnews’ list of thirty institutions “focused primarily on the breadth and distinction of each institution’s permanent collection. Additional considerations included the strength of its temporary exhibition program and the grandeur of its architecture.” Among the brief illustrated entries: the&amp;nbsp; Crystal Bridges Museum of American Art in Bentonville, Arkansas, the Detroit Institute of Arts, the Walker Art Center, the Cleveland Museum, the John Michael Kohler Arts Center in Sheboygan, Wisconsin and the Art Institute of Chicago.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-46" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;DESIGN&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-47" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;font-size:18px;text-align:center;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;The World’s Tallest Building, By Adrian Smith + Gordon Gill, Continues Its Ascent&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;text-align:center;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Saudi Arabia’s $1.2 billion Jeddah Tower has reached a height of 1,410 feet, “marking a major construction milestone more than a decade after work began on the project and several years after it was halted,”&amp;nbsp;&lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cg%7Caq%7C06eAV-dnh8ba" style="text-decoration: underline; color: #0068A5;"&gt;notes the Siasat Daily&lt;/a&gt;. “It is expected to become the first building to exceed a kilometer in height, surpassing Dubai’s 828-meter Burj Khalifa.”&amp;nbsp;&lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cg%7Caq%7C06eAVDdnh8ba" style="text-decoration: underline; color: #0068A5;"&gt;Adds Audacy&lt;/a&gt;, “designed by Chicago-based architecture firm Adrian Smith + Gordon Gill, the tapered, three-petaled structure is engineered to withstand high-altitude wind loads while serving as the focal point for the broader $20 billion Jeddah Economic City master plan.” IB Times offers a comparative chart of the world’s tallest supertalls&amp;nbsp;&lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cg%7Caq%7C06eBbednh8ba" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;text-align:center;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Modernist East Chicago Church Offered Hope&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;text-align:center;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;A $150,000 award from the National Trust for Historic Preservation “will help St. Mark A.M.E. Zion Church’s congregation create a plan to preserve the unique fifty-three-year-old structure designed by the late Black Chicago architect Wendell Campbell,”&amp;nbsp;&lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cg%7Caq%7C06eBb%7Cdnh8ba" style="text-decoration: underline; color: #0068A5;"&gt;reports Sun-Times architecture critic Lee Bey&lt;/a&gt;. The “modernist East Chicago, Indiana, church mixes architectural Neo-Expressionism with 1970s futurism.”&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;text-align:center;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Studio Gang’s Work At California College Of The Arts Awarded&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;text-align:center;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;“Our expansion of the California College of the Arts’ campus has been recognized with a 2026 International Architecture Award from the Chicago Athenaeum: Museum for Architecture and Design and The European Centre for Architecture Art Design and Urban Studies,”&amp;nbsp;&lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cg%7Caq%7C06eBbmdnh8ba" style="text-decoration: underline; color: #0068A5;"&gt;Studio Gang announces&lt;/a&gt;. “For over twenty years, the International Architecture Awards have celebrated outstanding projects that showcase the most innovative and significant architecture, landscape architecture and urban planning shaping our cities and environments.”&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;text-align:center;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;CTA Sees Priority In Erecting Taller Gates Against Fare Jumping&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;text-align:center;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;CTA “is looking for modern fare gates that make it harder to skip fares, following similar investments in New York and San Francisco,”&amp;nbsp;&lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cg%7Caq%7C06eBbqdnh8ba" style="text-decoration: underline; color: #0068A5;"&gt;reports Axios Chicago&lt;/a&gt;. “Entry gates that make it more difficult to skip payment are part of an overall strategy to stop small infractions before they become more serious crimes.” In New York City, taller “paddle doors” “open like saloon doors, retracting plexiglass doors on each side to clear a path for entry.” Says Sheriff Tom Dart, “we have to get the plexiglass ones that go from the ground to about seven feet up. It cuts fare evasion down to next to nothing.”&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-48" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;DINING &amp;amp; DRINKING&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-49" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:12px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:18px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;font-size:18px;text-align:center;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;It’s Longman &amp; Eagle’s Turn In The Vegetable Patch&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;“Longman &amp; Eagle, the Logan Square restaurant that celebrated its sweet sixteen this year, still serves wild boar sloppy Joes, but new executive chef Alex Swieton revels in vegetables with serious hardcore style,” writes Louisa Kung Liu Chiu at the Trib (&lt;em&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cg%7Caq%7C06eBb2dnh8ba" style="text-decoration: underline; color: #0068A5;"&gt;gift link&lt;/a&gt;&lt;/em&gt;). Since 2010, Longman “developed a reputation for meaty Michelin-starred bar food with rare-whiskey pairings served loud and late into the night, with a six-room inn upstairs to crash.”&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;“’We’ve moved to a Michelin Bib Gourmand, which is my comfortable space to be,’ said Swieton about the guide’s award for restaurants that serve exceptional food at great value. ‘I like cooking food for regular everyday people.’&amp;nbsp;A few items will stay forever, including that sloppy Joe, the double smashburger and a roasted bone marrow with an optional whiskey luge.&amp;nbsp;The most punk rock move at the moment though might be ordering all their salads,&amp;nbsp;which I dared to do since they’re sourcing from local farms.”&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;text-align:center;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Ann Sather Moving Into Shuttered Stella’s Diner&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;text-align:center;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;“For six decades, Stella’s Diner served as a meeting ground for residents of the Lakeview neighborhood. Now, the diner’s owner is selling the recently shuttered location to be converted into an Ann Sather Restaurant,”&amp;nbsp;&lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cg%7Caq%7C06eBb6dnh8ba" style="text-decoration: underline; color: #0068A5;"&gt;reports the Sun-Times&lt;/a&gt;. The reasons are personal, says the owner, not related to a closure after a failed July health inspection. “Sadly for me, it was just time to go.”&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;text-align:center;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Gene &amp; Georgetti’s Celebrates Eighty-Fifth With Classic Dishes&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;text-align:center;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Throughout August, Gene &amp; Georgetti’s, “Chicago’s original Tuscan steakhouse,” will offer a lineup of “beloved dishes revived and reimagined” for its eighty-fifth anniversary. Highlights include Bacon &amp; Blue, thick-cut smoked bacon caramelized and finished with creamy blue cheese; homemade Fried Ravioli served with the restaurant’s classic marinara; a Walnut Cranberry Salad with crisp apples, toasted walnuts and Gene &amp; Georgetti’s signature apple vinaigrette; Lobster Fra Diavolo, featuring sweet Maine lobster tail in a signature spicy tomato sauce; and Pepper Steak, filet medallions sautéed with sweet peppers, mushrooms and homemade tomato sauce.&amp;nbsp;The anniversary specials will be available August 31. More&amp;nbsp;&lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cg%7Caq%7C06eBb-dnh8ba" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;text-align:center;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Biting Into The RFK Steak And Sauerkraut Diet&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;text-align:center;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;“I ate like Robert F. Kennedy Jr. for a week,” writes Willy Staley at the New York Times (&lt;em&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cg%7Caq%7C06eBbDdnh8ba" style="text-decoration: underline; color: #0068A5;"&gt;gift link&lt;/a&gt;&lt;/em&gt;). “I understand the appeal of a radical—and radically simple—dietary intervention… I was intrigued by the existence of a more powerful and manly diet for more powerful and manly people.&amp;nbsp;So I joined the cabinet—for a week, anyway.” They call it the Living Diet. “You eat nothing but the flesh of grass-fed ruminants—cows, yes, but also bison, elk and venison—and as many different fermented foods as possible, because their bacteria help repopulate your gut, which [they say] improves your metabolism, leading to weight loss. Wild-caught seafood is cool, too, but ruminants are best because they ferment what they eat in their many stomachs.”&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-50" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;FILM AND TELEVISION&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-51" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:12px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:18px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;font-size:18px;text-align:center;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Technicolor Weekend Is Here&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;text-align:center;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;The Chicago Film Society’s annual&amp;nbsp;&lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cg%7Caq%7C06eBcednh8ba" style="text-decoration: underline; color: #0068A5;"&gt;Technicolor Weekend&lt;/a&gt;&amp;nbsp;at the Siskel Film Center features some doozies, high and low—Francis Coppola’s “Godfather Part II”! Howard Hawks’ “Hatari!” and Robert Stevenson’s “That Darn Cat!” More, including enthusiastic remarks from programmer Kyle Westphal, in Talking Screens&amp;nbsp;&lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cg%7Caq%7C06eBwqdnh8ba" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;text-align:center;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Reeling Turns Forty-Four&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Reeling, the world’s second-longest-running LGBTQ+ film festival, has announced that its&amp;nbsp;forty-fourth edition will be held September 17-27. The lineup features more than seventy-five queer films, including narratives, documentaries and shorts. The schedule will be announced soon, but passes are available today&amp;nbsp;&lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cg%7Caq%7C06eBcmdnh8ba" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;.&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;text-align:center;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Paramount-Warner Antitrust Trial Set For March&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;text-align:center;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Paramount, “which struck a $111 billion deal to acquire Warner Bros., had requested a November trial for an antitrust lawsuit brought by state attorneys general,” but a federal judge set the date for March 2, 2027 instead, reports the New York Times (&lt;em&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cg%7Caq%7C06eBcqdnh8ba" style="text-decoration: underline; color: #0068A5;"&gt;gift link&lt;/a&gt;&lt;/em&gt;). The timeline “could further delay one of the biggest media deals in history.”&amp;nbsp;&lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cg%7Caq%7C06eBc%5Ednh8ba" style="text-decoration: underline; color: #0068A5;"&gt;Notes Matt Belloni of Puck&lt;/a&gt;, by March 2, “Paramount will have already accrued about $1.3 billion in ticking fees.”&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-52" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;MEDIA&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-53" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:12px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:18px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Dish Drop At Chicago Magazine&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;“Anthony Todd, who’s been doing Chicago mag’s&amp;nbsp;Dish the last few years, has been let go,”&amp;nbsp;&lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cg%7Caq%7C06eBcydnh8ba" style="text-decoration: underline; color: #0068A5;"&gt;writes Michael Gebert at Fooditor&lt;/a&gt;. “I suspect it’s not entirely the end of Dish, because they have quite a mailing list and produce other forms of content, but it looks like the end of Dish as an outlet for new restaurant stories.” Writers who “have handled Dish since Penny Pollack started it a couple of decades ago include Jeff Ruby and Carrie Schedler.” But coverage has moved “toward headlines that would drive traffic, which in food media nearly always means openings (see Block Club, for instance)… The coverage of the food scene in Chicago just got that much thinner.”&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Ann Landers’ Daughter, Margo Howard, Was Eighty-Six&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;“Margo Howard was the person you’d hope to be seated next to at a dinner party, to hear her purr anecdotes and observations about all the other guests,” c&lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cg%7Caq%7C06eBc2dnh8ba" style="text-decoration: underline; color: #0068A5;"&gt;hronicles Scott Simon at NPR.&lt;/a&gt;&amp;nbsp;“When it was reported this week that Margo had died at the age of eighty-six, a lot of coverage was understandably about the years she wrote the Dear Prudence advice column for Slate, and then another called Dear Margo. Advice was her family business, after all; Margo’s mother, Eppie Lederer, spent nearly fifty years writing the widely syndicated column Dear Ann Landers.” (Simon knew her from his days as a “young Chicago reporter.”)&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Saudi Arabia And Jared Kushner Pay $55 Billion For Electronic Arts&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Video game giant EA, with holdings that include The Sims,&amp;nbsp;Madden NFL and Battlefield,&amp;nbsp;is&amp;nbsp;officially a privately owned company after thirty-six years as a publicly traded company,&amp;nbsp;&lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cg%7Caq%7C06eBc6dnh8ba" style="text-decoration: underline; color: #0068A5;"&gt;reports the Guardian&lt;/a&gt;. The main investors are the Public Investment Fund of Saudi Arabia, private equity firm Silver Lake Partners and Jared Kushner’s Affinity Partners. Wikipedia details the complexities of the debt-burdened leveraged buyout&amp;nbsp;&lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cg%7Caq%7C06eBc-dnh8ba" style="text-decoration: underline; color: #0068A5;"&gt;here&lt;/a&gt;. “The Saudi crown prince, Mohammed bin Salman, has a reputation for being a gamer.”&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:18px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-54" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;STAGE&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-55" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;text-align:center;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Zayd Ayers Dohrn’s World Premiere At Victory Gardens Stars Nora Dunn&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;Victory Gardens Theater “will return to producing shows at the Biograph Theatre in September with the world premiere of ‘The Humanities,’ a new play by playwright, screenwriter and Northwestern University professor Zayd Ayers Dohrn,” writes Chris Jones at the Trib (&lt;em&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cg%7Caq%7C06eBcDdnh8ba" style="text-decoration: underline; color: #0068A5;"&gt;gift link&lt;/a&gt;&lt;/em&gt;). Eddie Torres will direct an all-Chicago cast that includes Nora Dunn. “The storied Chicago company, which owns the historic Biograph, has mostly been dark since the pandemic, following a dispute with a former artistic director and some of its affiliated artists. But it held a fundraiser this spring and intends to return to regular production. (Porchlight Music Theatre also will be producing at the Biograph this&amp;nbsp;&lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cg%7Caq%7C06eBdednh8ba" style="text-decoration: underline; color: #0068A5;"&gt;coming season&lt;/a&gt;.)”&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="heading_block block-56" width="100%" border="0" cellpadding="0" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0"&gt;&lt;tr&gt;&lt;td class="pad" style="width:100%;padding-top:20px;padding-bottom:20px;padding-left:5px;padding-right:5px" align="center"&gt;&lt;h1 
style="margin:0;color:#000;direction:ltr;font-family:Lato,Tahoma,Verdana,Segoe,sans-serif;font-size:22px;font-weight:900;letter-spacing:normal;line-height:1.2;text-align:center;margin-top:0;margin-bottom:0;mso-line-height-alt:26px"&gt;&lt;span class="tinyMce-placeholder" style="word-break: break-word;"&gt;ARTS &amp;amp; CULTURE &amp;amp; ETC.&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-57" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" 
style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p style="margin:0;font-size:18px;text-align:center;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Variety Of American Third Places Falls To An All-Time Low&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;“Bars, bowling alleys and movie theaters cost too much to run and visit,”&amp;nbsp;&lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cg%7Caq%7C06eBd%7Cdnh8ba" style="text-decoration: underline; color: #0068A5;"&gt;reports Fortune&lt;/a&gt;. “Americans have run out of places to hang out and we’re paying with our health. The U.S. has lost a fifth of its movie theaters and nearly a third of its bowling alleys since 2001.” Researchers using Census data “tracked twelve categories of what sociologists call ‘third places’—among them coffee shops, libraries, museums, recreation centers and restaurants—and found widespread closures across every single category from 2019 to 2021, with the losses hitting hardest in rural areas and communities with larger Black, Hispanic and less-educated populations.”&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;text-align:center;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Americans Spend More On Sports Gambling Than On Movies, Music And Museums&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;p 
style="margin:0;font-size:18px;mso-line-height-alt:27px"&gt;
&lt;span style="word-break: break-word; font-size: 18px;"&gt;“Americans placed roughly $166 billion in bets on sporting events in 2025,” tallies Fortune (&lt;em&gt;&lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cg%7Caq%7C06eBd%5Ednh8ba" style="text-decoration: underline; color: #0068A5;"&gt;free link&lt;/a&gt;&lt;/em&gt;), calling gambling “America’s favorite pastime.” That’s “more than the entire U.S. movie, music, book and museum industries generated. The North American box office totaled $8.87 billion in 2025, twenty-two percent below pre-pandemic levels. Recorded music revenue hit a record $11.5 billion. Live music like concerts and festivals brought in $18.51 billion. Book publishers tracked by the Association of American Publishers reported $14.6 billion for the year. And the U.S. museum industry generated an estimated $16.4 billion. Add it up and the total comes to roughly $70 billion, which is less than half what Americans wagered on sports.”&lt;/span&gt;
&lt;/p&gt;&lt;p style="margin:0;font-size:18px;mso-line-height-alt:21px"&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="text_block block-58" width="100%" border="0" cellpadding="20" cellspacing="0" role="presentation" style="mso-table-lspace:0;mso-table-rspace:0;word-break:break-word"&gt;&lt;tr&gt;&lt;td class="pad"&gt;&lt;div style="font-family:Georgia,'Times New Roman',serif"&gt;&lt;div class style="font-size:14px;font-family:Georgia,Times,'Times New Roman',serif;mso-line-height-alt:21px;color:#000;line-height:1.5"&gt;&lt;p 
style="margin:0;font-size:18px;text-align:center;mso-line-height-alt:27px"&gt;&lt;span style="word-break: break-word; font-size: 18px;"&gt;&lt;strong&gt;Send culture news and tips to&amp;nbsp;&lt;a href="https://newcity.omeclk.com/portal/wts/ug%5EcnP6cg%7Caq%7C06eAT6dnh8ba" target="_blank" style="text-decoration: underline; color: #0068A5;" rel="noopener"&gt;today@newcity.com&lt;/a&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;table class="divider_block block-59" width="100%" border="0" cellpadding="0" cellspacing="0" 
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